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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CCCF4 it is the complementary color #63330B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CCCF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CCCF4 shade: #A1CCEF, #B2DEFF, #C3F0FF, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CCCF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CCCF4 shade: #9CCCF4, #8BBAE1, #7AA8CE, #6996BB and #5884A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CCCF4 shade: #9ACBF4, #9AB3F4, #9A9BF4, #B29AF4 and #CA9AF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CCCF4 shade: #9ACBF4, #9AB3F4, #9A9BF4 and #9A9AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CCCF4 shade matches the following richer shades: #9ACBF4 and #91CCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CCCF4 shade: #9ACBF4, #A3CAEB, #ACC9E2, #B5C9D9 and #BEC8CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CCCF4 shade: #9AF4EC, #9AE3F4, #9ACBF4, #9AB3F4 and #9A9CF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CCCF4 shade: #50A5EC, #75B8F0, #9ACBF4, #BFDEF8 and #E4F1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CCCF4 shade: #9CCCF4, #D49AF4 and #EFF49A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CCCF4 shade: #9CCCF4, #F49ACB and #CBF49A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CCCF4 shade: #9CCCF4, #D49AF4, #F4C29A and #B9F49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CCCF4 shade: #9CCCF4, #EF9AF4, #F4C29A and #9FF49A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 16 / 0 / 4

HEX #9CCCF4

RGB 156 204 244

HSL 207.27, 0.8%, 0.78%

LAB 80.06, -6.07, -24.7

 

Complementary color

CMYK 0 / 48 / 89 / 61

HEX #63330B

RGB 99 51 11

HSL 27.27, 0.8%, 0.22%

LAB 26.86, 18.56, 32.67

 

CMYK 33 / 15 / 0 / 6

HEX #A1CCEF

RGB 161 204 239

HSL 206.92, 0.71%, 0.78%

LAB 80.18, -5.95, -21.83

 

CMYK 30 / 13 / 0 / 0

HEX #B2DEFF

RGB 178 222 255

HSL 205.71, 1%, 0.85%

LAB 86.47, -6.81, -20.68

 

CMYK 24 / 6 / 0 / 0

HEX #C3F0FF

RGB 195 240 255

HSL 195, 1%, 0.88%

LAB 92.19, -11.16, -11.98

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 36 / 16 / 0 / 4

HEX #9CCCF4

RGB 156 204 244

HSL 207.27, 0.8%, 0.78%

LAB 80.06, -6.07, -24.7

 

CMYK 38 / 17 / 0 / 12

HEX #8BBAE1

RGB 139 186 225

HSL 207.21, 0.59%, 0.71%

LAB 73.57, -5.87, -24.45

 

CMYK 41 / 18 / 0 / 19

HEX #7AA8CE

RGB 122 168 206

HSL 207.14, 0.46%, 0.64%

LAB 66.98, -5.63, -24.22

 

CMYK 44 / 20 / 0 / 27

HEX #6996BB

RGB 105 150 187

HSL 207.07, 0.38%, 0.57%

LAB 60.25, -5.34, -24

 

CMYK 48 / 21 / 0 / 34

HEX #5884A8

RGB 88 132 168

HSL 207, 0.31%, 0.5%

LAB 53.39, -4.99, -23.79

 

CMYK 37 / 17 / 0 / 4

HEX #9ACBF4

RGB 154 203 244

HSL 207.33, 0.8%, 0.78%

LAB 79.68, -6.08, -25.29

 

CMYK 37 / 27 / 0 / 4

HEX #9AB3F4

RGB 154 179 244

HSL 223.33, 0.8%, 0.78%

LAB 73.31, 6.96, -35.08

 

CMYK 37 / 36 / 0 / 4

HEX #9A9BF4

RGB 154 155 244

HSL 239.33, 0.8%, 0.78%

LAB 67.16, 20.5, -44.68

 

CMYK 27 / 37 / 0 / 4

HEX #B29AF4

RGB 178 154 244

HSL 256, 0.8%, 0.78%

LAB 68.83, 27.62, -41.92

 

CMYK 17 / 37 / 0 / 4

HEX #CA9AF4

RGB 202 154 244

HSL 272, 0.8%, 0.78%

LAB 71.01, 34.54, -38.36

 

CMYK 37 / 17 / 0 / 4

HEX #9ACBF4

RGB 154 203 244

HSL 207.33, 0.8%, 0.78%

LAB 79.68, -6.08, -25.29

 

CMYK 37 / 27 / 0 / 4

HEX #9AB3F4

RGB 154 179 244

HSL 223.33, 0.8%, 0.78%

LAB 73.31, 6.96, -35.08

 

CMYK 37 / 36 / 0 / 4

HEX #9A9BF4

RGB 154 155 244

HSL 239.33, 0.8%, 0.78%

LAB 67.16, 20.5, -44.68

 

CMYK 37 / 37 / 0 / 4

HEX #9A9AF4

RGB 154 154 244

HSL 240, 0.8%, 0.78%

LAB 66.91, 21.07, -45.07

 

CMYK 37 / 17 / 0 / 4

HEX #9ACBF4

RGB 154 203 244

HSL 207.33, 0.8%, 0.78%

LAB 79.68, -6.08, -25.29

 

CMYK 43 / 19 / 0 / 1

HEX #91CCFD

RGB 145 204 253

HSL 207.22, 0.96%, 0.78%

LAB 79.78, -6.56, -29.98

 

CMYK 37 / 17 / 0 / 4

HEX #9ACBF4

RGB 154 203 244

HSL 207.33, 0.8%, 0.78%

LAB 79.68, -6.08, -25.29

 

