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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C665F it is the complementary color #6399A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C665F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C665F shade: #A1665A, #B2786D, #C38A80, #D49C93 and #E5AEA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C665F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C665F shade: #9C665F, #8B544C, #7A4239, #693026 and #581E13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C665F shade: #9B665F and #9B5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C665F shade: #9B665F, #9B765F, #9B865F, #9B965F and #8F9B5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C665F shade matches the following richer shades: #9B665F, #AF564B, #C34737, #D83722 and #EC280E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C665F shade: #9B665F, #877573, #738587, #5E959C and #4AA4B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C665F shade: #9B5F79, #9B5F69, #9B655F, #9B755F and #9B855F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C665F shade: #684440, #81554F, #9B665F, #AC7D77 and #BC9691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C665F shade: #9C665F, #899B5F and #5F719B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C665F shade: #9C665F, #5F9B65 and #655F9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C665F shade: #9C665F, #899B5F, #5F959B and #715F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C665F shade: #9C665F, #779B5F, #5F959B and #835F9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 39 / 39

HEX #9C665F

RGB 156 102 95

HSL 6.89, 0.24%, 0.49%

LAB 48.76, 20.86, 12.91

 

Complementary color

CMYK 38 / 4 / 0 / 37

HEX #6399A0

RGB 99 153 160

HSL 186.89, 0.24%, 0.51%

LAB 59.86, -15.96, -9.33

 

CMYK 0 / 37 / 44 / 37

HEX #A1665A

RGB 161 102 90

HSL 10.14, 0.28%, 0.49%

LAB 49.27, 22.32, 16.68

 

CMYK 0 / 33 / 39 / 30

HEX #B2786D

RGB 178 120 109

HSL 9.57, 0.31%, 0.56%

LAB 56.09, 21.31, 15.28

 

CMYK 0 / 29 / 34 / 24

HEX #C38A80

RGB 195 138 128

HSL 8.96, 0.36%, 0.63%

LAB 62.79, 20.43, 14.04

 

CMYK 0 / 26 / 31 / 17

HEX #D49C93

RGB 212 156 147

HSL 8.31, 0.43%, 0.7%

LAB 69.38, 19.65, 12.92

 

CMYK 0 / 24 / 28 / 10

HEX #E5AEA6

RGB 229 174 166

HSL 7.62, 0.55%, 0.77%

LAB 75.87, 18.95, 11.89

 

CMYK 0 / 35 / 39 / 39

HEX #9C665F

RGB 156 102 95

HSL 6.89, 0.24%, 0.49%

LAB 48.76, 20.86, 12.91

 

CMYK 0 / 40 / 45 / 45

HEX #8B544C

RGB 139 84 76

HSL 7.62, 0.29%, 0.42%

LAB 41.77, 21.93, 14.38

 

CMYK 0 / 46 / 53 / 52

HEX #7A4239

RGB 122 66 57

HSL 8.31, 0.36%, 0.35%

LAB 34.66, 23.16, 16.14

 

CMYK 0 / 54 / 64 / 59

HEX #693026

RGB 105 48 38

HSL 8.96, 0.47%, 0.28%

LAB 27.46, 24.57, 18.33

 

CMYK 0 / 66 / 78 / 65

HEX #581E13

RGB 88 30 19

HSL 9.57, 0.64%, 0.21%

LAB 20.24, 26.07, 21.14

 

CMYK 0 / 34 / 39 / 39

HEX #9B665F

RGB 155 102 95

HSL 7, 0.24%, 0.49%

LAB 48.63, 20.45, 12.72

 

CMYK 0 / 39 / 39 / 39

HEX #9B5F5F

RGB 155 95 95

HSL 0, 0.24%, 0.49%

LAB 46.95, 24.45, 10.37

 

CMYK 0 / 34 / 39 / 39

HEX #9B665F

RGB 155 102 95

HSL 7, 0.24%, 0.49%

LAB 48.63, 20.45, 12.72

 

CMYK 0 / 24 / 39 / 39

HEX #9B765F

RGB 155 118 95

HSL 23, 0.24%, 0.49%

LAB 52.68, 11.26, 18.26

 

CMYK 0 / 14 / 39 / 39

HEX #9B865F

RGB 155 134 95

HSL 39, 0.24%, 0.49%

LAB 56.92, 2.18, 23.95

 

CMYK 0 / 3 / 39 / 39

HEX #9B965F

RGB 155 150 95

HSL 55, 0.24%, 0.49%

LAB 61.31, -6.65, 29.67

 

CMYK 8 / 0 / 39 / 39

HEX #8F9B5F

RGB 143 155 95

HSL 72, 0.24%, 0.49%

LAB 61.75, -14.27, 30.04

 

CMYK 0 / 34 / 39 / 39

HEX #9B665F

RGB 155 102 95

HSL 7, 0.24%, 0.49%

LAB 48.63, 20.45, 12.72

 

CMYK 0 / 51 / 57 / 31

HEX #AF564B

RGB 175 86 75

HSL 6.6, 0.4%, 0.49%

LAB 47.34, 35.28, 23.31

 

CMYK 0 / 64 / 72 / 24

HEX #C34737

RGB 195 71 55

HSL 6.86, 0.56%, 0.49%

LAB 47.47, 48.67, 35.8

 

CMYK 0 / 75 / 84 / 15

HEX #D83722

RGB 216 55 34

HSL 6.92, 0.73%, 0.49%

LAB 48.82, 60.94, 49.39

 

CMYK 0 / 83 / 94 / 7

HEX #EC280E

RGB 236 40 14

HSL 7.03, 0.89%, 0.49%

LAB 51.13, 70.49, 60.54

 

