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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C4567 it is the complementary color #63BA98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C4567. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C4567 shade: #A14562, #B25775, #C36988, #D47B9B and #E58DAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C4567. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C4567 shade: #9C4567, #8B3354, #7A2141, #690F2E and #58001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C4567 shade: #9C4467, #9C444F and #9C4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C4567 shade: #9C4467, #9C447E, #9C4496, #8A449C and #73449C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C4567 shade matches the following richer shades: #9C4467, #AE3263, #C0205F and #D20E5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C4567 shade: #9C4467, #8A576B, #78696F, #657B73 and #538D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C4567 shade: #9C4496, #9C447F, #9C4467, #9C4450 and #9C5044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C4567 shade: #632B41, #7F3854, #9C4467, #B4557A and #C17291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C4567 shade: #9C4567, #9C8A44 and #448A9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C4567 shade: #9C4567, #679C44 and #44679C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C4567 shade: #9C4567, #9C8A44, #449C79 and #44569C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C4567 shade: #9C4567, #939C44, #449C79 and #4D449C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 34 / 39

HEX #9C4567

RGB 156 69 103

HSL 336.55, 0.39%, 0.44%

LAB 41.69, 39.97, -2.05

 

Complementary color

CMYK 47 / 0 / 18 / 27

HEX #63BA98

RGB 99 186 152

HSL 156.55, 0.39%, 0.56%

LAB 69.5, -34.36, 9.19

 

CMYK 0 / 57 / 39 / 37

HEX #A14562

RGB 161 69 98

HSL 341.09, 0.4%, 0.45%

LAB 42.33, 41.08, 2.07

 

CMYK 0 / 51 / 34 / 30

HEX #B25775

RGB 178 87 117

HSL 340.22, 0.37%, 0.52%

LAB 48.97, 40.25, 0.44

 

CMYK 0 / 46 / 30 / 24

HEX #C36988

RGB 195 105 136

HSL 339.33, 0.43%, 0.59%

LAB 55.57, 39.36, -0.91

 

CMYK 0 / 42 / 27 / 17

HEX #D47B9B

RGB 212 123 155

HSL 338.43, 0.51%, 0.66%

LAB 62.11, 38.49, -2.06

 

CMYK 0 / 38 / 24 / 10

HEX #E58DAE

RGB 229 141 174

HSL 337.5, 0.63%, 0.73%

LAB 68.58, 37.65, -3.06

 

CMYK 0 / 56 / 34 / 39

HEX #9C4567

RGB 156 69 103

HSL 336.55, 0.39%, 0.44%

LAB 41.69, 39.97, -2.05

 

CMYK 0 / 63 / 40 / 45

HEX #8B3354

RGB 139 51 84

HSL 337.5, 0.46%, 0.37%

LAB 35, 40.62, -0.22

 

CMYK 0 / 73 / 47 / 52

HEX #7A2141

RGB 122 33 65

HSL 338.43, 0.57%, 0.3%

LAB 28.4, 40.86, 2.25

 

CMYK 0 / 86 / 56 / 59

HEX #690F2E

RGB 105 15 46

HSL 339.33, 0.75%, 0.24%

LAB 22.1, 40.15, 5.77

 

CMYK 0 / 100 / 69 / 65

HEX #58001B

RGB 88 0 27

HSL 341.59, 1%, 0.17%

LAB 16.27, 37.97, 10.77

 

CMYK 0 / 56 / 34 / 39

HEX #9C4467

RGB 156 68 103

HSL 336.14, 0.39%, 0.44%

LAB 41.5, 40.47, -2.33

 

CMYK 0 / 56 / 49 / 39

HEX #9C444F

RGB 156 68 79

HSL 352.5, 0.39%, 0.44%

LAB 40.84, 37.74, 11.66

 

CMYK 0 / 56 / 56 / 39

HEX #9C4444

RGB 156 68 68

HSL 0, 0.39%, 0.44%

LAB 40.6, 36.73, 18.15

 

CMYK 0 / 56 / 34 / 39

HEX #9C4467

RGB 156 68 103

HSL 336.14, 0.39%, 0.44%

LAB 41.5, 40.47, -2.33

 

CMYK 0 / 56 / 19 / 39

HEX #9C447E

RGB 156 68 126

HSL 320.45, 0.39%, 0.44%

LAB 42.32, 43.73, -15.3

 

CMYK 0 / 56 / 4 / 39

HEX #9C4496

RGB 156 68 150

HSL 304.09, 0.39%, 0.44%

LAB 43.37, 47.73, -28.25

 

CMYK 12 / 56 / 0 / 39

HEX #8A449C

RGB 138 68 156

HSL 287.73, 0.39%, 0.44%

LAB 41.12, 43.83, -35.56

 

CMYK 26 / 56 / 0 / 39

HEX #73449C

RGB 115 68 156

HSL 272.05, 0.39%, 0.44%

LAB 38.16, 37.57, -40.44

 

CMYK 0 / 56 / 34 / 39

HEX #9C4467

RGB 156 68 103

HSL 336.14, 0.39%, 0.44%

LAB 41.5, 40.47, -2.33

 

CMYK 0 / 71 / 43 / 32

HEX #AE3263

RGB 174 50 99

HSL 336.29, 0.55%, 0.44%

LAB 41.5, 53.69, 0.52

 

CMYK 0 / 83 / 51 / 25

HEX #C0205F

RGB 192 32 95

HSL 336.38, 0.71%, 0.44%

LAB 42.86, 63.71, 5.42

 

CMYK 0 / 93 / 57 / 18

HEX #D20E5B

RGB 210 14 91

HSL 336.43, 0.88%, 0.44%

LAB 45.32, 70.84, 11.9

 

