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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C41C5 it is the complementary color #63BE3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C41C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C41C5 shade: #A141C0, #B253D3, #C365E6, #D477F9 and #E589FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C41C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C41C5 shade: #9C41C5, #8B2FB2, #7A1D9F, #690B8C and #580079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C41C5 shade: #9B40C4, #BF40C4, #C440A6, #C44082 and #C4405F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C41C5 shade: #9B40C4, #7740C4, #5440C4 and #4040C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C41C5 shade matches the following richer shades: #9B40C4, #A32CD8 and #AA17ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C41C5 shade: #9B40C4, #9354B0, #8C689C, #847C88 and #7D9173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C41C5 shade: #5440C4, #7740C4, #9A40C4, #BE40C4 and #C440A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C41C5 shade: #6B2A88, #8333A7, #9B40C4, #AC5FCE and #BC7FD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C41C5 shade: #9C41C5, #C4404F and #40C465

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C41C5 shade: #9C41C5, #C49A40 and #40C49A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C41C5 shade: #9C41C5, #C4404F, #6AC440 and #40C4B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C41C5 shade: #9C41C5, #C45840, #6AC440 and #40ACC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 67 / 0 / 23

HEX #9C41C5

RGB 156 65 197

HSL 281.36, 0.53%, 0.51%

LAB 45.47, 58.28, -52.66

 

Complementary color

CMYK 48 / 0 / 69 / 25

HEX #63BE3A

RGB 99 190 58

HSL 101.36, 0.53%, 0.49%

LAB 69.32, -50.3, 55.67

 

CMYK 16 / 66 / 0 / 25

HEX #A141C0

RGB 161 65 192

HSL 285.35, 0.5%, 0.5%

LAB 45.86, 58.38, -49.1

 

CMYK 16 / 61 / 0 / 17

HEX #B253D3

RGB 178 83 211

HSL 284.53, 0.59%, 0.58%

LAB 52.24, 58.05, -49.72

 

CMYK 15 / 56 / 0 / 10

HEX #C365E6

RGB 195 101 230

HSL 283.72, 0.72%, 0.65%

LAB 58.62, 57.49, -50.15

 

CMYK 15 / 52 / 0 / 2

HEX #D477F9

RGB 212 119 249

HSL 282.92, 0.92%, 0.72%

LAB 64.99, 56.81, -50.47

 

CMYK 10 / 46 / 0 / 0

HEX #E589FF

RGB 229 137 255

HSL 286.78, 1%, 0.77%

LAB 70.71, 53.51, -44.61

 

CMYK 21 / 67 / 0 / 23

HEX #9C41C5

RGB 156 65 197

HSL 281.36, 0.53%, 0.51%

LAB 45.47, 58.28, -52.66

 

CMYK 22 / 74 / 0 / 30

HEX #8B2FB2

RGB 139 47 178

HSL 282.14, 0.58%, 0.44%

LAB 39.13, 58.26, -51.85

 

CMYK 23 / 82 / 0 / 38

HEX #7A1D9F

RGB 122 29 159

HSL 282.92, 0.69%, 0.37%

LAB 32.96, 57.49, -50.57

 

CMYK 25 / 92 / 0 / 45

HEX #690B8C

RGB 105 11 140

HSL 283.72, 0.85%, 0.3%

LAB 27.12, 55.41, -48.52

 

CMYK 27 / 100 / 0 / 53

HEX #580079

RGB 88 0 121

HSL 283.64, 1%, 0.24%

LAB 21.78, 51.37, -45.36

 

CMYK 21 / 67 / 0 / 23

HEX #9B40C4

RGB 155 64 196

HSL 281.36, 0.53%, 0.51%

LAB 45.11, 58.29, -52.67

 

CMYK 3 / 67 / 0 / 23

HEX #BF40C4

RGB 191 64 196

HSL 297.73, 0.53%, 0.51%

LAB 50.37, 66.35, -43.97

 

