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Color name
HEX #9C423F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C423F it is the complementary color #63BDC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C423F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C423F shade: #A1423A, #B2544D, #C36660, #D47873 and #E58A86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C423F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C423F shade: #9C423F, #8B302C, #7A1E19, #690C06 and #580000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C423F shade: #9C4340 and #9C4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C423F shade: #9C4340, #9C5B40, #9C7440, #9C8D40 and #919C40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C423F shade matches the following richer shades: #9C4340, #AD322E, #BF211C and #D1110A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C423F shade: #9C4340, #8A5351, #786463, #667475 and #558587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C423F shade: #9C406F, #9C4057, #9C4140, #9C5A40 and #9C7240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C423F shade: #612A28, #7E3634, #9C4340, #B7514E and #C36E6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C423F shade: #9C423F, #889C40 and #40639C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C423F shade: #9C423F, #409C41 and #41409C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C423F shade: #9C423F, #889C40, #409A9C and #54409C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C423F shade: #9C423F, #6C9C40, #409A9C and #6F409C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 60 / 39

HEX #9C423F

RGB 156 66 63

HSL 1.94, 0.42%, 0.43%

LAB 40.12, 37.34, 20.58

 

Complementary color

CMYK 48 / 2 / 0 / 25

HEX #63BDC0

RGB 99 189 192

HSL 181.94, 0.42%, 0.57%

LAB 71.46, -26.05, -9.84

 

CMYK 0 / 59 / 64 / 37

HEX #A1423A

RGB 161 66 58

HSL 4.66, 0.47%, 0.43%

LAB 40.86, 38.86, 24.74

 

CMYK 0 / 53 / 57 / 30

HEX #B2544D

RGB 178 84 77

HSL 4.16, 0.4%, 0.5%

LAB 47.42, 37.63, 22.32

 

CMYK 0 / 48 / 51 / 24

HEX #C36660

RGB 195 102 96

HSL 3.64, 0.45%, 0.57%

LAB 53.97, 36.42, 20.29

 

CMYK 0 / 43 / 46 / 17

HEX #D47873

RGB 212 120 115

HSL 3.09, 0.53%, 0.64%

LAB 60.49, 35.27, 18.56

 

CMYK 0 / 40 / 41 / 10

HEX #E58A86

RGB 229 138 134

HSL 2.53, 0.65%, 0.71%

LAB 66.94, 34.21, 17.04

 

CMYK 0 / 58 / 60 / 39

HEX #9C423F

RGB 156 66 63

HSL 1.94, 0.42%, 0.43%

LAB 40.12, 37.34, 20.58

 

CMYK 0 / 65 / 68 / 45

HEX #8B302C

RGB 139 48 44

HSL 2.53, 0.52%, 0.36%

LAB 33.53, 38.44, 23.39

 

CMYK 0 / 75 / 80 / 52

HEX #7A1E19

RGB 122 30 25

HSL 3.09, 0.66%, 0.29%

LAB 27.12, 39.18, 26.89

 

CMYK 0 / 89 / 94 / 59

HEX #690C06

RGB 105 12 6

HSL 3.64, 0.89%, 0.22%

LAB 21.13, 38.93, 29.43

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 57 / 59 / 39

HEX #9C4340

RGB 156 67 64

HSL 1.96, 0.42%, 0.43%

LAB 40.33, 36.92, 20.25

 

CMYK 0 / 59 / 59 / 39

HEX #9C4040

RGB 156 64 64

HSL 0, 0.42%, 0.43%

LAB 39.76, 38.42, 19.5

 

CMYK 0 / 57 / 59 / 39

HEX #9C4340

RGB 156 67 64

HSL 1.96, 0.42%, 0.43%

LAB 40.33, 36.92, 20.25

 

CMYK 0 / 42 / 59 / 39

HEX #9C5B40

RGB 156 91 64

HSL 17.61, 0.42%, 0.43%

LAB 45.52, 23.93, 26.88

 

CMYK 0 / 26 / 59 / 39

HEX #9C7440

RGB 156 116 64

HSL 33.91, 0.42%, 0.43%

LAB 51.76, 9.65, 34.49

 

CMYK 0 / 10 / 59 / 39

HEX #9C8D40

RGB 156 141 64

HSL 50.22, 0.42%, 0.43%

LAB 58.5, -4.38, 42.34

 

CMYK 7 / 0 / 59 / 39

HEX #919C40

RGB 145 156 64

HSL 67.17, 0.42%, 0.43%

LAB 61.8, -17.17, 45.8

 

CMYK 0 / 57 / 59 / 39

HEX #9C4340

RGB 156 67 64

HSL 1.96, 0.42%, 0.43%

LAB 40.33, 36.92, 20.25

 

CMYK 0 / 71 / 73 / 32

HEX #AD322E

RGB 173 50 46

HSL 1.89, 0.58%, 0.43%

LAB 40.18, 49.5, 31.61

 

CMYK 0 / 83 / 85 / 25

HEX #BF211C

RGB 191 33 28

HSL 1.84, 0.74%, 0.43%

LAB 41.61, 59.8, 44.11

 

CMYK 0 / 92 / 95 / 18

HEX #D1110A

RGB 209 17 10

HSL 2.11, 0.91%, 0.43%

LAB 44.2, 67.36, 54.95

 

CMYK 0 / 57 / 59 / 39

HEX #9C4340

RGB 156 67 64

HSL 1.96, 0.42%, 0.43%

LAB 40.33, 36.92, 20.25

 

