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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C65CA it is the complementary color #639A35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C65CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C65CA shade: #A165C5, #B277D8, #C389EB, #D49BFE and #E5ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C65CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C65CA shade: #9C65CA, #8B53B7, #7A41A4, #692F91 and #581D7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C65CA shade: #9B63CA, #B763CA, #CA63C1, #CA63A5 and #CA638A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C65CA shade: #9B63CA, #7F63CA, #6463CA and #6363CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C65CA shade matches the following richer shades: #9B63CA, #9D52DB, #9E41EC and #A030FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C65CA shade: #9B63CA, #9A74B9, #9885A8, #969697 and #95A786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C65CA shade: #6363CA, #7F63CA, #9A63CA, #B563CA and #CA63C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C65CA shade: #7238A3, #8744BF, #9B63CA, #AF82D4 and #C2A1DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C65CA shade: #9C65CA, #CA637F and #63CA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C65CA shade: #9C65CA, #CA9A63 and #63CA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C65CA shade: #9C65CA, #CA637F, #93CA63 and #63CAAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C65CA shade: #9C65CA, #CA6763, #93CA63 and #63C6CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 50 / 0 / 21

HEX #9C65CA

RGB 156 101 202

HSL 272.67, 0.49%, 0.59%

LAB 52.55, 41.22, -44.24

 

Complementary color

CMYK 36 / 0 / 66 / 40

HEX #639A35

RGB 99 154 53

HSL 92.67, 0.49%, 0.41%

LAB 58.06, -35.61, 45.79

 

CMYK 18 / 49 / 0 / 23

HEX #A165C5

RGB 161 101 197

HSL 277.5, 0.45%, 0.58%

LAB 52.86, 41.46, -40.86

 

CMYK 18 / 45 / 0 / 15

HEX #B277D8

RGB 178 119 216

HSL 276.49, 0.55%, 0.66%

LAB 59.54, 40.63, -40.99

 

CMYK 17 / 42 / 0 / 8

HEX #C389EB

RGB 195 137 235

HSL 275.51, 0.71%, 0.73%

LAB 66.13, 39.82, -41.1

 

CMYK 17 / 39 / 0 / 0

HEX #D49BFE

RGB 212 155 254

HSL 274.55, 0.98%, 0.8%

LAB 72.62, 39.06, -41.2

 

CMYK 10 / 32 / 0 / 0

HEX #E5ADFF

RGB 229 173 255

HSL 280.98, 1%, 0.84%

LAB 78.32, 34.64, -32.77

 

CMYK 23 / 50 / 0 / 21

HEX #9C65CA

RGB 156 101 202

HSL 272.67, 0.49%, 0.59%

LAB 52.55, 41.22, -44.24

 

CMYK 24 / 55 / 0 / 28

HEX #8B53B7

RGB 139 83 183

HSL 273.6, 0.41%, 0.52%

LAB 45.76, 42.11, -44.17

 

CMYK 26 / 60 / 0 / 36

HEX #7A41A4

RGB 122 65 164

HSL 274.55, 0.43%, 0.45%

LAB 38.9, 42.96, -44.02

 

CMYK 28 / 68 / 0 / 43

HEX #692F91

RGB 105 47 145

HSL 275.51, 0.51%, 0.38%

LAB 31.99, 43.65, -43.72

 

CMYK 30 / 77 / 0 / 51

HEX #581D7E

RGB 88 29 126

HSL 276.49, 0.63%, 0.3%

LAB 25.14, 43.89, -43.08

 

CMYK 23 / 51 / 0 / 21

HEX #9B63CA

RGB 155 99 202

HSL 272.62, 0.49%, 0.59%

LAB 52.01, 42.05, -45.1

 

CMYK 9 / 51 / 0 / 21

HEX #B763CA

RGB 183 99 202

HSL 288.93, 0.49%, 0.59%

LAB 55.33, 49.71, -39.64

 

