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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CADE6 it is the complementary color #635219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CADE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CADE6 shade: #A1ADE1, #B2BFF4, #C3D1FF, #D4E3FF and #E5F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CADE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CADE6 shade: #9CADE6, #8B9BD3, #7A89C0, #6977AD and #58659A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CADE6 shade: #9DAEE7, #A09DE7, #B49DE7, #C89DE7 and #DB9DE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CADE6 shade: #9DAEE7 and #9D9DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CADE6 shade matches the following richer shades: #9DAEE7, #93A9F0 and #89A3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CADE6 shade: #9DAEE7, #A7B3DD, #B1B9D3, #BBBEC9 and #C5C3BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CADE6 shade: #9DD5E7, #9DC2E7, #9DAEE7, #A09DE7 and #B39DE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CADE6 shade: #5B77D6, #7C93DE, #9DAEE7, #BEC9EF and #DFE5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CADE6 shade: #9CADE6, #E49DE7 and #CCE79D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CADE6 shade: #9CADE6, #E79DAE and #AEE79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CADE6 shade: #9CADE6, #E49DE7, #E7D59D and #A0E79D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CADE6 shade: #9CADE6, #E79DD3, #E7D59D and #9DE7B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 25 / 0 / 10

HEX #9CADE6

RGB 156 173 230

HSL 226.22, 0.6%, 0.76%

LAB 71.33, 7.23, -30.53

 

Complementary color

CMYK 0 / 17 / 75 / 61

HEX #635219

RGB 99 82 25

HSL 46.22, 0.6%, 0.24%

LAB 35.51, 0.13, 34.59

 

CMYK 28 / 23 / 0 / 12

HEX #A1ADE1

RGB 161 173 225

HSL 228.75, 0.52%, 0.76%

LAB 71.49, 7.43, -27.53

 

CMYK 27 / 22 / 0 / 4

HEX #B2BFF4

RGB 178 191 244

HSL 228.18, 0.75%, 0.83%

LAB 78.03, 7.08, -27.68

 

CMYK 24 / 18 / 0 / 0

HEX #C3D1FF

RGB 195 209 255

HSL 226, 1%, 0.88%

LAB 84.19, 4.94, -24.04

 

CMYK 17 / 11 / 0 / 0

HEX #D4E3FF

RGB 212 227 255

HSL 219.07, 1%, 0.92%

LAB 89.93, 0.6, -15.25

 

CMYK 10 / 4 / 0 / 0

HEX #E5F5FF

RGB 229 245 255

HSL 203.08, 1%, 0.95%

LAB 95.66, -3.34, -6.6

 

CMYK 32 / 25 / 0 / 10

HEX #9CADE6

RGB 156 173 230

HSL 226.22, 0.6%, 0.76%

LAB 71.33, 7.23, -30.53

 

CMYK 34 / 27 / 0 / 17

HEX #8B9BD3

RGB 139 155 211

HSL 226.67, 0.45%, 0.69%

LAB 64.67, 7.65, -30.45

 

CMYK 36 / 29 / 0 / 25

HEX #7A89C0

RGB 122 137 192

HSL 227.14, 0.36%, 0.62%

LAB 57.88, 8.14, -30.4

 

CMYK 39 / 31 / 0 / 32

HEX #6977AD

RGB 105 119 173

HSL 227.65, 0.29%, 0.55%

LAB 50.94, 8.7, -30.4

 

CMYK 43 / 34 / 0 / 40

HEX #58659A

RGB 88 101 154

HSL 228.18, 0.27%, 0.47%

LAB 43.82, 9.38, -30.46

 

CMYK 32 / 25 / 0 / 9

HEX #9DAEE7

RGB 157 174 231

HSL 226.22, 0.61%, 0.76%

LAB 71.7, 7.21, -30.5

 

CMYK 31 / 32 / 0 / 9

HEX #A09DE7

RGB 160 157 231

HSL 242.43, 0.61%, 0.76%

LAB 67.54, 17.62, -36.92

 

CMYK 22 / 32 / 0 / 9

HEX #B49DE7

RGB 180 157 231

HSL 258.65, 0.61%, 0.76%

LAB 69.17, 23.44, -34.26

 

CMYK 13 / 32 / 0 / 9

HEX #C89DE7

RGB 200 157 231

HSL 274.86, 0.61%, 0.76%

LAB 70.98, 29.51, -31.31

 

CMYK 5 / 32 / 0 / 9

HEX #DB9DE7

RGB 219 157 231

HSL 290.27, 0.61%, 0.76%

LAB 72.85, 35.41, -28.28

 

CMYK 32 / 25 / 0 / 9

HEX #9DAEE7

RGB 157 174 231

HSL 226.22, 0.61%, 0.76%

LAB 71.7, 7.21, -30.5

 

CMYK 32 / 32 / 0 / 9

HEX #9D9DE7

RGB 157 157 231

HSL 240, 0.61%, 0.76%

LAB 67.32, 16.77, -37.29

 

CMYK 32 / 25 / 0 / 9

HEX #9DAEE7

RGB 157 174 231

HSL 226.22, 0.61%, 0.76%

LAB 71.7, 7.21, -30.5

 

CMYK 39 / 30 / 0 / 6

HEX #93A9F0

RGB 147 169 240

HSL 225.81, 0.76%, 0.76%

LAB 70.08, 9.63, -37.96

 

CMYK 45 / 35 / 0 / 2

HEX #89A3FA

RGB 137 163 250

HSL 226.19, 0.92%, 0.76%

LAB 68.33, 13.3, -46.2

 

CMYK 32 / 25 / 0 / 9

HEX #9DAEE7

RGB 157 174 231

HSL 226.22, 0.61%, 0.76%

LAB 71.7, 7.21, -30.5

 

