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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C457D it is the complementary color #63BA82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C457D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C457D shade: #A14578, #B2578B, #C3699E, #D47BB1 and #E58DC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C457D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C457D shade: #9C457D, #8B336A, #7A2157, #690F44 and #580031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C457D shade: #9C447D, #9C4465, #9C444E and #9C4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C457D shade: #9C447D, #9C4494, #8C449C, #74449C and #5D449C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C457D shade matches the following richer shades: #9C447D, #AE3282, #C02087 and #D20E8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C457D shade: #9C447D, #8A5778, #786972, #657B6D and #538D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C457D shade: #8C449C, #9C4495, #9C447D, #9C4466 and #9C444F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C457D shade: #632B4F, #7F3866, #9C447D, #B45593 and #C172A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C457D shade: #9C457D, #9C7544 and #449C98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C457D shade: #9C457D, #7D9C44 and #447D9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C457D shade: #9C457D, #9C7544, #449C63 and #446C9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C457D shade: #9C457D, #9C8F44, #449C63 and #44529C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 20 / 39

HEX #9C457D

RGB 156 69 125

HSL 321.38, 0.39%, 0.44%

LAB 42.47, 43.08, -14.46

 

Complementary color

CMYK 47 / 0 / 30 / 27

HEX #63BA82

RGB 99 186 130

HSL 141.38, 0.39%, 0.56%

LAB 69.03, -38.9, 20.47

 

CMYK 0 / 57 / 25 / 37

HEX #A14578

RGB 161 69 120

HSL 326.74, 0.4%, 0.45%

LAB 43.05, 43.95, -10.44

 

CMYK 0 / 51 / 22 / 30

HEX #B2578B

RGB 178 87 139

HSL 325.71, 0.37%, 0.52%

LAB 49.67, 43.28, -11.7

 

CMYK 0 / 46 / 19 / 24

HEX #C3699E

RGB 195 105 158

HSL 324.67, 0.43%, 0.59%

LAB 56.26, 42.52, -12.72

 

CMYK 0 / 42 / 17 / 17

HEX #D47BB1

RGB 212 123 177

HSL 323.6, 0.51%, 0.66%

LAB 62.79, 41.73, -13.59

 

CMYK 0 / 38 / 14 / 10

HEX #E58DC4

RGB 229 141 196

HSL 322.5, 0.63%, 0.73%

LAB 69.25, 40.96, -14.35

 

CMYK 0 / 56 / 20 / 39

HEX #9C457D

RGB 156 69 125

HSL 321.38, 0.39%, 0.44%

LAB 42.47, 43.08, -14.46

 

CMYK 0 / 63 / 24 / 45

HEX #8B336A

RGB 139 51 106

HSL 322.5, 0.46%, 0.37%

LAB 35.79, 43.54, -13.06

 

CMYK 0 / 73 / 29 / 52

HEX #7A2157

RGB 122 33 87

HSL 323.6, 0.57%, 0.3%

LAB 29.19, 43.51, -11.15

 

CMYK 0 / 86 / 35 / 59

HEX #690F44

RGB 105 15 68

HSL 324.67, 0.75%, 0.24%

LAB 22.87, 42.44, -8.34

 

CMYK 0 / 100 / 44 / 65

HEX #580031

RGB 88 0 49

HSL 326.59, 1%, 0.17%

LAB 16.97, 39.81, -4.27

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 56 / 35 / 39

HEX #9C4465

RGB 156 68 101

HSL 337.5, 0.39%, 0.44%

LAB 41.44, 40.21, -1.18

 

CMYK 0 / 56 / 50 / 39

HEX #9C444E

RGB 156 68 78

HSL 353.18, 0.39%, 0.44%

LAB 40.82, 37.64, 12.25

 

CMYK 0 / 56 / 56 / 39

HEX #9C4444

RGB 156 68 68

HSL 0, 0.39%, 0.44%

LAB 40.6, 36.73, 18.15

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 56 / 5 / 39

HEX #9C4494

RGB 156 68 148

HSL 305.45, 0.39%, 0.44%

LAB 43.27, 47.38, -27.19

 

CMYK 10 / 56 / 0 / 39

HEX #8C449C

RGB 140 68 156

HSL 289.09, 0.39%, 0.44%

LAB 41.39, 44.38, -35.11

 

CMYK 26 / 56 / 0 / 39

HEX #74449C

RGB 116 68 156

HSL 272.73, 0.39%, 0.44%

LAB 38.28, 37.84, -40.24

 

CMYK 40 / 56 / 0 / 39

HEX #5D449C

RGB 93 68 156

HSL 257.05, 0.39%, 0.44%

LAB 35.72, 31.91, -44.49

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 71 / 25 / 32

HEX #AE3282

RGB 174 50 130

HSL 321.29, 0.55%, 0.44%

LAB 42.6, 57.29, -17.06

 

CMYK 0 / 83 / 30 / 25

HEX #C02087

RGB 192 32 135

HSL 321.38, 0.71%, 0.44%

LAB 44.22, 67.61, -17.36

 

