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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C417B it is the complementary color #63BE84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C417B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C417B shade: #A14176, #B25389, #C3659C, #D477AF and #E589C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C417B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C417B shade: #9C417B, #8B2F68, #7A1D55, #690B42 and #58002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C417B shade: #9B417A, #9B4162, #9B414A and #9B4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C417B shade: #9B417A, #9B4192, #8B419B, #72419B and #5A419B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C417B shade matches the following richer shades: #9B417A, #AC2F7F, #BE1D84 and #D00B89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C417B shade: #9B417A, #895275, #776470, #65766B and #548867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C417B shade: #8A419B, #9B4193, #9B417B, #9B4163 and #9B414B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C417B shade: #60284C, #7E3563, #9B417A, #B54F90 and #C26CA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C417B shade: #9C417B, #9B7241 and #419B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C417B shade: #9C417B, #7B9B41 and #417B9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C417B shade: #9C417B, #9B7241, #419B60 and #41699B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C417B shade: #9C417B, #9B8D41, #419B60 and #414E9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 21 / 39

HEX #9C417B

RGB 156 65 123

HSL 321.76, 0.41%, 0.43%

LAB 41.66, 44.74, -14.47

 

Complementary color

CMYK 48 / 0 / 31 / 25

HEX #63BE84

RGB 99 190 132

HSL 141.76, 0.41%, 0.57%

LAB 70.28, -40.29, 21.1

 

CMYK 0 / 60 / 27 / 37

HEX #A14176

RGB 161 65 118

HSL 326.88, 0.42%, 0.44%

LAB 42.26, 45.59, -10.41

 

CMYK 0 / 53 / 23 / 30

HEX #B25389

RGB 178 83 137

HSL 325.89, 0.38%, 0.51%

LAB 48.83, 45, -11.77

 

CMYK 0 / 48 / 20 / 24

HEX #C3659C

RGB 195 101 156

HSL 324.89, 0.44%, 0.58%

LAB 55.39, 44.27, -12.87

 

CMYK 0 / 44 / 17 / 17

HEX #D477AF

RGB 212 119 175

HSL 323.87, 0.52%, 0.65%

LAB 61.9, 43.5, -13.8

 

CMYK 0 / 40 / 15 / 10

HEX #E589C2

RGB 229 137 194

HSL 322.83, 0.64%, 0.72%

LAB 68.35, 42.73, -14.6

 

CMYK 0 / 58 / 21 / 39

HEX #9C417B

RGB 156 65 123

HSL 321.76, 0.41%, 0.43%

LAB 41.66, 44.74, -14.47

 

CMYK 0 / 66 / 25 / 45

HEX #8B2F68

RGB 139 47 104

HSL 322.83, 0.49%, 0.36%

LAB 35.05, 45.05, -12.92

 

CMYK 0 / 76 / 30 / 52

HEX #7A1D55

RGB 122 29 85

HSL 323.87, 0.62%, 0.3%

LAB 28.57, 44.76, -10.78

 

CMYK 0 / 90 / 37 / 59

HEX #690B42

RGB 105 11 66

HSL 324.89, 0.81%, 0.23%

LAB 22.43, 43.23, -7.63

 

CMYK 0 / 100 / 47 / 65

HEX #58002F

RGB 88 0 47

HSL 327.95, 1%, 0.17%

LAB 16.89, 39.61, -2.95

 

CMYK 0 / 58 / 21 / 39

HEX #9B417A

RGB 155 65 122

HSL 322, 0.41%, 0.43%

LAB 41.46, 44.27, -14.17

 

CMYK 0 / 58 / 37 / 39

HEX #9B4162

RGB 155 65 98

HSL 338, 0.41%, 0.43%

LAB 40.62, 40.99, -0.53

 

CMYK 0 / 58 / 52 / 39

HEX #9B414A

RGB 155 65 74

HSL 354, 0.41%, 0.43%

LAB 39.99, 38.41, 13.57

 

