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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CA2EACE it is the complementary color #635D15CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CA2EACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CA2EACE shade: #A1A2E5CE, #B2B4F8CE, #C3C6FFCE, #D4D8FFCE and #E5EAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CA2EACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CA2EACE shade: #9CA2EACE, #8B90D7CE, #7A7EC4CE, #696CB1CE and #585A9ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CA2EACE shade: #9AA0EA, #A99AEA, #BF9AEA, #D49AEA and #EA9AE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CA2EACE shade: #9AA0EA and #9A9AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CA2EACE shade matches the following richer shades: #9AA0EA, #9098F3 and #868FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CA2EACE shade: #9AA0EA, #A4A9E0, #AEB1D6, #B8B9CC and #C2C2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CA2EACE shade: #9ACBEA, #9AB6EA, #9AA1EA, #A99AEA and #BE9AEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CA2EACE shade: #5660DB, #7880E2, #9AA0EA, #BCC0F1 and #DEE0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CA2EACE shade: #9CA2EA, #EA9AE0 and #C0EA9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CA2EACE shade: #9CA2EA, #EA9AA1 and #A1EA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CA2EACE shade: #9CA2EA, #EA9AE0, #EAE39A and #9AEAA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CA2EACE shade: #9CA2EA, #EA9AC8, #EAE39A and #9AEABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 25 / 0 / 7

HEX #9CA2EACE

RGBA 156 162 234 0.81

HSLA 235.38, 0.65%, 0.76%, 0.81

LABA 68.64, 14.43, -36.88, 0.81

 

Complementary color

CMYK 0 / 5 / 64 / 50

HEX #635D15CE

RGBA 99 93 21 0.81

HSLA 55.38, 0.65%, 0.24%, 0.81

LABA 38.79, -6.62, 39.51, 0.81

 

CMYK 24 / 24 / 0 / 8

HEX #A1A2E5CE

RGBA 161 162 229 0.81

HSLA 239.12, 0.57%, 0.76%, 0.81

LABA 68.81, 14.57, -33.85, 0.81

 

CMYK 23 / 22 / 0 / 2

HEX #B2B4F8CE

RGBA 178 180 248 0.81

HSLA 238.29, 0.83%, 0.84%, 0.81

LABA 75.38, 14.07, -33.91, 0.81

 

CMYK 19 / 18 / 0 / 0

HEX #C3C6FFCE

RGBA 195 198 255 0.81

HSLA 237, 1%, 0.88%, 0.81

LABA 81.41, 10.84, -28.28, 0.81

 

CMYK 14 / 12 / 0 / 0

HEX #D4D8FFCE

RGBA 212 216 255 0.81

HSLA 234.42, 1%, 0.92%, 0.81

LABA 87.16, 6.36, -19.42, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E5EAFFCE

RGBA 229 234 255 0.81

HSLA 228.46, 1%, 0.95%, 0.81

LABA 92.89, 2.3, -10.7, 0.81

 

CMYK 27 / 25 / 0 / 7

HEX #9CA2EACE

RGBA 156 162 234 0.81

HSLA 235.38, 0.65%, 0.76%, 0.81

LABA 68.64, 14.43, -36.88, 0.81

 

CMYK 29 / 27 / 0 / 13

HEX #8B90D7CE

RGBA 139 144 215 0.81

HSLA 236.05, 0.49%, 0.69%, 0.81

LABA 61.95, 15.04, -36.91, 0.81

 

CMYK 31 / 29 / 0 / 19

HEX #7A7EC4CE

RGBA 122 126 196 0.81

HSLA 236.76, 0.39%, 0.62%, 0.81

LABA 55.12, 15.73, -36.98, 0.81

 

CMYK 33 / 32 / 0 / 25

HEX #696CB1CE

RGBA 105 108 177 0.81

HSLA 237.5, 0.32%, 0.55%, 0.81

LABA 48.14, 16.54, -37.11, 0.81

 

