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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C92DE it is the complementary color #636D21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C92DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C92DE shade: #A192D9, #B2A4EC, #C3B6FF, #D4C8FF and #E5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C92DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C92DE shade: #9C92DE, #8B80CB, #7A6EB8, #695CA5 and #584A92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C92DE shade: #9B91DE, #B091DE, #C591DE, #DA91DE and #DE91CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C92DE shade: #9B91DE and #9191DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C92DE shade matches the following richer shades: #9B91DE, #9385EA and #8A7AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C92DE shade: #9B91DE, #A49DD3, #ACA8C7, #B5B4BB and #BDBFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C92DE shade: #91B1DE, #919DDE, #9A91DE, #AF91DE and #C391DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C92DE shade: #6252CB, #7E71D5, #9B91DE, #B8B1E8 and #D5D1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C92DE shade: #9C92DE, #DE91C6 and #A7DE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C92DE shade: #9C92DE, #DE9A91 and #91DE9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C92DE shade: #9C92DE, #DE91C6, #D5DE91 and #91DEA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C92DE shade: #9C92DE, #DE91AF, #D5DE91 and #91DEC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 34 / 0 / 13

HEX #9C92DE

RGB 156 146 222

HSL 247.89, 0.54%, 0.72%

LAB 64.08, 20.48, -37.37

 

Complementary color

CMYK 9 / 0 / 70 / 57

HEX #636D21

RGB 99 109 33

HSL 67.89, 0.54%, 0.28%

LAB 43.8, -14.92, 39.45

 

CMYK 26 / 33 / 0 / 15

HEX #A192D9

RGB 161 146 217

HSL 252.68, 0.48%, 0.71%

LAB 64.28, 20.7, -34.26

 

CMYK 25 / 31 / 0 / 7

HEX #B2A4EC

RGB 178 164 236

HSL 251.67, 0.65%, 0.78%

LAB 70.92, 20.1, -34.3

 

CMYK 24 / 29 / 0 / 0

HEX #C3B6FF

RGB 195 182 255

HSL 250.68, 1%, 0.86%

LAB 77.45, 19.56, -34.37

 

CMYK 17 / 22 / 0 / 0

HEX #D4C8FF

RGB 212 200 255

HSL 253.09, 1%, 0.89%

LAB 83.19, 14.89, -25.44

 

CMYK 10 / 15 / 0 / 0

HEX #E5DAFF

RGB 229 218 255

HSL 257.84, 1%, 0.93%

LAB 88.93, 10.63, -16.63

 

CMYK 30 / 34 / 0 / 13

HEX #9C92DE

RGB 156 146 222

HSL 247.89, 0.54%, 0.72%

LAB 64.08, 20.48, -37.37

 

CMYK 32 / 37 / 0 / 20

HEX #8B80CB

RGB 139 128 203

HSL 248.8, 0.42%, 0.65%

LAB 57.31, 21.19, -37.43

 

CMYK 34 / 40 / 0 / 28

HEX #7A6EB8

RGB 122 110 184

HSL 249.73, 0.34%, 0.58%

LAB 50.39, 21.99, -37.52

 

CMYK 36 / 44 / 0 / 35

HEX #695CA5

RGB 105 92 165

HSL 250.68, 0.29%, 0.5%

LAB 43.32, 22.91, -37.68

 

CMYK 40 / 49 / 0 / 43

HEX #584A92

RGB 88 74 146

HSL 251.67, 0.33%, 0.43%

LAB 36.08, 23.99, -37.89

 

CMYK 30 / 35 / 0 / 13

HEX #9B91DE

RGB 155 145 222

HSL 247.79, 0.54%, 0.72%

LAB 63.75, 20.77, -37.9

 

CMYK 21 / 35 / 0 / 13

HEX #B091DE

RGB 176 145 222

HSL 264.16, 0.54%, 0.72%

LAB 65.56, 26.91, -34.94

 

CMYK 11 / 35 / 0 / 13

HEX #C591DE

RGB 197 145 222

HSL 280.52, 0.54%, 0.72%

LAB 67.57, 33.29, -31.66

 

CMYK 2 / 35 / 0 / 13

HEX #DA91DE

RGB 218 145 222

HSL 296.88, 0.54%, 0.72%

LAB 69.77, 39.81, -28.08

 

CMYK 0 / 35 / 7 / 13

HEX #DE91CE

RGB 222 145 206

HSL 312.47, 0.54%, 0.72%

LAB 69.64, 38.21, -19.4

 

CMYK 30 / 35 / 0 / 13

HEX #9B91DE

RGB 155 145 222

HSL 247.79, 0.54%, 0.72%

LAB 63.75, 20.77, -37.9

 

CMYK 35 / 35 / 0 / 13

HEX #9191DE

RGB 145 145 222

HSL 240, 0.54%, 0.72%

LAB 62.96, 17.97, -39.18

 

CMYK 30 / 35 / 0 / 13

HEX #9B91DE

RGB 155 145 222

HSL 247.79, 0.54%, 0.72%

LAB 63.75, 20.77, -37.9

 

CMYK 37 / 43 / 0 / 8

HEX #9385EA

RGB 147 133 234

HSL 248.32, 0.71%, 0.72%

LAB 60.71, 28.66, -49.38

 

CMYK 44 / 50 / 0 / 4

HEX #8A7AF5

RGB 138 122 245

HSL 247.8, 0.86%, 0.72%

LAB 57.96, 35.89, -59.91

 

CMYK 30 / 35 / 0 / 13

HEX #9B91DE

RGB 155 145 222

HSL 247.79, 0.54%, 0.72%

LAB 63.75, 20.77, -37.9

 

