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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CB034 it is the complementary color #634FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CB034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CB034 shade: #A1B02F, #B2C242, #C3D455, #D4E668 and #E5F87B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CB034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CB034 shade: #9CB034, #8B9E21, #7A8C0E, #697A00 and #586800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CB034 shade: #9DB135, #B1A335, #B18235, #B16035 and #B13F35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CB034 shade: #9DB135, #7BB135, #5AB135, #38B135 and #35B153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CB034 shade matches the following richer shades: #9DB135, #A9C322 and #B6D610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CB034 shade: #9DB135, #909E47, #848C5A, #77796C and #6A667F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CB034 shade: #B18135, #B1A235, #9EB135, #7DB135 and #5CB135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CB034 shade: #647122, #81912B, #9DB135, #B3C847 and #C0D167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CB034 shade: #9CB034, #35B160 and #9235B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CB034 shade: #9CB034, #359EB1 and #B1359E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CB034 shade: #9CB034, #35B160, #4735B1 and #B13585

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CB034 shade: #9CB034, #35B185, #4735B1 and #B13560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 70 / 31

HEX #9CB034

RGB 156 176 52

HSL 69.68, 0.54%, 0.45%

LAB 68.29, -23.43, 57.95

 

Complementary color

CMYK 51 / 61 / 0 / 20

HEX #634FCB

RGB 99 79 203

HSL 249.68, 0.54%, 0.55%

LAB 42.09, 40.54, -61.92

 

CMYK 9 / 0 / 73 / 31

HEX #A1B02F

RGB 161 176 47

HSL 66.98, 0.58%, 0.44%

LAB 68.63, -21.59, 60.22

 

CMYK 8 / 0 / 66 / 24

HEX #B2C242

RGB 178 194 66

HSL 67.5, 0.51%, 0.51%

LAB 75.1, -22.3, 59.95

 

CMYK 8 / 0 / 60 / 17

HEX #C3D455

RGB 195 212 85

HSL 68.03, 0.6%, 0.58%

LAB 81.48, -22.87, 59.26

 

CMYK 8 / 0 / 55 / 10

HEX #D4E668

RGB 212 230 104

HSL 68.57, 0.72%, 0.65%

LAB 87.77, -23.32, 58.34

 

CMYK 8 / 0 / 50 / 3

HEX #E5F87B

RGB 229 248 123

HSL 69.12, 0.9%, 0.73%

LAB 93.98, -23.69, 57.3

 

CMYK 11 / 0 / 70 / 31

HEX #9CB034

RGB 156 176 52

HSL 69.68, 0.54%, 0.45%

LAB 68.29, -23.43, 57.95

 

CMYK 12 / 0 / 79 / 38

HEX #8B9E21

RGB 139 158 33

HSL 69.12, 0.65%, 0.37%

LAB 61.7, -22.66, 57.77

 

CMYK 13 / 0 / 90 / 45

HEX #7A8C0E

RGB 122 140 14

HSL 68.57, 0.82%, 0.3%

LAB 55, -21.66, 56.37

 

CMYK 14 / 0 / 100 / 52

HEX #697A00

RGB 105 122 0

HSL 68.36, 1%, 0.24%

LAB 48.16, -20.37, 53.09

 

CMYK 15 / 0 / 100 / 59

HEX #586800

RGB 88 104 0

HSL 69.23, 1%, 0.2%

LAB 41.18, -18.77, 47.27

 

CMYK 11 / 0 / 70 / 31

HEX #9DB135

RGB 157 177 53

HSL 69.68, 0.54%, 0.45%

LAB 68.66, -23.45, 57.96

 

CMYK 0 / 8 / 70 / 31

HEX #B1A335

RGB 177 163 53

HSL 53.23, 0.54%, 0.45%

LAB 66.37, -7.66, 56.2

 

CMYK 0 / 27 / 70 / 31

HEX #B18235

RGB 177 130 53

HSL 37.26, 0.54%, 0.45%

LAB 57.63, 10.34, 47.23

 

