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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C7BC9 it is the complementary color #638436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C7BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C7BC9 shade: #A17BC4, #B28DD7, #C39FEA, #D4B1FD and #E5C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C7BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C7BC9 shade: #9C7BC9, #8B69B6, #7A57A3, #694590 and #58337D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C7BC9 shade: #9D7DCA, #B27DCA, #C77DCA, #CA7DB8 and #CA7DA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C7BC9 shade: #9D7DCA, #887DCA and #7D7DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C7BC9 shade matches the following richer shades: #9D7DCA, #9B6ED9, #995FE7 and #9650F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C7BC9 shade: #9D7DCA, #A08BBB, #A29AAC, #A4A99D and #A6B88E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C7BC9 shade: #7D86CA, #887DCA, #9D7DCA, #B17DCA and #C67DCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C7BC9 shade: #7247AD, #875FBE, #9D7DCA, #B39AD6 and #C9B7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C7BC9 shade: #9C7BC9, #CA7D9A and #7DCA7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C7BC9 shade: #9C7BC9, #CA9D7D and #7DCA9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C7BC9 shade: #9C7BC9, #CA7D9A, #AACA7D and #7DCAAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C7BC9 shade: #9C7BC9, #CA7D83, #AACA7D and #7DCAC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 39 / 0 / 21

HEX #9C7BC9

RGB 156 123 201

HSL 265.38, 0.42%, 0.64%

LAB 57.51, 28.55, -35.86

 

Complementary color

CMYK 25 / 0 / 59 / 48

HEX #638436

RGB 99 132 54

HSL 85.38, 0.42%, 0.36%

LAB 51.18, -25.1, 37.67

 

CMYK 18 / 37 / 0 / 23

HEX #A17BC4

RGB 161 123 196

HSL 271.23, 0.38%, 0.63%

LAB 57.78, 28.9, -32.57

 

CMYK 17 / 34 / 0 / 16

HEX #B28DD7

RGB 178 141 215

HSL 270, 0.48%, 0.7%

LAB 64.5, 28.18, -32.68

 

CMYK 17 / 32 / 0 / 8

HEX #C39FEA

RGB 195 159 234

HSL 268.8, 0.64%, 0.77%

LAB 71.1, 27.52, -32.81

 

CMYK 16 / 30 / 0 / 1

HEX #D4B1FD

RGB 212 177 253

HSL 267.63, 0.95%, 0.84%

LAB 77.6, 26.91, -32.95

 

CMYK 10 / 24 / 0 / 0

HEX #E5C3FF

RGB 229 195 255

HSL 274, 1%, 0.88%

LAB 83.39, 22.85, -25

 

CMYK 22 / 39 / 0 / 21

HEX #9C7BC9

RGB 156 123 201

HSL 265.38, 0.42%, 0.64%

LAB 57.51, 28.55, -35.86

 

CMYK 24 / 42 / 0 / 29

HEX #8B69B6

RGB 139 105 182

HSL 266.49, 0.35%, 0.56%

LAB 50.65, 29.36, -35.85

 

CMYK 25 / 47 / 0 / 36

HEX #7A57A3

RGB 122 87 163

HSL 267.63, 0.3%, 0.49%

LAB 43.65, 30.25, -35.86

 

CMYK 27 / 52 / 0 / 44

HEX #694590

RGB 105 69 144

HSL 268.8, 0.35%, 0.42%

LAB 36.5, 31.22, -35.88

 

CMYK 30 / 59 / 0 / 51

HEX #58337D

RGB 88 51 125

HSL 270, 0.42%, 0.35%

LAB 29.22, 32.23, -35.87

 

CMYK 22 / 38 / 0 / 21

HEX #9D7DCA

RGB 157 125 202

HSL 264.94, 0.42%, 0.64%

LAB 58.13, 27.94, -35.45

 

CMYK 12 / 38 / 0 / 21

HEX #B27DCA

RGB 178 125 202

HSL 281.3, 0.42%, 0.64%

LAB 60.25, 34.3, -32

 

