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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C70CF it is the complementary color #638F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C70CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C70CF shade: #A170CA, #B282DD, #C394F0, #D4A6FF and #E5B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C70CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C70CF shade: #9C70CF, #8B5EBC, #7A4CA9, #693A96 and #582883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C70CF shade: #9D71D0, #B771D0, #D071D0, #D071B6 and #D0719D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C70CF shade: #9D71D0, #8471D0 and #7171D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C70CF shade matches the following richer shades: #9D71D0, #9C62DF, #9B53EE and #9A44FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C70CF shade: #9D71D0, #9E81C1, #9F90B1, #A19FA2 and #A2AF93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C70CF shade: #7179D0, #8371D0, #9C71D0, #B571D0 and #CE71D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C70CF shade: #733CB3, #8853C6, #9D71D0, #B390DA and #C8AFE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C70CF shade: #9C70CF, #D07192 and #71D076

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C70CF shade: #9C70CF, #D09C71 and #71D09C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C70CF shade: #9C70CF, #D07192, #A5D071 and #71D0AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C70CF shade: #9C70CF, #D07176, #A5D071 and #71D0CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 46 / 0 / 19

HEX #9C70CF

RGB 156 112 207

HSL 267.79, 0.5%, 0.63%

LAB 55.24, 36.25, -42.84

 

Complementary color

CMYK 31 / 0 / 66 / 44

HEX #638F30

RGB 99 143 48

HSL 87.79, 0.5%, 0.37%

LAB 54.57, -30.98, 44.21

 

CMYK 20 / 45 / 0 / 21

HEX #A170CA

RGB 161 112 202

HSL 272.67, 0.46%, 0.62%

LAB 55.51, 36.5, -39.53

 

CMYK 19 / 41 / 0 / 13

HEX #B282DD

RGB 178 130 221

HSL 271.65, 0.57%, 0.69%

LAB 62.21, 35.67, -39.59

 

CMYK 19 / 38 / 0 / 6

HEX #C394F0

RGB 195 148 240

HSL 270.65, 0.75%, 0.76%

LAB 68.8, 34.9, -39.66

 

CMYK 17 / 35 / 0 / 0

HEX #D4A6FF

RGB 212 166 255

HSL 271.01, 1%, 0.83%

LAB 75.13, 33.32, -37.84

 

CMYK 10 / 28 / 0 / 0

HEX #E5B8FF

RGB 229 184 255

HSL 278.03, 1%, 0.86%

LAB 80.83, 28.74, -28.93

 

CMYK 25 / 46 / 0 / 19

HEX #9C70CF

RGB 156 112 207

HSL 267.79, 0.5%, 0.63%

LAB 55.24, 36.25, -42.84

 

CMYK 26 / 50 / 0 / 26

HEX #8B5EBC

RGB 139 94 188

HSL 268.72, 0.41%, 0.55%

LAB 48.42, 37.17, -42.86

 

CMYK 28 / 55 / 0 / 34

HEX #7A4CA9

RGB 122 76 169

HSL 269.68, 0.38%, 0.48%

LAB 41.49, 38.13, -42.86

 

CMYK 30 / 61 / 0 / 41

HEX #693A96

RGB 105 58 150

HSL 270.65, 0.44%, 0.41%

LAB 34.46, 39.08, -42.8

 

CMYK 33 / 69 / 0 / 49

HEX #582883

RGB 88 40 131

HSL 271.65, 0.53%, 0.34%

LAB 27.38, 39.88, -42.59

 

CMYK 25 / 46 / 0 / 18

HEX #9D71D0

RGB 157 113 208

HSL 267.79, 0.5%, 0.63%

LAB 55.62, 36.2, -42.8

 

CMYK 12 / 46 / 0 / 18

HEX #B771D0

RGB 183 113 208

HSL 284.21, 0.5%, 0.63%

LAB 58.44, 43.6, -38.16

 