CMYK 36 / 35 / 0 / 31

HEX #585A9ECE

RGBA 88 90 158 0.81

HSLA 238.29, 0.28%, 0.48%, 0.81

LABA 40.99, 17.5, -37.31, 0.81

 

CMYK 34 / 32 / 0 / 8

HEX #9AA0EA

RGB 154 160 234

HSL 235.5, 0.66%, 0.76%

LAB 67.99, 15.01, -37.91

 

CMYK 28 / 34 / 0 / 8

HEX #A99AEA

RGB 169 154 234

HSL 251.25, 0.66%, 0.76%

LAB 67.64, 22.63, -38.36

 

CMYK 18 / 34 / 0 / 8

HEX #BF9AEA

RGB 191 154 234

HSL 267.75, 0.66%, 0.76%

LAB 69.56, 29.08, -35.23

 

CMYK 9 / 34 / 0 / 8

HEX #D49AEA

RGB 212 154 234

HSL 283.5, 0.66%, 0.76%

LAB 71.59, 35.45, -31.93

 

CMYK 0 / 34 / 0 / 8

HEX #EA9AE9

RGB 234 154 233

HSL 300.75, 0.66%, 0.76%

LAB 73.86, 42.05, -27.69

 

CMYK 34 / 32 / 0 / 8

HEX #9AA0EA

RGB 154 160 234

HSL 235.5, 0.66%, 0.76%

LAB 67.99, 15.01, -37.91

 

CMYK 34 / 34 / 0 / 8

HEX #9A9AEA

RGB 154 154 234

HSL 240, 0.66%, 0.76%

LAB 66.46, 18.43, -40.29

 

CMYK 34 / 32 / 0 / 8

HEX #9AA0EA

RGB 154 160 234

HSL 235.5, 0.66%, 0.76%

LAB 67.99, 15.01, -37.91

 

CMYK 41 / 37 / 0 / 5

HEX #9098F3

RGB 144 152 243

HSL 235.15, 0.8%, 0.76%

LAB 65.64, 19.37, -46.58

 

CMYK 47 / 43 / 0 / 1

HEX #868FFD

RGB 134 143 253

HSL 235.46, 0.97%, 0.76%

LAB 63.18, 25.04, -55.99

 

CMYK 34 / 32 / 0 / 8

HEX #9AA0EA

RGB 154 160 234

HSL 235.5, 0.66%, 0.76%

LAB 67.99, 15.01, -37.91

 

CMYK 27 / 25 / 0 / 12

HEX #A4A9E0

RGB 164 169 224

HSL 235, 0.49%, 0.76%

LAB 70.63, 10.29, -28.28

 

CMYK 19 / 17 / 0 / 16

HEX #AEB1D6

RGB 174 177 214

HSL 235.5, 0.33%, 0.76%

LAB 73.09, 6.61, -18.99

 

CMYK 10 / 9 / 0 / 20

HEX #B8B9CC

RGB 184 185 204

HSL 237, 0.16%, 0.76%

LAB 75.61, 3.36, -9.68

 

CMYK 0 / 0 / 0 / 24

HEX #C2C2C2

RGB 194 194 194

HSL 0, 0%, 0.76%

LAB 78.43, 0, -0.01

 

CMYK 34 / 13 / 0 / 8

HEX #9ACBEA

RGB 154 203 234

HSL 203.25, 0.66%, 0.76%

LAB 79.34, -8.59, -20.46

 

CMYK 34 / 22 / 0 / 8

HEX #9AB6EA

RGB 154 182 234

HSL 219, 0.66%, 0.76%

LAB 73.72, 2.71, -29.04

 

CMYK 34 / 31 / 0 / 8

HEX #9AA1EA

RGB 154 161 234

HSL 234.75, 0.66%, 0.76%

LAB 68.24, 14.44, -37.51

 

CMYK 28 / 34 / 0 / 8

HEX #A99AEA

RGB 169 154 234

HSL 251.25, 0.66%, 0.76%

LAB 67.64, 22.63, -38.36

 

CMYK 19 / 34 / 0 / 8

HEX #BE9AEA

RGB 190 154 234

HSL 267, 0.66%, 0.76%

LAB 69.47, 28.78, -35.38

 

