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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5BD5 it is the complementary color #63A42A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5BD5 shade: #A15BD0, #B26DE3, #C37FF6, #D491FF and #E5A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5BD5 shade: #9C5BD5, #8B49C2, #7A37AF, #69259C and #581389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5BD5 shade: #9D5DD5, #BD5DD5, #D55DCC, #D55DAC and #D55D8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5BD5 shade: #9D5DD5, #7C5DD5 and #5D5DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5BD5 shade matches the following richer shades: #9D5DD5, #9E4CE6 and #9F3CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5BD5 shade: #9D5DD5, #9C6DC5, #9B7EB4, #9A8EA4 and #999F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5BD5 shade: #5D5FD5, #7B5DD5, #9B5DD5, #BB5DD5 and #D55DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5BD5 shade: #742EB2, #893CCD, #9D5DD5, #B17EDE and #C59EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5BD5 shade: #9C5BD5, #D55D7F and #5DD56B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5BD5 shade: #9C5BD5, #D59B5D and #5DD59B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5BD5 shade: #9C5BD5, #D55D7F, #97D55D and #5DD5B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5BD5 shade: #9C5BD5, #D55F5D, #97D55D and #5DD3D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 57 / 0 / 16

HEX #9C5BD5

RGB 156 91 213

HSL 271.97, 0.59%, 0.6%

LAB 51.1, 49.16, -52.83

 

Complementary color

CMYK 40 / 0 / 74 / 36

HEX #63A42A

RGB 99 164 42

HSL 91.97, 0.59%, 0.4%

LAB 61.11, -40.83, 53.34

 

CMYK 23 / 56 / 0 / 18

HEX #A15BD0

RGB 161 91 208

HSL 275.9, 0.55%, 0.59%

LAB 51.4, 49.26, -49.47

 

CMYK 22 / 52 / 0 / 11

HEX #B26DE3

RGB 178 109 227

HSL 275.08, 0.68%, 0.66%

LAB 57.99, 48.44, -49.61

 

CMYK 21 / 48 / 0 / 4

HEX #C37FF6

RGB 195 127 246

HSL 274.29, 0.87%, 0.73%

LAB 64.51, 47.6, -49.7

 

CMYK 17 / 43 / 0 / 0

HEX #D491FF

RGB 212 145 255

HSL 276.55, 1%, 0.78%

LAB 70.5, 44.62, -45.07

 

CMYK 10 / 36 / 0 / 0

HEX #E5A3FF

RGB 229 163 255

HSL 283.04, 1%, 0.82%

LAB 76.11, 39.97, -36.19

 

CMYK 27 / 57 / 0 / 16

HEX #9C5BD5

RGB 156 91 213

HSL 271.97, 0.59%, 0.6%

LAB 51.1, 49.16, -52.83

 

CMYK 28 / 62 / 0 / 24

HEX #8B49C2

RGB 139 73 194

HSL 272.73, 0.5%, 0.52%

LAB 44.45, 49.98, -52.68

 

CMYK 30 / 69 / 0 / 31

HEX #7A37AF

RGB 122 55 175

HSL 273.5, 0.52%, 0.45%

LAB 37.78, 50.62, -52.38

 

CMYK 33 / 76 / 0 / 39

HEX #69259C

RGB 105 37 156

HSL 274.29, 0.62%, 0.38%

LAB 31.18, 50.84, -51.76

 

CMYK 36 / 86 / 0 / 46

HEX #581389

RGB 88 19 137

HSL 275.08, 0.76%, 0.31%

LAB 24.79, 50.16, -50.57

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 11 / 56 / 0 / 16

HEX #BD5DD5

RGB 189 93 213

HSL 288, 0.59%, 0.6%

LAB 55.53, 56.45, -45.53

 

CMYK 0 / 56 / 4 / 16

HEX #D55DCC

RGB 213 93 204

HSL 304.5, 0.59%, 0.6%

LAB 58.35, 61.12, -35.76

 

CMYK 0 / 56 / 19 / 16

HEX #D55DAC

RGB 213 93 172

HSL 320.5, 0.59%, 0.6%

LAB 57.03, 56.13, -19.44

 

CMYK 0 / 56 / 34 / 16

HEX #D55D8C

RGB 213 93 140

HSL 336.5, 0.59%, 0.6%

LAB 55.96, 51.91, -2.38

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 42 / 56 / 0 / 16

HEX #7C5DD5

RGB 124 93 213

HSL 255.5, 0.59%, 0.6%

LAB 48.16, 40.53, -57.73

 

CMYK 56 / 56 / 0 / 16

HEX #5D5DD5

RGB 93 93 213

HSL 240, 0.59%, 0.6%

LAB 45.58, 34.13, -62.02

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 31 / 67 / 0 / 10

HEX #9E4CE6

RGB 158 76 230

HSL 271.95, 0.75%, 0.6%

LAB 49.68, 60.96, -64.74

 

CMYK 35 / 76 / 0 / 4

HEX #9F3CF6

RGB 159 60 246

HSL 271.94, 0.91%, 0.6%

LAB 48.58, 71.44, -75.51

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 21 / 45 / 0 / 23

HEX #9C6DC5

RGB 156 109 197

HSL 272.05, 0.43%, 0.6%

LAB 54.07, 35.59, -38.99

 

