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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C6B27 it is the complementary color #6394D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C6B27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C6B27 shade: #A16B22, #B27D35, #C38F48, #D4A15B and #E5B36E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C6B27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C6B27 shade: #9C6B27, #8B5914, #7A4701, #693500 and #582300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C6B27 shade: #9B6A27, #9B4B27, #9B2C27 and #9B2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C6B27 shade: #9B6A27, #9B8A27, #8D9B27, #6E9B27 and #4E9B27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C6B27 shade matches the following richer shades: #9B6A27, #AB6D17 and #BA6F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C6B27 shade: #9B6A27, #8B6836, #7C6546, #6C6356 and #5C6065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C6B27 shade: #9B2B27, #9B4A27, #9B6927, #9B8827 and #8F9B27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C6B27 shade: #593D16, #7A541F, #9B6A27, #BC812F and #D09644

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C6B27 shade: #9C6B27, #429B27 and #3A279B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C6B27 shade: #9C6B27, #279B69 and #69279B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C6B27 shade: #9C6B27, #429B27, #27599B and #80279B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C6B27 shade: #9C6B27, #279B2F, #27599B and #9B2793

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 75 / 39

HEX #9C6B27

RGB 156 107 39

HSL 34.87, 0.6%, 0.38%

LAB 49.17, 13.17, 44.13

 

Complementary color

CMYK 54 / 31 / 0 / 15

HEX #6394D8

RGB 99 148 216

HSL 214.87, 0.6%, 0.62%

LAB 60.6, 3.05, -39.76

 

CMYK 0 / 34 / 79 / 37

HEX #A16B22

RGB 161 107 34

HSL 34.49, 0.65%, 0.38%

LAB 49.75, 15.21, 47.09

 

CMYK 0 / 30 / 70 / 30

HEX #B27D35

RGB 178 125 53

HSL 34.56, 0.54%, 0.45%

LAB 56.48, 13.57, 46.05

 

CMYK 0 / 27 / 63 / 24

HEX #C38F48

RGB 195 143 72

HSL 34.63, 0.51%, 0.52%

LAB 63.11, 12.2, 44.71

 

CMYK 0 / 24 / 57 / 17

HEX #D4A15B

RGB 212 161 91

HSL 34.71, 0.58%, 0.59%

LAB 69.64, 11.04, 43.31

 

CMYK 0 / 22 / 52 / 10

HEX #E5B36E

RGB 229 179 110

HSL 34.79, 0.7%, 0.66%

LAB 76.08, 10.04, 41.93

 

CMYK 0 / 31 / 75 / 39

HEX #9C6B27

RGB 156 107 39

HSL 34.87, 0.6%, 0.38%

LAB 49.17, 13.17, 44.13

 

CMYK 0 / 36 / 86 / 45

HEX #8B5914

RGB 139 89 20

HSL 34.79, 0.75%, 0.31%

LAB 42.28, 14.99, 44.77

 

CMYK 0 / 42 / 99 / 52

HEX #7A4701

RGB 122 71 1

HSL 34.71, 0.98%, 0.24%

LAB 35.29, 17.17, 44.49

 

CMYK 0 / 50 / 100 / 59

HEX #693500

RGB 105 53 0

HSL 30.29, 1%, 0.21%

LAB 28.25, 19.85, 38.73

 

CMYK 0 / 60 / 100 / 65

HEX #582300

RGB 88 35 0

HSL 23.86, 1%, 0.17%

LAB 21.12, 22.55, 30.85

 

CMYK 0 / 32 / 75 / 39

HEX #9B6A27

RGB 155 106 39

HSL 34.66, 0.6%, 0.38%

LAB 48.79, 13.29, 43.71

 

CMYK 0 / 52 / 75 / 39

HEX #9B4B27

RGB 155 75 39

HSL 18.62, 0.6%, 0.38%

LAB 41.45, 30.73, 36.07

 