CMYK 0 / 46 / 70 / 31

HEX #B16035

RGB 177 96 53

HSL 20.81, 0.54%, 0.45%

LAB 49.46, 29.23, 38.37

 

CMYK 0 / 64 / 70 / 31

HEX #B13F35

RGB 177 63 53

HSL 4.84, 0.54%, 0.45%

LAB 43, 45.78, 30.95

 

CMYK 11 / 0 / 70 / 31

HEX #9DB135

RGB 157 177 53

HSL 69.68, 0.54%, 0.45%

LAB 68.66, -23.45, 57.96

 

CMYK 31 / 0 / 70 / 31

HEX #7BB135

RGB 123 177 53

HSL 86.13, 0.54%, 0.45%

LAB 66.45, -37.05, 55.02

 

CMYK 49 / 0 / 70 / 31

HEX #5AB135

RGB 90 177 53

HSL 102.1, 0.54%, 0.45%

LAB 64.86, -48.3, 52.88

 

CMYK 68 / 0 / 70 / 31

HEX #38B135

RGB 56 177 53

HSL 118.55, 0.54%, 0.45%

LAB 63.79, -56.81, 51.42

 

CMYK 70 / 0 / 53 / 31

HEX #35B153

RGB 53 177 83

HSL 134.52, 0.54%, 0.45%

LAB 64.02, -53.84, 38.16

 

CMYK 11 / 0 / 70 / 31

HEX #9DB135

RGB 157 177 53

HSL 69.68, 0.54%, 0.45%

LAB 68.66, -23.45, 57.96

 

CMYK 13 / 0 / 83 / 24

HEX #A9C322

RGB 169 195 34

HSL 69.69, 0.7%, 0.45%

LAB 74.56, -28.02, 69.7

 

CMYK 15 / 0 / 93 / 16

HEX #B6D610

RGB 182 214 16

HSL 69.7, 0.86%, 0.45%

LAB 80.78, -32.04, 78.44

 

CMYK 11 / 0 / 70 / 31

HEX #9DB135

RGB 157 177 53

HSL 69.68, 0.54%, 0.45%

LAB 68.66, -23.45, 57.96

 

CMYK 9 / 0 / 55 / 38

HEX #909E47

RGB 144 158 71

HSL 69.66, 0.38%, 0.45%

LAB 62.37, -18.02, 43.11

 

CMYK 6 / 0 / 36 / 45

HEX #848C5A

RGB 132 140 90

HSL 69.6, 0.22%, 0.45%

LAB 56.49, -11.42, 25.77

 

CMYK 2 / 0 / 11 / 53

HEX #77796C

RGB 119 121 108

HSL 69.23, 0.06%, 0.45%

LAB 50.31, -3.27, 6.87

 

CMYK 17 / 20 / 0 / 50

HEX #6A667F

RGB 106 102 127

HSL 249.6, 0.11%, 0.45%

LAB 44.37, 7.09, -13.33

 

CMYK 0 / 27 / 70 / 31

HEX #B18135

RGB 177 129 53

HSL 36.77, 0.54%, 0.45%

LAB 57.37, 10.9, 46.96

 

CMYK 0 / 8 / 70 / 31

HEX #B1A235

RGB 177 162 53

HSL 52.74, 0.54%, 0.45%

LAB 66.09, -7.13, 55.93

 

CMYK 11 / 0 / 70 / 31

HEX #9EB135

RGB 158 177 53

HSL 69.19, 0.54%, 0.45%

LAB 68.73, -23.03, 58.06

 

CMYK 29 / 0 / 70 / 31

HEX #7DB135

RGB 125 177 53

HSL 85.16, 0.54%, 0.45%

LAB 66.57, -36.29, 55.17

 

CMYK 48 / 0 / 70 / 31

HEX #5CB135

RGB 92 177 53

HSL 101.13, 0.54%, 0.45%

LAB 64.94, -47.69, 52.99

 