CMYK 1 / 38 / 0 / 21

HEX #C77DCA

RGB 199 125 202

HSL 297.66, 0.42%, 0.64%

LAB 62.57, 40.8, -28.22

 

CMYK 0 / 38 / 9 / 21

HEX #CA7DB8

RGB 202 125 184

HSL 314.03, 0.42%, 0.64%

LAB 62.24, 38.52, -18.52

 

CMYK 0 / 38 / 19 / 21

HEX #CA7DA3

RGB 202 125 163

HSL 330.39, 0.42%, 0.64%

LAB 61.54, 35.09, -7.61

 

CMYK 22 / 38 / 0 / 21

HEX #9D7DCA

RGB 157 125 202

HSL 264.94, 0.42%, 0.64%

LAB 58.13, 27.94, -35.45

 

CMYK 33 / 38 / 0 / 21

HEX #887DCA

RGB 136 125 202

HSL 248.57, 0.42%, 0.64%

LAB 56.25, 21.84, -38.53

 

CMYK 38 / 38 / 0 / 21

HEX #7D7DCA

RGB 125 125 202

HSL 240, 0.42%, 0.64%

LAB 55.37, 18.81, -39.98

 

CMYK 22 / 38 / 0 / 21

HEX #9D7DCA

RGB 157 125 202

HSL 264.94, 0.42%, 0.64%

LAB 58.13, 27.94, -35.45

 

CMYK 29 / 49 / 0 / 15

HEX #9B6ED9

RGB 155 110 217

HSL 265.23, 0.58%, 0.64%

LAB 55.21, 39.52, -48.56

 

CMYK 34 / 59 / 0 / 9

HEX #995FE7

RGB 153 95 231

HSL 265.59, 0.74%, 0.64%

LAB 52.65, 50.67, -60.54

 

CMYK 39 / 67 / 0 / 4

HEX #9650F6

RGB 150 80 246

HSL 265.3, 0.9%, 0.64%

LAB 50.54, 61.31, -72.37

 

CMYK 22 / 38 / 0 / 21

HEX #9D7DCA

RGB 157 125 202

HSL 264.94, 0.42%, 0.64%

LAB 58.13, 27.94, -35.45

 

CMYK 14 / 26 / 0 / 27

HEX #A08BBB

RGB 160 139 187

HSL 266.25, 0.26%, 0.64%

LAB 61.24, 17.4, -22.13

 

CMYK 6 / 10 / 0 / 33

HEX #A29AAC

RGB 162 154 172

HSL 266.67, 0.1%, 0.64%

LAB 64.78, 6.4, -8.32

 

CMYK 3 / 0 / 7 / 34

HEX #A4A99D

RGB 164 169 157

HSL 85, 0.07%, 0.64%

LAB 68.54, -4.01, 5.57

 

CMYK 10 / 0 / 23 / 28

HEX #A6B88E

RGB 166 184 142

HSL 85.71, 0.23%, 0.64%

LAB 72.46, -13.75, 19.32

 

CMYK 38 / 34 / 0 / 21

HEX #7D86CA

RGB 125 134 202

HSL 232.99, 0.42%, 0.64%

LAB 57.73, 13.49, -36.28

 

CMYK 33 / 38 / 0 / 21

HEX #887DCA

RGB 136 125 202

HSL 248.57, 0.42%, 0.64%

LAB 56.25, 21.84, -38.53

 

CMYK 22 / 38 / 0 / 21

HEX #9D7DCA

RGB 157 125 202

HSL 264.94, 0.42%, 0.64%

LAB 58.13, 27.94, -35.45

 

CMYK 12 / 38 / 0 / 21

HEX #B17DCA

RGB 177 125 202

HSL 280.52, 0.42%, 0.64%

LAB 60.14, 34, -32.17

 

CMYK 2 / 38 / 0 / 21

HEX #C67DCA

RGB 198 125 202

HSL 296.88, 0.42%, 0.64%

LAB 62.45, 40.49, -28.4

 

