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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CDC61 it is the complementary color #63239E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CDC61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CDC61 shade: #A1DC5C, #B2EE6F, #C3FF82, #D4FF95 and #E5FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CDC61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CDC61 shade: #9CDC61, #8BCA4E, #7AB83B, #69A628 and #589415

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CDC61 shade: #9CDC60, #BDDC60, #DCDA60, #DCB860 and #DC9760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CDC61 shade: #9CDC60, #7ADC60, #60DC67, #60DC89 and #60DCAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CDC61 shade matches the following richer shades: #9CDC60, #9BEC50 and #9AFB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CDC61 shade: #9CDC60, #9CCC70, #9DBD7F, #9DAD8F and #9E9D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CDC61 shade: #DCDA60, #BDDC60, #9CDC60, #7BDC60 and #60DC66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CDC61 shade: #72C02A, #86D53E, #9CDC60, #B1E482 and #C6EBA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CDC61 shade: #9CDC61, #60DCB9 and #DC60CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CDC61 shade: #9CDC61, #609CDC and #DC609C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CDC61 shade: #9CDC61, #60DCB9, #A060DC and #DC6083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CDC61 shade: #9CDC61, #60DADC, #A060DC and #DC6260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 56 / 14

HEX #9CDC61

RGB 156 220 97

HSL 91.22, 0.64%, 0.62%

LAB 81.36, -40.44, 53.16

 

Complementary color

CMYK 37 / 78 / 0 / 38

HEX #63239E

RGB 99 35 158

HSL 271.22, 0.64%, 0.38%

LAB 30.21, 51.06, -54.58

 

CMYK 27 / 0 / 58 / 14

HEX #A1DC5C

RGB 161 220 92

HSL 87.66, 0.65%, 0.61%

LAB 81.59, -39.12, 55.73

 

CMYK 25 / 0 / 53 / 7

HEX #B2EE6F

RGB 178 238 111

HSL 88.35, 0.79%, 0.68%

LAB 87.85, -39.22, 54.72

 

CMYK 24 / 0 / 49 / 0

HEX #C3FF82

RGB 195 255 130

HSL 88.8, 1%, 0.75%

LAB 93.77, -38.82, 53.32

 

CMYK 17 / 0 / 42 / 0

HEX #D4FF95

RGB 212 255 149

HSL 84.34, 1%, 0.79%

LAB 95.03, -30.65, 46.12

 

CMYK 10 / 0 / 34 / 0

HEX #E5FFA8

RGB 229 255 168

HSL 77.93, 1%, 0.83%

LAB 96.41, -22.21, 38.85

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC61

RGB 156 220 97

HSL 91.22, 0.64%, 0.62%

LAB 81.36, -40.44, 53.16

 

CMYK 31 / 0 / 61 / 21

HEX #8BCA4E

RGB 139 202 78

HSL 90.48, 0.54%, 0.55%

LAB 75, -40.32, 54.11

 

CMYK 34 / 0 / 68 / 28

HEX #7AB83B

RGB 122 184 59

HSL 89.76, 0.51%, 0.48%

LAB 68.56, -40.08, 54.82

 

CMYK 37 / 0 / 76 / 35

HEX #69A628

RGB 105 166 40

HSL 89.05, 0.61%, 0.4%

LAB 62.02, -39.68, 55.04

 

CMYK 41 / 0 / 86 / 42

HEX #589415

RGB 88 148 21

HSL 88.35, 0.75%, 0.33%

LAB 55.39, -39.02, 54.29

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC60

RGB 156 220 96

HSL 90.97, 0.64%, 0.62%

LAB 81.35, -40.53, 53.6

 

CMYK 14 / 0 / 56 / 14

HEX #BDDC60

RGB 189 220 96

HSL 75, 0.64%, 0.62%

LAB 83.36, -28.22, 56.44

 

CMYK 0 / 1 / 56 / 14

HEX #DCDA60

RGB 220 218 96

HSL 59.03, 0.64%, 0.62%

LAB 85.1, -14.87, 59.02

 

CMYK 0 / 16 / 56 / 14

HEX #DCB860

RGB 220 184 96

HSL 42.58, 0.64%, 0.62%

LAB 76.28, 2.53, 48.9

 

CMYK 0 / 31 / 56 / 14

HEX #DC9760

RGB 220 151 96

HSL 26.61, 0.64%, 0.62%

LAB 68.16, 20.15, 39.16

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC60

RGB 156 220 96

HSL 90.97, 0.64%, 0.62%

LAB 81.35, -40.53, 53.6

 

CMYK 45 / 0 / 56 / 14

HEX #7ADC60

RGB 122 220 96

HSL 107.42, 0.64%, 0.62%

LAB 79.71, -51.68, 51.28

 

CMYK 56 / 0 / 53 / 14

HEX #60DC67

RGB 96 220 103

HSL 123.39, 0.64%, 0.62%

LAB 78.84, -57.85, 46.79

 

CMYK 56 / 0 / 38 / 14

HEX #60DC89

RGB 96 220 137

HSL 139.84, 0.64%, 0.62%

LAB 79.32, -52.7, 30.63

 

CMYK 56 / 0 / 23 / 14

HEX #60DCAA

RGB 96 220 170

HSL 155.81, 0.64%, 0.62%

LAB 79.94, -46.25, 14.3

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC60

RGB 156 220 96

HSL 90.97, 0.64%, 0.62%

LAB 81.35, -40.53, 53.6

 