CMYK 0 / 72 / 75 / 39

HEX #9B2C27

RGB 155 44 39

HSL 2.59, 0.6%, 0.38%

LAB 35.82, 45.53, 29.89

 

CMYK 0 / 75 / 75 / 39

HEX #9B2727

RGB 155 39 39

HSL 0, 0.6%, 0.38%

LAB 35.14, 47.43, 29.11

 

CMYK 0 / 32 / 75 / 39

HEX #9B6A27

RGB 155 106 39

HSL 34.66, 0.6%, 0.38%

LAB 48.79, 13.29, 43.71

 

CMYK 0 / 11 / 75 / 39

HEX #9B8A27

RGB 155 138 39

HSL 51.21, 0.6%, 0.38%

LAB 57.36, -4.75, 52.15

 

CMYK 9 / 0 / 75 / 39

HEX #8D9B27

RGB 141 155 39

HSL 67.24, 0.6%, 0.38%

LAB 61, -20.01, 55.21

 

CMYK 29 / 0 / 75 / 39

HEX #6E9B27

RGB 110 155 39

HSL 83.28, 0.6%, 0.38%

LAB 58.89, -32.92, 52.43

 

CMYK 50 / 0 / 75 / 39

HEX #4E9B27

RGB 78 155 39

HSL 99.83, 0.6%, 0.38%

LAB 57.28, -44.28, 50.31

 

CMYK 0 / 32 / 75 / 39

HEX #9B6A27

RGB 155 106 39

HSL 34.66, 0.6%, 0.38%

LAB 48.79, 13.29, 43.71

 

CMYK 0 / 36 / 87 / 33

HEX #AB6D17

RGB 171 109 23

HSL 34.86, 0.76%, 0.38%

LAB 51.45, 18.21, 53.17

 

CMYK 0 / 40 / 96 / 27

HEX #BA6F07

RGB 186 111 7

HSL 34.86, 0.93%, 0.38%

LAB 53.84, 23.43, 59.71

 

CMYK 0 / 32 / 75 / 39

HEX #9B6A27

RGB 155 106 39

HSL 34.66, 0.6%, 0.38%

LAB 48.79, 13.29, 43.71

 

CMYK 0 / 25 / 61 / 45

HEX #8B6836

RGB 139 104 54

HSL 35.29, 0.44%, 0.38%

LAB 46.52, 8.1, 33.17

 

CMYK 0 / 19 / 44 / 51

HEX #7C6546

RGB 124 101 70

HSL 34.44, 0.28%, 0.38%

LAB 44.28, 4.67, 21.01

 

CMYK 0 / 8 / 20 / 58

HEX #6C6356

RGB 108 99 86

HSL 35.45, 0.11%, 0.38%

LAB 42.44, 1.21, 8.68

 

CMYK 9 / 5 / 0 / 60

HEX #5C6065

RGB 92 96 101

HSL 213.33, 0.05%, 0.38%

LAB 40.54, -0.46, -3.39

 

CMYK 0 / 72 / 75 / 39

HEX #9B2B27

RGB 155 43 39

HSL 2.07, 0.6%, 0.38%

LAB 35.68, 45.92, 29.73

 

CMYK 0 / 52 / 75 / 39

HEX #9B4A27

RGB 155 74 39

HSL 18.1, 0.6%, 0.38%

LAB 41.24, 31.27, 35.84

 

CMYK 0 / 32 / 75 / 39

HEX #9B6927

RGB 155 105 39

HSL 34.14, 0.6%, 0.38%

LAB 48.53, 13.86, 43.45

 

CMYK 0 / 12 / 75 / 39

HEX #9B8827

RGB 155 136 39

HSL 50.17, 0.6%, 0.38%

LAB 56.8, -3.65, 51.61

 

CMYK 8 / 0 / 75 / 39

HEX #8F9B27

RGB 143 155 39

HSL 66.21, 0.6%, 0.38%

LAB 61.16, -19.14, 55.41

 