CMYK 0 / 51 / 4 / 21

HEX #CA63C1

RGB 202 99 193

HSL 305.24, 0.49%, 0.59%

LAB 57.4, 53.41, -31.09

 

CMYK 0 / 51 / 18 / 21

HEX #CA63A5

RGB 202 99 165

HSL 321.55, 0.49%, 0.59%

LAB 56.28, 48.88, -16.66

 

CMYK 0 / 51 / 32 / 21

HEX #CA638A

RGB 202 99 138

HSL 337.28, 0.49%, 0.59%

LAB 55.4, 45.12, -2.22

 

CMYK 23 / 51 / 0 / 21

HEX #9B63CA

RGB 155 99 202

HSL 272.62, 0.49%, 0.59%

LAB 52.01, 42.05, -45.1

 

CMYK 37 / 51 / 0 / 21

HEX #7F63CA

RGB 127 99 202

HSL 256.31, 0.49%, 0.59%

LAB 49.13, 34.75, -49.87

 

CMYK 50 / 51 / 0 / 21

HEX #6463CA

RGB 100 99 202

HSL 240.58, 0.49%, 0.59%

LAB 46.84, 28.4, -53.66

 

CMYK 51 / 51 / 0 / 21

HEX #6363CA

RGB 99 99 202

HSL 240, 0.49%, 0.59%

LAB 46.76, 28.18, -53.79

 

CMYK 23 / 51 / 0 / 21

HEX #9B63CA

RGB 155 99 202

HSL 272.62, 0.49%, 0.59%

LAB 52.01, 42.05, -45.1

 

CMYK 28 / 63 / 0 / 14

HEX #9D52DB

RGB 157 82 219

HSL 272.85, 0.66%, 0.59%

LAB 49.88, 55.37, -58.19

 

CMYK 33 / 72 / 0 / 7

HEX #9E41EC

RGB 158 65 236

HSL 272.63, 0.82%, 0.59%

LAB 48.39, 67.1, -70.21

 

CMYK 37 / 81 / 0 / 1

HEX #A030FC

RGB 160 48 252

HSL 272.94, 0.97%, 0.59%

LAB 47.77, 76.98, -80.19

 

CMYK 23 / 51 / 0 / 21

HEX #9B63CA

RGB 155 99 202

HSL 272.62, 0.49%, 0.59%

LAB 52.01, 42.05, -45.1

 

CMYK 17 / 37 / 0 / 27

HEX #9A74B9

RGB 154 116 185

HSL 273.04, 0.33%, 0.59%

LAB 54.93, 28.25, -30.78

 

CMYK 10 / 21 / 0 / 34

HEX #9885A8

RGB 152 133 168

HSL 272.57, 0.17%, 0.59%

LAB 58.3, 14.03, -15.87

 

CMYK 1 / 1 / 0 / 41

HEX #969697

RGB 150 150 151

HSL 240, 0%, 0.59%

LAB 62.11, 0.2, -0.53

 

CMYK 11 / 0 / 20 / 35

HEX #95A786

RGB 149 167 134

HSL 92.73, 0.16%, 0.59%

LAB 66.33, -12.48, 14.99

 

CMYK 51 / 51 / 0 / 21

HEX #6363CA

RGB 99 99 202

HSL 240, 0.49%, 0.59%

LAB 46.76, 28.18, -53.79

 

CMYK 37 / 51 / 0 / 21

HEX #7F63CA

RGB 127 99 202

HSL 256.31, 0.49%, 0.59%

LAB 49.13, 34.75, -49.87

 

CMYK 24 / 51 / 0 / 21

HEX #9A63CA

RGB 154 99 202

HSL 272.04, 0.49%, 0.59%

LAB 51.9, 41.78, -45.28

 

CMYK 10 / 51 / 0 / 21

HEX #B563CA

RGB 181 99 202

HSL 287.77, 0.49%, 0.59%

LAB 55.08, 49.16, -40.05

 

CMYK 0 / 51 / 3 / 21

HEX #CA63C3

RGB 202 99 195

HSL 304.08, 0.49%, 0.59%

LAB 57.48, 53.76, -32.1

 

