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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C7E8C it is the complementary color #638173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C7E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C7E8C shade: #A17E87, #B2909A, #C3A2AD, #D4B4C0 and #E5C6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C7E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C7E8C shade: #9C7E8C, #8B6C79, #7A5A66, #694853 and #583640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C7E8C shade: #9B7D8B, #9B7D83 and #9B7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C7E8C shade: #9B7D8B, #9B7D93, #9B7D9B, #937D9B and #8B7D9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C7E8C shade matches the following richer shades: #9B7D8B, #AE6B8A, #C05889, #D34688 and #E53386

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C7E8C shade: #9B7D8B, #89908C, #76A28E, #63B58F and #51C890

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C7E8C shade: #9B7D9B, #9B7D93, #9B7D8B, #9B7D83 and #9B7F7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C7E8C shade: #705662, #876877, #9B7D8B, #AD95A0 and #BFACB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C7E8C shade: #9C7E8C, #9B937D and #7D979B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C7E8C shade: #9C7E8C, #8B9B7D and #7D8B9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C7E8C shade: #9C7E8C, #9B937D, #7D9B8D and #7D859B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C7E8C shade: #9C7E8C, #9A9B7D, #7D9B8D and #7E7D9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 10 / 39

HEX #9C7E8C

RGB 156 126 140

HSL 332, 0.13%, 0.55%

LAB 55.97, 13.96, -3.18

 

Complementary color

CMYK 23 / 0 / 11 / 49

HEX #638173

RGB 99 129 115

HSL 152, 0.13%, 0.45%

LAB 51.37, -13.8, 4.1

 

CMYK 0 / 22 / 16 / 37

HEX #A17E87

RGB 161 126 135

HSL 344.57, 0.16%, 0.56%

LAB 56.34, 14.98, 0.31

 

CMYK 0 / 19 / 13 / 30

HEX #B2909A

RGB 178 144 154

HSL 342.35, 0.18%, 0.63%

LAB 63.13, 14.43, -0.44

 

CMYK 0 / 17 / 11 / 24

HEX #C3A2AD

RGB 195 162 173

HSL 340, 0.22%, 0.7%

LAB 69.8, 13.93, -1.14

 

CMYK 0 / 15 / 9 / 17

HEX #D4B4C0

RGB 212 180 192

HSL 337.5, 0.27%, 0.77%

LAB 76.34, 13.49, -1.8

 

CMYK 0 / 14 / 8 / 10

HEX #E5C6D3

RGB 229 198 211

HSL 334.84, 0.37%, 0.84%

LAB 82.78, 13.07, -2.43

 

CMYK 0 / 19 / 10 / 39

HEX #9C7E8C

RGB 156 126 140

HSL 332, 0.13%, 0.55%

LAB 55.97, 13.96, -3.18

 

CMYK 0 / 22 / 13 / 45

HEX #8B6C79

RGB 139 108 121

HSL 334.84, 0.13%, 0.48%

LAB 49, 14.53, -2.48

 

CMYK 0 / 26 / 16 / 52

HEX #7A5A66

RGB 122 90 102

HSL 337.5, 0.15%, 0.42%

LAB 41.86, 15.17, -1.72

 

CMYK 0 / 31 / 21 / 59

HEX #694853

RGB 105 72 83

HSL 340, 0.19%, 0.35%

LAB 34.52, 15.92, -0.86

 

CMYK 0 / 39 / 27 / 65

HEX #583640

RGB 88 54 64

HSL 342.35, 0.24%, 0.28%

LAB 26.97, 16.8, 0.15

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 19 / 15 / 39

HEX #9B7D83

RGB 155 125 131

HSL 348, 0.13%, 0.55%

LAB 55.35, 12.58, 1.13

 

CMYK 0 / 19 / 19 / 39

HEX #9B7D7D

RGB 155 125 125

HSL 0, 0.13%, 0.55%

LAB 55.19, 11.58, 4.38

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 19 / 5 / 39

HEX #9B7D93

RGB 155 125 147

HSL 316, 0.13%, 0.55%

LAB 55.83, 15.46, -7.46

 

CMYK 0 / 19 / 0 / 39

HEX #9B7D9B

RGB 155 125 155

HSL 300, 0.13%, 0.55%

LAB 56.09, 17, -11.7

 

CMYK 5 / 19 / 0 / 39

HEX #937D9B

RGB 147 125 155

HSL 284, 0.13%, 0.55%

LAB 55.32, 14.17, -12.95

 

CMYK 10 / 19 / 0 / 39

HEX #8B7D9B

RGB 139 125 155

HSL 268, 0.13%, 0.55%

LAB 54.58, 11.37, -14.13

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 39 / 21 / 32

HEX #AE6B8A

RGB 174 107 138

HSL 332.24, 0.29%, 0.55%

LAB 53.33, 31.07, -5.69

 

CMYK 0 / 54 / 29 / 25

HEX #C05889

RGB 192 88 137

HSL 331.73, 0.45%, 0.55%

LAB 51.83, 47.1, -7.07

 

CMYK 0 / 67 / 36 / 17

HEX #D34688

RGB 211 70 136

HSL 331.91, 0.62%, 0.55%

LAB 51.84, 60.75, -6.13

 

