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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C92A2 it is the complementary color #636D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C92A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C92A2 shade: #A1929D, #B2A4B0, #C3B6C3, #D4C8D6 and #E5DAE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C92A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C92A2 shade: #9C92A2, #8B808F, #7A6E7C, #695C69 and #584A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C92A2 shade: #9B90A1, #9F90A1, #A1909E, #A1909A and #A19095

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C92A2 shade: #9B90A1, #9690A1, #9290A1 and #9090A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C92A2 shade matches the following richer shades: #9B90A1, #9F80B1, #A36FC2, #A75FD2 and #AB4EE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C92A2 shade: #9B90A1, #96A190, #92B180, #8EC26F and #8AD25F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C92A2 shade: #9290A1, #9690A1, #9A90A1, #9F90A1 and #A1909E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C92A2 shade: #716678, #867A8E, #9B90A1, #AFA7B4 and #C3BDC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C92A2 shade: #9C92A2, #A19093 and #90A194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C92A2 shade: #9C92A2, #A19A90 and #90A19A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C92A2 shade: #9C92A2, #A19093, #97A190 and #90A19E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C92A2 shade: #9C92A2, #A19290, #97A190 and #909FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 10 / 0 / 36

HEX #9C92A2

RGB 156 146 162

HSL 277.5, 0.08%, 0.6%

LAB 61.86, 6.77, -7.08

 

Complementary color

CMYK 9 / 0 / 15 / 57

HEX #636D5D

RGB 99 109 93

HSL 97.5, 0.08%, 0.4%

LAB 44.77, -7.08, 7.66

 

CMYK 0 / 9 / 2 / 37

HEX #A1929D

RGB 161 146 157

HSL 316, 0.07%, 0.6%

LAB 62.14, 7.59, -3.77

 

CMYK 0 / 8 / 1 / 30

HEX #B2A4B0

RGB 178 164 176

HSL 308.57, 0.08%, 0.67%

LAB 68.86, 7.26, -4.36

 

CMYK 0 / 7 / 0 / 24

HEX #C3B6C3

RGB 195 182 195

HSL 300, 0.1%, 0.74%

LAB 75.45, 6.97, -4.92

 

CMYK 1 / 7 / 0 / 16

HEX #D4C8D6

RGB 212 200 214

HSL 291.43, 0.15%, 0.81%

LAB 81.93, 6.69, -5.46

 

CMYK 2 / 6 / 0 / 9

HEX #E5DAE9

RGB 229 218 233

HSL 284, 0.25%, 0.88%

LAB 88.3, 6.43, -5.99

 

CMYK 4 / 10 / 0 / 36

HEX #9C92A2

RGB 156 146 162

HSL 277.5, 0.08%, 0.6%

LAB 61.86, 6.77, -7.08

 

CMYK 3 / 10 / 0 / 44

HEX #8B808F

RGB 139 128 143

HSL 284, 0.06%, 0.53%

LAB 54.98, 7.09, -6.56

 

CMYK 2 / 11 / 0 / 51

HEX #7A6E7C

RGB 122 110 124

HSL 291.43, 0.06%, 0.46%

LAB 47.94, 7.44, -6.03

 

CMYK 0 / 12 / 0 / 59

HEX #695C69

RGB 105 92 105

HSL 300, 0.07%, 0.39%

LAB 40.7, 7.85, -5.48

 

CMYK 0 / 16 / 2 / 65

HEX #584A56

RGB 88 74 86

HSL 308.57, 0.09%, 0.32%

LAB 33.23, 8.31, -4.9

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 1 / 11 / 0 / 37

HEX #9F90A1

RGB 159 144 161

HSL 292.94, 0.08%, 0.6%

LAB 61.56, 8.77, -6.93

 

CMYK 0 / 11 / 2 / 37

HEX #A1909E

RGB 161 144 158

HSL 310.59, 0.08%, 0.6%

LAB 61.65, 8.9, -5.07

 

CMYK 0 / 11 / 4 / 37

HEX #A1909A

RGB 161 144 154

HSL 324.71, 0.08%, 0.6%

LAB 61.53, 8.15, -2.97

 

CMYK 0 / 11 / 7 / 37

HEX #A19095

RGB 161 144 149

HSL 342.35, 0.08%, 0.6%

LAB 61.39, 7.22, -0.34

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 7 / 11 / 0 / 37

HEX #9690A1

RGB 150 144 161

HSL 261.18, 0.08%, 0.6%

LAB 60.78, 5.58, -8.16

 

CMYK 9 / 11 / 0 / 37

HEX #9290A1

RGB 146 144 161

HSL 247.06, 0.08%, 0.6%

LAB 60.45, 4.18, -8.69

 

CMYK 11 / 11 / 0 / 37

HEX #9090A1

RGB 144 144 161

HSL 240, 0.08%, 0.6%

LAB 60.29, 3.48, -8.95

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 10 / 28 / 0 / 31

HEX #9F80B1

RGB 159 128 177

HSL 277.96, 0.24%, 0.6%

LAB 58.02, 21.2, -21.39

 

CMYK 16 / 43 / 0 / 24

HEX #A36FC2

RGB 163 111 194

HSL 277.59, 0.4%, 0.6%

LAB 55.12, 35.84, -35.56

 

CMYK 20 / 55 / 0 / 18

HEX #A75FD2

RGB 167 95 210

HSL 277.57, 0.56%, 0.6%

LAB 53.01, 49.16, -48

 