CMYK 31 / 14 / 0 / 8

HEX #A3CAEB

RGB 163 202 235

HSL 207.5, 0.64%, 0.78%

LAB 79.63, -5.31, -20.51

 

CMYK 24 / 11 / 0 / 11

HEX #ACC9E2

RGB 172 201 226

HSL 207.78, 0.48%, 0.78%

LAB 79.63, -4.25, -15.62

 

CMYK 17 / 7 / 0 / 15

HEX #B5C9D9

RGB 181 201 217

HSL 206.67, 0.32%, 0.78%

LAB 79.96, -3.45, -10.24

 

CMYK 8 / 3 / 0 / 19

HEX #BEC8CF

RGB 190 200 207

HSL 204.71, 0.15%, 0.78%

LAB 80.04, -2.05, -4.67

 

CMYK 37 / 0 / 3 / 4

HEX #9AF4EC

RGB 154 244 236

HSL 174.67, 0.8%, 0.78%

LAB 90.61, -28.67, -4.67

 

CMYK 37 / 7 / 0 / 4

HEX #9AE3F4

RGB 154 227 244

HSL 191.33, 0.8%, 0.78%

LAB 86.18, -18.46, -15.46

 

CMYK 37 / 17 / 0 / 4

HEX #9ACBF4

RGB 154 203 244

HSL 207.33, 0.8%, 0.78%

LAB 79.68, -6.08, -25.29

 

CMYK 37 / 27 / 0 / 4

HEX #9AB3F4

RGB 154 179 244

HSL 223.33, 0.8%, 0.78%

LAB 73.31, 6.96, -35.08

 

CMYK 37 / 36 / 0 / 4

HEX #9A9CF4

RGB 154 156 244

HSL 238.67, 0.8%, 0.78%

LAB 67.41, 19.93, -44.28

 

CMYK 66 / 30 / 0 / 7

HEX #50A5EC

RGB 80 165 236

HSL 207.31, 0.8%, 0.62%

LAB 65.49, -3.77, -43.19

 

CMYK 51 / 23 / 0 / 6

HEX #75B8F0

RGB 117 184 240

HSL 207.32, 0.8%, 0.7%

LAB 72.46, -5.98, -34.39

 

CMYK 37 / 17 / 0 / 4

HEX #9ACBF4

RGB 154 203 244

HSL 207.33, 0.8%, 0.78%

LAB 79.68, -6.08, -25.29

 

CMYK 23 / 10 / 0 / 3

HEX #BFDEF8

RGB 191 222 248

HSL 207.37, 0.8%, 0.86%

LAB 87.04, -4.66, -16.05

 

CMYK 10 / 4 / 0 / 1

HEX #E4F1FC

RGB 228 241 252

HSL 207.5, 0.8%, 0.94%

LAB 94.5, -2.2, -6.77

 

CMYK 36 / 16 / 0 / 4

HEX #9CCCF4

RGB 156 204 244

HSL 207.27, 0.8%, 0.78%

LAB 80.06, -6.07, -24.7

 

CMYK 13 / 37 / 0 / 4

HEX #D49AF4

RGB 212 154 244

HSL 278.67, 0.8%, 0.78%

LAB 71.99, 37.49, -36.76

 

CMYK 2 / 0 / 37 / 4

HEX #EFF49A

RGB 239 244 154

HSL 63.33, 0.8%, 0.78%

LAB 94.05, -14.83, 42.82

 

CMYK 36 / 16 / 0 / 4

HEX #9CCCF4

RGB 156 204 244

HSL 207.27, 0.8%, 0.78%

LAB 80.06, -6.07, -24.7

 

CMYK 0 / 37 / 17 / 4

HEX #F49ACB

RGB 244 154 203

HSL 327.33, 0.8%, 0.78%

LAB 73.97, 40.27, -10.97

 

CMYK 17 / 0 / 37 / 4

HEX #CBF49A

RGB 203 244 154

HSL 87.33, 0.8%, 0.78%

LAB 91.56, -28.12, 39.12

 

CMYK 36 / 16 / 0 / 4

HEX #9CCCF4

RGB 156 204 244

HSL 207.27, 0.8%, 0.78%

LAB 80.06, -6.07, -24.7

 

CMYK 13 / 37 / 0 / 4

HEX #D49AF4

RGB 212 154 244

HSL 278.67, 0.8%, 0.78%

LAB 71.99, 37.49, -36.76

 

CMYK 0 / 20 / 37 / 4

HEX #F4C29A

RGB 244 194 154

HSL 26.67, 0.8%, 0.78%

LAB 81.92, 12.57, 26.92

 

CMYK 24 / 0 / 37 / 4

HEX #B9F49A

RGB 185 244 154

HSL 99.33, 0.8%, 0.78%

LAB 90.48, -34.41, 37.5

 

CMYK 36 / 16 / 0 / 4

HEX #9CCCF4

RGB 156 204 244

HSL 207.27, 0.8%, 0.78%

LAB 80.06, -6.07, -24.7

 

CMYK 2 / 37 / 0 / 4

HEX #EF9AF4

RGB 239 154 244

HSL 296.67, 0.8%, 0.78%

LAB 74.82, 45.59, -32.15

 

CMYK 0 / 20 / 37 / 4

HEX #F4C29A

RGB 244 194 154

HSL 26.67, 0.8%, 0.78%

LAB 81.92, 12.57, 26.92

 

CMYK 35 / 0 / 37 / 4

HEX #9FF49A

RGB 159 244 154

HSL 116.67, 0.8%, 0.78%

LAB 89.11, -42.88, 35.45

 

Description

Color code: HEX #9CCCF4 | qconv.com Color code: HEX #9CCCF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 204 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 204 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 16 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 16% 0% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Fujitsu Technology S...
Link: http://notebook.az

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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