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Color name
HEX #9CAD17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CAD17 it is the complementary color #6352E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CAD17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CAD17 shade: #A1AD12, #B2BF25, #C3D138, #D4E34B and #E5F55E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CAD17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CAD17 shade: #9CAD17, #8B9B04, #7A8900, #697700 and #586500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CAD17 shade: #9BAC16, #AC9416, #AC6C16, #AC4416 and #AC1B16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CAD17 shade: #9BAC16, #72AC16, #4AAC16, #22AC16 and #16AC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CAD17 shade matches the following richer shades: #9BAC16 and #A7BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CAD17 shade: #9BAC16, #8E9C26, #828C36, #767C45 and #6A6D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CAD17 shade: #AC6B16, #AC9316, #9DAC16, #75AC16 and #4DAC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CAD17 shade: #59620D, #7A8712, #9BAC16, #BCD01B and #D0E430

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CAD17 shade: #9CAD17, #16AC43 and #7F16AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CAD17 shade: #9CAD17, #169DAC and #AC169D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CAD17 shade: #9CAD17, #16AC43, #2516AC and #AC167F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CAD17 shade: #9CAD17, #16AC70, #2516AC and #AC1652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 87 / 32

HEX #9CAD17

RGB 156 173 23

HSL 66.8, 0.77%, 0.38%

LAB 67.29, -23.14, 65.69

 

Complementary color

CMYK 57 / 65 / 0 / 9

HEX #6352E8

RGB 99 82 232

HSL 246.8, 0.77%, 0.62%

LAB 44.96, 47.59, -73.81

 

CMYK 7 / 0 / 90 / 32

HEX #A1AD12

RGB 161 173 18

HSL 64.65, 0.81%, 0.37%

LAB 67.66, -21.1, 67.11

 

CMYK 7 / 0 / 81 / 25

HEX #B2BF25

RGB 178 191 37

HSL 65.06, 0.68%, 0.45%

LAB 74.1, -22.22, 68.78

 

CMYK 7 / 0 / 73 / 18

HEX #C3D138

RGB 195 209 56

HSL 65.49, 0.62%, 0.52%

LAB 80.45, -23.13, 69.32

 

CMYK 7 / 0 / 67 / 11

HEX #D4E34B

RGB 212 227 75

HSL 65.92, 0.73%, 0.59%

LAB 86.72, -23.88, 69.17

 

CMYK 7 / 0 / 62 / 4

HEX #E5F55E

RGB 229 245 94

HSL 66.36, 0.88%, 0.66%

LAB 92.91, -24.5, 68.61

 

CMYK 10 / 0 / 87 / 32

HEX #9CAD17

RGB 156 173 23

HSL 66.8, 0.77%, 0.38%

LAB 67.29, -23.14, 65.69

 

CMYK 10 / 0 / 97 / 39

HEX #8B9B04

RGB 139 155 4

HSL 66.36, 0.95%, 0.31%

LAB 60.73, -21.93, 63.04

 

CMYK 11 / 0 / 100 / 46

HEX #7A8900

RGB 122 137 0

HSL 66.57, 1%, 0.27%

LAB 54.06, -20.42, 58.07

 

CMYK 12 / 0 / 100 / 53

HEX #697700

RGB 105 119 0

HSL 67.06, 1%, 0.23%

LAB 47.23, -18.81, 52.39

 

CMYK 13 / 0 / 100 / 60

HEX #586500

RGB 88 101 0

HSL 67.72, 1%, 0.2%

LAB 40.22, -17.17, 46.55

 

CMYK 10 / 0 / 87 / 33

HEX #9BAC16

RGB 155 172 22

HSL 66.8, 0.77%, 0.38%

LAB 66.92, -23.1, 65.57

 

CMYK 0 / 14 / 87 / 33

HEX #AC9416

RGB 172 148 22

HSL 50.4, 0.77%, 0.38%

LAB 61.66, -3.06, 61.86

 

CMYK 0 / 37 / 87 / 33

HEX #AC6C16

RGB 172 108 22

HSL 34.4, 0.77%, 0.38%

LAB 51.33, 19.19, 53.44

 

CMYK 0 / 60 / 87 / 33

HEX #AC4416

RGB 172 68 22

HSL 18.4, 0.77%, 0.38%

LAB 42.71, 40.46, 46.35

 

CMYK 0 / 84 / 87 / 33

HEX #AC1B16

RGB 172 27 22

HSL 2, 0.77%, 0.38%

LAB 37.14, 55.68, 41.73

 

CMYK 10 / 0 / 87 / 33

HEX #9BAC16

RGB 155 172 22

HSL 66.8, 0.77%, 0.38%

LAB 66.92, -23.1, 65.57

 

CMYK 34 / 0 / 87 / 33

HEX #72AC16

RGB 114 172 22

HSL 83.2, 0.77%, 0.38%

LAB 64.27, -39.78, 62.28

 

CMYK 57 / 0 / 87 / 33

HEX #4AAC16

RGB 74 172 22

HSL 99.2, 0.77%, 0.38%

LAB 62.52, -52.82, 60.08

 

CMYK 80 / 0 / 87 / 33

HEX #22AC16

RGB 34 172 22

HSL 115.2, 0.77%, 0.38%

LAB 61.57, -60.85, 58.88

 

CMYK 87 / 0 / 70 / 33

HEX #16AC33

RGB 22 172 51

HSL 131.6, 0.77%, 0.38%

LAB 61.58, -60.17, 49.72

 

CMYK 10 / 0 / 87 / 33

HEX #9BAC16

RGB 155 172 22

HSL 66.8, 0.77%, 0.38%

LAB 66.92, -23.1, 65.57

 

