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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C90CCCE it is the complementary color #636F33CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C90CCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C90CCCE shade: #A190C7CE, #B2A2DACE, #C3B4EDCE, #D4C6FFCE and #E5D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C90CCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C90CCCE shade: #9C90CCCE, #8B7EB9CE, #7A6CA6CE, #695A93CE and #584880CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C90CCCE shade: #9B8FCC, #AC8FCC, #BC8FCC, #CC8FCB and #CC8FBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C90CCCE shade: #9B8FCC and #8F8FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C90CCCE shade matches the following richer shades: #9B8FCC, #9382D9, #8B75E6 and #8468F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C90CCCE shade: #9B8FCC, #A39CBE, #ABAAB1, #B3B7A4 and #BBC497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C90CCCE shade: #8FA3CC, #8F93CC, #9B8FCC, #AB8FCC and #BB8FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C90CCCE shade: #6957B2, #8273BF, #9B8FCC, #B4ABD9 and #CEC8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C90CCCE shade: #9C90CC, #CC8FB3 and #9BCC8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C90CCCE shade: #9C90CC, #CC9B8F and #8FCC9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C90CCCE shade: #9C90CC, #CC8FB3, #C0CC8F and #8FCCA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C90CCCE shade: #9C90CC, #CC8FA1, #C0CC8F and #8FCCB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 24 / 0 / 16

HEX #9C90CCCE

RGBA 156 144 204 0.81

HSLA 252, 0.37%, 0.68%, 0.81

LABA 62.82, 17.2, -29.3, 0.81

 

Complementary color

CMYK 9 / 0 / 44 / 46

HEX #636F33CE

RGBA 99 111 51 0.81

HSLA 72, 0.37%, 0.32%, 0.81

LABA 44.6, -14.45, 31.55, 0.81

 

CMYK 15 / 22 / 0 / 18

HEX #A190C7CE

RGBA 161 144 199 0.81

HSLA 258.55, 0.33%, 0.67%, 0.81

LABA 63.05, 17.58, -26.11, 0.81

 

CMYK 15 / 21 / 0 / 12

HEX #B2A2DACE

RGBA 178 162 218 0.81

HSLA 257.14, 0.43%, 0.75%, 0.81

LABA 69.73, 17.07, -26.27, 0.81

 

CMYK 14 / 19 / 0 / 6

HEX #C3B4EDCE

RGBA 195 180 237 0.81

HSLA 255.79, 0.61%, 0.82%, 0.81

LABA 76.29, 16.61, -26.46, 0.81

 

CMYK 14 / 18 / 0 / 0

HEX #D4C6FFCE

RGBA 212 198 255 0.81

HSLA 254.74, 1%, 0.89%, 0.81

LABA 82.7, 15.96, -26.19, 0.81

 

CMYK 8 / 12 / 0 / 0

HEX #E5D8FFCE

RGBA 229 216 255 0.81

HSLA 260, 1%, 0.92%, 0.81

LABA 88.44, 11.69, -17.36, 0.81

 

CMYK 19 / 24 / 0 / 16

HEX #9C90CCCE

RGBA 156 144 204 0.81

HSLA 252, 0.37%, 0.68%, 0.81

LABA 62.82, 17.2, -29.3, 0.81

 

CMYK 20 / 26 / 0 / 22

HEX #8B7EB9CE

RGBA 139 126 185 0.81

HSLA 253.22, 0.3%, 0.61%, 0.81

LABA 56, 17.79, -29.23, 0.81

 

CMYK 21 / 28 / 0 / 28

HEX #7A6CA6CE

RGBA 122 108 166 0.81

HSLA 254.48, 0.25%, 0.54%, 0.81

LABA 49.03, 18.45, -29.2, 0.81

 

CMYK 23 / 31 / 0 / 34

HEX #695A93CE

RGBA 105 90 147 0.81

HSLA 255.79, 0.24%, 0.46%, 0.81

LABA 41.88, 19.2, -29.22, 0.81

 

