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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CDC34 it is the complementary color #6323CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CDC34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CDC34 shade: #A1DC2F, #B2EE42, #C3FF55, #D4FF68 and #E5FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CDC34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CDC34 shade: #9CDC34, #8BCA21, #7AB80E, #69A600 and #589400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CDC34 shade: #9BDC32, #C9DC32, #DCC132, #DC9332 and #DC6632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CDC34 shade: #9BDC32, #6EDC32, #40DC32, #32DC52 and #32DC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CDC34 shade matches the following richer shades: #9BDC32 and #A0F01F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CDC34 shade: #9BDC32, #97C945, #92B559, #8EA26C and #898F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CDC34 shade: #DCC032, #CBDC32, #9EDC32, #70DC32 and #43DC32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CDC34 shade: #6EA11B, #86C421, #9BDC32, #ADE255 and #BEE879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CDC34 shade: #9CDC34, #32DC92 and #D732DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CDC34 shade: #9CDC34, #329EDC and #DC329E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CDC34 shade: #9CDC34, #32DC92, #7032DC and #DC327C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CDC34 shade: #9CDC34, #32DCC6, #7032DC and #DC3249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 76 / 14

HEX #9CDC34

RGB 156 220 52

HSL 82.86, 0.71%, 0.53%

LAB 81.02, -43.72, 70.23

 

Complementary color

CMYK 51 / 83 / 0 / 20

HEX #6323CB

RGB 99 35 203

HSL 262.86, 0.71%, 0.47%

LAB 34.33, 62.14, -74.61

 

CMYK 27 / 0 / 79 / 14

HEX #A1DC2F

RGB 161 220 47

HSL 80.46, 0.71%, 0.52%

LAB 81.27, -42.1, 72.04

 

CMYK 25 / 0 / 72 / 7

HEX #B2EE42

RGB 178 238 66

HSL 80.93, 0.83%, 0.6%

LAB 87.49, -42.67, 72.39

 

CMYK 24 / 0 / 67 / 0

HEX #C3FF55

RGB 195 255 85

HSL 81.18, 1%, 0.67%

LAB 93.35, -42.66, 71.88

 

CMYK 17 / 0 / 59 / 0

HEX #D4FF68

RGB 212 255 104

HSL 77.09, 1%, 0.7%

LAB 94.53, -34.99, 65.94

 

CMYK 10 / 0 / 52 / 0

HEX #E5FF7B

RGB 229 255 123

HSL 71.82, 1%, 0.74%

LAB 95.83, -26.99, 59.49

 

CMYK 29 / 0 / 76 / 14

HEX #9CDC34

RGB 156 220 52

HSL 82.86, 0.71%, 0.53%

LAB 81.02, -43.72, 70.23

 

CMYK 31 / 0 / 84 / 21

HEX #8BCA21

RGB 139 202 33

HSL 82.37, 0.72%, 0.46%

LAB 74.72, -43.06, 69.35

 

CMYK 34 / 0 / 92 / 28

HEX #7AB80E

RGB 122 184 14

HSL 81.88, 0.86%, 0.39%

LAB 68.35, -42.18, 67.24

 

CMYK 37 / 0 / 100 / 35

HEX #69A600

RGB 105 166 0

HSL 82.05, 1%, 0.33%

LAB 61.89, -41.03, 63.56

 

CMYK 41 / 0 / 100 / 42

HEX #589400

RGB 88 148 0

HSL 84.32, 1%, 0.29%

LAB 55.33, -39.61, 58.1

 

CMYK 30 / 0 / 77 / 14

HEX #9BDC32

RGB 155 220 50

HSL 82.94, 0.71%, 0.53%

LAB 80.95, -44.19, 70.75

 

CMYK 9 / 0 / 77 / 14

HEX #C9DC32

RGB 201 220 50

HSL 66.71, 0.71%, 0.53%

LAB 83.88, -26.2, 74.51

 

