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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CD441 it is the complementary color #632BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CD441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CD441 shade: #A1D43C, #B2E64F, #C3F862, #D4FF75 and #E5FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CD441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CD441 shade: #9CD441, #8BC22E, #7AB01B, #699E08 and #588C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CD441 shade: #9BD440, #C3D440, #D4BC40, #D49440 and #D46C40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CD441 shade: #9BD440, #73D440, #4CD440, #40D45C and #40D484

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CD441 shade matches the following richer shades: #9BD440, #A0E72D and #A4FA1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CD441 shade: #9BD440, #97C153, #92AE66, #8E9B79 and #89888C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CD441 shade: #D4BB40, #C5D440, #9DD440, #76D440 and #4FD440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CD441 shade: #6F9D24, #87BF2B, #9BD440, #ADDB61 and #BEE383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CD441 shade: #9CD441, #40D494 and #CF40D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CD441 shade: #9CD441, #409DD4 and #D4409D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CD441 shade: #9CD441, #40D494, #7640D4 and #D44080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CD441 shade: #9CD441, #40D4C0, #7640D4 and #D44054

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 69 / 17

HEX #9CD441

RGB 156 212 65

HSL 82.86, 0.63%, 0.54%

LAB 78.77, -39.49, 63.64

 

Complementary color

CMYK 48 / 77 / 0 / 25

HEX #632BBE

RGB 99 43 190

HSL 262.86, 0.63%, 0.46%

LAB 34.19, 55.69, -67.23

 

CMYK 24 / 0 / 72 / 17

HEX #A1D43C

RGB 161 212 60

HSL 80.13, 0.64%, 0.53%

LAB 79.04, -37.91, 65.8

 

CMYK 23 / 0 / 66 / 10

HEX #B2E64F

RGB 178 230 79

HSL 80.66, 0.75%, 0.61%

LAB 85.31, -38.33, 65.48

 

CMYK 21 / 0 / 60 / 3

HEX #C3F862

RGB 195 248 98

HSL 81.2, 0.91%, 0.68%

LAB 91.51, -38.65, 64.8

 

CMYK 17 / 0 / 54 / 0

HEX #D4FF75

RGB 212 255 117

HSL 78.7, 1%, 0.73%

LAB 94.65, -33.92, 60.5

 

CMYK 10 / 0 / 47 / 0

HEX #E5FF88

RGB 229 255 136

HSL 73.11, 1%, 0.77%

LAB 95.98, -25.78, 53.71

 

CMYK 26 / 0 / 69 / 17

HEX #9CD441

RGB 156 212 65

HSL 82.86, 0.63%, 0.54%

LAB 78.77, -39.49, 63.64

 

CMYK 28 / 0 / 76 / 24

HEX #8BC22E

RGB 139 194 46

HSL 82.3, 0.62%, 0.47%

LAB 72.41, -39.01, 63.64

 

CMYK 31 / 0 / 85 / 31

HEX #7AB01B

RGB 122 176 27

HSL 81.74, 0.73%, 0.4%

LAB 65.96, -38.34, 62.77

 

CMYK 34 / 0 / 95 / 38

HEX #699E08

RGB 105 158 8

HSL 81.2, 0.9%, 0.33%

LAB 59.41, -37.4, 60.47

 

CMYK 37 / 0 / 100 / 45

HEX #588C00

RGB 88 140 0

HSL 82.29, 1%, 0.27%

LAB 52.76, -36.15, 56.11

 

CMYK 27 / 0 / 70 / 17

HEX #9BD440

RGB 155 212 64

HSL 83.11, 0.63%, 0.54%

LAB 78.71, -39.93, 63.92

 

CMYK 8 / 0 / 70 / 17

HEX #C3D440

RGB 195 212 64

HSL 66.89, 0.63%, 0.54%

LAB 81.32, -24.18, 67.4

 