CMYK 25 / 35 / 0 / 40

HEX #584880CE

RGBA 88 72 128 0.81

HSLA 257.14, 0.28%, 0.39%, 0.81

LABA 34.53, 20.08, -29.3, 0.81

 

CMYK 24 / 30 / 0 / 20

HEX #9B8FCC

RGB 155 143 204

HSL 251.8, 0.37%, 0.68%

LAB 62.48, 17.47, -29.83

 

CMYK 16 / 30 / 0 / 20

HEX #AC8FCC

RGB 172 143 204

HSL 268.52, 0.37%, 0.68%

LAB 63.98, 22.75, -27.4

 

CMYK 8 / 30 / 0 / 20

HEX #BC8FCC

RGB 188 143 204

HSL 284.26, 0.37%, 0.68%

LAB 65.51, 27.86, -24.91

 

CMYK 0 / 30 / 0 / 20

HEX #CC8FCB

RGB 204 143 203

HSL 300.98, 0.37%, 0.68%

LAB 67.12, 32.86, -21.74

 

CMYK 0 / 30 / 8 / 20

HEX #CC8FBB

RGB 204 143 187

HSL 316.72, 0.37%, 0.68%

LAB 66.57, 29.97, -13.63

 

CMYK 24 / 30 / 0 / 20

HEX #9B8FCC

RGB 155 143 204

HSL 251.8, 0.37%, 0.68%

LAB 62.48, 17.47, -29.83

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCC

RGB 143 143 204

HSL 240, 0.37%, 0.68%

LAB 61.52, 13.88, -31.4

 

CMYK 24 / 30 / 0 / 20

HEX #9B8FCC

RGB 155 143 204

HSL 251.8, 0.37%, 0.68%

LAB 62.48, 17.47, -29.83

 

CMYK 32 / 40 / 0 / 15

HEX #9382D9

RGB 147 130 217

HSL 251.72, 0.53%, 0.68%

LAB 59.14, 25.91, -42.38

 

CMYK 40 / 49 / 0 / 10

HEX #8B75E6

RGB 139 117 230

HSL 251.68, 0.69%, 0.68%

LAB 56.01, 34.85, -54.67

 

CMYK 46 / 57 / 0 / 5

HEX #8468F3

RGB 132 104 243

HSL 252.09, 0.85%, 0.68%

LAB 53.25, 44.35, -66.39

 

CMYK 24 / 30 / 0 / 20

HEX #9B8FCC

RGB 155 143 204

HSL 251.8, 0.37%, 0.68%

LAB 62.48, 17.47, -29.83

 

CMYK 14 / 18 / 0 / 25

HEX #A39CBE

RGB 163 156 190

HSL 252.35, 0.21%, 0.68%

LAB 65.97, 9.42, -16.61

 

CMYK 3 / 4 / 0 / 31

HEX #ABAAB1

RGB 171 170 177

HSL 248.57, 0.04%, 0.68%

LAB 69.88, 1.7, -3.47

 

CMYK 2 / 0 / 10 / 28

HEX #B3B7A4

RGB 179 183 164

HSL 72.63, 0.12%, 0.68%

LAB 73.63, -4.82, 9.18

 

CMYK 5 / 0 / 23 / 23

HEX #BBC497

RGB 187 196 151

HSL 72, 0.28%, 0.68%

LAB 77.45, -10.74, 21.61

 

CMYK 30 / 20 / 0 / 20

HEX #8FA3CC

RGB 143 163 204

HSL 220.33, 0.37%, 0.68%

LAB 66.82, 2.5, -23.24

 

CMYK 30 / 28 / 0 / 20

HEX #8F93CC

RGB 143 147 204

HSL 236.07, 0.37%, 0.68%

LAB 62.56, 11.57, -29.78

 

CMYK 24 / 30 / 0 / 20

HEX #9B8FCC

RGB 155 143 204

HSL 251.8, 0.37%, 0.68%

LAB 62.48, 17.47, -29.83

 

CMYK 16 / 30 / 0 / 20

HEX #AB8FCC

RGB 171 143 204

HSL 267.54, 0.37%, 0.68%

LAB 63.89, 22.43, -27.55

 