CMYK 25 / 66 / 0 / 11

HEX #AB4EE3

RGB 171 78 227

HSL 277.45, 0.73%, 0.6%

LAB 51.44, 62.08, -60.12

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 7 / 0 / 11 / 37

HEX #96A190

RGB 150 161 144

HSL 98.82, 0.08%, 0.6%

LAB 64.95, -7.16, 7.51

 

CMYK 18 / 0 / 28 / 31

HEX #92B180

RGB 146 177 128

HSL 97.96, 0.24%, 0.6%

LAB 68.83, -19.75, 21.69

 

CMYK 27 / 0 / 43 / 24

HEX #8EC26F

RGB 142 194 111

HSL 97.59, 0.4%, 0.6%

LAB 73.21, -31.98, 36.34

 

CMYK 34 / 0 / 55 / 18

HEX #8AD25F

RGB 138 210 95

HSL 97.57, 0.56%, 0.6%

LAB 77.47, -42.51, 49.3

 

CMYK 9 / 11 / 0 / 37

HEX #9290A1

RGB 146 144 161

HSL 247.06, 0.08%, 0.6%

LAB 60.45, 4.18, -8.69

 

CMYK 7 / 11 / 0 / 37

HEX #9690A1

RGB 150 144 161

HSL 261.18, 0.08%, 0.6%

LAB 60.78, 5.58, -8.16

 

CMYK 4 / 11 / 0 / 37

HEX #9A90A1

RGB 154 144 161

HSL 275.29, 0.08%, 0.6%

LAB 61.12, 6.99, -7.62

 

CMYK 1 / 11 / 0 / 37

HEX #9F90A1

RGB 159 144 161

HSL 292.94, 0.08%, 0.6%

LAB 61.56, 8.77, -6.93

 

CMYK 0 / 11 / 2 / 37

HEX #A1909E

RGB 161 144 158

HSL 310.59, 0.08%, 0.6%

LAB 61.65, 8.9, -5.07

 

CMYK 6 / 15 / 0 / 53

HEX #716678

RGB 113 102 120

HSL 276.67, 0.08%, 0.44%

LAB 44.76, 8.02, -8.47

 

CMYK 6 / 14 / 0 / 44

HEX #867A8E

RGB 134 122 142

HSL 276, 0.08%, 0.52%

LAB 52.88, 8.55, -9.16

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 3 / 7 / 0 / 29

HEX #AFA7B4

RGB 175 167 180

HSL 276.92, 0.08%, 0.68%

LAB 69.5, 5.32, -5.65

 

CMYK 2 / 5 / 0 / 22

HEX #C3BDC7

RGB 195 189 199

HSL 276, 0.08%, 0.76%

LAB 77.35, 3.95, -4.28

 

CMYK 4 / 10 / 0 / 36

HEX #9C92A2

RGB 156 146 162

HSL 277.5, 0.08%, 0.6%

LAB 61.86, 6.77, -7.08

 

CMYK 0 / 11 / 9 / 37

HEX #A19093

RGB 161 144 147

HSL 349.41, 0.08%, 0.6%

LAB 61.33, 6.86, 0.72

 

CMYK 11 / 0 / 8 / 37

HEX #90A194

RGB 144 161 148

HSL 134.12, 0.08%, 0.6%

LAB 64.61, -8.57, 4.73

 

CMYK 4 / 10 / 0 / 36

HEX #9C92A2

RGB 156 146 162

HSL 277.5, 0.08%, 0.6%

LAB 61.86, 6.77, -7.08

 

CMYK 0 / 4 / 11 / 37

HEX #A19A90

RGB 161 154 144

HSL 35.29, 0.08%, 0.6%

LAB 63.92, 0.76, 6.15

 

CMYK 11 / 0 / 4 / 37

HEX #90A19A

RGB 144 161 154

HSL 155.29, 0.08%, 0.6%

LAB 64.77, -7.39, 1.6

 

CMYK 4 / 10 / 0 / 36

HEX #9C92A2

RGB 156 146 162

HSL 277.5, 0.08%, 0.6%

LAB 61.86, 6.77, -7.08

 

CMYK 0 / 11 / 9 / 37

HEX #A19093

RGB 161 144 147

HSL 349.41, 0.08%, 0.6%

LAB 61.33, 6.86, 0.72

 

CMYK 6 / 0 / 11 / 37

HEX #97A190

RGB 151 161 144

HSL 95.29, 0.08%, 0.6%

LAB 65.03, -6.79, 7.63

 

CMYK 11 / 0 / 2 / 37

HEX #90A19E

RGB 144 161 158

HSL 169.41, 0.08%, 0.6%

LAB 64.87, -6.59, -0.49

 

CMYK 4 / 10 / 0 / 36

HEX #9C92A2

RGB 156 146 162

HSL 277.5, 0.08%, 0.6%

LAB 61.86, 6.77, -7.08

 

CMYK 0 / 9 / 11 / 37

HEX #A19290

RGB 161 146 144

HSL 7.06, 0.08%, 0.6%

LAB 61.78, 5.21, 3.07

 

CMYK 6 / 0 / 11 / 37

HEX #97A190

RGB 151 161 144

HSL 95.29, 0.08%, 0.6%

LAB 65.03, -6.79, 7.63

 

CMYK 11 / 1 / 0 / 37

HEX #909FA1

RGB 144 159 161

HSL 187.06, 0.08%, 0.6%

LAB 64.4, -4.87, -2.86

 

Description

Color code: HEX #9C92A2 | qconv.com Color code: HEX #9C92A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 146 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 146 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 10 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 10% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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