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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C52DA it is the complementary color #63AD25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C52DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C52DA shade: #A152D5, #B264E8, #C376FB, #D488FF and #E59AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C52DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C52DA shade: #9C52DA, #8B40C7, #7A2EB4, #691CA1 and #580A8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C52DA shade: #9C52DA, #C152DA, #DA52CF, #DA52AA and #DA5285

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C52DA shade: #9C52DA, #7752DA, #5352DA and #5252DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C52DA shade matches the following richer shades: #9C52DA, #9D41EB and #9F30FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C52DA shade: #9C52DA, #9A63C9, #9974B8, #9785A7 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C52DA shade: #5252DA, #7652DA, #9A52DA, #BF52DA and #DA52D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C52DA shade: #7326B4, #8930D3, #9C52DA, #AF74E1 and #C396E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C52DA shade: #9C52DA, #DA5276 and #52DA64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C52DA shade: #9C52DA, #DA9A52 and #52DA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C52DA shade: #9C52DA, #DA5276, #91DA52 and #52DAB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C52DA shade: #9C52DA, #DA5752, #91DA52 and #52D5DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

Complementary color

CMYK 43 / 0 / 79 / 32

HEX #63AD25

RGB 99 173 37

HSL 92.65, 0.65%, 0.41%

LAB 63.9, -44.9, 57.71

 

CMYK 24 / 62 / 0 / 16

HEX #A152D5

RGB 161 82 213

HSL 276.18, 0.61%, 0.58%

LAB 50, 54.92, -54.56

 

CMYK 23 / 57 / 0 / 9

HEX #B264E8

RGB 178 100 232

HSL 275.45, 0.74%, 0.65%

LAB 56.49, 54.2, -54.79

 

CMYK 22 / 53 / 0 / 2

HEX #C376FB

RGB 195 118 251

HSL 274.74, 0.94%, 0.72%

LAB 62.95, 53.4, -54.93

 

CMYK 17 / 47 / 0 / 0

HEX #D488FF

RGB 212 136 255

HSL 278.32, 1%, 0.77%

LAB 68.62, 49.37, -48.02

 

CMYK 10 / 40 / 0 / 0

HEX #E59AFF

RGB 229 154 255

HSL 284.55, 1%, 0.8%

LAB 74.18, 44.72, -39.19

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 30 / 68 / 0 / 22

HEX #8B40C7

RGB 139 64 199

HSL 273.33, 0.55%, 0.52%

LAB 43.18, 55.53, -57.62

 

CMYK 32 / 74 / 0 / 29

HEX #7A2EB4

RGB 122 46 180

HSL 274.03, 0.59%, 0.44%

LAB 36.72, 55.8, -57.06

 

CMYK 35 / 83 / 0 / 37

HEX #691CA1

RGB 105 28 161

HSL 274.74, 0.7%, 0.37%

LAB 30.42, 55.37, -56.04

 

CMYK 38 / 93 / 0 / 44

HEX #580A8E

RGB 88 10 142

HSL 275.45, 0.87%, 0.3%

LAB 24.46, 53.61, -54.21

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 11 / 62 / 0 / 15

HEX #C152DA

RGB 193 82 218

HSL 288.97, 0.65%, 0.59%

LAB 54.48, 63.44, -49.99

 

CMYK 0 / 62 / 5 / 15

HEX #DA52CF

RGB 218 82 207

HSL 304.85, 0.65%, 0.59%

LAB 57.51, 67.57, -38.74

 

CMYK 0 / 62 / 22 / 15

HEX #DA52AA

RGB 218 82 170

HSL 321.18, 0.65%, 0.59%

LAB 55.93, 62.1, -19.9

 

CMYK 0 / 62 / 39 / 15

HEX #DA5285

RGB 218 82 133

HSL 337.5, 0.65%, 0.59%

LAB 54.69, 57.6, -0.01

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 45 / 62 / 0 / 15

HEX #7752DA

RGB 119 82 218

HSL 256.32, 0.65%, 0.59%

LAB 45.66, 47.06, -64.65

 

CMYK 62 / 62 / 0 / 15

HEX #5352DA

RGB 83 82 218

HSL 240.44, 0.65%, 0.59%

LAB 42.67, 40.71, -69.65

 

CMYK 62 / 62 / 0 / 15

HEX #5252DA

RGB 82 82 218

HSL 240, 0.65%, 0.59%

LAB 42.6, 40.55, -69.76

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 33 / 72 / 0 / 8

HEX #9D41EB

RGB 157 65 235

HSL 272.47, 0.81%, 0.59%

LAB 48.19, 66.7, -69.98

 

