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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C41CB it is the complementary color #63BE34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C41CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C41CB shade: #A141C6, #B253D9, #C365EC, #D477FF and #E589FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C41CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C41CB shade: #9C41CB, #8B2FB8, #7A1DA5, #690B92 and #58007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C41CB shade: #9D43CB, #C243CB, #CB43B0, #CB438B and #CB4367

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C41CB shade: #9D43CB, #7843CB, #5343CB and #4343CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C41CB shade matches the following richer shades: #9D43CB, #A32FDF and #A91CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C41CB shade: #9D43CB, #9756B8, #916AA5, #8A7D91 and #84907E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C41CB shade: #5343CB, #7743CB, #9C43CB, #C043CB and #CB43B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C41CB shade: #6F2893, #8731B4, #9D43CB, #AE63D4 and #BF84DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C41CB shade: #9C41CB, #CB4357 and #43CB65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C41CB shade: #9C41CB, #CB9C43 and #43CB9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C41CB shade: #9C41CB, #CB4357, #73CB43 and #43CBB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C41CB shade: #9C41CB, #CB5743, #73CB43 and #43B7CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 68 / 0 / 20

HEX #9C41CB

RGB 156 65 203

HSL 279.57, 0.57%, 0.53%

LAB 45.85, 59.54, -55.52

 

Complementary color

CMYK 48 / 0 / 73 / 25

HEX #63BE34

RGB 99 190 52

HSL 99.57, 0.57%, 0.47%

LAB 69.27, -50.75, 57.88

 

CMYK 19 / 67 / 0 / 22

HEX #A141C6

RGB 161 65 198

HSL 283.31, 0.54%, 0.52%

LAB 46.22, 59.59, -51.99

 

CMYK 18 / 62 / 0 / 15

HEX #B253D9

RGB 178 83 217

HSL 282.54, 0.64%, 0.59%

LAB 52.58, 59.27, -52.59

 

CMYK 17 / 57 / 0 / 7

HEX #C365EC

RGB 195 101 236

HSL 281.78, 0.78%, 0.66%

LAB 58.94, 58.71, -53

 

CMYK 17 / 53 / 0 / 0

HEX #D477FF

RGB 212 119 255

HSL 281.03, 1%, 0.73%

LAB 65.29, 58.03, -53.29

 

CMYK 10 / 46 / 0 / 0

HEX #E589FF

RGB 229 137 255

HSL 286.78, 1%, 0.77%

LAB 70.71, 53.51, -44.61

 

CMYK 23 / 68 / 0 / 20

HEX #9C41CB

RGB 156 65 203

HSL 279.57, 0.57%, 0.53%

LAB 45.85, 59.54, -55.52

 

CMYK 24 / 74 / 0 / 28

HEX #8B2FB8

RGB 139 47 184

HSL 280.29, 0.59%, 0.45%

LAB 39.55, 59.51, -54.72

 

CMYK 26 / 82 / 0 / 35

HEX #7A1DA5

RGB 122 29 165

HSL 281.03, 0.7%, 0.38%

LAB 33.42, 58.72, -53.45

 

CMYK 28 / 92 / 0 / 43

HEX #690B92

RGB 105 11 146

HSL 281.78, 0.86%, 0.31%

LAB 27.62, 56.62, -51.42

 

CMYK 31 / 100 / 0 / 50

HEX #58007F

RGB 88 0 127

HSL 281.57, 1%, 0.25%

LAB 22.33, 52.59, -48.29

 

CMYK 23 / 67 / 0 / 20

HEX #9D43CB

RGB 157 67 203

HSL 279.71, 0.57%, 0.53%

LAB 46.3, 58.88, -54.78

 

CMYK 4 / 67 / 0 / 20

HEX #C243CB

RGB 194 67 203

HSL 296.03, 0.57%, 0.53%

LAB 51.61, 67.1, -46.01

 

CMYK 0 / 67 / 13 / 20

HEX #CB43B0

RGB 203 67 176

HSL 311.91, 0.57%, 0.53%

LAB 51.66, 64.93, -30.18

 

CMYK 0 / 67 / 32 / 20

HEX #CB438B

RGB 203 67 139

HSL 328.24, 0.57%, 0.53%

LAB 50.19, 59.98, -10.54

 

CMYK 0 / 67 / 49 / 20

HEX #CB4367

RGB 203 67 103

HSL 344.12, 0.57%, 0.53%

LAB 49.12, 56.25, 9.64

 

CMYK 23 / 67 / 0 / 20

HEX #9D43CB

RGB 157 67 203

HSL 279.71, 0.57%, 0.53%

LAB 46.3, 58.88, -54.78

 

CMYK 41 / 67 / 0 / 20

HEX #7843CB

RGB 120 67 203

HSL 263.38, 0.57%, 0.53%

LAB 41.72, 51.22, -62.42

 

CMYK 59 / 67 / 0 / 20

HEX #5343CB

RGB 83 67 203

HSL 247.06, 0.57%, 0.53%

LAB 38.14, 44.75, -68.41

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 23 / 67 / 0 / 20

HEX #9D43CB

RGB 157 67 203

HSL 279.71, 0.57%, 0.53%

LAB 46.3, 58.88, -54.78

 

CMYK 27 / 79 / 0 / 13

HEX #A32FDF

RGB 163 47 223

HSL 279.55, 0.73%, 0.53%

LAB 45.84, 71.77, -66.97

 

CMYK 30 / 88 / 0 / 5

HEX #A91CF2

RGB 169 28 242

HSL 279.53, 0.89%, 0.53%

LAB 46.55, 81.13, -76.53

 

CMYK 23 / 67 / 0 / 20

HEX #9D43CB

RGB 157 67 203

HSL 279.71, 0.57%, 0.53%

LAB 46.3, 58.88, -54.78

 

