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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CDCF5CE it is the complementary color #63230ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CDCF5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CDCF5CE shade: #A1DCF0CE, #B2EEFFCE, #C3FFFFCE, #D4FFFFCE and #E5FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CDCF5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CDCF5CE shade: #9CDCF5CE, #8BCAE2CE, #7AB8CFCE, #69A6BCCE and #5894A9CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CDCF5CE shade: #9EDDF5, #9EC5F5, #9EADF5, #A59EF5 and #BD9EF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CDCF5CE shade: #9EDDF5, #9EC5F5, #9EADF5 and #9E9EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CDCF5CE shade matches the following richer shades: #9EDDF5 and #95E0FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CDCF5CE shade: #9EDDF5, #A6D9ED, #AFD5E4, #B8D1DB and #C0CED3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CDCF5CE shade: #9EF5DE, #9EF5F5, #9EDEF5, #9EC7F5 and #9EAFF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CDCF5CE shade: #52C2EE, #78CFF2, #9EDDF5, #C3EAF9 and #E9F7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CDCF5CE shade: #9CDCF5, #C79EF5 and #F5EA9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CDCF5CE shade: #9CDCF5, #F59EDE and #DEF59E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CDCF5CE shade: #9CDCF5, #C79EF5, #F5B59E and #CCF59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CDCF5CE shade: #9CDCF5, #E19EF5, #F5B59E and #B2F59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 8 / 0 / 3

HEX #9CDCF5CE

RGBA 156 220 245 0.81

HSLA 196.85, 0.82%, 0.79%, 0.81

LABA 84.4, -14.15, -18.64, 0.81

 

Complementary color

CMYK 0 / 52 / 73 / 50

HEX #63230ACE

RGBA 99 35 10 0.81

HSLA 16.85, 0.82%, 0.21%, 0.81

LABA 23.26, 27.64, 29.67, 0.81

 

CMYK 27 / 7 / 0 / 5

HEX #A1DCF0CE

RGBA 161 220 240 0.81

HSLA 195.19, 0.72%, 0.79%, 0.81

LABA 84.51, -14.03, -15.81, 0.81

 

CMYK 24 / 5 / 0 / 0

HEX #B2EEFFCE

RGBA 178 238 255 0.81

HSLA 193.25, 1%, 0.85%, 0.81

LABA 90.7, -14.98, -14.31, 0.81

 

CMYK 19 / 0 / 0 / 0

HEX #C3FFFFCE

RGBA 195 255 255 0.81

HSLA 180, 1%, 0.88%, 0.81

LABA 96.14, -18.63, -6.13, 0.81

 

CMYK 14 / 0 / 0 / 0

HEX #D4FFFFCE

RGBA 212 255 255 0.81

HSLA 180, 1%, 0.92%, 0.81

LABA 97.12, -13.62, -4.57, 0.81

 

CMYK 8 / 0 / 0 / 0

HEX #E5FFFFCE

RGBA 229 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.19, -8.37, -2.87, 0.81

 

CMYK 29 / 8 / 0 / 3

HEX #9CDCF5CE

RGBA 156 220 245 0.81

HSLA 196.85, 0.82%, 0.79%, 0.81

LABA 84.4, -14.15, -18.64, 0.81

 

CMYK 31 / 9 / 0 / 9

HEX #8BCAE2CE

RGBA 139 202 226 0.81

HSLA 196.55, 0.6%, 0.72%, 0.81

LABA 78.01, -14.07, -18.26, 0.81

 

CMYK 33 / 9 / 0 / 15

HEX #7AB8CFCE

RGBA 122 184 207 0.81

HSLA 196.24, 0.47%, 0.65%, 0.81

LABA 71.5, -13.97, -17.88, 0.81

 

CMYK 36 / 9 / 0 / 21

HEX #69A6BCCE

RGBA 105 166 188 0.81

HSLA 195.9, 0.38%, 0.57%, 0.81

LABA 64.89, -13.84, -17.48, 0.81

 

CMYK 39 / 10 / 0 / 27

HEX #5894A9CE

RGBA 88 148 169 0.81

HSLA 195.56, 0.32%, 0.5%, 0.81

LABA 58.15, -13.66, -17.08, 0.81

 

