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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5171 it is the complementary color #63AE8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5171 shade: #A1516C, #B2637F, #C37592, #D487A5 and #E599B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5171 shade: #9C5171, #8B3F5E, #7A2D4B, #691B38 and #580925

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5171 shade: #9B5070, #9B505C and #9B5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5171 shade: #9B5070, #9B5084, #9B5098, #89509B and #75509B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5171 shade matches the following richer shades: #9B5070, #AE3D6D, #C12A6A, #D41767 and #E70465

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5171 shade: #9B5070, #886373, #757675, #628978 and #4F9C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5171 shade: #9B5098, #9B5084, #9B5070, #9B505C and #9B5750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5171 shade: #643448, #80425C, #9B5070, #AF6484 and #BD809A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5171 shade: #9C5171, #9B8950 and #508E9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5171 shade: #9C5171, #709B50 and #50709B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5171 shade: #9C5171, #9B8950, #509B7A and #50619B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5171 shade: #9C5171, #969B50, #509B7A and #55509B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 28 / 39

HEX #9C5171

RGB 156 81 113

HSL 334.4, 0.32%, 0.46%

LAB 44.44, 35.05, -4.15

 

Complementary color

CMYK 43 / 0 / 18 / 32

HEX #63AE8E

RGB 99 174 142

HSL 154.4, 0.32%, 0.54%

LAB 65.65, -30.9, 9.21

 

CMYK 0 / 50 / 33 / 37

HEX #A1516C

RGB 161 81 108

HSL 339.75, 0.33%, 0.47%

LAB 45, 36.16, -0.19

 

CMYK 0 / 44 / 29 / 30

HEX #B2637F

RGB 178 99 127

HSL 338.73, 0.34%, 0.54%

LAB 51.75, 35.25, -1.47

 

CMYK 0 / 40 / 25 / 24

HEX #C37592

RGB 195 117 146

HSL 337.69, 0.39%, 0.61%

LAB 58.41, 34.37, -2.55

 

CMYK 0 / 36 / 22 / 17

HEX #D487A5

RGB 212 135 165

HSL 336.62, 0.47%, 0.68%

LAB 65, 33.54, -3.5

 

CMYK 0 / 33 / 20 / 10

HEX #E599B8

RGB 229 153 184

HSL 335.53, 0.59%, 0.75%

LAB 71.49, 32.77, -4.35

 

CMYK 0 / 48 / 28 / 39

HEX #9C5171

RGB 156 81 113

HSL 334.4, 0.32%, 0.46%

LAB 44.44, 35.05, -4.15

 

CMYK 0 / 55 / 32 / 45

HEX #8B3F5E

RGB 139 63 94

HSL 335.53, 0.38%, 0.4%

LAB 37.58, 35.9, -2.79

 

CMYK 0 / 63 / 39 / 52

HEX #7A2D4B

RGB 122 45 75

HSL 336.62, 0.46%, 0.33%

LAB 30.69, 36.61, -1.02

 

CMYK 0 / 74 / 47 / 59

HEX #691B38

RGB 105 27 56

HSL 337.69, 0.59%, 0.26%

LAB 23.91, 36.87, 1.44

 

CMYK 0 / 90 / 58 / 65

HEX #580925

RGB 88 9 37

HSL 338.73, 0.81%, 0.19%

LAB 17.48, 35.99, 5.13

 

CMYK 0 / 48 / 28 / 39

HEX #9B5070

RGB 155 80 112

HSL 334.4, 0.32%, 0.46%

LAB 44.05, 35.09, -4.13

 

CMYK 0 / 48 / 41 / 39

HEX #9B505C

RGB 155 80 92

HSL 350.4, 0.32%, 0.46%

LAB 43.48, 32.45, 7.29

 

CMYK 0 / 48 / 48 / 39

HEX #9B5050

RGB 155 80 80

HSL 0, 0.32%, 0.46%

LAB 43.19, 31.12, 14.25

 

CMYK 0 / 48 / 28 / 39

HEX #9B5070

RGB 155 80 112

HSL 334.4, 0.32%, 0.46%

LAB 44.05, 35.09, -4.13

 

CMYK 0 / 48 / 15 / 39

HEX #9B5084

RGB 155 80 132

HSL 318.4, 0.32%, 0.46%

LAB 44.76, 38.2, -15.24

 

CMYK 0 / 48 / 2 / 39

HEX #9B5098

RGB 155 80 152

HSL 302.4, 0.32%, 0.46%

LAB 45.6, 41.74, -25.98

 

CMYK 12 / 48 / 0 / 39

HEX #89509B

RGB 137 80 155

HSL 285.6, 0.32%, 0.46%

LAB 43.39, 36.87, -31.39

 

CMYK 25 / 48 / 0 / 39

HEX #75509B

RGB 117 80 155

HSL 269.6, 0.32%, 0.46%

LAB 41.03, 30.94, -35.26

 

CMYK 0 / 48 / 28 / 39

HEX #9B5070

RGB 155 80 112

HSL 334.4, 0.32%, 0.46%

LAB 44.05, 35.09, -4.13

 

CMYK 0 / 65 / 37 / 32

HEX #AE3D6D

RGB 174 61 109

HSL 334.51, 0.48%, 0.46%

LAB 43.42, 50.34, -2.89

 

CMYK 0 / 78 / 45 / 24

HEX #C12A6A

RGB 193 42 106

HSL 334.57, 0.64%, 0.46%

LAB 44.28, 62.32, 0.63

 

CMYK 0 / 89 / 51 / 17

HEX #D41767

RGB 212 23 103

HSL 334.6, 0.8%, 0.46%

LAB 46.43, 70.98, 6.06

 

