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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CAF11 it is the complementary color #6350EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CAF11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CAF11 shade: #A1AF0C, #B2C11F, #C3D332, #D4E545 and #E5F758

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CAF11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CAF11 shade: #9CAF11, #8B9D00, #7A8B00, #697900 and #586700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CAF11 shade: #9DB011, #B09911, #B06E11, #B04311 and #B01811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CAF11 shade: #9DB011, #72B011, #48B011, #1DB011 and #11B031

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CAF11 shade matches the following richer shades: #9DB011 and #A9C002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CAF11 shade: #9DB011, #91A121, #859131, #7A8140 and #6E7250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CAF11 shade: #B06E11, #B09911, #9EB011, #73B011 and #49B011

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CAF11 shade: #5A650A, #7C8B0E, #9DB011, #BFD615 and #D3EA2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CAF11 shade: #9CAF11, #11B044 and #8311B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CAF11 shade: #9CAF11, #119EB0 and #B0119E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CAF11 shade: #9CAF11, #11B044, #2411B0 and #B0117E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CAF11 shade: #9CAF11, #11B073, #2411B0 and #B0114E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 90 / 31

HEX #9CAF11

RGB 156 175 17

HSL 67.22, 0.82%, 0.38%

LAB 67.85, -24.27, 67.28

 

Complementary color

CMYK 58 / 66 / 0 / 7

HEX #6350EE

RGB 99 80 238

HSL 247.22, 0.82%, 0.62%

LAB 45.03, 50.52, -77.08

 

CMYK 8 / 0 / 93 / 31

HEX #A1AF0C

RGB 161 175 12

HSL 65.15, 0.87%, 0.37%

LAB 68.21, -22.2, 68.47

 

CMYK 8 / 0 / 84 / 24

HEX #B2C11F

RGB 178 193 31

HSL 65.56, 0.72%, 0.44%

LAB 74.64, -23.38, 70.73

 

CMYK 8 / 0 / 76 / 17

HEX #C3D332

RGB 195 211 50

HSL 65.96, 0.65%, 0.51%

LAB 80.97, -24.35, 71.71

 

CMYK 7 / 0 / 70 / 10

HEX #D4E545

RGB 212 229 69

HSL 66.38, 0.75%, 0.58%

LAB 87.22, -25.16, 71.85

 

CMYK 7 / 0 / 64 / 3

HEX #E5F758

RGB 229 247 88

HSL 66.79, 0.91%, 0.66%

LAB 93.4, -25.82, 71.48

 

CMYK 11 / 0 / 90 / 31

HEX #9CAF11

RGB 156 175 17

HSL 67.22, 0.82%, 0.38%

LAB 67.85, -24.27, 67.28

 

CMYK 11 / 0 / 100 / 38

HEX #8B9D00

RGB 139 157 0

HSL 66.88, 1%, 0.31%

LAB 61.31, -23, 64.06

 

CMYK 12 / 0 / 100 / 45

HEX #7A8B00

RGB 122 139 0

HSL 67.34, 1%, 0.27%

LAB 54.66, -21.44, 58.52

 

CMYK 13 / 0 / 100 / 53

HEX #697900

RGB 105 121 0

HSL 67.93, 1%, 0.24%

LAB 47.85, -19.85, 52.85

 

CMYK 15 / 0 / 100 / 60

HEX #586700

RGB 88 103 0

HSL 68.74, 1%, 0.2%

LAB 40.86, -18.24, 47.03

 

CMYK 11 / 0 / 90 / 31

HEX #9DB011

RGB 157 176 17

HSL 67.17, 0.82%, 0.38%

LAB 68.21, -24.33, 67.6

 

CMYK 0 / 13 / 90 / 31

HEX #B09911

RGB 176 153 17

HSL 51.32, 0.82%, 0.38%

LAB 63.39, -4.05, 64.46

 

CMYK 0 / 38 / 90 / 31

HEX #B06E11

RGB 176 110 17

HSL 35.09, 0.82%, 0.38%

LAB 52.31, 19.74, 55.87

 

CMYK 0 / 62 / 90 / 31

HEX #B04311

RGB 176 67 17

HSL 18.87, 0.82%, 0.38%

LAB 43.19, 42.33, 48.93

 

CMYK 0 / 86 / 90 / 31

HEX #B01811

RGB 176 24 17

HSL 2.64, 0.82%, 0.38%

LAB 37.71, 57.4, 44.87

 

CMYK 11 / 0 / 90 / 31

HEX #9DB011

RGB 157 176 17

HSL 67.17, 0.82%, 0.38%

LAB 68.21, -24.33, 67.6

 

CMYK 35 / 0 / 90 / 31

HEX #72B011

RGB 114 176 17

HSL 83.4, 0.82%, 0.38%

LAB 65.49, -41.64, 64.25

 

CMYK 59 / 0 / 90 / 31

HEX #48B011

RGB 72 176 17

HSL 99.25, 0.82%, 0.38%

LAB 63.73, -54.94, 62.07

 

CMYK 84 / 0 / 90 / 31

HEX #1DB011

RGB 29 176 17

HSL 115.47, 0.82%, 0.38%

LAB 62.8, -62.83, 60.91

 

CMYK 90 / 0 / 72 / 31

HEX #11B031

RGB 17 176 49

HSL 132.08, 0.82%, 0.38%

LAB 62.84, -61.96, 51.79

 

CMYK 11 / 0 / 90 / 31

HEX #9DB011

RGB 157 176 17

HSL 67.17, 0.82%, 0.38%

LAB 68.21, -24.33, 67.6

 

CMYK 12 / 0 / 99 / 25

HEX #A9C002

RGB 169 192 2

HSL 67.26, 0.98%, 0.38%

LAB 73.64, -27.22, 74.02

 