CMYK 0 / 12 / 77 / 14

HEX #DCC132

RGB 220 193 50

HSL 50.47, 0.71%, 0.53%

LAB 78.22, -4.76, 69.95

 

CMYK 0 / 33 / 77 / 14

HEX #DC9332

RGB 220 147 50

HSL 34.24, 0.71%, 0.53%

LAB 66.76, 19.61, 59.3

 

CMYK 0 / 54 / 77 / 14

HEX #DC6632

RGB 220 102 50

HSL 18.35, 0.71%, 0.53%

LAB 57.03, 43.08, 49.81

 

CMYK 30 / 0 / 77 / 14

HEX #9BDC32

RGB 155 220 50

HSL 82.94, 0.71%, 0.53%

LAB 80.95, -44.19, 70.75

 

CMYK 50 / 0 / 77 / 14

HEX #6EDC32

RGB 110 220 50

HSL 98.82, 0.71%, 0.53%

LAB 78.89, -59, 68.07

 

CMYK 71 / 0 / 77 / 14

HEX #40DC32

RGB 64 220 50

HSL 115.06, 0.71%, 0.53%

LAB 77.58, -69.56, 66.37

 

CMYK 77 / 0 / 63 / 14

HEX #32DC52

RGB 50 220 82

HSL 131.29, 0.71%, 0.53%

LAB 77.56, -68.9, 54.45

 

CMYK 77 / 0 / 42 / 14

HEX #32DC80

RGB 50 220 128

HSL 147.53, 0.71%, 0.53%

LAB 78.12, -62.26, 33.44

 

CMYK 30 / 0 / 77 / 14

HEX #9BDC32

RGB 155 220 50

HSL 82.94, 0.71%, 0.53%

LAB 80.95, -44.19, 70.75

 

CMYK 33 / 0 / 87 / 6

HEX #A0F01F

RGB 160 240 31

HSL 82.97, 0.87%, 0.53%

LAB 86.94, -51.43, 80.63

 

CMYK 30 / 0 / 77 / 14

HEX #9BDC32

RGB 155 220 50

HSL 82.94, 0.71%, 0.53%

LAB 80.95, -44.19, 70.75

 

CMYK 25 / 0 / 66 / 21

HEX #97C945

RGB 151 201 69

HSL 82.73, 0.55%, 0.53%

LAB 75.32, -36.17, 58.42

 

CMYK 19 / 0 / 51 / 29

HEX #92B559

RGB 146 181 89

HSL 82.83, 0.38%, 0.53%

LAB 69.38, -26.92, 42.65

 

CMYK 12 / 0 / 33 / 36

HEX #8EA26C

RGB 142 162 108

HSL 82.22, 0.23%, 0.53%

LAB 63.9, -16.58, 25.83

 

CMYK 4 / 0 / 10 / 44

HEX #898F80

RGB 137 143 128

HSL 84, 0.06%, 0.53%

LAB 58.53, -5.06, 7.23

 

CMYK 0 / 13 / 77 / 14

HEX #DCC032

RGB 220 192 50

HSL 50.12, 0.71%, 0.53%

LAB 77.96, -4.25, 69.72

 

CMYK 8 / 0 / 77 / 14

HEX #CBDC32

RGB 203 220 50

HSL 66, 0.71%, 0.53%

LAB 84.02, -25.38, 74.7

 

CMYK 28 / 0 / 77 / 14

HEX #9EDC32

RGB 158 220 50

HSL 81.88, 0.71%, 0.53%

LAB 81.12, -43.08, 70.97

 

CMYK 49 / 0 / 77 / 14

HEX #70DC32

RGB 112 220 50

HSL 98.12, 0.71%, 0.53%

LAB 78.96, -58.42, 68.17

 

CMYK 70 / 0 / 77 / 14

HEX #43DC32

RGB 67 220 50

HSL 114, 0.71%, 0.53%

LAB 77.64, -69.04, 66.45

 