CMYK 0 / 58 / 58 / 39

HEX #9B4141

RGB 155 65 65

HSL 0, 0.41%, 0.43%

LAB 39.8, 37.63, 18.9

 

CMYK 0 / 58 / 21 / 39

HEX #9B417A

RGB 155 65 122

HSL 322, 0.41%, 0.43%

LAB 41.46, 44.27, -14.17

 

CMYK 0 / 58 / 6 / 39

HEX #9B4192

RGB 155 65 146

HSL 306, 0.41%, 0.43%

LAB 42.5, 48.18, -27.2

 

CMYK 10 / 58 / 0 / 39

HEX #8B419B

RGB 139 65 155

HSL 289.33, 0.41%, 0.43%

LAB 40.63, 45.42, -35.72

 

CMYK 26 / 58 / 0 / 39

HEX #72419B

RGB 114 65 155

HSL 272.67, 0.41%, 0.43%

LAB 37.34, 38.74, -41.15

 

CMYK 42 / 58 / 0 / 39

HEX #5A419B

RGB 90 65 155

HSL 256.67, 0.41%, 0.43%

LAB 34.64, 32.71, -45.63

 

CMYK 0 / 58 / 21 / 39

HEX #9B417A

RGB 155 65 122

HSL 322, 0.41%, 0.43%

LAB 41.46, 44.27, -14.17

 

CMYK 0 / 73 / 26 / 33

HEX #AC2F7F

RGB 172 47 127

HSL 321.6, 0.57%, 0.43%

LAB 41.75, 57.44, -16.55

 

CMYK 0 / 85 / 31 / 25

HEX #BE1D84

RGB 190 29 132

HSL 321.61, 0.74%, 0.43%

LAB 43.5, 67.46, -16.66

 

CMYK 0 / 95 / 34 / 18

HEX #D00B89

RGB 208 11 137

HSL 321.62, 0.9%, 0.43%

LAB 46.25, 74.54, -15.19

 

CMYK 0 / 58 / 21 / 39

HEX #9B417A

RGB 155 65 122

HSL 322, 0.41%, 0.43%

LAB 41.46, 44.27, -14.17

 

CMYK 0 / 40 / 15 / 46

HEX #895275

RGB 137 82 117

HSL 321.82, 0.25%, 0.43%

LAB 42.21, 28.26, -10.2

 

CMYK 0 / 16 / 6 / 53

HEX #776470

RGB 119 100 112

HSL 322.11, 0.09%, 0.43%

LAB 44.53, 9.85, -3.92

 

CMYK 14 / 0 / 9 / 54

HEX #65766B

RGB 101 118 107

HSL 141.18, 0.08%, 0.43%

LAB 47.99, -8.65, 3.94

 

CMYK 38 / 0 / 24 / 47

HEX #548867

RGB 84 136 103

HSL 141.92, 0.24%, 0.43%

LAB 52.37, -25.04, 12.34

 

CMYK 11 / 58 / 0 / 39

HEX #8A419B

RGB 138 65 155

HSL 288.67, 0.41%, 0.43%

LAB 40.49, 45.15, -35.95

 

CMYK 0 / 58 / 5 / 39

HEX #9B4193

RGB 155 65 147

HSL 305.33, 0.41%, 0.43%

LAB 42.55, 48.35, -27.73

 

CMYK 0 / 58 / 21 / 39

HEX #9B417B

RGB 155 65 123

HSL 321.33, 0.41%, 0.43%

LAB 41.5, 44.42, -14.72

 

CMYK 0 / 58 / 36 / 39

HEX #9B4163

RGB 155 65 99

HSL 337.33, 0.41%, 0.43%

LAB 40.65, 41.11, -1.11

 

CMYK 0 / 58 / 52 / 39

HEX #9B414B

RGB 155 65 75

HSL 353.33, 0.41%, 0.43%

LAB 40.01, 38.5, 12.98

 