CMYK 18 / 53 / 0 / 28

HEX #9756B8

RGB 151 86 184

HSL 279.8, 0.41%, 0.53%

LAB 47.87, 43.93, -41.31

 

CMYK 12 / 36 / 0 / 35

HEX #916AA5

RGB 145 106 165

HSL 279.66, 0.25%, 0.53%

LAB 50.74, 26.7, -25.78

 

CMYK 5 / 14 / 0 / 43

HEX #8A7D91

RGB 138 125 145

HSL 279, 0.08%, 0.53%

LAB 54.15, 8.88, -8.98

 

CMYK 8 / 0 / 13 / 44

HEX #84907E

RGB 132 144 126

HSL 100, 0.08%, 0.53%

LAB 58.38, -7.86, 8.09

 

CMYK 59 / 67 / 0 / 20

HEX #5343CB

RGB 83 67 203

HSL 247.06, 0.57%, 0.53%

LAB 38.14, 44.75, -68.41

 

CMYK 41 / 67 / 0 / 20

HEX #7743CB

RGB 119 67 203

HSL 262.94, 0.57%, 0.53%

LAB 41.61, 51.03, -62.61

 

CMYK 23 / 67 / 0 / 20

HEX #9C43CB

RGB 156 67 203

HSL 279.26, 0.57%, 0.53%

LAB 46.17, 58.66, -55.01

 

CMYK 5 / 67 / 0 / 20

HEX #C043CB

RGB 192 67 203

HSL 295.15, 0.57%, 0.53%

LAB 51.3, 66.65, -46.5

 

CMYK 0 / 67 / 12 / 20

HEX #CB43B2

RGB 203 67 178

HSL 311.03, 0.57%, 0.53%

LAB 51.75, 65.22, -31.2

 

CMYK 24 / 73 / 0 / 42

HEX #6F2893

RGB 111 40 147

HSL 279.81, 0.57%, 0.37%

LAB 31.82, 48.72, -45.18

 

CMYK 25 / 73 / 0 / 29

HEX #8731B4

RGB 135 49 180

HSL 279.39, 0.57%, 0.45%

LAB 38.97, 57.08, -53.32

 

CMYK 23 / 67 / 0 / 20

HEX #9D43CB

RGB 157 67 203

HSL 279.71, 0.57%, 0.53%

LAB 46.3, 58.88, -54.78

 

CMYK 18 / 53 / 0 / 17

HEX #AE63D4

RGB 174 99 212

HSL 279.82, 0.57%, 0.61%

LAB 54.74, 49.34, -46.34

 

CMYK 14 / 40 / 0 / 13

HEX #BF84DD

RGB 191 132 221

HSL 279.78, 0.57%, 0.69%

LAB 64, 38.39, -36.7

 

CMYK 23 / 68 / 0 / 20

HEX #9C41CB

RGB 156 65 203

HSL 279.57, 0.57%, 0.53%

LAB 45.85, 59.54, -55.52

 

CMYK 0 / 67 / 57 / 20

HEX #CB4357

RGB 203 67 87

HSL 351.18, 0.57%, 0.53%

LAB 48.76, 54.96, 18.84

 

CMYK 67 / 0 / 50 / 20

HEX #43CB65

RGB 67 203 101

HSL 135, 0.57%, 0.53%

LAB 72.79, -58.06, 40.17

 

CMYK 23 / 68 / 0 / 20

HEX #9C41CB

RGB 156 65 203

HSL 279.57, 0.57%, 0.53%

LAB 45.85, 59.54, -55.52

 

CMYK 0 / 23 / 67 / 20

HEX #CB9C43

RGB 203 156 67

HSL 39.26, 0.57%, 0.53%

LAB 67.19, 8.26, 51.85

 

CMYK 67 / 0 / 23 / 20

HEX #43CB9C

RGB 67 203 156

HSL 159.26, 0.57%, 0.53%

LAB 73.74, -47.64, 12.9

 

CMYK 23 / 68 / 0 / 20

HEX #9C41CB

RGB 156 65 203

HSL 279.57, 0.57%, 0.53%

LAB 45.85, 59.54, -55.52

 

CMYK 0 / 67 / 57 / 20

HEX #CB4357

RGB 203 67 87

HSL 351.18, 0.57%, 0.53%

LAB 48.76, 54.96, 18.84

 

CMYK 43 / 0 / 67 / 20

HEX #73CB43

RGB 115 203 67

HSL 98.82, 0.57%, 0.53%

LAB 74.04, -49.79, 57.3

 

CMYK 67 / 0 / 10 / 20

HEX #43CBB7

RGB 67 203 183

HSL 171.18, 0.57%, 0.53%

LAB 74.4, -41.02, -0.71

 

CMYK 23 / 68 / 0 / 20

HEX #9C41CB

RGB 156 65 203

HSL 279.57, 0.57%, 0.53%

LAB 45.85, 59.54, -55.52

 

CMYK 0 / 57 / 67 / 20

HEX #CB5743

RGB 203 87 67

HSL 8.82, 0.57%, 0.53%

LAB 51.74, 44.8, 34.37

 

CMYK 43 / 0 / 67 / 20

HEX #73CB43

RGB 115 203 67

HSL 98.82, 0.57%, 0.53%

LAB 74.04, -49.79, 57.3

 

CMYK 67 / 10 / 0 / 20

HEX #43B7CB

RGB 67 183 203

HSL 188.82, 0.57%, 0.53%

LAB 69.02, -25.93, -19.64

 

Description

Color code: HEX #9C41CB | qconv.com Color code: HEX #9C41CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 65 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 65 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 68 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 68% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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