CMYK 0 / 98 / 56 / 9

HEX #E70465

RGB 231 4 101

HSL 334.36, 0.97%, 0.46%

LAB 49.51, 77.17, 12.19

 

CMYK 0 / 48 / 28 / 39

HEX #9B5070

RGB 155 80 112

HSL 334.4, 0.32%, 0.46%

LAB 44.05, 35.09, -4.13

 

CMYK 0 / 27 / 15 / 47

HEX #886373

RGB 136 99 115

HSL 334.05, 0.16%, 0.46%

LAB 46.17, 17.6, -3.1

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 28 / 0 / 12 / 46

HEX #628978

RGB 98 137 120

HSL 153.85, 0.17%, 0.46%

LAB 53.86, -17.37, 4.77

 

CMYK 49 / 0 / 21 / 39

HEX #4F9C7B

RGB 79 156 123

HSL 154.29, 0.33%, 0.46%

LAB 58.85, -31.9, 10.05

 

CMYK 0 / 48 / 2 / 39

HEX #9B5098

RGB 155 80 152

HSL 302.4, 0.32%, 0.46%

LAB 45.6, 41.74, -25.98

 

CMYK 0 / 48 / 15 / 39

HEX #9B5084

RGB 155 80 132

HSL 318.4, 0.32%, 0.46%

LAB 44.76, 38.2, -15.24

 

CMYK 0 / 48 / 28 / 39

HEX #9B5070

RGB 155 80 112

HSL 334.4, 0.32%, 0.46%

LAB 44.05, 35.09, -4.13

 

CMYK 0 / 48 / 41 / 39

HEX #9B505C

RGB 155 80 92

HSL 350.4, 0.32%, 0.46%

LAB 43.48, 32.45, 7.29

 

CMYK 0 / 44 / 48 / 39

HEX #9B5750

RGB 155 87 80

HSL 5.6, 0.32%, 0.46%

LAB 44.75, 27.25, 16.37

 

CMYK 0 / 48 / 28 / 61

HEX #643448

RGB 100 52 72

HSL 335, 0.32%, 0.3%

LAB 28.47, 24.24, -2.74

 

CMYK 0 / 48 / 28 / 50

HEX #80425C

RGB 128 66 92

HSL 334.84, 0.32%, 0.38%

LAB 36.48, 29.97, -3.34

 

CMYK 0 / 48 / 28 / 39

HEX #9B5070

RGB 155 80 112

HSL 334.4, 0.32%, 0.46%

LAB 44.05, 35.09, -4.13

 

CMYK 0 / 43 / 25 / 31

HEX #AF6484

RGB 175 100 132

HSL 334.4, 0.32%, 0.54%

LAB 51.72, 34.35, -4.52

 

CMYK 0 / 32 / 19 / 26

HEX #BD809A

RGB 189 128 154

HSL 334.43, 0.32%, 0.62%

LAB 60.42, 27.41, -4.29

 

CMYK 0 / 48 / 28 / 39

HEX #9C5171

RGB 156 81 113

HSL 334.4, 0.32%, 0.46%

LAB 44.44, 35.05, -4.15

 

CMYK 0 / 12 / 48 / 39

HEX #9B8950

RGB 155 137 80

HSL 45.6, 0.32%, 0.46%

LAB 57.5, -1.17, 32.91

 

CMYK 48 / 8 / 0 / 39

HEX #508E9B

RGB 80 142 155

HSL 190.4, 0.32%, 0.46%

LAB 55.5, -16.36, -13.12

 

CMYK 0 / 48 / 28 / 39

HEX #9C5171

RGB 156 81 113

HSL 334.4, 0.32%, 0.46%

LAB 44.44, 35.05, -4.15

 

CMYK 28 / 0 / 48 / 39

HEX #709B50

RGB 112 155 80

HSL 94.4, 0.32%, 0.46%

LAB 59.4, -28.36, 34.53

 

CMYK 48 / 28 / 0 / 39

HEX #50709B

RGB 80 112 155

HSL 214.4, 0.32%, 0.46%

LAB 46.53, 0.81, -26.87

 

CMYK 0 / 48 / 28 / 39

HEX #9C5171

RGB 156 81 113

HSL 334.4, 0.32%, 0.46%

LAB 44.44, 35.05, -4.15

 

CMYK 0 / 12 / 48 / 39

HEX #9B8950

RGB 155 137 80

HSL 45.6, 0.32%, 0.46%

LAB 57.5, -1.17, 32.91

 

CMYK 48 / 0 / 21 / 39

HEX #509B7A

RGB 80 155 122

HSL 153.6, 0.32%, 0.46%

LAB 58.56, -31.39, 10.2

 

CMYK 48 / 37 / 0 / 39

HEX #50619B

RGB 80 97 155

HSL 226.4, 0.32%, 0.46%

LAB 42.19, 10.07, -33.66

 

CMYK 0 / 48 / 28 / 39

HEX #9C5171

RGB 156 81 113

HSL 334.4, 0.32%, 0.46%

LAB 44.44, 35.05, -4.15

 

CMYK 3 / 0 / 48 / 39

HEX #969B50

RGB 150 155 80

HSL 64, 0.32%, 0.46%

LAB 62.09, -13.07, 38.43

 

CMYK 48 / 0 / 21 / 39

HEX #509B7A

RGB 80 155 122

HSL 153.6, 0.32%, 0.46%

LAB 58.56, -31.39, 10.2

 

CMYK 45 / 48 / 0 / 39

HEX #55509B

RGB 85 80 155

HSL 244, 0.32%, 0.46%

LAB 37.91, 22.13, -40.43

 

Description

Color code: HEX #9C5171 | qconv.com Color code: HEX #9C5171 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 81 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 81 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 28 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 28% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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