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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C79D3 it is the complementary color #63862C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C79D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C79D3 shade: #A179CE, #B28BE1, #C39DF4, #D4AFFF and #E5C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C79D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C79D3 shade: #9C79D3, #8B67C0, #7A55AD, #69439A and #583187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C79D3 shade: #9C78D3, #B478D3, #CD78D3, #D378C1 and #D378A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C79D3 shade: #9C78D3, #8378D3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C79D3 shade matches the following richer shades: #9C78D3, #986AE2, #955BF0 and #924DFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C79D3 shade: #9C78D3, #9F87C5, #A295B6, #A5A4A8 and #A8B29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C79D3 shade: #7886D3, #8378D3, #9B78D3, #B378D3 and #CC78D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C79D3 shade: #6E3DBC, #8559C9, #9C78D3, #B397DD and #CAB7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C79D3 shade: #9C79D3, #D3789E and #7AD378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C79D3 shade: #9C79D3, #D39B78 and #78D39B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C79D3 shade: #9C79D3, #D3789E, #B0D378 and #78D3AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C79D3 shade: #9C79D3, #D37883, #B0D378 and #78D3C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 43 / 0 / 17

HEX #9C79D3

RGB 156 121 211

HSL 263.33, 0.51%, 0.65%

LAB 57.51, 32.1, -41.52

 

Complementary color

CMYK 26 / 0 / 67 / 47

HEX #63862C

RGB 99 134 44

HSL 83.33, 0.51%, 0.35%

LAB 51.71, -26.99, 42.91

 

CMYK 22 / 41 / 0 / 19

HEX #A179CE

RGB 161 121 206

HSL 268.24, 0.46%, 0.64%

LAB 57.76, 32.34, -38.27

 

CMYK 21 / 38 / 0 / 12

HEX #B28BE1

RGB 178 139 225

HSL 267.21, 0.59%, 0.71%

LAB 64.46, 31.56, -38.31

 

CMYK 20 / 36 / 0 / 4

HEX #C39DF4

RGB 195 157 244

HSL 266.21, 0.8%, 0.79%

LAB 71.04, 30.83, -38.36

 

CMYK 17 / 31 / 0 / 0

HEX #D4AFFF

RGB 212 175 255

HSL 267.75, 1%, 0.84%

LAB 77.21, 28.43, -34.63

 

CMYK 10 / 24 / 0 / 0

HEX #E5C1FF

RGB 229 193 255

HSL 274.84, 1%, 0.88%

LAB 82.92, 23.92, -25.72

 

CMYK 26 / 43 / 0 / 17

HEX #9C79D3

RGB 156 121 211

HSL 263.33, 0.51%, 0.65%

LAB 57.51, 32.1, -41.52

 

CMYK 28 / 46 / 0 / 25

HEX #8B67C0

RGB 139 103 192

HSL 264.27, 0.41%, 0.58%

LAB 50.68, 32.99, -41.58

 

CMYK 29 / 51 / 0 / 32

HEX #7A55AD

RGB 122 85 173

HSL 265.23, 0.35%, 0.51%

LAB 43.73, 33.96, -41.65

 

CMYK 32 / 56 / 0 / 40

HEX #69439A

RGB 105 67 154

HSL 266.21, 0.39%, 0.43%

LAB 36.65, 35, -41.72

 

CMYK 35 / 64 / 0 / 47

HEX #583187

RGB 88 49 135

HSL 267.21, 0.47%, 0.36%

LAB 29.46, 36.04, -41.72

 

CMYK 26 / 43 / 0 / 17

HEX #9C78D3

RGB 156 120 211

HSL 263.74, 0.51%, 0.65%

LAB 57.27, 32.67, -41.89

 

CMYK 15 / 43 / 0 / 17

HEX #B478D3

RGB 180 120 211

HSL 279.56, 0.51%, 0.65%

LAB 59.74, 39.58, -37.84

 

CMYK 3 / 43 / 0 / 17

HEX #CD78D3

RGB 205 120 211

HSL 296.04, 0.51%, 0.65%

LAB 62.6, 46.95, -33.16

 

CMYK 0 / 43 / 9 / 17

HEX #D378C1

RGB 211 120 193

HSL 311.87, 0.51%, 0.65%

LAB 62.62, 45.57, -22.94

 

CMYK 0 / 43 / 20 / 17

HEX #D378A9

RGB 211 120 169

HSL 327.69, 0.51%, 0.65%

LAB 61.78, 41.74, -10.56

 

CMYK 26 / 43 / 0 / 17

HEX #9C78D3

RGB 156 120 211

HSL 263.74, 0.51%, 0.65%

LAB 57.27, 32.67, -41.89

 

CMYK 38 / 43 / 0 / 17

HEX #8378D3

RGB 131 120 211

HSL 247.25, 0.51%, 0.65%

LAB 55.03, 25.86, -45.58

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 26 / 43 / 0 / 17

HEX #9C78D3

RGB 156 120 211

HSL 263.74, 0.51%, 0.65%

LAB 57.27, 32.67, -41.89

 

CMYK 33 / 53 / 0 / 11

HEX #986AE2

RGB 152 106 226

HSL 263, 0.67%, 0.65%

LAB 54.53, 43.22, -54.73

 

CMYK 38 / 62 / 0 / 6

HEX #955BF0

RGB 149 91 240

HSL 263.36, 0.83%, 0.65%

LAB 52.02, 54.15, -66.62

 

CMYK 43 / 70 / 0 / 0

HEX #924DFF

RGB 146 77 255

HSL 263.26, 1%, 0.65%

LAB 50.26, 64.23, -77.86

 

CMYK 26 / 43 / 0 / 17

HEX #9C78D3

RGB 156 120 211

HSL 263.74, 0.51%, 0.65%

LAB 57.27, 32.67, -41.89

 