CMYK 0 / 93 / 33 / 18

HEX #D20E8C

RGB 210 14 140

HSL 321.43, 0.88%, 0.44%

LAB 46.86, 74.97, -16.06

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 37 / 13 / 46

HEX #8A5778

RGB 138 87 120

HSL 321.18, 0.23%, 0.44%

LAB 43.62, 26.27, -9.9

 

CMYK 0 / 13 / 5 / 53

HEX #786972

RGB 120 105 114

HSL 324, 0.07%, 0.44%

LAB 46.06, 7.63, -2.85

 

CMYK 18 / 0 / 11 / 52

HEX #657B6D

RGB 101 123 109

HSL 141.82, 0.1%, 0.44%

LAB 49.54, -11.05, 5

 

CMYK 41 / 0 / 26 / 45

HEX #538D68

RGB 83 141 104

HSL 141.72, 0.26%, 0.44%

LAB 53.91, -27.62, 13.9

 

CMYK 10 / 56 / 0 / 39

HEX #8C449C

RGB 140 68 156

HSL 289.09, 0.39%, 0.44%

LAB 41.39, 44.38, -35.11

 

CMYK 0 / 56 / 4 / 39

HEX #9C4495

RGB 156 68 149

HSL 304.77, 0.39%, 0.44%

LAB 43.32, 47.55, -27.72

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 56 / 35 / 39

HEX #9C4466

RGB 156 68 102

HSL 336.82, 0.39%, 0.44%

LAB 41.47, 40.34, -1.76

 

CMYK 0 / 56 / 49 / 39

HEX #9C444F

RGB 156 68 79

HSL 352.5, 0.39%, 0.44%

LAB 40.84, 37.74, 11.66

 

CMYK 0 / 57 / 20 / 61

HEX #632B4F

RGB 99 43 79

HSL 321.43, 0.39%, 0.28%

LAB 26.58, 30.18, -10.22

 

CMYK 0 / 56 / 20 / 50

HEX #7F3866

RGB 127 56 102

HSL 321.13, 0.39%, 0.36%

LAB 34.6, 36.61, -12.51

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 53 / 18 / 29

HEX #B45593

RGB 180 85 147

HSL 320.84, 0.39%, 0.52%

LAB 49.87, 46.14, -16.14

 

CMYK 0 / 41 / 15 / 24

HEX #C172A5

RGB 193 114 165

HSL 321.27, 0.39%, 0.6%

LAB 58.12, 38.21, -14

 

CMYK 0 / 56 / 20 / 39

HEX #9C457D

RGB 156 69 125

HSL 321.38, 0.39%, 0.44%

LAB 42.47, 43.08, -14.46

 

CMYK 0 / 25 / 56 / 39

HEX #9C7544

RGB 156 117 68

HSL 33.41, 0.39%, 0.44%

LAB 52.07, 9.41, 32.71

 

CMYK 56 / 0 / 3 / 39

HEX #449C98

RGB 68 156 152

HSL 177.27, 0.39%, 0.44%

LAB 59.23, -27.15, -5.88

 

CMYK 0 / 56 / 20 / 39

HEX #9C457D

RGB 156 69 125

HSL 321.38, 0.39%, 0.44%

LAB 42.47, 43.08, -14.46

 

CMYK 20 / 0 / 56 / 39

HEX #7D9C44

RGB 125 156 68

HSL 81.14, 0.39%, 0.44%

LAB 60.39, -25.12, 41.91

 

CMYK 56 / 20 / 0 / 39

HEX #447D9C

RGB 68 125 156

HSL 201.14, 0.39%, 0.44%

LAB 49.85, -9.41, -22.35

 

CMYK 0 / 56 / 20 / 39

HEX #9C457D

RGB 156 69 125

HSL 321.38, 0.39%, 0.44%

LAB 42.47, 43.08, -14.46

 

CMYK 0 / 25 / 56 / 39

HEX #9C7544

RGB 156 117 68

HSL 33.41, 0.39%, 0.44%

LAB 52.07, 9.41, 32.71

 

CMYK 56 / 0 / 37 / 39

HEX #449C63

RGB 68 156 99

HSL 141.14, 0.39%, 0.44%

LAB 57.95, -39.68, 22.1

 

CMYK 56 / 31 / 0 / 39

HEX #446C9C

RGB 68 108 156

HSL 212.73, 0.39%, 0.44%

LAB 44.74, 0.66, -30.3

 

CMYK 0 / 56 / 20 / 39

HEX #9C457D

RGB 156 69 125

HSL 321.38, 0.39%, 0.44%

LAB 42.47, 43.08, -14.46

 

CMYK 0 / 8 / 56 / 39

HEX #9C8F44

RGB 156 143 68

HSL 51.14, 0.39%, 0.44%

LAB 59.09, -5.15, 41.05

 

CMYK 56 / 0 / 37 / 39

HEX #449C63

RGB 68 156 99

HSL 141.14, 0.39%, 0.44%

LAB 57.95, -39.68, 22.1

 

CMYK 56 / 47 / 0 / 39

HEX #44529C

RGB 68 82 156

HSL 230.45, 0.39%, 0.44%

LAB 37.23, 17.15, -42.18

 

Description

Color code: HEX #9C457D | qconv.com Color code: HEX #9C457D | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 69 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 69 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 20 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 20% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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