CMYK 0 / 46 / 0 / 18

HEX #D071D0

RGB 208 113 208

HSL 300, 0.5%, 0.63%

LAB 61.46, 50.86, -33.23

 

CMYK 0 / 46 / 13 / 18

HEX #D071B6

RGB 208 113 182

HSL 316.42, 0.5%, 0.63%

LAB 60.42, 46.4, -20.08

 

CMYK 0 / 46 / 25 / 18

HEX #D0719D

RGB 208 113 157

HSL 332.21, 0.5%, 0.63%

LAB 59.58, 42.6, -7.01

 

CMYK 25 / 46 / 0 / 18

HEX #9D71D0

RGB 157 113 208

HSL 267.79, 0.5%, 0.63%

LAB 55.62, 36.2, -42.8

 

CMYK 37 / 46 / 0 / 18

HEX #8471D0

RGB 132 113 208

HSL 252, 0.5%, 0.63%

LAB 53.24, 29.43, -46.71

 

CMYK 46 / 46 / 0 / 18

HEX #7171D0

RGB 113 113 208

HSL 240, 0.5%, 0.63%

LAB 51.7, 24.68, -49.27

 

CMYK 25 / 46 / 0 / 18

HEX #9D71D0

RGB 157 113 208

HSL 267.79, 0.5%, 0.63%

LAB 55.62, 36.2, -42.8

 

CMYK 30 / 56 / 0 / 13

HEX #9C62DF

RGB 156 98 223

HSL 267.84, 0.66%, 0.63%

LAB 53.09, 47.82, -55.31

 

CMYK 35 / 65 / 0 / 7

HEX #9B53EE

RGB 155 83 238

HSL 267.87, 0.82%, 0.63%

LAB 51.07, 58.9, -67.01

 

CMYK 39 / 73 / 0 / 0

HEX #9A44FE

RGB 154 68 254

HSL 267.74, 0.99%, 0.63%

LAB 49.69, 69.28, -78.2

 

CMYK 25 / 46 / 0 / 18

HEX #9D71D0

RGB 157 113 208

HSL 267.79, 0.5%, 0.63%

LAB 55.62, 36.2, -42.8

 

CMYK 18 / 33 / 0 / 24

HEX #9E81C1

RGB 158 129 193

HSL 267.19, 0.34%, 0.63%

LAB 58.81, 23.85, -29.3

 

CMYK 10 / 19 / 0 / 31

HEX #9F90B1

RGB 159 144 177

HSL 267.27, 0.17%, 0.63%

LAB 62.08, 12.05, -15.22

 

CMYK 1 / 2 / 0 / 36

HEX #A19FA2

RGB 161 159 162

HSL 280, 0.02%, 0.63%

LAB 65.73, 1.3, -1.31

 

CMYK 7 / 0 / 16 / 31

HEX #A2AF93

RGB 162 175 147

HSL 87.86, 0.15%, 0.63%

LAB 69.79, -9.7, 12.84

 

CMYK 46 / 42 / 0 / 18

HEX #7179D0

RGB 113 121 208

HSL 234.95, 0.5%, 0.63%

LAB 53.75, 19.85, -46

 

CMYK 37 / 46 / 0 / 18

HEX #8371D0

RGB 131 113 208

HSL 251.37, 0.5%, 0.63%

LAB 53.16, 29.17, -46.86

 

CMYK 25 / 46 / 0 / 18

HEX #9C71D0

RGB 156 113 208

HSL 267.16, 0.5%, 0.63%

LAB 55.51, 35.92, -42.97

 

CMYK 13 / 46 / 0 / 18

HEX #B571D0

RGB 181 113 208

HSL 282.95, 0.5%, 0.63%

LAB 58.22, 43.03, -38.54

 

CMYK 1 / 46 / 0 / 18

HEX #CE71D0

RGB 206 113 208

HSL 298.74, 0.5%, 0.63%

LAB 61.21, 50.28, -33.64

 