CMYK 34 / 59 / 0 / 32

HEX #7247AD

RGB 114 71 173

HSL 265.29, 0.42%, 0.48%

LAB 39.75, 39.94, -48.06

 

CMYK 29 / 50 / 0 / 25

HEX #875FBE

RGB 135 95 190

HSL 265.26, 0.42%, 0.56%

LAB 48.33, 36.01, -44.18

 

CMYK 22 / 38 / 0 / 21

HEX #9D7DCA

RGB 157 125 202

HSL 264.94, 0.42%, 0.64%

LAB 58.13, 27.94, -35.45

 

CMYK 16 / 28 / 0 / 16

HEX #B39AD6

RGB 179 154 214

HSL 265, 0.42%, 0.72%

LAB 67.69, 20.97, -27.2

 

CMYK 11 / 19 / 0 / 11

HEX #C9B7E2

RGB 201 183 226

HSL 265.12, 0.43%, 0.8%

LAB 77.15, 14.53, -19.16

 

CMYK 22 / 39 / 0 / 21

HEX #9C7BC9

RGB 156 123 201

HSL 265.38, 0.42%, 0.64%

LAB 57.51, 28.55, -35.86

 

CMYK 0 / 38 / 24 / 21

HEX #CA7D9A

RGB 202 125 154

HSL 337.4, 0.42%, 0.64%

LAB 61.27, 33.74, -2.86

 

CMYK 38 / 0 / 38 / 21

HEX #7DCA7E

RGB 125 202 126

HSL 120.78, 0.42%, 0.64%

LAB 74.89, -39.14, 30.65

 

CMYK 22 / 39 / 0 / 21

HEX #9C7BC9

RGB 156 123 201

HSL 265.38, 0.42%, 0.64%

LAB 57.51, 28.55, -35.86

 

CMYK 0 / 22 / 38 / 21

HEX #CA9D7D

RGB 202 157 125

HSL 24.94, 0.42%, 0.64%

LAB 68.13, 12.42, 23.16

 

CMYK 38 / 0 / 22 / 21

HEX #7DCA9D

RGB 125 202 157

HSL 144.94, 0.42%, 0.64%

LAB 75.47, -33.65, 15.09

 

CMYK 22 / 39 / 0 / 21

HEX #9C7BC9

RGB 156 123 201

HSL 265.38, 0.42%, 0.64%

LAB 57.51, 28.55, -35.86

 

CMYK 0 / 38 / 24 / 21

HEX #CA7D9A

RGB 202 125 154

HSL 337.4, 0.42%, 0.64%

LAB 61.27, 33.74, -2.86

 

CMYK 16 / 0 / 38 / 21

HEX #AACA7D

RGB 170 202 125

HSL 84.94, 0.42%, 0.64%

LAB 77.44, -23.75, 34.98

 

CMYK 38 / 0 / 15 / 21

HEX #7DCAAC

RGB 125 202 172

HSL 156.62, 0.42%, 0.64%

LAB 75.81, -30.57, 7.52

 

CMYK 22 / 39 / 0 / 21

HEX #9C7BC9

RGB 156 123 201

HSL 265.38, 0.42%, 0.64%

LAB 57.51, 28.55, -35.86

 

CMYK 0 / 38 / 35 / 21

HEX #CA7D83

RGB 202 125 131

HSL 355.32, 0.42%, 0.64%

LAB 60.66, 30.62, 9.45

 

CMYK 16 / 0 / 38 / 21

HEX #AACA7D

RGB 170 202 125

HSL 84.94, 0.42%, 0.64%

LAB 77.44, -23.75, 34.98

 

CMYK 38 / 0 / 3 / 21

HEX #7DCAC3

RGB 125 202 195

HSL 174.55, 0.42%, 0.64%

LAB 76.4, -25.38, -4.02

 

Description

Color code: HEX #9C7BC9 | qconv.com Color code: HEX #9C7BC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 123 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 123 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 39 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 39% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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