CMYK 36 / 10 / 0 / 4

HEX #9EDDF5

RGB 158 221 245

HSL 196.55, 0.81%, 0.79%

LAB 84.78, -14.13, -18.07

 

CMYK 36 / 20 / 0 / 4

HEX #9EC5F5

RGB 158 197 245

HSL 213.1, 0.81%, 0.79%

LAB 78.34, -1.55, -27.85

 

CMYK 36 / 29 / 0 / 4

HEX #9EADF5

RGB 158 173 245

HSL 229.66, 0.81%, 0.79%

LAB 72.06, 11.64, -37.54

 

CMYK 33 / 36 / 0 / 4

HEX #A59EF5

RGB 165 158 245

HSL 244.83, 0.81%, 0.79%

LAB 68.78, 22, -42.62

 

CMYK 23 / 36 / 0 / 4

HEX #BD9EF5

RGB 189 158 245

HSL 261.38, 0.81%, 0.79%

LAB 70.78, 28.76, -39.36

 

CMYK 36 / 10 / 0 / 4

HEX #9EDDF5

RGB 158 221 245

HSL 196.55, 0.81%, 0.79%

LAB 84.78, -14.13, -18.07

 

CMYK 36 / 20 / 0 / 4

HEX #9EC5F5

RGB 158 197 245

HSL 213.1, 0.81%, 0.79%

LAB 78.34, -1.55, -27.85

 

CMYK 36 / 29 / 0 / 4

HEX #9EADF5

RGB 158 173 245

HSL 229.66, 0.81%, 0.79%

LAB 72.06, 11.64, -37.54

 

CMYK 36 / 36 / 0 / 4

HEX #9E9EF5

RGB 158 158 245

HSL 240, 0.81%, 0.79%

LAB 68.25, 20.11, -43.49

 

CMYK 36 / 10 / 0 / 4

HEX #9EDDF5

RGB 158 221 245

HSL 196.55, 0.81%, 0.79%

LAB 84.78, -14.13, -18.07

 

CMYK 41 / 12 / 0 / 0

HEX #95E0FE

RGB 149 224 254

HSL 197.14, 0.98%, 0.79%

LAB 85.43, -15.71, -21.87

 

CMYK 36 / 10 / 0 / 4

HEX #9EDDF5

RGB 158 221 245

HSL 196.55, 0.81%, 0.79%

LAB 84.78, -14.13, -18.07

 

CMYK 30 / 8 / 0 / 7

HEX #A6D9ED

RGB 166 217 237

HSL 196.9, 0.66%, 0.79%

LAB 83.89, -11.81, -15.13

 

CMYK 23 / 7 / 0 / 11

HEX #AFD5E4

RGB 175 213 228

HSL 196.98, 0.5%, 0.79%

LAB 83.07, -9.19, -11.51

 

CMYK 16 / 5 / 0 / 14

HEX #B8D1DB

RGB 184 209 219

HSL 197.14, 0.33%, 0.79%

LAB 82.33, -6.28, -7.77

 

CMYK 9 / 2 / 0 / 17

HEX #C0CED3

RGB 192 206 211

HSL 195.79, 0.18%, 0.79%

LAB 81.87, -3.75, -4.12

 

CMYK 36 / 0 / 9 / 4

HEX #9EF5DE

RGB 158 245 222

HSL 164.14, 0.81%, 0.79%

LAB 90.71, -31.19, 2.78

 

CMYK 36 / 0 / 0 / 4

HEX #9EF5F5

RGB 158 245 245

HSL 180, 0.81%, 0.79%

LAB 91.31, -26.05, -8.3

 

CMYK 36 / 9 / 0 / 4

HEX #9EDEF5

RGB 158 222 245

HSL 195.86, 0.81%, 0.79%

LAB 85.05, -14.64, -17.66

 

CMYK 36 / 19 / 0 / 4

HEX #9EC7F5

RGB 158 199 245

HSL 211.72, 0.81%, 0.79%

LAB 78.87, -2.62, -27.04

 