CMYK 0 / 34 / 39 / 39

HEX #9B665F

RGB 155 102 95

HSL 7, 0.24%, 0.49%

LAB 48.63, 20.45, 12.72

 

CMYK 0 / 13 / 15 / 47

HEX #877573

RGB 135 117 115

HSL 6, 0.08%, 0.49%

LAB 50.82, 6.63, 3.67

 

CMYK 15 / 1 / 0 / 47

HEX #738587

RGB 115 133 135

HSL 186, 0.08%, 0.49%

LAB 54.21, -6.06, -3.28

 

CMYK 40 / 4 / 0 / 39

HEX #5E959C

RGB 94 149 156

HSL 186.77, 0.25%, 0.49%

LAB 58.3, -16.24, -9.42

 

CMYK 58 / 7 / 0 / 31

HEX #4AA4B0

RGB 74 164 176

HSL 187.06, 0.41%, 0.49%

LAB 62.63, -23.16, -14.32

 

CMYK 0 / 39 / 22 / 39

HEX #9B5F79

RGB 155 95 121

HSL 334, 0.24%, 0.49%

LAB 47.67, 28.14, -4.24

 

CMYK 0 / 39 / 32 / 39

HEX #9B5F69

RGB 155 95 105

HSL 350, 0.24%, 0.49%

LAB 47.2, 25.77, 4.71

 

CMYK 0 / 35 / 39 / 39

HEX #9B655F

RGB 155 101 95

HSL 6, 0.24%, 0.49%

LAB 48.39, 21.03, 12.38

 

CMYK 0 / 25 / 39 / 39

HEX #9B755F

RGB 155 117 95

HSL 22, 0.24%, 0.49%

LAB 52.42, 11.83, 17.91

 

CMYK 0 / 14 / 39 / 39

HEX #9B855F

RGB 155 133 95

HSL 38, 0.24%, 0.49%

LAB 56.65, 2.74, 23.59

 

CMYK 0 / 35 / 38 / 59

HEX #684440

RGB 104 68 64

HSL 6, 0.24%, 0.33%

LAB 32.8, 14.98, 8.77

 

CMYK 0 / 34 / 39 / 49

HEX #81554F

RGB 129 85 79

HSL 7.2, 0.24%, 0.41%

LAB 40.78, 17.49, 10.98

 

CMYK 0 / 34 / 39 / 39

HEX #9B665F

RGB 155 102 95

HSL 7, 0.24%, 0.49%

LAB 48.63, 20.45, 12.72

 

CMYK 0 / 27 / 31 / 33

HEX #AC7D77

RGB 172 125 119

HSL 6.79, 0.24%, 0.57%

LAB 56.85, 17.4, 10.46

 

CMYK 0 / 20 / 23 / 26

HEX #BC9691

RGB 188 150 145

HSL 6.98, 0.24%, 0.65%

LAB 65.4, 13.44, 8.03

 

CMYK 0 / 35 / 39 / 39

HEX #9C665F

RGB 156 102 95

HSL 6.89, 0.24%, 0.49%

LAB 48.76, 20.86, 12.91

 

CMYK 12 / 0 / 39 / 39

HEX #899B5F

RGB 137 155 95

HSL 78, 0.24%, 0.49%

LAB 61.3, -16.69, 29.37

 

CMYK 39 / 27 / 0 / 39

HEX #5F719B

RGB 95 113 155

HSL 222, 0.24%, 0.49%

LAB 47.76, 4.31, -24.87

 

CMYK 0 / 35 / 39 / 39

HEX #9C665F

RGB 156 102 95

HSL 6.89, 0.24%, 0.49%

LAB 48.76, 20.86, 12.91

 

CMYK 39 / 0 / 35 / 39

HEX #5F9B65

RGB 95 155 101

HSL 126, 0.24%, 0.49%

LAB 58.8, -31.16, 22.35

 

CMYK 35 / 39 / 0 / 39

HEX #655F9B

RGB 101 95 155

HSL 246, 0.24%, 0.49%

LAB 43.24, 17.1, -31.9

 

CMYK 0 / 35 / 39 / 39

HEX #9C665F

RGB 156 102 95

HSL 6.89, 0.24%, 0.49%

LAB 48.76, 20.86, 12.91

 

CMYK 12 / 0 / 39 / 39

HEX #899B5F

RGB 137 155 95

HSL 78, 0.24%, 0.49%

LAB 61.3, -16.69, 29.37

 

CMYK 39 / 4 / 0 / 39

HEX #5F959B

RGB 95 149 155

HSL 186, 0.24%, 0.49%

LAB 58.32, -16.23, -8.82

 

CMYK 27 / 39 / 0 / 39

HEX #715F9B

RGB 113 95 155

HSL 258, 0.24%, 0.49%

LAB 44.32, 20.7, -30.12

 

CMYK 0 / 35 / 39 / 39

HEX #9C665F

RGB 156 102 95

HSL 6.89, 0.24%, 0.49%

LAB 48.76, 20.86, 12.91

 

CMYK 23 / 0 / 39 / 39

HEX #779B5F

RGB 119 155 95

HSL 96, 0.24%, 0.49%

LAB 60.06, -23.7, 27.52

 

CMYK 39 / 4 / 0 / 39

HEX #5F959B

RGB 95 149 155

HSL 186, 0.24%, 0.49%

LAB 58.32, -16.23, -8.82

 

CMYK 15 / 39 / 0 / 39

HEX #835F9B

RGB 131 95 155

HSL 276, 0.24%, 0.49%

LAB 46.15, 26.36, -27.14

 

Description

Color code: HEX #9C665F | qconv.com Color code: HEX #9C665F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 102 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 102 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 39 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 39% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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