CMYK 0 / 11 / 70 / 17

HEX #D4BC40

RGB 212 188 64

HSL 50.27, 0.63%, 0.54%

LAB 76.27, -5, 62.84

 

CMYK 0 / 30 / 70 / 17

HEX #D49440

RGB 212 148 64

HSL 34.05, 0.63%, 0.54%

LAB 66.17, 16.29, 52.43

 

CMYK 0 / 49 / 70 / 17

HEX #D46C40

RGB 212 108 64

HSL 17.84, 0.63%, 0.54%

LAB 57.17, 37.61, 42.62

 

CMYK 27 / 0 / 70 / 17

HEX #9BD440

RGB 155 212 64

HSL 83.11, 0.63%, 0.54%

LAB 78.71, -39.93, 63.92

 

CMYK 46 / 0 / 70 / 17

HEX #73D440

RGB 115 212 64

HSL 99.32, 0.63%, 0.54%

LAB 76.74, -53.59, 61.28

 

CMYK 64 / 0 / 70 / 17

HEX #4CD440

RGB 76 212 64

HSL 115.14, 0.63%, 0.54%

LAB 75.45, -63.67, 59.54

 

CMYK 70 / 0 / 57 / 17

HEX #40D45C

RGB 64 212 92

HSL 131.35, 0.63%, 0.54%

LAB 75.42, -62.99, 47.61

 

CMYK 70 / 0 / 38 / 17

HEX #40D484

RGB 64 212 132

HSL 147.57, 0.63%, 0.54%

LAB 75.97, -56.67, 28.61

 

CMYK 27 / 0 / 70 / 17

HEX #9BD440

RGB 155 212 64

HSL 83.11, 0.63%, 0.54%

LAB 78.71, -39.93, 63.92

 

CMYK 31 / 0 / 81 / 9

HEX #A0E72D

RGB 160 231 45

HSL 82.9, 0.79%, 0.54%

LAB 84.39, -47.25, 75.37

 

CMYK 34 / 0 / 90 / 2

HEX #A4FA1A

RGB 164 250 26

HSL 83.04, 0.96%, 0.54%

LAB 90.02, -54.2, 84.07

 

CMYK 27 / 0 / 70 / 17

HEX #9BD440

RGB 155 212 64

HSL 83.11, 0.63%, 0.54%

LAB 78.71, -39.93, 63.92

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 16 / 0 / 41 / 32

HEX #92AE66

RGB 146 174 102

HSL 83.33, 0.31%, 0.54%

LAB 67.53, -21.95, 33.79

 

CMYK 8 / 0 / 22 / 39

HEX #8E9B79

RGB 142 155 121

HSL 82.94, 0.15%, 0.54%

LAB 62.15, -10.9, 16.31

 

CMYK 2 / 3 / 0 / 45

HEX #89888C

RGB 137 136 140

HSL 255, 0.02%, 0.54%

LAB 56.9, 1.17, -2.01

 

CMYK 0 / 12 / 70 / 17

HEX #D4BB40

RGB 212 187 64

HSL 49.86, 0.63%, 0.54%

LAB 76.01, -4.48, 62.57

 

CMYK 7 / 0 / 70 / 17

HEX #C5D440

RGB 197 212 64

HSL 66.08, 0.63%, 0.54%

LAB 81.47, -23.36, 67.6

 

CMYK 26 / 0 / 70 / 17

HEX #9DD440

RGB 157 212 64

HSL 82.3, 0.63%, 0.54%

LAB 78.82, -39.18, 64.08

 

CMYK 44 / 0 / 70 / 17

HEX #76D440

RGB 118 212 64

HSL 98.11, 0.63%, 0.54%

LAB 76.87, -52.66, 61.45

 

CMYK 63 / 0 / 70 / 17

HEX #4FD440

RGB 79 212 64

HSL 113.92, 0.63%, 0.54%

LAB 75.53, -63.03, 59.65

 