CMYK 0 / 78 / 41 / 10

HEX #E53386

RGB 229 51 134

HSL 332.02, 0.77%, 0.55%

LAB 52.67, 71.7, -3.36

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 5 / 0 / 3 / 44

HEX #89908C

RGB 137 144 140

HSL 145.71, 0.03%, 0.55%

LAB 59.12, -3.34, 1.23

 

CMYK 27 / 0 / 12 / 36

HEX #76A28E

RGB 118 162 142

HSL 152.73, 0.19%, 0.55%

LAB 63.05, -19.2, 5.62

 

CMYK 45 / 0 / 21 / 29

HEX #63B58F

RGB 99 181 143

HSL 152.2, 0.36%, 0.55%

LAB 67.79, -33.98, 11.69

 

CMYK 60 / 0 / 28 / 22

HEX #51C890

RGB 81 200 144

HSL 151.76, 0.52%, 0.55%

LAB 72.94, -46.43, 18.25

 

CMYK 0 / 19 / 0 / 39

HEX #9B7D9B

RGB 155 125 155

HSL 300, 0.13%, 0.55%

LAB 56.09, 17, -11.7

 

CMYK 0 / 19 / 5 / 39

HEX #9B7D93

RGB 155 125 147

HSL 316, 0.13%, 0.55%

LAB 55.83, 15.46, -7.46

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 19 / 15 / 39

HEX #9B7D83

RGB 155 125 131

HSL 348, 0.13%, 0.55%

LAB 55.35, 12.58, 1.13

 

CMYK 0 / 18 / 19 / 39

HEX #9B7F7D

RGB 155 127 125

HSL 4, 0.13%, 0.55%

LAB 55.71, 10.43, 5.13

 

CMYK 0 / 23 / 13 / 56

HEX #705662

RGB 112 86 98

HSL 332.31, 0.13%, 0.39%

LAB 39.55, 12.88, -2.78

 

CMYK 0 / 23 / 12 / 47

HEX #876877

RGB 135 104 119

HSL 330.97, 0.13%, 0.47%

LAB 47.47, 14.98, -3.59

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 14 / 8 / 32

HEX #AD95A0

RGB 173 149 160

HSL 332.5, 0.13%, 0.63%

LAB 64.09, 10.84, -2.47

 

CMYK 0 / 10 / 5 / 25

HEX #BFACB5

RGB 191 172 181

HSL 331.58, 0.13%, 0.71%

LAB 72.17, 8.42, -2.12

 

CMYK 0 / 19 / 10 / 39

HEX #9C7E8C

RGB 156 126 140

HSL 332, 0.13%, 0.55%

LAB 55.97, 13.96, -3.18

 

CMYK 0 / 5 / 19 / 39

HEX #9B937D

RGB 155 147 125

HSL 44, 0.13%, 0.55%

LAB 61.06, -0.84, 12.72

 

CMYK 19 / 3 / 0 / 39

HEX #7D979B

RGB 125 151 155

HSL 188, 0.13%, 0.55%

LAB 60.66, -8.19, -5.15

 

CMYK 0 / 19 / 10 / 39

HEX #9C7E8C

RGB 156 126 140

HSL 332, 0.13%, 0.55%

LAB 55.97, 13.96, -3.18

 

CMYK 10 / 0 / 19 / 39

HEX #8B9B7D

RGB 139 155 125

HSL 92, 0.13%, 0.55%

LAB 62.01, -11.38, 13.86

 

CMYK 19 / 10 / 0 / 39

HEX #7D8B9B

RGB 125 139 155

HSL 212, 0.13%, 0.55%

LAB 57.26, -1.49, -10.2

 

CMYK 0 / 19 / 10 / 39

HEX #9C7E8C

RGB 156 126 140

HSL 332, 0.13%, 0.55%

LAB 55.97, 13.96, -3.18

 

CMYK 0 / 5 / 19 / 39

HEX #9B937D

RGB 155 147 125

HSL 44, 0.13%, 0.55%

LAB 61.06, -0.84, 12.72

 

CMYK 19 / 0 / 9 / 39

HEX #7D9B8D

RGB 125 155 141

HSL 152, 0.13%, 0.55%

LAB 61.42, -13.39, 3.89

 

CMYK 19 / 14 / 0 / 39

HEX #7D859B

RGB 125 133 155

HSL 224, 0.13%, 0.55%

LAB 55.59, 1.94, -12.72

 

CMYK 0 / 19 / 10 / 39

HEX #9C7E8C

RGB 156 126 140

HSL 332, 0.13%, 0.55%

LAB 55.97, 13.96, -3.18

 

CMYK 1 / 0 / 19 / 39

HEX #9A9B7D

RGB 154 155 125

HSL 62, 0.13%, 0.55%

LAB 63.17, -5.62, 15.65

 

CMYK 19 / 0 / 9 / 39

HEX #7D9B8D

RGB 125 155 141

HSL 152, 0.13%, 0.55%

LAB 61.42, -13.39, 3.89

 

CMYK 19 / 19 / 0 / 39

HEX #7E7D9B

RGB 126 125 155

HSL 242, 0.13%, 0.55%

LAB 53.46, 6.92, -15.93

 

Description

Color code: HEX #9C7E8C | qconv.com Color code: HEX #9C7E8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 126 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 126 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 10 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 10% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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