CMYK 0 / 67 / 15 / 23

HEX #C440A6

RGB 196 64 166

HSL 313.64, 0.53%, 0.51%

LAB 49.68, 62.82, -27.47

 

CMYK 0 / 67 / 34 / 23

HEX #C44082

RGB 196 64 130

HSL 330, 0.53%, 0.51%

LAB 48.28, 58.1, -8.1

 

CMYK 0 / 67 / 52 / 23

HEX #C4405F

RGB 196 64 95

HSL 345.91, 0.53%, 0.51%

LAB 47.27, 54.59, 11.75

 

CMYK 21 / 67 / 0 / 23

HEX #9B40C4

RGB 155 64 196

HSL 281.36, 0.53%, 0.51%

LAB 45.11, 58.29, -52.67

 

CMYK 39 / 67 / 0 / 23

HEX #7740C4

RGB 119 64 196

HSL 265, 0.53%, 0.51%

LAB 40.53, 50.75, -60.29

 

CMYK 57 / 67 / 0 / 23

HEX #5440C4

RGB 84 64 196

HSL 249.09, 0.53%, 0.51%

LAB 37, 44.45, -66.2

 

CMYK 67 / 67 / 0 / 23

HEX #4040C4

RGB 64 64 196

HSL 240, 0.53%, 0.51%

LAB 35.48, 41.59, -68.74

 

CMYK 21 / 67 / 0 / 23

HEX #9B40C4

RGB 155 64 196

HSL 281.36, 0.53%, 0.51%

LAB 45.11, 58.29, -52.67

 

CMYK 25 / 80 / 0 / 15

HEX #A32CD8

RGB 163 44 216

HSL 281.51, 0.69%, 0.51%

LAB 45.01, 71.31, -64.32

 

CMYK 28 / 90 / 0 / 7

HEX #AA17ED

RGB 170 23 237

HSL 281.21, 0.86%, 0.51%

LAB 46.01, 81.18, -74.59

 

CMYK 21 / 67 / 0 / 23

HEX #9B40C4

RGB 155 64 196

HSL 281.36, 0.53%, 0.51%

LAB 45.11, 58.29, -52.67

 

CMYK 16 / 52 / 0 / 31

HEX #9354B0

RGB 147 84 176

HSL 281.09, 0.37%, 0.51%

LAB 46.55, 42.15, -38.76

 

CMYK 10 / 33 / 0 / 39

HEX #8C689C

RGB 140 104 156

HSL 281.54, 0.21%, 0.51%

LAB 49.35, 24.24, -22.7

 

CMYK 3 / 9 / 0 / 47

HEX #847C88

RGB 132 124 136

HSL 280, 0.05%, 0.51%

LAB 53.06, 5.41, -5.41

 

CMYK 14 / 0 / 21 / 43

HEX #7D9173

RGB 125 145 115

HSL 100, 0.12%, 0.51%

LAB 57.89, -13.02, 13.59

 

CMYK 57 / 67 / 0 / 23

HEX #5440C4

RGB 84 64 196

HSL 249.09, 0.53%, 0.51%

LAB 37, 44.45, -66.2

 

CMYK 39 / 67 / 0 / 23

HEX #7740C4

RGB 119 64 196

HSL 265, 0.53%, 0.51%

LAB 40.53, 50.75, -60.29

 

CMYK 21 / 67 / 0 / 23

HEX #9A40C4

RGB 154 64 196

HSL 280.91, 0.53%, 0.51%

LAB 44.97, 58.07, -52.89

 

CMYK 3 / 67 / 0 / 23

HEX #BE40C4

RGB 190 64 196

HSL 297.27, 0.53%, 0.51%

LAB 50.22, 66.13, -44.22

 

CMYK 0 / 67 / 14 / 23

HEX #C440A8

RGB 196 64 168

HSL 312.73, 0.53%, 0.51%

LAB 49.77, 63.12, -28.51

 