CMYK 0 / 31 / 75 / 65

HEX #593D16

RGB 89 61 22

HSL 34.93, 0.6%, 0.22%

LAB 28.17, 7.98, 28.08

 

CMYK 0 / 31 / 75 / 52

HEX #7A541F

RGB 122 84 31

HSL 34.95, 0.59%, 0.3%

LAB 38.86, 10.43, 36.01

 

CMYK 0 / 32 / 75 / 39

HEX #9B6A27

RGB 155 106 39

HSL 34.66, 0.6%, 0.38%

LAB 48.79, 13.29, 43.71

 

CMYK 0 / 31 / 75 / 26

HEX #BC812F

RGB 188 129 47

HSL 34.89, 0.6%, 0.46%

LAB 58.6, 15.45, 51.31

 

CMYK 0 / 28 / 67 / 18

HEX #D09644

RGB 208 150 68

HSL 35.14, 0.6%, 0.54%

LAB 66.24, 13.72, 50.53

 

CMYK 0 / 31 / 75 / 39

HEX #9C6B27

RGB 156 107 39

HSL 34.87, 0.6%, 0.38%

LAB 49.17, 13.17, 44.13

 

CMYK 57 / 0 / 75 / 39

HEX #429B27

RGB 66 155 39

HSL 106.03, 0.6%, 0.38%

LAB 56.83, -47.77, 49.71

 

CMYK 63 / 75 / 0 / 39

HEX #3A279B

RGB 58 39 155

HSL 249.83, 0.6%, 0.38%

LAB 25.91, 41.94, -59.98

 

CMYK 0 / 31 / 75 / 39

HEX #9C6B27

RGB 156 107 39

HSL 34.87, 0.6%, 0.38%

LAB 49.17, 13.17, 44.13

 

CMYK 75 / 0 / 32 / 39

HEX #279B69

RGB 39 155 105

HSL 154.14, 0.6%, 0.38%

LAB 56.97, -43.69, 17.34

 

CMYK 32 / 75 / 0 / 39

HEX #69279B

RGB 105 39 155

HSL 274.14, 0.6%, 0.38%

LAB 31.4, 49.76, -50.8

 

CMYK 0 / 31 / 75 / 39

HEX #9C6B27

RGB 156 107 39

HSL 34.87, 0.6%, 0.38%

LAB 49.17, 13.17, 44.13

 

CMYK 57 / 0 / 75 / 39

HEX #429B27

RGB 66 155 39

HSL 106.03, 0.6%, 0.38%

LAB 56.83, -47.77, 49.71

 

CMYK 75 / 43 / 0 / 39

HEX #27599B

RGB 39 89 155

HSL 214.14, 0.6%, 0.38%

LAB 37.74, 6.94, -40.85

 

CMYK 17 / 75 / 0 / 39

HEX #80279B

RGB 128 39 155

HSL 286.03, 0.6%, 0.38%

LAB 34.82, 54.39, -45.1

 

CMYK 0 / 31 / 75 / 39

HEX #9C6B27

RGB 156 107 39

HSL 34.87, 0.6%, 0.38%

LAB 49.17, 13.17, 44.13

 

CMYK 75 / 0 / 70 / 39

HEX #279B2F

RGB 39 155 47

HSL 124.14, 0.6%, 0.38%

LAB 56.17, -52.98, 45.67

 

CMYK 75 / 43 / 0 / 39

HEX #27599B

RGB 39 89 155

HSL 214.14, 0.6%, 0.38%

LAB 37.74, 6.94, -40.85

 

CMYK 0 / 75 / 5 / 39

HEX #9B2793

RGB 155 39 147

HSL 304.14, 0.6%, 0.38%

LAB 38.77, 58.86, -33.66

 

Description

Color code: HEX #9C6B27 | qconv.com Color code: HEX #9C6B27 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 107 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 107 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 75 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 75% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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