CMYK 19 / 31 / 0 / 23

HEX #9F87C5

RGB 159 135 197

HSL 263.23, 0.35%, 0.65%

LAB 60.54, 21.64, -28.87

 

CMYK 11 / 18 / 0 / 29

HEX #A295B6

RGB 162 149 182

HSL 263.64, 0.18%, 0.65%

LAB 63.8, 11.3, -15.41

 

CMYK 2 / 2 / 0 / 34

HEX #A5A4A8

RGB 165 164 168

HSL 255, 0.02%, 0.65%

LAB 67.56, 1.13, -1.95

 

CMYK 6 / 0 / 13 / 30

HEX #A8B29A

RGB 168 178 154

HSL 85, 0.13%, 0.65%

LAB 71.21, -7.9, 11.08

 

CMYK 43 / 36 / 0 / 17

HEX #7886D3

RGB 120 134 211

HSL 230.77, 0.51%, 0.65%

LAB 57.8, 14.72, -41.27

 

CMYK 38 / 43 / 0 / 17

HEX #8378D3

RGB 131 120 211

HSL 247.25, 0.51%, 0.65%

LAB 55.03, 25.86, -45.58

 

CMYK 27 / 43 / 0 / 17

HEX #9B78D3

RGB 155 120 211

HSL 263.08, 0.51%, 0.65%

LAB 57.18, 32.39, -42.05

 

CMYK 15 / 43 / 0 / 17

HEX #B378D3

RGB 179 120 211

HSL 278.9, 0.51%, 0.65%

LAB 59.63, 39.28, -38.02

 

CMYK 3 / 43 / 0 / 17

HEX #CC78D3

RGB 204 120 211

HSL 295.38, 0.51%, 0.65%

LAB 62.49, 46.65, -33.36

 

CMYK 41 / 68 / 0 / 26

HEX #6E3DBC

RGB 110 61 188

HSL 263.15, 0.51%, 0.49%

LAB 38.35, 48.43, -59.21

 

CMYK 34 / 56 / 0 / 21

HEX #8559C9

RGB 133 89 201

HSL 263.57, 0.51%, 0.57%

LAB 47.43, 41.7, -51.98

 

CMYK 26 / 43 / 0 / 17

HEX #9C78D3

RGB 156 120 211

HSL 263.74, 0.51%, 0.65%

LAB 57.27, 32.67, -41.89

 

CMYK 19 / 32 / 0 / 13

HEX #B397DD

RGB 179 151 221

HSL 264, 0.51%, 0.73%

LAB 67.23, 24.22, -31.77

 

CMYK 13 / 21 / 0 / 9

HEX #CAB7E7

RGB 202 183 231

HSL 263.75, 0.5%, 0.81%

LAB 77.4, 15.88, -21.48

 

CMYK 26 / 43 / 0 / 17

HEX #9C79D3

RGB 156 121 211

HSL 263.33, 0.51%, 0.65%

LAB 57.51, 32.1, -41.52

 

CMYK 0 / 43 / 25 / 17

HEX #D3789E

RGB 211 120 158

HSL 334.95, 0.51%, 0.65%

LAB 61.44, 40.13, -4.78

 

CMYK 42 / 0 / 43 / 17

HEX #7AD378

RGB 122 211 120

HSL 118.68, 0.51%, 0.65%

LAB 77.33, -44.89, 36.85

 

CMYK 26 / 43 / 0 / 17

HEX #9C79D3

RGB 156 121 211

HSL 263.33, 0.51%, 0.65%

LAB 57.51, 32.1, -41.52

 

CMYK 0 / 27 / 43 / 17

HEX #D39B78

RGB 211 155 120

HSL 23.08, 0.51%, 0.65%

LAB 68.5, 16.56, 26.54

 

CMYK 43 / 0 / 27 / 17

HEX #78D39B

RGB 120 211 155

HSL 143.08, 0.51%, 0.65%

LAB 77.84, -39.56, 19.42

 

CMYK 26 / 43 / 0 / 17

HEX #9C79D3

RGB 156 121 211

HSL 263.33, 0.51%, 0.65%

LAB 57.51, 32.1, -41.52

 

CMYK 0 / 43 / 25 / 17

HEX #D3789E

RGB 211 120 158

HSL 334.95, 0.51%, 0.65%

LAB 61.44, 40.13, -4.78

 

CMYK 17 / 0 / 43 / 17

HEX #B0D378

RGB 176 211 120

HSL 83.08, 0.51%, 0.65%

LAB 80.28, -26.48, 41.2

 

CMYK 43 / 0 / 18 / 17

HEX #78D3AD

RGB 120 211 173

HSL 154.95, 0.51%, 0.65%

LAB 78.23, -35.94, 10.41

 

CMYK 26 / 43 / 0 / 17

HEX #9C79D3

RGB 156 121 211

HSL 263.33, 0.51%, 0.65%

LAB 57.51, 32.1, -41.52

 

CMYK 0 / 43 / 38 / 17

HEX #D37883

RGB 211 120 131

HSL 352.75, 0.51%, 0.65%

LAB 60.71, 36.64, 9.68

 

CMYK 17 / 0 / 43 / 17

HEX #B0D378

RGB 176 211 120

HSL 83.08, 0.51%, 0.65%

LAB 80.28, -26.48, 41.2

 

CMYK 43 / 0 / 5 / 17

HEX #78D3C9

RGB 120 211 201

HSL 173.41, 0.51%, 0.65%

LAB 78.93, -29.59, -3.56

 

Description

Color code: HEX #9C79D3 | qconv.com Color code: HEX #9C79D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 121 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 121 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 43 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 43% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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