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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C71074C it is the complementary color #638EF84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C71074C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C71074C shade: #A171024C, #B283154C, #C395284C, #D4A73B4C and #E5B94E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C71074C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C71074C shade: #9C71074C, #8B5F004C, #7A4D004C, #693B004C and #5829004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C71074C shade: #9C7107, #9C4907, #9C2107 and #9C0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C71074C shade: #9C7107, #9C9907, #779C07, #4F9C07 and #279C07

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C71074C shade matches the following richer shades: #9C7107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C71074C shade: #9C7107, #8F6B15, #816622, #74602F and #675B3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C71074C shade: #9C2007, #9C4807, #9C6F07, #9C9707 and #799C07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C71074C shade: #4D3804, #745405, #9C7107, #C38E09 and #EBAA0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C71074C shade: #9C7107, #169C07 and #34079C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C71074C shade: #9C7107, #079C6F and #6F079C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C71074C shade: #9C7107, #169C07, #07349C and #8D079C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C71074C shade: #9C7107, #079C25, #07349C and #9C077E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 29 / 12

HEX #9C71074C

RGBA 156 113 7 0.3

HSLA 42.68, 0.91%, 0.32%, 0.3

LABA 50.56, 8.76, 55.65, 0.3

 

Complementary color

CMYK 18 / 13 / 0 / 1

HEX #638EF84C

RGBA 99 142 248 0.3

HSLA 222.68, 0.91%, 0.68%, 0.3

LABA 60.58, 16.87, -57.51, 0.3

 

CMYK 0 / 9 / 30 / 11

HEX #A171024C

RGBA 161 113 2 0.3

HSLA 41.89, 0.98%, 0.32%, 0.3

LABA 51.14, 11, 57.34, 0.3

 

CMYK 0 / 8 / 26 / 9

HEX #B283154C

RGBA 178 131 21 0.3

HSLA 42.04, 0.79%, 0.39%, 0.3

LABA 57.8, 8.99, 59.25, 0.3

 

CMYK 0 / 7 / 24 / 7

HEX #C395284C

RGBA 195 149 40 0.3

HSLA 42.19, 0.66%, 0.46%, 0.3

LABA 64.36, 7.27, 59.78, 0.3

 

CMYK 0 / 6 / 22 / 5

HEX #D4A73B4C

RGBA 212 167 59 0.3

HSLA 42.35, 0.64%, 0.53%, 0.3

LABA 70.84, 5.81, 59.38, 0.3

 

CMYK 0 / 6 / 20 / 3

HEX #E5B94E4C

RGBA 229 185 78 0.3

HSLA 42.52, 0.74%, 0.6%, 0.3

LABA 77.22, 4.57, 58.51, 0.3

 

CMYK 0 / 8 / 29 / 12

HEX #9C71074C

RGBA 156 113 7 0.3

HSLA 42.68, 0.91%, 0.32%, 0.3

LABA 50.56, 8.76, 55.65, 0.3

 

CMYK 0 / 9 / 30 / 14

HEX #8B5F004C

RGBA 139 95 0 0.3

HSLA 41.01, 1%, 0.27%, 0.3

LABA 43.76, 11.04, 51.51, 0.3

 

CMYK 0 / 11 / 30 / 16

HEX #7A4D004C

RGBA 122 77 0 0.3

HSLA 37.87, 1%, 0.24%, 0.3

LABA 36.83, 13.57, 45.84, 0.3

 

CMYK 0 / 13 / 30 / 18

HEX #693B004C

RGBA 105 59 0 0.3

HSLA 33.71, 1%, 0.21%, 0.3

LABA 29.74, 16.24, 39.92, 0.3

 

CMYK 0 / 16 / 30 / 20

HEX #5829004C

RGBA 88 41 0 0.3

HSLA 27.95, 1%, 0.17%, 0.3

LABA 22.52, 19.02, 32.35, 0.3

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 0 / 53 / 96 / 39

HEX #9C4907

RGB 156 73 7

HSL 26.58, 0.91%, 0.32%

LAB 40.97, 31.25, 48.86

 

CMYK 0 / 79 / 96 / 39

HEX #9C2107

RGB 156 33 7

HSL 10.47, 0.91%, 0.32%

LAB 34.34, 48.92, 44.56

 

CMYK 0 / 96 / 96 / 39

HEX #9C0707

RGB 156 7 7

HSL 0, 0.91%, 0.32%

LAB 32.34, 54.6, 43.32

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 0 / 2 / 96 / 39

HEX #9C9907

RGB 156 153 7

HSL 58.79, 0.91%, 0.32%

LAB 61.54, -13.26, 63.83

 

CMYK 24 / 0 / 96 / 39

HEX #779C07

RGB 119 156 7

HSL 74.9, 0.91%, 0.32%

LAB 59.63, -30.92, 61.14

 

CMYK 49 / 0 / 96 / 39

HEX #4F9C07

RGB 79 156 7

HSL 91.01, 0.91%, 0.32%

LAB 57.52, -45.77, 58.56

 

