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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C8DD7 it is the complementary color #637228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C8DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C8DD7 shade: #A18DD2, #B29FE5, #C3B1F8, #D4C3FF and #E5D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C8DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C8DD7 shade: #9C8DD7, #8B7BC4, #7A69B1, #69579E and #58458B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C8DD7 shade: #9C8DD7, #B08DD7, #C48DD7, #D78DD6 and #D78DC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C8DD7 shade: #9C8DD7 and #8D8DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C8DD7 shade matches the following richer shades: #9C8DD7, #9581E3, #8D75EF and #8668FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C8DD7 shade: #9C8DD7, #A49ACA, #ABA6BE, #B2B2B2 and #BABFA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C8DD7 shade: #8DA6D7, #8D92D7, #9C8DD7, #B08DD7 and #C38DD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C8DD7 shade: #6750C1, #826FCC, #9C8DD7, #B7ACE1 and #D1CAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C8DD7 shade: #9C8DD7, #D78DB9 and #9CD78D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C8DD7 shade: #9C8DD7, #D79C8D and #8DD79C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C8DD7 shade: #9C8DD7, #D78DB9, #C8D78D and #8DD7AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C8DD7 shade: #9C8DD7, #D78DA3, #C8D78D and #8DD7C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

Complementary color

CMYK 13 / 0 / 65 / 55

HEX #637228

RGB 99 114 40

HSL 72.16, 0.48%, 0.3%

LAB 45.41, -17.09, 37.97

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD2

RGB 161 141 210

HSL 257.39, 0.43%, 0.69%

LAB 62.74, 21.87, -32.74

 

CMYK 22 / 31 / 0 / 10

HEX #B29FE5

RGB 178 159 229

HSL 256.29, 0.57%, 0.76%

LAB 69.41, 21.26, -32.81

 

CMYK 21 / 29 / 0 / 3

HEX #C3B1F8

RGB 195 177 248

HSL 255.21, 0.84%, 0.83%

LAB 75.96, 20.7, -32.9

 

CMYK 17 / 24 / 0 / 0

HEX #D4C3FF

RGB 212 195 255

HSL 257, 1%, 0.88%

LAB 81.97, 17.58, -27.3

 

CMYK 10 / 16 / 0 / 0

HEX #E5D5FF

RGB 229 213 255

HSL 262.86, 1%, 0.92%

LAB 87.71, 13.27, -18.46

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 29 / 37 / 0 / 23

HEX #8B7BC4

RGB 139 123 196

HSL 253.15, 0.38%, 0.63%

LAB 55.73, 22.31, -35.93

 

CMYK 31 / 41 / 0 / 31

HEX #7A69B1

RGB 122 105 177

HSL 254.17, 0.32%, 0.55%

LAB 48.78, 23.12, -36.01

 

CMYK 34 / 45 / 0 / 38

HEX #69579E

RGB 105 87 158

HSL 255.21, 0.29%, 0.48%

LAB 41.67, 24.03, -36.13

 

CMYK 37 / 50 / 0 / 45

HEX #58458B

RGB 88 69 139

HSL 256.29, 0.34%, 0.41%

LAB 34.39, 25.09, -36.31

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 18 / 34 / 0 / 16

HEX #B08DD7

RGB 176 141 215

HSL 268.38, 0.48%, 0.7%

LAB 64.31, 27.57, -32.99

 

CMYK 9 / 34 / 0 / 16

HEX #C48DD7

RGB 196 141 215

HSL 284.59, 0.48%, 0.7%

LAB 66.28, 33.74, -29.78

 

CMYK 0 / 34 / 0 / 16

HEX #D78DD6

RGB 215 141 214

HSL 300.81, 0.48%, 0.7%

LAB 68.28, 39.51, -25.98

 

CMYK 0 / 34 / 10 / 16

HEX #D78DC2

RGB 215 141 194

HSL 317.03, 0.48%, 0.7%

LAB 67.57, 35.97, -15.93

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 34 / 34 / 0 / 16

HEX #8D8DD7

RGB 141 141 215

HSL 240, 0.48%, 0.7%

LAB 61.32, 17.33, -37.87

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 34 / 43 / 0 / 11

HEX #9581E3

RGB 149 129 227

HSL 252.24, 0.64%, 0.7%

LAB 59.56, 29.63, -47.3

 