CMYK 34 / 0 / 66 / 7

HEX #9BEC50

RGB 155 236 80

HSL 91.15, 0.8%, 0.62%

LAB 85.78, -49.1, 65.19

 

CMYK 39 / 0 / 74 / 2

HEX #9AFB41

RGB 154 251 65

HSL 91.29, 0.96%, 0.62%

LAB 89.97, -56.47, 74.71

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC60

RGB 156 220 96

HSL 90.97, 0.64%, 0.62%

LAB 81.35, -40.53, 53.6

 

CMYK 24 / 0 / 45 / 20

HEX #9CCC70

RGB 156 204 112

HSL 91.3, 0.47%, 0.62%

LAB 76.93, -31.5, 40.71

 

CMYK 17 / 0 / 33 / 26

HEX #9DBD7F

RGB 157 189 127

HSL 90.97, 0.32%, 0.62%

LAB 72.95, -21.89, 27.89

 

CMYK 9 / 0 / 17 / 32

HEX #9DAD8F

RGB 157 173 143

HSL 92, 0.15%, 0.62%

LAB 68.78, -11.17, 13.56

 

CMYK 1 / 1 / 0 / 38

HEX #9E9D9F

RGB 158 157 159

HSL 270, 0.01%, 0.62%

LAB 64.87, 0.75, -0.92

 

CMYK 0 / 1 / 56 / 14

HEX #DCDA60

RGB 220 218 96

HSL 59.03, 0.64%, 0.62%

LAB 85.1, -14.87, 59.02

 

CMYK 14 / 0 / 56 / 14

HEX #BDDC60

RGB 189 220 96

HSL 75, 0.64%, 0.62%

LAB 83.36, -28.22, 56.44

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC60

RGB 156 220 96

HSL 90.97, 0.64%, 0.62%

LAB 81.35, -40.53, 53.6

 

CMYK 44 / 0 / 56 / 14

HEX #7BDC60

RGB 123 220 96

HSL 106.94, 0.64%, 0.62%

LAB 79.75, -51.38, 51.34

 

CMYK 56 / 0 / 54 / 14

HEX #60DC66

RGB 96 220 102

HSL 122.9, 0.64%, 0.62%

LAB 78.83, -57.98, 47.24

 

CMYK 41 / 0 / 78 / 25

HEX #72C02A

RGB 114 192 42

HSL 91.2, 0.64%, 0.46%

LAB 70.49, -47.35, 62.61

 

CMYK 37 / 0 / 71 / 16

HEX #86D53E

RGB 134 213 62

HSL 91.39, 0.64%, 0.54%

LAB 77.88, -47.99, 63.45

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC60

RGB 156 220 96

HSL 90.97, 0.64%, 0.62%

LAB 81.35, -40.53, 53.6

 

CMYK 22 / 0 / 43 / 11

HEX #B1E482

RGB 177 228 130

HSL 91.22, 0.64%, 0.7%

LAB 85.22, -32.94, 42.51

 

CMYK 16 / 0 / 30 / 8

HEX #C6EBA4

RGB 198 235 164

HSL 91.27, 0.64%, 0.78%

LAB 88.97, -24.26, 30.61

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC61

RGB 156 220 97

HSL 91.22, 0.64%, 0.62%

LAB 81.36, -40.44, 53.16

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 0 / 56 / 6 / 14

HEX #DC60CE

RGB 220 96 206

HSL 306.77, 0.64%, 0.62%

LAB 59.92, 61.98, -34.37

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC61

RGB 156 220 97

HSL 91.22, 0.64%, 0.62%

LAB 81.36, -40.44, 53.16

 

CMYK 56 / 29 / 0 / 14

HEX #609CDC

RGB 96 156 220

HSL 210.97, 0.64%, 0.62%

LAB 62.87, -0.93, -38.43

 

CMYK 0 / 56 / 29 / 14

HEX #DC609C

RGB 220 96 156

HSL 330.97, 0.64%, 0.62%

LAB 58.02, 54.7, -8.56

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC61

RGB 156 220 97

HSL 91.22, 0.64%, 0.62%

LAB 81.36, -40.44, 53.16

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 27 / 56 / 0 / 14

HEX #A060DC

RGB 160 96 220

HSL 270.97, 0.64%, 0.62%

LAB 52.96, 49.15, -53.8

 

CMYK 0 / 56 / 40 / 14

HEX #DC6083

RGB 220 96 131

HSL 343.06, 0.64%, 0.62%

LAB 57.29, 51.78, 4.97

 

CMYK 29 / 0 / 56 / 14

HEX #9CDC61

RGB 156 220 97

HSL 91.22, 0.64%, 0.62%

LAB 81.36, -40.44, 53.16

 

CMYK 56 / 1 / 0 / 14

HEX #60DADC

RGB 96 218 220

HSL 180.97, 0.64%, 0.62%

LAB 80.63, -33.21, -11.29

 

CMYK 27 / 56 / 0 / 14

HEX #A060DC

RGB 160 96 220

HSL 270.97, 0.64%, 0.62%

LAB 52.96, 49.15, -53.8

 

CMYK 0 / 55 / 56 / 14

HEX #DC6260

RGB 220 98 96

HSL 0.97, 0.64%, 0.62%

LAB 56.88, 47.62, 24.81

 

Description

Color code: HEX #9CDC61 | qconv.com Color code: HEX #9CDC61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 220 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 220 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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