CMYK 36 / 29 / 0 / 4

HEX #9EAFF5

RGB 158 175 245

HSL 228.28, 0.81%, 0.79%

LAB 72.58, 10.52, -36.74

 

CMYK 66 / 18 / 0 / 7

HEX #52C2EE

RGB 82 194 238

HSL 196.92, 0.82%, 0.63%

LAB 73.9, -18.5, -31.2

 

CMYK 50 / 14 / 0 / 5

HEX #78CFF2

RGB 120 207 242

HSL 197.21, 0.82%, 0.71%

LAB 79.06, -16.93, -25.32

 

CMYK 36 / 10 / 0 / 4

HEX #9EDDF5

RGB 158 221 245

HSL 196.55, 0.81%, 0.79%

LAB 84.78, -14.13, -18.07

 

CMYK 22 / 6 / 0 / 2

HEX #C3EAF9

RGB 195 234 249

HSL 196.67, 0.82%, 0.87%

LAB 90.45, -9.42, -11.45

 

CMYK 8 / 2 / 0 / 1

HEX #E9F7FD

RGB 233 247 253

HSL 198, 0.83%, 0.95%

LAB 96.38, -3.46, -4.47

 

CMYK 36 / 10 / 0 / 4

HEX #9CDCF5

RGB 156 220 245

HSL 196.85, 0.82%, 0.79%

LAB 84.4, -14.15, -18.64

 

CMYK 19 / 36 / 0 / 4

HEX #C79EF5

RGB 199 158 245

HSL 268.28, 0.81%, 0.79%

LAB 71.68, 31.68, -37.88

 

CMYK 0 / 4 / 36 / 4

HEX #F5EA9E

RGB 245 234 158

HSL 52.41, 0.81%, 0.79%

LAB 92.01, -7.14, 38.28

 

CMYK 36 / 10 / 0 / 4

HEX #9CDCF5

RGB 156 220 245

HSL 196.85, 0.82%, 0.79%

LAB 84.4, -14.15, -18.64

 

CMYK 0 / 36 / 9 / 4

HEX #F59EDE

RGB 245 158 222

HSL 315.86, 0.81%, 0.79%

LAB 75.54, 41.55, -19.02

 

CMYK 9 / 0 / 36 / 4

HEX #DEF59E

RGB 222 245 158

HSL 75.86, 0.81%, 0.79%

LAB 93.15, -21.2, 39.44

 

CMYK 36 / 10 / 0 / 4

HEX #9CDCF5

RGB 156 220 245

HSL 196.85, 0.82%, 0.79%

LAB 84.4, -14.15, -18.64

 

CMYK 19 / 36 / 0 / 4

HEX #C79EF5

RGB 199 158 245

HSL 268.28, 0.81%, 0.79%

LAB 71.68, 31.68, -37.88

 

CMYK 0 / 26 / 36 / 4

HEX #F5B59E

RGB 245 181 158

HSL 15.86, 0.81%, 0.79%

LAB 79, 20.27, 20.83

 

CMYK 17 / 0 / 36 / 4

HEX #CCF59E

RGB 204 245 158

HSL 88.28, 0.81%, 0.79%

LAB 91.96, -27.72, 37.66

 

CMYK 36 / 10 / 0 / 4

HEX #9CDCF5

RGB 156 220 245

HSL 196.85, 0.82%, 0.79%

LAB 84.4, -14.15, -18.64

 

CMYK 8 / 36 / 0 / 4

HEX #E19EF5

RGB 225 158 245

HSL 286.21, 0.81%, 0.79%

LAB 74.22, 39.45, -33.74

 

CMYK 0 / 26 / 36 / 4

HEX #F5B59E

RGB 245 181 158

HSL 15.86, 0.81%, 0.79%

LAB 79, 20.27, 20.83

 

CMYK 27 / 0 / 36 / 4

HEX #B2F59E

RGB 178 245 158

HSL 106.21, 0.81%, 0.79%

LAB 90.43, -36.66, 35.37

 

Description

Color code: HEX #9CDCF5CE | qconv.com Color code: HEX #9CDCF5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 220 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 220 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 8 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 8% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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