CMYK 75 / 0 / 96 / 39

HEX #279C07

RGB 39 156 7

HSL 107.11, 0.91%, 0.32%

LAB 56.31, -55.64, 57.08

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 0 / 25 / 85 / 44

HEX #8F6B15

RGB 143 107 21

HSL 42.3, 0.74%, 0.32%

LAB 47.51, 6.43, 49.12

 

CMYK 0 / 21 / 74 / 49

HEX #816622

RGB 129 102 34

HSL 42.95, 0.58%, 0.32%

LAB 44.64, 3.27, 40.79

 

CMYK 0 / 17 / 59 / 55

HEX #74602F

RGB 116 96 47

HSL 42.61, 0.42%, 0.32%

LAB 41.66, 1.57, 30.62

 

CMYK 0 / 12 / 42 / 60

HEX #675B3C

RGB 103 91 60

HSL 43.26, 0.26%, 0.32%

LAB 39.06, -0.09, 19.66

 

CMYK 0 / 79 / 96 / 39

HEX #9C2007

RGB 156 32 7

HSL 10.07, 0.91%, 0.32%

LAB 34.22, 49.23, 44.49

 

CMYK 0 / 54 / 96 / 39

HEX #9C4807

RGB 156 72 7

HSL 26.17, 0.91%, 0.32%

LAB 40.76, 31.78, 48.72

 

CMYK 0 / 29 / 96 / 39

HEX #9C6F07

RGB 156 111 7

HSL 41.88, 0.91%, 0.32%

LAB 50.04, 9.9, 55.27

 

CMYK 0 / 3 / 96 / 39

HEX #9C9707

RGB 156 151 7

HSL 57.99, 0.91%, 0.32%

LAB 60.97, -12.21, 63.4

 

CMYK 22 / 0 / 96 / 39

HEX #799C07

RGB 121 156 7

HSL 74.09, 0.91%, 0.32%

LAB 59.76, -30.09, 61.3

 

CMYK 0 / 27 / 95 / 70

HEX #4D3804

RGB 77 56 4

HSL 42.74, 0.9%, 0.16%

LAB 25, 4.12, 32.66

 

CMYK 0 / 28 / 96 / 55

HEX #745405

RGB 116 84 5

HSL 42.7, 0.92%, 0.24%

LAB 37.96, 6.57, 44.68

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 0 / 27 / 95 / 24

HEX #C38E09

RGB 195 142 9

HSL 42.9, 0.91%, 0.4%

LAB 62.48, 10.38, 65.97

 

CMYK 0 / 28 / 95 / 8

HEX #EBAA0B

RGB 235 170 11

HSL 42.59, 0.91%, 0.48%

LAB 73.83, 12.9, 75.86

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 86 / 0 / 96 / 39

HEX #169C07

RGB 22 156 7

HSL 113.96, 0.91%, 0.32%

LAB 56.05, -57.95, 56.76

 

CMYK 67 / 96 / 0 / 39

HEX #34079C

RGB 52 7 156

HSL 258.12, 0.91%, 0.32%

LAB 21.14, 54.3, -68.51

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 96 / 0 / 29 / 39

HEX #079C6F

RGB 7 156 111

HSL 161.88, 0.91%, 0.32%

LAB 57.05, -45.58, 14.03

 

CMYK 29 / 96 / 0 / 39

HEX #6F079C

RGB 111 7 156

HSL 281.88, 0.91%, 0.32%

LAB 29.24, 60.16, -54.88

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 86 / 0 / 96 / 39

HEX #169C07

RGB 22 156 7

HSL 113.96, 0.91%, 0.32%

LAB 56.05, -57.95, 56.76

 

CMYK 96 / 67 / 0 / 39

HEX #07349C

RGB 7 52 156

HSL 221.88, 0.91%, 0.32%

LAB 26.45, 29.71, -59.8

 

CMYK 10 / 96 / 0 / 39

HEX #8D079C

RGB 141 7 156

HSL 293.96, 0.91%, 0.32%

LAB 34.43, 64.69, -46.22

 

CMYK 0 / 28 / 96 / 39

HEX #9C7107

RGB 156 113 7

HSL 42.68, 0.91%, 0.32%

LAB 50.56, 8.76, 55.65

 

CMYK 96 / 0 / 76 / 39

HEX #079C25

RGB 7 156 37

HSL 132.08, 0.91%, 0.32%

LAB 56.04, -57.56, 49.28

 

CMYK 96 / 67 / 0 / 39

HEX #07349C

RGB 7 52 156

HSL 221.88, 0.91%, 0.32%

LAB 26.45, 29.71, -59.8

 

CMYK 0 / 96 / 19 / 39

HEX #9C077E

RGB 156 7 126

HSL 312.08, 0.91%, 0.32%

LAB 35.45, 62.96, -25.92

 

Description

Color code: HEX #9C71074C | qconv.com Color code: HEX #9C71074C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 113 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 113 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 29 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 29% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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