CMYK 12 / 0 / 70 / 56

HEX #647122

RGB 100 113 34

HSL 69.87, 0.54%, 0.29%

LAB 45.13, -16.56, 40.41

 

CMYK 11 / 0 / 70 / 43

HEX #81912B

RGB 129 145 43

HSL 69.41, 0.54%, 0.37%

LAB 57.17, -19.89, 49.64

 

CMYK 11 / 0 / 70 / 31

HEX #9DB135

RGB 157 177 53

HSL 69.68, 0.54%, 0.45%

LAB 68.66, -23.45, 57.96

 

CMYK 11 / 0 / 65 / 22

HEX #B3C847

RGB 179 200 71

HSL 69.77, 0.54%, 0.53%

LAB 76.89, -24.5, 59.83

 

CMYK 8 / 0 / 51 / 18

HEX #C0D167

RGB 192 209 103

HSL 69.62, 0.54%, 0.61%

LAB 80.62, -21.11, 50.11

 

CMYK 11 / 0 / 70 / 31

HEX #9CB034

RGB 156 176 52

HSL 69.68, 0.54%, 0.45%

LAB 68.29, -23.43, 57.95

 

CMYK 70 / 0 / 46 / 31

HEX #35B160

RGB 53 177 96

HSL 140.81, 0.54%, 0.45%

LAB 64.2, -51.79, 31.8

 

CMYK 18 / 70 / 0 / 31

HEX #9235B1

RGB 146 53 177

HSL 285, 0.54%, 0.45%

LAB 40.95, 57.11, -48.29

 

CMYK 11 / 0 / 70 / 31

HEX #9CB034

RGB 156 176 52

HSL 69.68, 0.54%, 0.45%

LAB 68.29, -23.43, 57.95

 

CMYK 70 / 11 / 0 / 31

HEX #359EB1

RGB 53 158 177

HSL 189.19, 0.54%, 0.45%

LAB 60.23, -23.33, -18.56

 

CMYK 0 / 70 / 11 / 31

HEX #B1359E

RGB 177 53 158

HSL 309.19, 0.54%, 0.45%

LAB 44.75, 60.96, -30.65

 

CMYK 11 / 0 / 70 / 31

HEX #9CB034

RGB 156 176 52

HSL 69.68, 0.54%, 0.45%

LAB 68.29, -23.43, 57.95

 

CMYK 70 / 0 / 46 / 31

HEX #35B160

RGB 53 177 96

HSL 140.81, 0.54%, 0.45%

LAB 64.2, -51.79, 31.8

 

CMYK 60 / 70 / 0 / 31

HEX #4735B1

RGB 71 53 177

HSL 248.71, 0.54%, 0.45%

LAB 31.94, 42.83, -63.31

 

CMYK 0 / 70 / 25 / 31

HEX #B13585

RGB 177 53 133

HSL 321.29, 0.54%, 0.45%

LAB 43.63, 57.39, -17.26

 

CMYK 11 / 0 / 70 / 31

HEX #9CB034

RGB 156 176 52

HSL 69.68, 0.54%, 0.45%

LAB 68.29, -23.43, 57.95

 

CMYK 70 / 0 / 25 / 31

HEX #35B185

RGB 53 177 133

HSL 158.71, 0.54%, 0.45%

LAB 64.88, -44.32, 12.87

 

CMYK 60 / 70 / 0 / 31

HEX #4735B1

RGB 71 53 177

HSL 248.71, 0.54%, 0.45%

LAB 31.94, 42.83, -63.31

 

CMYK 0 / 70 / 46 / 31

HEX #B13560

RGB 177 53 96

HSL 339.19, 0.54%, 0.45%

LAB 42.37, 53.15, 3.71

 

Description

Color code: HEX #9CB034 | qconv.com Color code: HEX #9CB034 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 176 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 176 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 70 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 70% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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