CMYK 61 / 56 / 0 / 14

HEX #5660DB

RGB 86 96 219

HSL 235.49, 0.65%, 0.6%

LAB 46.26, 33, -64.37

 

CMYK 47 / 43 / 0 / 11

HEX #7880E2

RGB 120 128 226

HSL 235.47, 0.65%, 0.68%

LAB 57, 22.7, -50.94

 

CMYK 34 / 32 / 0 / 8

HEX #9AA0EA

RGB 154 160 234

HSL 235.5, 0.66%, 0.76%

LAB 67.99, 15.01, -37.91

 

CMYK 22 / 20 / 0 / 5

HEX #BCC0F1

RGB 188 192 241

HSL 235.47, 0.65%, 0.84%

LAB 78.89, 8.81, -24.69

 

CMYK 10 / 10 / 0 / 3

HEX #DEE0F8

RGB 222 224 248

HSL 235.38, 0.65%, 0.92%

LAB 89.68, 3.88, -11.88

 

CMYK 33 / 31 / 0 / 8

HEX #9CA2EA

RGB 156 162 234

HSL 235.38, 0.65%, 0.76%

LAB 68.64, 14.43, -36.88

 

CMYK 0 / 34 / 4 / 8

HEX #EA9AE0

RGB 234 154 224

HSL 307.5, 0.66%, 0.76%

LAB 73.54, 40.45, -23.26

 

CMYK 18 / 0 / 34 / 8

HEX #C0EA9A

RGB 192 234 154

HSL 91.5, 0.66%, 0.76%

LAB 88.15, -27.31, 34.52

 

CMYK 33 / 31 / 0 / 8

HEX #9CA2EA

RGB 156 162 234

HSL 235.38, 0.65%, 0.76%

LAB 68.64, 14.43, -36.88

 

CMYK 0 / 34 / 31 / 8

HEX #EA9AA1

RGB 234 154 161

HSL 354.75, 0.66%, 0.76%

LAB 71.67, 30.82, 8.75

 

CMYK 31 / 0 / 34 / 8

HEX #A1EA9A

RGB 161 234 154

HSL 114.75, 0.66%, 0.76%

LAB 86.38, -37.8, 31.85

 

CMYK 33 / 31 / 0 / 8

HEX #9CA2EA

RGB 156 162 234

HSL 235.38, 0.65%, 0.76%

LAB 68.64, 14.43, -36.88

 

CMYK 0 / 34 / 4 / 8

HEX #EA9AE0

RGB 234 154 224

HSL 307.5, 0.66%, 0.76%

LAB 73.54, 40.45, -23.26

 

CMYK 0 / 3 / 34 / 8

HEX #EAE39A

RGB 234 227 154

HSL 54.75, 0.66%, 0.76%

LAB 89.28, -8.3, 36.56

 

CMYK 34 / 0 / 30 / 8

HEX #9AEAA3

RGB 154 234 163

HSL 126.75, 0.66%, 0.76%

LAB 86.19, -38.56, 26.94

 

CMYK 33 / 31 / 0 / 8

HEX #9CA2EA

RGB 156 162 234

HSL 235.38, 0.65%, 0.76%

LAB 68.64, 14.43, -36.88

 

CMYK 0 / 34 / 15 / 8

HEX #EA9AC8

RGB 234 154 200

HSL 325.5, 0.66%, 0.76%

LAB 72.74, 36.44, -11.27

 

CMYK 0 / 3 / 34 / 8

HEX #EAE39A

RGB 234 227 154

HSL 54.75, 0.66%, 0.76%

LAB 89.28, -8.3, 36.56

 

CMYK 34 / 0 / 20 / 8

HEX #9AEABB

RGB 154 234 187

HSL 144.75, 0.66%, 0.76%

LAB 86.65, -34.27, 15.18

 

Description

Color code: HEX #9CA2EACE | qconv.com Color code: HEX #9CA2EACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 162 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 162 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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