CMYK 41 / 51 / 0 / 6

HEX #8D75EF

RGB 141 117 239

HSL 251.8, 0.79%, 0.7%

LAB 56.7, 37.79, -58.58

 

CMYK 47 / 59 / 0 / 1

HEX #8668FC

RGB 134 104 252

HSL 252.16, 0.96%, 0.7%

LAB 54.02, 47.28, -70.14

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 19 / 24 / 0 / 21

HEX #A49ACA

RGB 164 154 202

HSL 252.5, 0.31%, 0.7%

LAB 65.96, 13.54, -23.3

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 3 / 0 / 14 / 25

HEX #BABFA5

RGB 186 191 165

HSL 71.54, 0.17%, 0.7%

LAB 76.32, -6.32, 12.54

 

CMYK 34 / 23 / 0 / 16

HEX #8DA6D7

RGB 141 166 215

HSL 219.73, 0.48%, 0.7%

LAB 67.9, 3.06, -27.66

 

CMYK 34 / 32 / 0 / 16

HEX #8D92D7

RGB 141 146 215

HSL 235.95, 0.48%, 0.7%

LAB 62.61, 14.43, -35.86

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 18 / 34 / 0 / 16

HEX #B08DD7

RGB 176 141 215

HSL 268.38, 0.48%, 0.7%

LAB 64.31, 27.57, -32.99

 

CMYK 9 / 34 / 0 / 16

HEX #C38DD7

RGB 195 141 215

HSL 283.78, 0.48%, 0.7%

LAB 66.18, 33.43, -29.95

 

CMYK 47 / 59 / 0 / 24

HEX #6750C1

RGB 103 80 193

HSL 252.21, 0.48%, 0.54%

LAB 41.96, 37.79, -56.31

 

CMYK 36 / 46 / 0 / 20

HEX #826FCC

RGB 130 111 204

HSL 252.26, 0.48%, 0.62%

LAB 52.37, 29, -45.83

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 19 / 24 / 0 / 12

HEX #B7ACE1

RGB 183 172 225

HSL 252.45, 0.47%, 0.78%

LAB 72.9, 14.64, -25.22

 

CMYK 11 / 14 / 0 / 7

HEX #D1CAEC

RGB 209 202 236

HSL 252.35, 0.47%, 0.86%

LAB 82.83, 8.91, -15.89

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 0 / 34 / 14 / 16

HEX #D78DB9

RGB 215 141 185

HSL 324.32, 0.48%, 0.7%

LAB 67.28, 34.48, -11.33

 

CMYK 27 / 0 / 34 / 16

HEX #9CD78D

RGB 156 215 141

HSL 107.84, 0.48%, 0.7%

LAB 80.51, -32.7, 30.63

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 0 / 27 / 34 / 16

HEX #D79C8D

RGB 215 156 141

HSL 12.16, 0.48%, 0.7%

LAB 69.57, 20.04, 16.55

 

CMYK 34 / 0 / 27 / 16

HEX #8DD79C

RGB 141 215 156

HSL 132.16, 0.48%, 0.7%

LAB 79.99, -35.08, 22.01

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 0 / 34 / 14 / 16

HEX #D78DB9

RGB 215 141 185

HSL 324.32, 0.48%, 0.7%

LAB 67.28, 34.48, -11.33

 

CMYK 7 / 0 / 34 / 16

HEX #C8D78D

RGB 200 215 141

HSL 72.16, 0.48%, 0.7%

LAB 83.34, -16.83, 34.88

 

CMYK 34 / 0 / 20 / 16

HEX #8DD7AB

RGB 141 215 171

HSL 144.32, 0.48%, 0.7%

LAB 80.29, -32.31, 14.53

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 0 / 34 / 24 / 16

HEX #D78DA3

RGB 215 141 163

HSL 342.16, 0.48%, 0.7%

LAB 66.63, 31.1, 0.06

 

CMYK 7 / 0 / 34 / 16

HEX #C8D78D

RGB 200 215 141

HSL 72.16, 0.48%, 0.7%

LAB 83.34, -16.83, 34.88

 

CMYK 34 / 0 / 10 / 16

HEX #8DD7C1

RGB 141 215 193

HSL 162.16, 0.48%, 0.7%

LAB 80.8, -27.81, 3.57

 

Description

Color code: HEX #9C8DD7 | qconv.com Color code: HEX #9C8DD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 141 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 141 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 34 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 34% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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