CMYK 11 / 0 / 96 / 27

HEX #A7BB07

RGB 167 187 7

HSL 66.67, 0.93%, 0.38%

LAB 72.08, -25.59, 72.23

 

CMYK 10 / 0 / 87 / 33

HEX #9BAC16

RGB 155 172 22

HSL 66.8, 0.77%, 0.38%

LAB 66.92, -23.1, 65.57

 

CMYK 9 / 0 / 76 / 39

HEX #8E9C26

RGB 142 156 38

HSL 67.12, 0.61%, 0.38%

LAB 61.37, -20.13, 55.92

 

CMYK 7 / 0 / 61 / 45

HEX #828C36

RGB 130 140 54

HSL 66.98, 0.44%, 0.38%

LAB 55.86, -16.09, 43.53

 

CMYK 5 / 0 / 44 / 51

HEX #767C45

RGB 118 124 69

HSL 66.55, 0.28%, 0.38%

LAB 50.33, -11.26, 29.19

 

CMYK 3 / 0 / 22 / 57

HEX #6A6D55

RGB 106 109 85

HSL 67.5, 0.12%, 0.38%

LAB 45.16, -5.67, 13.05

 

CMYK 0 / 38 / 87 / 33

HEX #AC6B16

RGB 172 107 22

HSL 34, 0.77%, 0.38%

LAB 51.09, 19.75, 53.24

 

CMYK 0 / 15 / 87 / 33

HEX #AC9316

RGB 172 147 22

HSL 50, 0.77%, 0.38%

LAB 61.39, -2.51, 61.64

 

CMYK 9 / 0 / 87 / 33

HEX #9DAC16

RGB 157 172 22

HSL 66, 0.77%, 0.38%

LAB 67.07, -22.24, 65.75

 

CMYK 32 / 0 / 87 / 33

HEX #75AC16

RGB 117 172 22

HSL 82, 0.77%, 0.38%

LAB 64.44, -38.64, 62.48

 

CMYK 55 / 0 / 87 / 33

HEX #4DAC16

RGB 77 172 22

HSL 98, 0.77%, 0.38%

LAB 62.63, -52, 60.21

 

CMYK 9 / 0 / 87 / 62

HEX #59620D

RGB 89 98 13

HSL 66.35, 0.77%, 0.22%

LAB 39.39, -14.64, 42.46

 

CMYK 10 / 0 / 87 / 47

HEX #7A8712

RGB 122 135 18

HSL 66.67, 0.76%, 0.3%

LAB 53.5, -18.98, 54.25

 

CMYK 10 / 0 / 87 / 33

HEX #9BAC16

RGB 155 172 22

HSL 66.8, 0.77%, 0.38%

LAB 66.92, -23.1, 65.57

 

CMYK 10 / 0 / 87 / 18

HEX #BCD01B

RGB 188 208 27

HSL 66.63, 0.77%, 0.46%

LAB 79.55, -26.54, 75.93

 

CMYK 9 / 0 / 79 / 11

HEX #D0E430

RGB 208 228 48

HSL 66.67, 0.77%, 0.54%

LAB 86.56, -27.21, 77.65

 

CMYK 10 / 0 / 87 / 32

HEX #9CAD17

RGB 156 173 23

HSL 66.8, 0.77%, 0.38%

LAB 67.29, -23.14, 65.69

 

CMYK 87 / 0 / 61 / 33

HEX #16AC43

RGB 22 172 67

HSL 138, 0.77%, 0.38%

LAB 61.72, -58.39, 42.97

 

CMYK 26 / 87 / 0 / 33

HEX #7F16AC

RGB 127 22 172

HSL 282, 0.77%, 0.38%

LAB 34.12, 62.82, -56.49

 

CMYK 10 / 0 / 87 / 32

HEX #9CAD17

RGB 156 173 23

HSL 66.8, 0.77%, 0.38%

LAB 67.29, -23.14, 65.69

 

CMYK 87 / 9 / 0 / 33

HEX #169DAC

RGB 22 157 172

HSL 186, 0.77%, 0.38%

LAB 59.22, -27.64, -17.33

 

CMYK 0 / 87 / 9 / 33

HEX #AC169D

RGB 172 22 157

HSL 306, 0.77%, 0.38%

LAB 40.86, 68.21, -36.22

 

CMYK 10 / 0 / 87 / 32

HEX #9CAD17

RGB 156 173 23

HSL 66.8, 0.77%, 0.38%

LAB 67.29, -23.14, 65.69

 

CMYK 87 / 0 / 61 / 33

HEX #16AC43

RGB 22 172 67

HSL 138, 0.77%, 0.38%

LAB 61.72, -58.39, 42.97

 

CMYK 78 / 87 / 0 / 33

HEX #2516AC

RGB 37 22 172

HSL 246, 0.77%, 0.38%

LAB 23.49, 53.34, -74.36

 

CMYK 0 / 87 / 26 / 33

HEX #AC167F

RGB 172 22 127

HSL 318, 0.77%, 0.38%

LAB 39.37, 64.23, -20.2

 

CMYK 10 / 0 / 87 / 32

HEX #9CAD17

RGB 156 173 23

HSL 66.8, 0.77%, 0.38%

LAB 67.29, -23.14, 65.69

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 78 / 87 / 0 / 33

HEX #2516AC

RGB 37 22 172

HSL 246, 0.77%, 0.38%

LAB 23.49, 53.34, -74.36

 

CMYK 0 / 87 / 52 / 33

HEX #AC1652

RGB 172 22 82

HSL 336, 0.77%, 0.38%

LAB 37.76, 59.72, 5.85

 

Description

Color code: HEX #9CAD17 | qconv.com Color code: HEX #9CAD17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 173 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 173 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 87 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 87% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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