CMYK 21 / 69 / 0 / 47

HEX #6B2A88

RGB 107 42 136

HSL 281.49, 0.53%, 0.35%

LAB 30.78, 44.47, -40.09

 

CMYK 22 / 69 / 0 / 35

HEX #8333A7

RGB 131 51 167

HSL 281.38, 0.53%, 0.43%

LAB 37.81, 52.6, -47.49

 

CMYK 21 / 67 / 0 / 23

HEX #9B40C4

RGB 155 64 196

HSL 281.36, 0.53%, 0.51%

LAB 45.11, 58.29, -52.67

 

CMYK 17 / 54 / 0 / 19

HEX #AC5FCE

RGB 172 95 206

HSL 281.62, 0.53%, 0.59%

LAB 53.4, 49.6, -45.07

 

CMYK 13 / 41 / 0 / 15

HEX #BC7FD8

RGB 188 127 216

HSL 281.12, 0.53%, 0.67%

LAB 62.36, 39.17, -36.49

 

CMYK 21 / 67 / 0 / 23

HEX #9C41C5

RGB 156 65 197

HSL 281.36, 0.53%, 0.51%

LAB 45.47, 58.28, -52.66

 

CMYK 0 / 67 / 60 / 23

HEX #C4404F

RGB 196 64 79

HSL 353.18, 0.53%, 0.51%

LAB 46.93, 53.36, 21.03

 

CMYK 67 / 0 / 48 / 23

HEX #40C465

RGB 64 196 101

HSL 136.82, 0.53%, 0.51%

LAB 70.53, -56.06, 37.34

 

CMYK 21 / 67 / 0 / 23

HEX #9C41C5

RGB 156 65 197

HSL 281.36, 0.53%, 0.51%

LAB 45.47, 58.28, -52.66

 

CMYK 0 / 21 / 67 / 23

HEX #C49A40

RGB 196 154 64

HSL 40.91, 0.53%, 0.51%

LAB 65.92, 6.13, 51.64

 

CMYK 67 / 0 / 21 / 23

HEX #40C49A

RGB 64 196 154

HSL 160.91, 0.53%, 0.51%

LAB 71.49, -45.66, 10.78

 

CMYK 21 / 67 / 0 / 23

HEX #9C41C5

RGB 156 65 197

HSL 281.36, 0.53%, 0.51%

LAB 45.47, 58.28, -52.66

 

CMYK 0 / 67 / 60 / 23

HEX #C4404F

RGB 196 64 79

HSL 353.18, 0.53%, 0.51%

LAB 46.93, 53.36, 21.03

 

CMYK 46 / 0 / 67 / 23

HEX #6AC440

RGB 106 196 64

HSL 100.91, 0.53%, 0.51%

LAB 71.5, -50.05, 55.69

 

CMYK 67 / 0 / 8 / 23

HEX #40C4B5

RGB 64 196 181

HSL 173.18, 0.53%, 0.51%

LAB 72.17, -38.86, -2.9

 

CMYK 21 / 67 / 0 / 23

HEX #9C41C5

RGB 156 65 197

HSL 281.36, 0.53%, 0.51%

LAB 45.47, 58.28, -52.66

 

CMYK 0 / 55 / 67 / 23

HEX #C45840

RGB 196 88 64

HSL 10.91, 0.53%, 0.51%

LAB 50.79, 41.54, 34.64

 

CMYK 46 / 0 / 67 / 23

HEX #6AC440

RGB 106 196 64

HSL 100.91, 0.53%, 0.51%

LAB 71.5, -50.05, 55.69

 

CMYK 67 / 12 / 0 / 23

HEX #40ACC4

RGB 64 172 196

HSL 190.91, 0.53%, 0.51%

LAB 65.42, -22.96, -21.26

 

Description

Color code: HEX #9C41C5 | qconv.com Color code: HEX #9C41C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 65 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 65 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 67 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 67% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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