CMYK 37 / 81 / 0 / 1

HEX #9F30FC

RGB 159 48 252

HSL 272.65, 0.97%, 0.59%

LAB 47.64, 76.84, -80.41

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 23 / 51 / 0 / 21

HEX #9A63C9

RGB 154 99 201

HSL 272.35, 0.49%, 0.59%

LAB 51.85, 41.54, -44.8

 

CMYK 17 / 37 / 0 / 28

HEX #9974B8

RGB 153 116 184

HSL 272.65, 0.32%, 0.59%

LAB 54.79, 27.71, -30.44

 

CMYK 10 / 20 / 0 / 35

HEX #9785A7

RGB 151 133 167

HSL 271.76, 0.16%, 0.59%

LAB 58.17, 13.47, -15.5

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 62 / 62 / 0 / 15

HEX #5252DA

RGB 82 82 218

HSL 240, 0.65%, 0.59%

LAB 42.6, 40.55, -69.76

 

CMYK 46 / 62 / 0 / 15

HEX #7652DA

RGB 118 82 218

HSL 255.88, 0.65%, 0.59%

LAB 45.56, 46.87, -64.81

 

CMYK 29 / 62 / 0 / 15

HEX #9A52DA

RGB 154 82 218

HSL 271.76, 0.65%, 0.59%

LAB 49.46, 54.47, -58.33

 

CMYK 12 / 62 / 0 / 15

HEX #BF52DA

RGB 191 82 218

HSL 288.09, 0.65%, 0.59%

LAB 54.21, 62.97, -50.45

 

CMYK 0 / 62 / 4 / 15

HEX #DA52D1

RGB 218 82 209

HSL 303.97, 0.65%, 0.59%

LAB 57.6, 67.89, -39.73

 

CMYK 36 / 79 / 0 / 29

HEX #7326B4

RGB 115 38 180

HSL 272.54, 0.65%, 0.43%

LAB 34.65, 57.75, -60.47

 

CMYK 35 / 77 / 0 / 17

HEX #8930D3

RGB 137 48 211

HSL 272.76, 0.65%, 0.51%

LAB 41.43, 64.62, -67.42

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 22 / 48 / 0 / 12

HEX #AF74E1

RGB 175 116 225

HSL 272.48, 0.64%, 0.67%

LAB 59.01, 43.44, -46.89

 

CMYK 16 / 35 / 0 / 9

HEX #C396E8

RGB 195 150 232

HSL 272.93, 0.64%, 0.75%

LAB 68.93, 32.05, -35.09

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 0 / 62 / 46 / 15

HEX #DA5276

RGB 218 82 118

HSL 344.12, 0.65%, 0.59%

LAB 54.29, 56.1, 8.3

 

CMYK 62 / 0 / 54 / 15

HEX #52DA64

RGB 82 218 100

HSL 127.94, 0.65%, 0.59%

LAB 77.79, -60.65, 46.83

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 0 / 29 / 62 / 15

HEX #DA9A52

RGB 218 154 82

HSL 31.76, 0.65%, 0.59%

LAB 68.48, 16.68, 46.61

 

CMYK 62 / 0 / 29 / 15

HEX #52DA9A

RGB 82 218 154

HSL 151.76, 0.65%, 0.59%

LAB 78.62, -51.57, 20.82

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 0 / 62 / 46 / 15

HEX #DA5276

RGB 218 82 118

HSL 344.12, 0.65%, 0.59%

LAB 54.29, 56.1, 8.3

 

CMYK 33 / 0 / 62 / 15

HEX #91DA52

RGB 145 218 82

HSL 92.21, 0.65%, 0.59%

LAB 80.05, -44.8, 58.07

 

CMYK 62 / 0 / 17 / 15

HEX #52DAB6

RGB 82 218 182

HSL 164.12, 0.65%, 0.59%

LAB 79.22, -45.37, 6.87

 

CMYK 28 / 62 / 0 / 15

HEX #9C52DA

RGB 156 82 218

HSL 272.65, 0.65%, 0.59%

LAB 49.69, 54.91, -57.93

 

CMYK 0 / 60 / 62 / 15

HEX #DA5752

RGB 218 87 82

HSL 2.21, 0.65%, 0.59%

LAB 54.38, 51.05, 29.6

 

CMYK 33 / 0 / 62 / 15

HEX #91DA52

RGB 145 218 82

HSL 92.21, 0.65%, 0.59%

LAB 80.05, -44.8, 58.07

 

CMYK 62 / 2 / 0 / 15

HEX #52D5DA

RGB 82 213 218

HSL 182.21, 0.65%, 0.59%

LAB 78.72, -33.8, -13.11

 

Description

Color code: HEX #9C52DA | qconv.com Color code: HEX #9C52DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 82 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 82 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 62 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 62% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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