CMYK 0 / 40 / 41 / 46

HEX #8A5351

RGB 138 83 81

HSL 2.11, 0.26%, 0.43%

LAB 41.51, 22.68, 10.94

 

CMYK 0 / 17 / 18 / 53

HEX #786463

RGB 120 100 99

HSL 2.86, 0.1%, 0.43%

LAB 44.24, 7.83, 3.55

 

CMYK 13 / 1 / 0 / 54

HEX #667475

RGB 102 116 117

HSL 184, 0.07%, 0.43%

LAB 47.75, -4.98, -2.33

 

CMYK 37 / 1 / 0 / 47

HEX #558587

RGB 85 133 135

HSL 182.4, 0.23%, 0.43%

LAB 52.35, -15.64, -6.24

 

CMYK 0 / 59 / 29 / 39

HEX #9C406F

RGB 156 64 111

HSL 329.35, 0.42%, 0.43%

LAB 41.03, 43.5, -8

 

CMYK 0 / 59 / 44 / 39

HEX #9C4057

RGB 156 64 87

HSL 345, 0.42%, 0.43%

LAB 40.28, 40.56, 5.88

 

CMYK 0 / 58 / 59 / 39

HEX #9C4140

RGB 156 65 64

HSL 0.65, 0.42%, 0.43%

LAB 39.95, 37.92, 19.74

 

CMYK 0 / 42 / 59 / 39

HEX #9C5A40

RGB 156 90 64

HSL 16.96, 0.42%, 0.43%

LAB 45.29, 24.49, 26.58

 

CMYK 0 / 27 / 59 / 39

HEX #9C7240

RGB 156 114 64

HSL 32.61, 0.42%, 0.43%

LAB 51.24, 10.79, 33.86

 

CMYK 0 / 57 / 59 / 62

HEX #612A28

RGB 97 42 40

HSL 2.11, 0.42%, 0.27%

LAB 24.8, 24.78, 13.32

 

CMYK 0 / 57 / 59 / 51

HEX #7E3634

RGB 126 54 52

HSL 1.62, 0.42%, 0.35%

LAB 32.53, 31.07, 16.6

 

CMYK 0 / 57 / 59 / 39

HEX #9C4340

RGB 156 67 64

HSL 1.96, 0.42%, 0.43%

LAB 40.33, 36.92, 20.25

 

CMYK 0 / 56 / 57 / 28

HEX #B7514E

RGB 183 81 78

HSL 1.71, 0.42%, 0.51%

LAB 47.63, 41.1, 22.14

 

CMYK 0 / 44 / 45 / 24

HEX #C36E6B

RGB 195 110 107

HSL 2.05, 0.42%, 0.59%

LAB 55.9, 33.27, 16.52

 

CMYK 0 / 58 / 60 / 39

HEX #9C423F

RGB 156 66 63

HSL 1.94, 0.42%, 0.43%

LAB 40.12, 37.34, 20.58

 

CMYK 13 / 0 / 59 / 39

HEX #889C40

RGB 136 156 64

HSL 73.04, 0.42%, 0.43%

LAB 61.12, -20.97, 44.85

 

CMYK 59 / 37 / 0 / 39

HEX #40639C

RGB 64 99 156

HSL 217.17, 0.42%, 0.43%

LAB 41.87, 5.36, -34.82

 

CMYK 0 / 58 / 60 / 39

HEX #9C423F

RGB 156 66 63

HSL 1.94, 0.42%, 0.43%

LAB 40.12, 37.34, 20.58

 

CMYK 59 / 0 / 58 / 39

HEX #409C41

RGB 64 156 65

HSL 120.65, 0.42%, 0.43%

LAB 57.32, -46.08, 39.01

 

CMYK 58 / 59 / 0 / 39

HEX #41409C

RGB 65 64 156

HSL 240.65, 0.42%, 0.43%

LAB 32.24, 28.23, -50.24

 

CMYK 0 / 58 / 60 / 39

HEX #9C423F

RGB 156 66 63

HSL 1.94, 0.42%, 0.43%

LAB 40.12, 37.34, 20.58

 

CMYK 13 / 0 / 59 / 39

HEX #889C40

RGB 136 156 64

HSL 73.04, 0.42%, 0.43%

LAB 61.12, -20.97, 44.85

 

CMYK 59 / 1 / 0 / 39

HEX #409A9C

RGB 64 154 156

HSL 181.3, 0.42%, 0.43%

LAB 58.6, -25.81, -9.09

 

CMYK 46 / 59 / 0 / 39

HEX #54409C

RGB 84 64 156

HSL 253.04, 0.42%, 0.43%

LAB 33.88, 32.22, -47.49

 

CMYK 0 / 58 / 60 / 39

HEX #9C423F

RGB 156 66 63

HSL 1.94, 0.42%, 0.43%

LAB 40.12, 37.34, 20.58

 

CMYK 31 / 0 / 59 / 39

HEX #6C9C40

RGB 108 156 64

HSL 91.3, 0.42%, 0.43%

LAB 59.28, -32.15, 42.27

 

CMYK 59 / 1 / 0 / 39

HEX #409A9C

RGB 64 154 156

HSL 181.3, 0.42%, 0.43%

LAB 58.6, -25.81, -9.09

 

CMYK 29 / 59 / 0 / 39

HEX #6F409C

RGB 111 64 156

HSL 270.65, 0.42%, 0.43%

LAB 36.83, 38.77, -42.6

 

Description

Color code: HEX #9C423F | qconv.com Color code: HEX #9C423F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 66 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 66 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 60 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 60% 39% C M Y K

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Provide designers and agencies with accurate color values.

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