CMYK 24 / 19 / 0 / 13

HEX #A7B3DD

RGB 167 179 221

HSL 226.67, 0.44%, 0.76%

LAB 73.33, 4.94, -22.48

 

CMYK 16 / 12 / 0 / 17

HEX #B1B9D3

RGB 177 185 211

HSL 225.88, 0.28%, 0.76%

LAB 75.29, 2.54, -14.01

 

CMYK 7 / 5 / 0 / 21

HEX #BBBEC9

RGB 187 190 201

HSL 227.14, 0.11%, 0.76%

LAB 77.05, 1.08, -5.89

 

CMYK 0 / 1 / 3 / 23

HEX #C5C3BF

RGB 197 195 191

HSL 40, 0.05%, 0.76%

LAB 78.85, -0.03, 2.24

 

CMYK 32 / 8 / 0 / 9

HEX #9DD5E7

RGB 157 213 231

HSL 194.59, 0.61%, 0.76%

LAB 82.12, -13.69, -14.64

 

CMYK 32 / 16 / 0 / 9

HEX #9DC2E7

RGB 157 194 231

HSL 210, 0.61%, 0.76%

LAB 76.99, -3.72, -22.39

 

CMYK 32 / 25 / 0 / 9

HEX #9DAEE7

RGB 157 174 231

HSL 226.22, 0.61%, 0.76%

LAB 71.7, 7.21, -30.5

 

CMYK 31 / 32 / 0 / 9

HEX #A09DE7

RGB 160 157 231

HSL 242.43, 0.61%, 0.76%

LAB 67.54, 17.62, -36.92

 

CMYK 23 / 32 / 0 / 9

HEX #B39DE7

RGB 179 157 231

HSL 257.84, 0.61%, 0.76%

LAB 69.09, 23.14, -34.4

 

CMYK 57 / 44 / 0 / 16

HEX #5B77D6

RGB 91 119 214

HSL 226.34, 0.6%, 0.6%

LAB 52.14, 18.07, -52.04

 

CMYK 44 / 34 / 0 / 13

HEX #7C93DE

RGB 124 147 222

HSL 225.92, 0.6%, 0.68%

LAB 62.02, 11.29, -40.76

 

CMYK 32 / 25 / 0 / 9

HEX #9DAEE7

RGB 157 174 231

HSL 226.22, 0.61%, 0.76%

LAB 71.7, 7.21, -30.5

 

CMYK 21 / 16 / 0 / 6

HEX #BEC9EF

RGB 190 201 239

HSL 226.53, 0.6%, 0.84%

LAB 81.27, 4.12, -20

 

CMYK 10 / 7 / 0 / 3

HEX #DFE5F7

RGB 223 229 247

HSL 225, 0.6%, 0.92%

LAB 90.98, 1.4, -9.42

 

CMYK 32 / 25 / 0 / 10

HEX #9CADE6

RGB 156 173 230

HSL 226.22, 0.6%, 0.76%

LAB 71.33, 7.23, -30.53

 

CMYK 1 / 32 / 0 / 9

HEX #E49DE7

RGB 228 157 231

HSL 297.57, 0.61%, 0.76%

LAB 73.79, 38.23, -26.76

 

CMYK 12 / 0 / 32 / 9

HEX #CCE79D

RGB 204 231 157

HSL 81.89, 0.61%, 0.76%

LAB 88.17, -21.14, 33.17

 

CMYK 32 / 25 / 0 / 10

HEX #9CADE6

RGB 156 173 230

HSL 226.22, 0.6%, 0.76%

LAB 71.33, 7.23, -30.53

 

CMYK 0 / 32 / 25 / 9

HEX #E79DAE

RGB 231 157 174

HSL 346.22, 0.61%, 0.76%

LAB 72.33, 29.89, 2.46

 

CMYK 25 / 0 / 32 / 9

HEX #AEE79D

RGB 174 231 157

HSL 106.22, 0.61%, 0.76%

LAB 86.3, -31.69, 30.34

 

CMYK 32 / 25 / 0 / 10

HEX #9CADE6

RGB 156 173 230

HSL 226.22, 0.6%, 0.76%

LAB 71.33, 7.23, -30.53

 

CMYK 1 / 32 / 0 / 9

HEX #E49DE7

RGB 228 157 231

HSL 297.57, 0.61%, 0.76%

LAB 73.79, 38.23, -26.76

 

CMYK 0 / 8 / 32 / 9

HEX #E7D59D

RGB 231 213 157

HSL 45.41, 0.61%, 0.76%

LAB 85.51, -1.97, 29.98

 

CMYK 31 / 0 / 32 / 9

HEX #A0E79D

RGB 160 231 157

HSL 117.57, 0.61%, 0.76%

LAB 85.53, -36.3, 29.18

 

CMYK 32 / 25 / 0 / 10

HEX #9CADE6

RGB 156 173 230

HSL 226.22, 0.6%, 0.76%

LAB 71.33, 7.23, -30.53

 

CMYK 0 / 32 / 9 / 9

HEX #E79DD3

RGB 231 157 211

HSL 316.22, 0.61%, 0.76%

LAB 73.42, 35.65, -16.34

 

CMYK 0 / 8 / 32 / 9

HEX #E7D59D

RGB 231 213 157

HSL 45.41, 0.61%, 0.76%

LAB 85.51, -1.97, 29.98

 

CMYK 32 / 0 / 23 / 9

HEX #9DE7B1

RGB 157 231 177

HSL 136.22, 0.61%, 0.76%

LAB 85.75, -33.85, 19.14

 

Description

Color code: HEX #9CADE6 | qconv.com Color code: HEX #9CADE6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 173 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 173 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 25 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 25% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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