CMYK 0 / 56 / 34 / 39

HEX #9C4467

RGB 156 68 103

HSL 336.14, 0.39%, 0.44%

LAB 41.5, 40.47, -2.33

 

CMYK 0 / 37 / 22 / 46

HEX #8A576B

RGB 138 87 107

HSL 336.47, 0.23%, 0.44%

LAB 43.18, 24.06, -2.62

 

CMYK 0 / 13 / 8 / 53

HEX #78696F

RGB 120 105 111

HSL 336, 0.07%, 0.44%

LAB 45.97, 7.05, -1.18

 

CMYK 18 / 0 / 7 / 52

HEX #657B73

RGB 101 123 115

HSL 158.18, 0.1%, 0.44%

LAB 49.7, -9.77, 1.7

 

CMYK 41 / 0 / 16 / 45

HEX #538D77

RGB 83 141 119

HSL 157.24, 0.26%, 0.44%

LAB 54.26, -24.36, 5.81

 

CMYK 0 / 56 / 4 / 39

HEX #9C4496

RGB 156 68 150

HSL 304.09, 0.39%, 0.44%

LAB 43.37, 47.73, -28.25

 

CMYK 0 / 56 / 19 / 39

HEX #9C447F

RGB 156 68 127

HSL 319.77, 0.39%, 0.44%

LAB 42.36, 43.89, -15.85

 

CMYK 0 / 56 / 34 / 39

HEX #9C4467

RGB 156 68 103

HSL 336.14, 0.39%, 0.44%

LAB 41.5, 40.47, -2.33

 

CMYK 0 / 56 / 49 / 39

HEX #9C4450

RGB 156 68 80

HSL 351.82, 0.39%, 0.44%

LAB 40.87, 37.84, 11.07

 

CMYK 0 / 49 / 56 / 39

HEX #9C5044

RGB 156 80 68

HSL 8.18, 0.39%, 0.44%

LAB 43.1, 30.38, 21.42

 

CMYK 0 / 57 / 34 / 61

HEX #632B41

RGB 99 43 65

HSL 336.43, 0.39%, 0.28%

LAB 26.05, 27.99, -1.68

 

CMYK 0 / 56 / 34 / 50

HEX #7F3854

RGB 127 56 84

HSL 336.34, 0.39%, 0.36%

LAB 33.94, 33.93, -2

 

CMYK 0 / 56 / 34 / 39

HEX #9C4467

RGB 156 68 103

HSL 336.14, 0.39%, 0.44%

LAB 41.5, 40.47, -2.33

 

CMYK 0 / 53 / 32 / 29

HEX #B4557A

RGB 180 85 122

HSL 336.63, 0.39%, 0.52%

LAB 49.01, 42.6, -2.47

 

CMYK 0 / 41 / 25 / 24

HEX #C17291

RGB 193 114 145

HSL 336.46, 0.39%, 0.6%

LAB 57.48, 35.13, -3.38

 

CMYK 0 / 56 / 34 / 39

HEX #9C4567

RGB 156 69 103

HSL 336.55, 0.39%, 0.44%

LAB 41.69, 39.97, -2.05

 

CMYK 0 / 12 / 56 / 39

HEX #9C8A44

RGB 156 138 68

HSL 47.73, 0.39%, 0.44%

LAB 57.72, -2.4, 39.44

 

CMYK 56 / 12 / 0 / 39

HEX #448A9C

RGB 68 138 156

HSL 192.27, 0.39%, 0.44%

LAB 53.82, -16.65, -16.28

 

CMYK 0 / 56 / 34 / 39

HEX #9C4567

RGB 156 69 103

HSL 336.55, 0.39%, 0.44%

LAB 41.69, 39.97, -2.05

 

CMYK 34 / 0 / 56 / 39

HEX #679C44

RGB 103 156 68

HSL 96.14, 0.39%, 0.44%

LAB 59.05, -33.58, 40.01

 

CMYK 56 / 34 / 0 / 39

HEX #44679C

RGB 68 103 156

HSL 216.14, 0.39%, 0.44%

LAB 43.26, 3.74, -32.62

 

CMYK 0 / 56 / 34 / 39

HEX #9C4567

RGB 156 69 103

HSL 336.55, 0.39%, 0.44%

LAB 41.69, 39.97, -2.05

 

CMYK 0 / 12 / 56 / 39

HEX #9C8A44

RGB 156 138 68

HSL 47.73, 0.39%, 0.44%

LAB 57.72, -2.4, 39.44

 

CMYK 56 / 0 / 22 / 39

HEX #449C79

RGB 68 156 121

HSL 156.14, 0.39%, 0.44%

LAB 58.4, -35.04, 10.48

 

CMYK 56 / 45 / 0 / 39

HEX #44569C

RGB 68 86 156

HSL 227.73, 0.39%, 0.44%

LAB 38.35, 14.55, -40.39

 

CMYK 0 / 56 / 34 / 39

HEX #9C4567

RGB 156 69 103

HSL 336.55, 0.39%, 0.44%

LAB 41.69, 39.97, -2.05

 

CMYK 6 / 0 / 56 / 39

HEX #939C44

RGB 147 156 68

HSL 66.14, 0.39%, 0.44%

LAB 62, -15.98, 44.18

 

CMYK 56 / 0 / 22 / 39

HEX #449C79

RGB 68 156 121

HSL 156.14, 0.39%, 0.44%

LAB 58.4, -35.04, 10.48

 

CMYK 51 / 56 / 0 / 39

HEX #4D449C

RGB 77 68 156

HSL 246.14, 0.39%, 0.44%

LAB 34.22, 28.16, -46.99

 

Description

Color code: HEX #9C4567 | qconv.com Color code: HEX #9C4567 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 69 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 69 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 34 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 34% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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