CMYK 30 / 66 / 0 / 36

HEX #7238A3

RGB 114 56 163

HSL 272.52, 0.49%, 0.43%

LAB 36.08, 45.5, -48

 

CMYK 29 / 64 / 0 / 25

HEX #8744BF

RGB 135 68 191

HSL 272.68, 0.49%, 0.51%

LAB 42.83, 50.88, -53.56

 

CMYK 23 / 51 / 0 / 21

HEX #9B63CA

RGB 155 99 202

HSL 272.62, 0.49%, 0.59%

LAB 52.01, 42.05, -45.1

 

CMYK 17 / 39 / 0 / 17

HEX #AF82D4

RGB 175 130 212

HSL 272.93, 0.49%, 0.67%

LAB 61.51, 32.77, -35.68

 

CMYK 13 / 28 / 0 / 13

HEX #C2A1DF

RGB 194 161 223

HSL 271.94, 0.49%, 0.75%

LAB 71.07, 23.74, -26.85

 

CMYK 23 / 50 / 0 / 21

HEX #9C65CA

RGB 156 101 202

HSL 272.67, 0.49%, 0.59%

LAB 52.55, 41.22, -44.24

 

CMYK 0 / 51 / 37 / 21

HEX #CA637F

RGB 202 99 127

HSL 343.69, 0.49%, 0.59%

LAB 55.09, 43.77, 3.8

 

CMYK 51 / 0 / 44 / 21

HEX #63CA71

RGB 99 202 113

HSL 128.16, 0.49%, 0.59%

LAB 73.6, -48.65, 35.41

 

CMYK 23 / 50 / 0 / 21

HEX #9C65CA

RGB 156 101 202

HSL 272.67, 0.49%, 0.59%

LAB 52.55, 41.22, -44.24

 

CMYK 0 / 24 / 51 / 21

HEX #CA9A63

RGB 202 154 99

HSL 32.04, 0.49%, 0.59%

LAB 66.95, 11.32, 35.64

 

CMYK 51 / 0 / 24 / 21

HEX #63CA9A

RGB 99 202 154

HSL 152.04, 0.49%, 0.59%

LAB 74.33, -41.18, 14.94

 

CMYK 23 / 50 / 0 / 21

HEX #9C65CA

RGB 156 101 202

HSL 272.67, 0.49%, 0.59%

LAB 52.55, 41.22, -44.24

 

CMYK 0 / 51 / 37 / 21

HEX #CA637F

RGB 202 99 127

HSL 343.69, 0.49%, 0.59%

LAB 55.09, 43.77, 3.8

 

CMYK 27 / 0 / 51 / 21

HEX #93CA63

RGB 147 202 99

HSL 92.04, 0.49%, 0.59%

LAB 75.67, -35.35, 45.38

 

CMYK 51 / 0 / 14 / 21

HEX #63CAAE

RGB 99 202 174

HSL 163.69, 0.49%, 0.59%

LAB 74.79, -36.74, 4.84

 

CMYK 23 / 50 / 0 / 21

HEX #9C65CA

RGB 156 101 202

HSL 272.67, 0.49%, 0.59%

LAB 52.55, 41.22, -44.24

 

CMYK 0 / 49 / 51 / 21

HEX #CA6763

RGB 202 103 99

HSL 2.33, 0.49%, 0.59%

LAB 55.23, 38.82, 20.41

 

CMYK 27 / 0 / 51 / 21

HEX #93CA63

RGB 147 202 99

HSL 92.04, 0.49%, 0.59%

LAB 75.67, -35.35, 45.38

 

CMYK 51 / 2 / 0 / 21

HEX #63C6CA

RGB 99 198 202

HSL 182.33, 0.49%, 0.59%

LAB 74.38, -27.82, -10.92

 

Description

Color code: HEX #9C65CA | qconv.com Color code: HEX #9C65CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 101 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 101 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 50 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 50% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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