CMYK 11 / 0 / 90 / 31

HEX #9DB011

RGB 157 176 17

HSL 67.17, 0.82%, 0.38%

LAB 68.21, -24.33, 67.6

 

CMYK 10 / 0 / 80 / 37

HEX #91A121

RGB 145 161 33

HSL 67.5, 0.66%, 0.38%

LAB 63.03, -21.58, 59.14

 

CMYK 8 / 0 / 66 / 43

HEX #859131

RGB 133 145 49

HSL 67.5, 0.49%, 0.38%

LAB 57.52, -17.76, 47.61

 

CMYK 5 / 0 / 50 / 49

HEX #7A8140

RGB 122 129 64

HSL 66.46, 0.34%, 0.38%

LAB 52.07, -12.8, 34.07

 

CMYK 4 / 0 / 30 / 55

HEX #6E7250

RGB 110 114 80

HSL 67.06, 0.18%, 0.38%

LAB 46.88, -7.64, 18.39

 

CMYK 0 / 38 / 90 / 31

HEX #B06E11

RGB 176 110 17

HSL 35.09, 0.82%, 0.38%

LAB 52.31, 19.74, 55.87

 

CMYK 0 / 13 / 90 / 31

HEX #B09911

RGB 176 153 17

HSL 51.32, 0.82%, 0.38%

LAB 63.39, -4.05, 64.46

 

CMYK 10 / 0 / 90 / 31

HEX #9EB011

RGB 158 176 17

HSL 66.79, 0.82%, 0.38%

LAB 68.29, -23.9, 67.69

 

CMYK 35 / 0 / 90 / 31

HEX #73B011

RGB 115 176 17

HSL 83.02, 0.82%, 0.38%

LAB 65.54, -41.27, 64.32

 

CMYK 59 / 0 / 90 / 31

HEX #49B011

RGB 73 176 17

HSL 98.87, 0.82%, 0.38%

LAB 63.76, -54.69, 62.11

 

CMYK 11 / 0 / 90 / 60

HEX #5A650A

RGB 90 101 10

HSL 67.25, 0.82%, 0.22%

LAB 40.41, -15.91, 44.17

 

CMYK 11 / 0 / 90 / 45

HEX #7C8B0E

RGB 124 139 14

HSL 67.2, 0.82%, 0.3%

LAB 54.85, -20.26, 56.31

 

CMYK 11 / 0 / 90 / 31

HEX #9DB011

RGB 157 176 17

HSL 67.17, 0.82%, 0.38%

LAB 68.21, -24.33, 67.6

 

CMYK 11 / 0 / 90 / 16

HEX #BFD615

RGB 191 214 21

HSL 67.15, 0.82%, 0.46%

LAB 81.41, -28.27, 78.53

 

CMYK 10 / 0 / 82 / 8

HEX #D3EA2A

RGB 211 234 42

HSL 67.19, 0.82%, 0.54%

LAB 88.38, -29, 80.82

 

CMYK 11 / 0 / 90 / 31

HEX #9CAF11

RGB 156 175 17

HSL 67.22, 0.82%, 0.38%

LAB 67.85, -24.27, 67.28

 

CMYK 90 / 0 / 61 / 31

HEX #11B044

RGB 17 176 68

HSL 139.25, 0.82%, 0.38%

LAB 63, -59.91, 43.97

 

CMYK 26 / 90 / 0 / 31

HEX #8311B0

RGB 131 17 176

HSL 283.02, 0.82%, 0.38%

LAB 34.72, 65.25, -57.87

 

CMYK 11 / 0 / 90 / 31

HEX #9CAF11

RGB 156 175 17

HSL 67.22, 0.82%, 0.38%

LAB 67.85, -24.27, 67.28

 

CMYK 90 / 10 / 0 / 31

HEX #119EB0

RGB 17 158 176

HSL 186.79, 0.82%, 0.38%

LAB 59.62, -27.12, -18.98

 

CMYK 0 / 90 / 10 / 31

HEX #B0119E

RGB 176 17 158

HSL 306.79, 0.82%, 0.38%

LAB 41.37, 69.94, -35.97

 

CMYK 11 / 0 / 90 / 31

HEX #9CAF11

RGB 156 175 17

HSL 67.22, 0.82%, 0.38%

LAB 67.85, -24.27, 67.28

 

CMYK 90 / 0 / 61 / 31

HEX #11B044

RGB 17 176 68

HSL 139.25, 0.82%, 0.38%

LAB 63, -59.91, 43.97

 

CMYK 80 / 90 / 0 / 31

HEX #2411B0

RGB 36 17 176

HSL 247.17, 0.82%, 0.38%

LAB 23.37, 56.18, -76.97

 

CMYK 0 / 90 / 28 / 31

HEX #B0117E

RGB 176 17 126

HSL 318.87, 0.82%, 0.38%

LAB 39.81, 65.83, -18.84

 

CMYK 11 / 0 / 90 / 31

HEX #9CAF11

RGB 156 175 17

HSL 67.22, 0.82%, 0.38%

LAB 67.85, -24.27, 67.28

 

CMYK 90 / 0 / 35 / 31

HEX #11B073

RGB 17 176 115

HSL 156.98, 0.82%, 0.38%

LAB 63.68, -51.85, 20.95

 

CMYK 80 / 90 / 0 / 31

HEX #2411B0

RGB 36 17 176

HSL 247.17, 0.82%, 0.38%

LAB 23.37, 56.18, -76.97

 

CMYK 0 / 90 / 56 / 31

HEX #B0114E

RGB 176 17 78

HSL 336.98, 0.82%, 0.38%

LAB 38.17, 61.32, 9.11

 

Description

Color code: HEX #9CAF11 | qconv.com Color code: HEX #9CAF11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 175 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 175 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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