CMYK 22 / 26 / 0 / 17

HEX #A49DD3

RGB 164 157 211

HSL 247.78, 0.38%, 0.72%

LAB 67.06, 13.93, -26.61

 

CMYK 14 / 16 / 0 / 22

HEX #ACA8C7

RGB 172 168 199

HSL 247.74, 0.22%, 0.72%

LAB 70.11, 7.64, -15.28

 

CMYK 3 / 4 / 0 / 27

HEX #B5B4BB

RGB 181 180 187

HSL 248.57, 0.05%, 0.72%

LAB 73.58, 1.68, -3.43

 

CMYK 1 / 0 / 8 / 25

HEX #BDBFB0

RGB 189 191 176

HSL 68, 0.1%, 0.72%

LAB 76.81, -3.38, 7.32

 

CMYK 35 / 20 / 0 / 13

HEX #91B1DE

RGB 145 177 222

HSL 215.06, 0.54%, 0.72%

LAB 71.38, -0.11, -26.15

 

CMYK 35 / 29 / 0 / 13

HEX #919DDE

RGB 145 157 222

HSL 230.65, 0.54%, 0.72%

LAB 66.06, 11.09, -34.35

 

CMYK 31 / 35 / 0 / 13

HEX #9A91DE

RGB 154 145 222

HSL 247.01, 0.54%, 0.72%

LAB 63.67, 20.49, -38.03

 

CMYK 21 / 35 / 0 / 13

HEX #AF91DE

RGB 175 145 222

HSL 263.38, 0.54%, 0.72%

LAB 65.47, 26.61, -35.09

 

CMYK 12 / 35 / 0 / 13

HEX #C391DE

RGB 195 145 222

HSL 278.96, 0.54%, 0.72%

LAB 67.37, 32.68, -31.98

 

CMYK 52 / 60 / 0 / 20

HEX #6252CB

RGB 98 82 203

HSL 247.93, 0.54%, 0.56%

LAB 42.68, 38.58, -60.96

 

CMYK 41 / 47 / 0 / 16

HEX #7E71D5

RGB 126 113 213

HSL 247.8, 0.54%, 0.64%

LAB 53, 29.29, -49.96

 

CMYK 30 / 35 / 0 / 13

HEX #9B91DE

RGB 155 145 222

HSL 247.79, 0.54%, 0.72%

LAB 63.75, 20.77, -37.9

 

CMYK 21 / 24 / 0 / 9

HEX #B8B1E8

RGB 184 177 232

HSL 247.64, 0.54%, 0.8%

LAB 74.48, 13.76, -26.59

 

CMYK 12 / 13 / 0 / 5

HEX #D5D1F1

RGB 213 209 241

HSL 247.5, 0.53%, 0.88%

LAB 85.05, 7.48, -15.2

 

CMYK 30 / 34 / 0 / 13

HEX #9C92DE

RGB 156 146 222

HSL 247.89, 0.54%, 0.72%

LAB 64.08, 20.48, -37.37

 

CMYK 0 / 35 / 11 / 13

HEX #DE91C6

RGB 222 145 198

HSL 318.7, 0.54%, 0.72%

LAB 69.37, 36.85, -15.37

 

CMYK 25 / 0 / 35 / 13

HEX #A7DE91

RGB 167 222 145

HSL 102.86, 0.54%, 0.72%

LAB 83.18, -31.64, 32.24

 

CMYK 30 / 34 / 0 / 13

HEX #9C92DE

RGB 156 146 222

HSL 247.89, 0.54%, 0.72%

LAB 64.08, 20.48, -37.37

 

CMYK 0 / 31 / 35 / 13

HEX #DE9A91

RGB 222 154 145

HSL 7.01, 0.54%, 0.72%

LAB 69.95, 24.31, 14.98

 

CMYK 35 / 0 / 31 / 13

HEX #91DE9A

RGB 145 222 154

HSL 127.01, 0.54%, 0.72%

LAB 82.16, -37.4, 26.04

 

CMYK 30 / 34 / 0 / 13

HEX #9C92DE

RGB 156 146 222

HSL 247.89, 0.54%, 0.72%

LAB 64.08, 20.48, -37.37

 

CMYK 0 / 35 / 11 / 13

HEX #DE91C6

RGB 222 145 198

HSL 318.7, 0.54%, 0.72%

LAB 69.37, 36.85, -15.37

 

CMYK 4 / 0 / 35 / 13

HEX #D5DE91

RGB 213 222 145

HSL 67.01, 0.54%, 0.72%

LAB 86.22, -14.88, 36.8

 

CMYK 35 / 0 / 24 / 13

HEX #91DEA9

RGB 145 222 169

HSL 138.7, 0.54%, 0.72%

LAB 82.45, -34.76, 18.62

 

CMYK 30 / 34 / 0 / 13

HEX #9C92DE

RGB 156 146 222

HSL 247.89, 0.54%, 0.72%

LAB 64.08, 20.48, -37.37

 

CMYK 0 / 35 / 21 / 13

HEX #DE91AF

RGB 222 145 175

HSL 336.62, 0.54%, 0.72%

LAB 68.66, 33.22, -3.59

 

CMYK 4 / 0 / 35 / 13

HEX #D5DE91

RGB 213 222 145

HSL 67.01, 0.54%, 0.72%

LAB 86.22, -14.88, 36.8

 

CMYK 35 / 0 / 13 / 13

HEX #91DEC1

RGB 145 222 193

HSL 157.4, 0.54%, 0.72%

LAB 82.97, -30.04, 6.73

 

Description

Color code: HEX #9C92DE | qconv.com Color code: HEX #9C92DE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 146 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 146 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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