CMYK 14 / 30 / 0 / 29

HEX #9B7EB4

RGB 155 126 180

HSL 272.22, 0.26%, 0.6%

LAB 57.26, 21.69, -24.31

 

CMYK 6 / 13 / 0 / 36

HEX #9A8EA4

RGB 154 142 164

HSL 272.73, 0.11%, 0.6%

LAB 60.69, 8.73, -9.97

 

CMYK 4 / 0 / 8 / 38

HEX #999F93

RGB 153 159 147

HSL 90, 0.06%, 0.6%

LAB 64.7, -4.42, 5.51

 

CMYK 56 / 55 / 0 / 16

HEX #5D5FD5

RGB 93 95 213

HSL 239, 0.59%, 0.6%

LAB 46.06, 32.91, -61.24

 

CMYK 42 / 56 / 0 / 16

HEX #7B5DD5

RGB 123 93 213

HSL 255, 0.59%, 0.6%

LAB 48.06, 40.31, -57.89

 

CMYK 27 / 56 / 0 / 16

HEX #9B5DD5

RGB 155 93 213

HSL 271, 0.59%, 0.6%

LAB 51.38, 47.86, -52.38

 

CMYK 12 / 56 / 0 / 16

HEX #BB5DD5

RGB 187 93 213

HSL 287, 0.59%, 0.6%

LAB 55.28, 55.94, -45.95

 

CMYK 0 / 56 / 3 / 16

HEX #D55DCF

RGB 213 93 207

HSL 303, 0.59%, 0.6%

LAB 58.49, 61.62, -37.25

 

CMYK 35 / 74 / 0 / 30

HEX #742EB2

RGB 116 46 178

HSL 271.82, 0.59%, 0.44%

LAB 35.75, 54.23, -57.48

 

CMYK 33 / 71 / 0 / 20

HEX #893CCD

RGB 137 60 205

HSL 271.86, 0.59%, 0.52%

LAB 42.7, 58.34, -61.89

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 20 / 43 / 0 / 13

HEX #B17EDE

RGB 177 126 222

HSL 271.88, 0.59%, 0.68%

LAB 61.26, 37.83, -41.66

 

CMYK 14 / 31 / 0 / 10

HEX #C59EE6

RGB 197 158 230

HSL 272.5, 0.59%, 0.76%

LAB 70.9, 27.82, -30.92

 

CMYK 27 / 57 / 0 / 16

HEX #9C5BD5

RGB 156 91 213

HSL 271.97, 0.59%, 0.6%

LAB 51.1, 49.16, -52.83

 

CMYK 0 / 56 / 40 / 16

HEX #D55D7F

RGB 213 93 127

HSL 343, 0.59%, 0.6%

LAB 55.59, 50.43, 4.73

 

CMYK 56 / 0 / 50 / 16

HEX #5DD56B

RGB 93 213 107

HSL 127, 0.59%, 0.6%

LAB 76.67, -55.38, 42.2

 

CMYK 27 / 57 / 0 / 16

HEX #9C5BD5

RGB 156 91 213

HSL 271.97, 0.59%, 0.6%

LAB 51.1, 49.16, -52.83

 

CMYK 0 / 27 / 56 / 16

HEX #D59B5D

RGB 213 155 93

HSL 31, 0.59%, 0.6%

LAB 68.3, 14.86, 40.7

 

CMYK 56 / 0 / 27 / 16

HEX #5DD59B

RGB 93 213 155

HSL 151, 0.59%, 0.6%

LAB 77.45, -47.08, 18.72

 

CMYK 27 / 57 / 0 / 16

HEX #9C5BD5

RGB 156 91 213

HSL 271.97, 0.59%, 0.6%

LAB 51.1, 49.16, -52.83

 

CMYK 0 / 56 / 40 / 16

HEX #D55D7F

RGB 213 93 127

HSL 343, 0.59%, 0.6%

LAB 55.59, 50.43, 4.73

 

CMYK 29 / 0 / 56 / 16

HEX #97D55D

RGB 151 213 93

HSL 91, 0.59%, 0.6%

LAB 79.02, -39.5, 52.19

 

CMYK 56 / 0 / 16 / 16

HEX #5DD5B3

RGB 93 213 179

HSL 163, 0.59%, 0.6%

LAB 77.98, -41.82, 6.71

 

CMYK 27 / 57 / 0 / 16

HEX #9C5BD5

RGB 156 91 213

HSL 271.97, 0.59%, 0.6%

LAB 51.1, 49.16, -52.83

 

CMYK 0 / 55 / 56 / 16

HEX #D55F5D

RGB 213 95 93

HSL 1, 0.59%, 0.6%

LAB 55.2, 46.34, 24.14

 

CMYK 29 / 0 / 56 / 16

HEX #97D55D

RGB 151 213 93

HSL 91, 0.59%, 0.6%

LAB 79.02, -39.5, 52.19

 

CMYK 56 / 1 / 0 / 16

HEX #5DD3D5

RGB 93 211 213

HSL 181, 0.59%, 0.6%

LAB 78.3, -32.33, -11.03

 

Description

Color code: HEX #9C5BD5 | qconv.com Color code: HEX #9C5BD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 91 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 91 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 57 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 57% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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