CMYK 32 / 0 / 83 / 37

HEX #6EA11B

RGB 110 161 27

HSL 82.84, 0.71%, 0.37%

LAB 60.68, -36.26, 57.87

 

CMYK 32 / 0 / 83 / 23

HEX #86C421

RGB 134 196 33

HSL 82.82, 0.71%, 0.45%

LAB 72.67, -42.33, 67.44

 

CMYK 30 / 0 / 77 / 14

HEX #9BDC32

RGB 155 220 50

HSL 82.94, 0.71%, 0.53%

LAB 80.95, -44.19, 70.75

 

CMYK 23 / 0 / 62 / 11

HEX #ADE255

RGB 173 226 85

HSL 82.55, 0.71%, 0.61%

LAB 83.93, -37.97, 61.51

 

CMYK 18 / 0 / 48 / 9

HEX #BEE879

RGB 190 232 121

HSL 82.7, 0.71%, 0.69%

LAB 87.02, -31.09, 49.25

 

CMYK 29 / 0 / 76 / 14

HEX #9CDC34

RGB 156 220 52

HSL 82.86, 0.71%, 0.53%

LAB 81.02, -43.72, 70.23

 

CMYK 77 / 0 / 34 / 14

HEX #32DC92

RGB 50 220 146

HSL 153.88, 0.71%, 0.53%

LAB 78.43, -58.83, 24.62

 

CMYK 2 / 77 / 0 / 14

HEX #D732DC

RGB 215 50 220

HSL 298.24, 0.71%, 0.53%

LAB 53.92, 79.73, -51.84

 

CMYK 29 / 0 / 76 / 14

HEX #9CDC34

RGB 156 220 52

HSL 82.86, 0.71%, 0.53%

LAB 81.02, -43.72, 70.23

 

CMYK 77 / 28 / 0 / 14

HEX #329EDC

RGB 50 158 220

HSL 201.88, 0.71%, 0.53%

LAB 61.91, -9.35, -40.04

 

CMYK 0 / 77 / 28 / 14

HEX #DC329E

RGB 220 50 158

HSL 321.88, 0.71%, 0.53%

LAB 51.8, 72.28, -19.14

 

CMYK 29 / 0 / 76 / 14

HEX #9CDC34

RGB 156 220 52

HSL 82.86, 0.71%, 0.53%

LAB 81.02, -43.72, 70.23

 

CMYK 77 / 0 / 34 / 14

HEX #32DC92

RGB 50 220 146

HSL 153.88, 0.71%, 0.53%

LAB 78.43, -58.83, 24.62

 

CMYK 49 / 77 / 0 / 14

HEX #7032DC

RGB 112 50 220

HSL 261.88, 0.71%, 0.53%

LAB 39.4, 62.23, -76.04

 

CMYK 0 / 77 / 44 / 14

HEX #DC327C

RGB 220 50 124

HSL 333.88, 0.71%, 0.53%

LAB 50.63, 68.75, -0.52

 

CMYK 29 / 0 / 76 / 14

HEX #9CDC34

RGB 156 220 52

HSL 82.86, 0.71%, 0.53%

LAB 81.02, -43.72, 70.23

 

CMYK 77 / 0 / 10 / 14

HEX #32DCC6

RGB 50 220 198

HSL 172.24, 0.71%, 0.53%

LAB 79.58, -46.57, -1.22

 

CMYK 49 / 77 / 0 / 14

HEX #7032DC

RGB 112 50 220

HSL 261.88, 0.71%, 0.53%

LAB 39.4, 62.23, -76.04

 

CMYK 0 / 77 / 67 / 14

HEX #DC3249

RGB 220 50 73

HSL 351.88, 0.71%, 0.53%

LAB 49.47, 65.13, 28.78

 

Description

Color code: HEX #9CDC34 | qconv.com Color code: HEX #9CDC34 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 220 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 220 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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