CMYK 0 / 58 / 21 / 62

HEX #60284C

RGB 96 40 76

HSL 321.43, 0.41%, 0.27%

LAB 25.34, 30.26, -10.15

 

CMYK 0 / 58 / 21 / 51

HEX #7E3563

RGB 126 53 99

HSL 322.19, 0.41%, 0.35%

LAB 33.74, 37.35, -11.93

 

CMYK 0 / 58 / 21 / 39

HEX #9B417A

RGB 155 65 122

HSL 322, 0.41%, 0.43%

LAB 41.46, 44.27, -14.17

 

CMYK 0 / 56 / 20 / 29

HEX #B54F90

RGB 181 79 144

HSL 321.76, 0.41%, 0.51%

LAB 48.8, 48.93, -15.97

 

CMYK 0 / 44 / 16 / 24

HEX #C26CA3

RGB 194 108 163

HSL 321.63, 0.41%, 0.59%

LAB 56.92, 41.4, -14.65

 

CMYK 0 / 58 / 21 / 39

HEX #9C417B

RGB 156 65 123

HSL 321.76, 0.41%, 0.43%

LAB 41.66, 44.74, -14.47

 

CMYK 0 / 26 / 58 / 39

HEX #9B7241

RGB 155 114 65

HSL 32.67, 0.41%, 0.43%

LAB 51.13, 10.43, 33.18

 

CMYK 58 / 0 / 3 / 39

HEX #419B96

RGB 65 155 150

HSL 176.67, 0.41%, 0.43%

LAB 58.76, -27.82, -5.44

 

CMYK 0 / 58 / 21 / 39

HEX #9C417B

RGB 156 65 123

HSL 321.76, 0.41%, 0.43%

LAB 41.66, 44.74, -14.47

 

CMYK 21 / 0 / 58 / 39

HEX #7B9B41

RGB 123 155 65

HSL 81.33, 0.41%, 0.43%

LAB 59.92, -25.72, 42.78

 

CMYK 58 / 21 / 0 / 39

HEX #417B9B

RGB 65 123 155

HSL 201.33, 0.41%, 0.43%

LAB 49.08, -9.23, -22.98

 

CMYK 0 / 58 / 21 / 39

HEX #9C417B

RGB 156 65 123

HSL 321.76, 0.41%, 0.43%

LAB 41.66, 44.74, -14.47

 

CMYK 0 / 26 / 58 / 39

HEX #9B7241

RGB 155 114 65

HSL 32.67, 0.41%, 0.43%

LAB 51.13, 10.43, 33.18

 

CMYK 58 / 0 / 38 / 39

HEX #419B60

RGB 65 155 96

HSL 140.67, 0.41%, 0.43%

LAB 57.47, -40.55, 23.09

 

CMYK 58 / 32 / 0 / 39

HEX #41699B

RGB 65 105 155

HSL 213.33, 0.41%, 0.43%

LAB 43.64, 1.5, -31.43

 

CMYK 0 / 58 / 21 / 39

HEX #9C417B

RGB 156 65 123

HSL 321.76, 0.41%, 0.43%

LAB 41.66, 44.74, -14.47

 

CMYK 0 / 9 / 58 / 39

HEX #9B8D41

RGB 155 141 65

HSL 50.67, 0.41%, 0.43%

LAB 58.41, -4.74, 41.73

 

CMYK 58 / 0 / 38 / 39

HEX #419B60

RGB 65 155 96

HSL 140.67, 0.41%, 0.43%

LAB 57.47, -40.55, 23.09

 

CMYK 58 / 50 / 0 / 39

HEX #414E9B

RGB 65 78 155

HSL 231.33, 0.41%, 0.43%

LAB 35.87, 18.77, -43.78

 

Description

Color code: HEX #9C417B | qconv.com Color code: HEX #9C417B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 65 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 65 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 21 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 21% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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