CMYK 29 / 0 / 77 / 38

HEX #6F9D24

RGB 111 157 36

HSL 82.81, 0.63%, 0.38%

LAB 59.54, -33.62, 54.13

 

CMYK 29 / 0 / 77 / 25

HEX #87BF2B

RGB 135 191 43

HSL 82.7, 0.63%, 0.46%

LAB 71.27, -39.35, 63.43

 

CMYK 27 / 0 / 70 / 17

HEX #9BD440

RGB 155 212 64

HSL 83.11, 0.63%, 0.54%

LAB 78.71, -39.93, 63.92

 

CMYK 21 / 0 / 56 / 14

HEX #ADDB61

RGB 173 219 97

HSL 82.62, 0.63%, 0.62%

LAB 82.06, -33.78, 54.23

 

CMYK 16 / 0 / 42 / 11

HEX #BEE383

RGB 190 227 131

HSL 83.13, 0.63%, 0.7%

LAB 85.77, -27.63, 42.87

 

CMYK 26 / 0 / 69 / 17

HEX #9CD441

RGB 156 212 65

HSL 82.86, 0.63%, 0.54%

LAB 78.77, -39.49, 63.64

 

CMYK 70 / 0 / 30 / 17

HEX #40D494

RGB 64 212 148

HSL 154.05, 0.63%, 0.54%

LAB 76.26, -53.5, 20.66

 

CMYK 2 / 70 / 0 / 17

HEX #CF40D4

RGB 207 64 212

HSL 297.97, 0.63%, 0.54%

LAB 53.69, 72.57, -47.72

 

CMYK 26 / 0 / 69 / 17

HEX #9CD441

RGB 156 212 65

HSL 82.86, 0.63%, 0.54%

LAB 78.77, -39.49, 63.64

 

CMYK 70 / 26 / 0 / 17

HEX #409DD4

RGB 64 157 212

HSL 202.3, 0.63%, 0.54%

LAB 61.62, -9.75, -36.03

 

CMYK 0 / 70 / 26 / 17

HEX #D4409D

RGB 212 64 157

HSL 322.3, 0.63%, 0.54%

LAB 51.95, 65.74, -18.44

 

CMYK 26 / 0 / 69 / 17

HEX #9CD441

RGB 156 212 65

HSL 82.86, 0.63%, 0.54%

LAB 78.77, -39.49, 63.64

 

CMYK 70 / 0 / 30 / 17

HEX #40D494

RGB 64 212 148

HSL 154.05, 0.63%, 0.54%

LAB 76.26, -53.5, 20.66

 

CMYK 44 / 70 / 0 / 17

HEX #7640D4

RGB 118 64 212

HSL 261.89, 0.63%, 0.54%

LAB 41.64, 54.7, -67.74

 

CMYK 0 / 70 / 40 / 17

HEX #D44080

RGB 212 64 128

HSL 334.05, 0.63%, 0.54%

LAB 50.95, 62.44, -2.64

 

CMYK 26 / 0 / 69 / 17

HEX #9CD441

RGB 156 212 65

HSL 82.86, 0.63%, 0.54%

LAB 78.77, -39.49, 63.64

 

CMYK 70 / 0 / 9 / 17

HEX #40D4C0

RGB 64 212 192

HSL 171.89, 0.63%, 0.54%

LAB 77.27, -43.06, -1.36

 

CMYK 44 / 70 / 0 / 17

HEX #7640D4

RGB 118 64 212

HSL 261.89, 0.63%, 0.54%

LAB 41.64, 54.7, -67.74

 

CMYK 0 / 70 / 60 / 17

HEX #D44054

RGB 212 64 84

HSL 351.89, 0.63%, 0.54%

LAB 49.86, 58.74, 22.4

 

Description

Color code: HEX #9CD441 | qconv.com Color code: HEX #9CD441 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 212 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 212 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 69 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 69% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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