CMYK 8 / 30 / 0 / 20

HEX #BB8FCC

RGB 187 143 204

HSL 283.28, 0.37%, 0.68%

LAB 65.41, 27.54, -25.07

 

CMYK 41 / 51 / 0 / 30

HEX #6957B2

RGB 105 87 178

HSL 251.87, 0.37%, 0.52%

LAB 42.81, 29.68, -46.15

 

CMYK 32 / 40 / 0 / 25

HEX #8273BF

RGB 130 115 191

HSL 251.84, 0.37%, 0.6%

LAB 52.7, 23.15, -37.89

 

CMYK 24 / 30 / 0 / 20

HEX #9B8FCC

RGB 155 143 204

HSL 251.8, 0.37%, 0.68%

LAB 62.48, 17.47, -29.83

 

CMYK 17 / 21 / 0 / 15

HEX #B4ABD9

RGB 180 171 217

HSL 251.74, 0.38%, 0.76%

LAB 72.12, 12.48, -22.06

 

CMYK 10 / 13 / 0 / 10

HEX #CEC8E6

RGB 206 200 230

HSL 252, 0.38%, 0.84%

LAB 81.92, 7.79, -14.09

 

CMYK 24 / 29 / 0 / 20

HEX #9C90CC

RGB 156 144 204

HSL 252, 0.37%, 0.68%

LAB 62.82, 17.2, -29.3

 

CMYK 0 / 30 / 12 / 20

HEX #CC8FB3

RGB 204 143 179

HSL 324.59, 0.37%, 0.68%

LAB 66.32, 28.6, -9.53

 

CMYK 24 / 0 / 30 / 20

HEX #9BCC8F

RGB 155 204 143

HSL 108.2, 0.37%, 0.68%

LAB 77.36, -27.52, 25.37

 

CMYK 24 / 29 / 0 / 20

HEX #9C90CC

RGB 156 144 204

HSL 252, 0.37%, 0.68%

LAB 62.82, 17.2, -29.3

 

CMYK 0 / 24 / 30 / 20

HEX #CC9B8F

RGB 204 155 143

HSL 11.8, 0.37%, 0.68%

LAB 68.21, 16.58, 13.37

 

CMYK 30 / 0 / 24 / 20

HEX #8FCC9B

RGB 143 204 155

HSL 131.8, 0.37%, 0.68%

LAB 76.92, -29.47, 18.31

 

CMYK 24 / 29 / 0 / 20

HEX #9C90CC

RGB 156 144 204

HSL 252, 0.37%, 0.68%

LAB 62.82, 17.2, -29.3

 

CMYK 0 / 30 / 12 / 20

HEX #CC8FB3

RGB 204 143 179

HSL 324.59, 0.37%, 0.68%

LAB 66.32, 28.6, -9.53

 

CMYK 6 / 0 / 30 / 20

HEX #C0CC8F

RGB 192 204 143

HSL 71.8, 0.37%, 0.68%

LAB 79.83, -14.08, 29.1

 

CMYK 30 / 0 / 18 / 20

HEX #8FCCA7

RGB 143 204 167

HSL 143.61, 0.37%, 0.68%

LAB 77.17, -27.23, 12.26

 

CMYK 24 / 29 / 0 / 20

HEX #9C90CC

RGB 156 144 204

HSL 252, 0.37%, 0.68%

LAB 62.82, 17.2, -29.3

 

CMYK 0 / 30 / 21 / 20

HEX #CC8FA1

RGB 204 143 161

HSL 342.3, 0.37%, 0.68%

LAB 65.79, 25.72, -0.18

 

CMYK 6 / 0 / 30 / 20

HEX #C0CC8F

RGB 192 204 143

HSL 71.8, 0.37%, 0.68%

LAB 79.83, -14.08, 29.1

 

CMYK 30 / 0 / 9 / 20

HEX #8FCCB9

RGB 143 204 185

HSL 161.31, 0.37%, 0.68%

LAB 77.6, -23.57, 3.22

 

Description

Color code: HEX #9C90CCCE | qconv.com Color code: HEX #9C90CCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 144 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 144 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 24 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 24% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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