CMYK 36 / 66 / 0 / 30

HEX #733CB3

RGB 115 60 179

HSL 267.73, 0.5%, 0.47%

LAB 38.08, 47.64, -54.31

 

CMYK 31 / 58 / 0 / 22

HEX #8853C6

RGB 136 83 198

HSL 267.65, 0.5%, 0.55%

LAB 46.31, 44.98, -52.03

 

CMYK 25 / 46 / 0 / 18

HEX #9D71D0

RGB 157 113 208

HSL 267.79, 0.5%, 0.63%

LAB 55.62, 36.2, -42.8

 

CMYK 18 / 34 / 0 / 15

HEX #B390DA

RGB 179 144 218

HSL 268.38, 0.5%, 0.71%

LAB 65.43, 27.47, -32.9

 

CMYK 12 / 23 / 0 / 11

HEX #C8AFE4

RGB 200 175 228

HSL 268.3, 0.5%, 0.79%

LAB 75.16, 18.99, -23.27

 

CMYK 25 / 46 / 0 / 19

HEX #9C70CF

RGB 156 112 207

HSL 267.79, 0.5%, 0.63%

LAB 55.24, 36.25, -42.84

 

CMYK 0 / 46 / 30 / 18

HEX #D07192

RGB 208 113 146

HSL 339.16, 0.5%, 0.63%

LAB 59.25, 41.09, -1.13

 

CMYK 46 / 0 / 43 / 18

HEX #71D076

RGB 113 208 118

HSL 123.16, 0.5%, 0.63%

LAB 76.03, -46.54, 36.11

 

CMYK 25 / 46 / 0 / 19

HEX #9C70CF

RGB 156 112 207

HSL 267.79, 0.5%, 0.63%

LAB 55.24, 36.25, -42.84

 

CMYK 0 / 25 / 46 / 18

HEX #D09C71

RGB 208 156 113

HSL 27.16, 0.5%, 0.63%

LAB 68.3, 14.07, 30.02

 

CMYK 46 / 0 / 25 / 18

HEX #71D09C

RGB 113 208 156

HSL 147.16, 0.5%, 0.63%

LAB 76.69, -39.91, 17.25

 

CMYK 25 / 46 / 0 / 19

HEX #9C70CF

RGB 156 112 207

HSL 267.79, 0.5%, 0.63%

LAB 55.24, 36.25, -42.84

 

CMYK 0 / 46 / 30 / 18

HEX #D07192

RGB 208 113 146

HSL 339.16, 0.5%, 0.63%

LAB 59.25, 41.09, -1.13

 

CMYK 21 / 0 / 46 / 18

HEX #A5D071

RGB 165 208 113

HSL 87.16, 0.5%, 0.63%

LAB 78.64, -29.97, 42.46

 

CMYK 46 / 0 / 16 / 18

HEX #71D0AF

RGB 113 208 175

HSL 159.16, 0.5%, 0.63%

LAB 77.11, -35.92, 7.71

 

CMYK 25 / 46 / 0 / 19

HEX #9C70CF

RGB 156 112 207

HSL 267.79, 0.5%, 0.63%

LAB 55.24, 36.25, -42.84

 

CMYK 0 / 46 / 43 / 18

HEX #D07176

RGB 208 113 118

HSL 356.84, 0.5%, 0.63%

LAB 58.54, 37.75, 14.06

 

CMYK 21 / 0 / 46 / 18

HEX #A5D071

RGB 165 208 113

HSL 87.16, 0.5%, 0.63%

LAB 78.64, -29.97, 42.46

 

CMYK 46 / 0 / 2 / 18

HEX #71D0CB

RGB 113 208 203

HSL 176.84, 0.5%, 0.63%

LAB 77.84, -29.32, -6.27

 

Description

Color code: HEX #9C70CF | qconv.com Color code: HEX #9C70CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 112 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 112 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 46 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 46% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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