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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C404D it is the complementary color #63BFB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C404D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C404D shade: #A14048, #B2525B, #C3646E, #D47681 and #E58894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C404D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C404D shade: #9C404D, #8B2E3A, #7A1C27, #690A14 and #580001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C404D shade: #9C404D and #9C4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C404D shade: #9C404D, #9C4065, #9C407E, #9C4097 and #87409C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C404D shade matches the following richer shades: #9C404D, #AD2E40, #BF1C33 and #D10A26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C404D shade: #9C404D, #8A5159, #786366, #667573 and #558780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C404D shade: #9C407F, #9C4066, #9C404D, #9C4A40 and #9C6340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C404D shade: #612830, #7E343E, #9C404D, #B74E5D and #C36B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C404D shade: #9C404D, #979C40 and #40729C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C404D shade: #9C404D, #4D9C40 and #404D9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C404D shade: #9C404D, #979C40, #409C8E and #44409C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C404D shade: #9C404D, #7B9C40, #409C8E and #60409C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

Complementary color

CMYK 48 / 0 / 7 / 25

HEX #63BFB2

RGB 99 191 178

HSL 171.52, 0.42%, 0.57%

LAB 71.64, -30.61, -1.91

 

CMYK 0 / 60 / 55 / 37

HEX #A14048

RGB 161 64 72

HSL 355.05, 0.43%, 0.44%

LAB 40.75, 40.9, 16.02

 

CMYK 0 / 54 / 49 / 30

HEX #B2525B

RGB 178 82 91

HSL 354.38, 0.38%, 0.51%

LAB 47.31, 39.9, 13.77

 

CMYK 0 / 49 / 44 / 24

HEX #C3646E

RGB 195 100 110

HSL 353.68, 0.44%, 0.58%

LAB 53.86, 38.85, 11.93

 

CMYK 0 / 44 / 39 / 17

HEX #D47681

RGB 212 118 129

HSL 352.98, 0.52%, 0.65%

LAB 60.37, 37.83, 10.37

 

CMYK 0 / 41 / 35 / 10

HEX #E58894

RGB 229 136 148

HSL 352.26, 0.64%, 0.72%

LAB 66.83, 36.86, 9.02

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 67 / 58 / 45

HEX #8B2E3A

RGB 139 46 58

HSL 352.26, 0.5%, 0.36%

LAB 33.45, 40.35, 14.39

 

CMYK 0 / 77 / 68 / 52

HEX #7A1C27

RGB 122 28 39

HSL 352.98, 0.63%, 0.29%

LAB 27.06, 40.66, 17.83

 

CMYK 0 / 90 / 81 / 59

HEX #690A14

RGB 105 10 20

HSL 353.68, 0.83%, 0.23%

LAB 21.1, 39.85, 22.45

 

CMYK 0 / 100 / 99 / 65

HEX #580001

RGB 88 0 1

HSL 359.32, 1%, 0.17%

LAB 15.89, 36.91, 24.28

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 59 / 59 / 39

HEX #9C4040

RGB 156 64 64

HSL 0, 0.42%, 0.43%

LAB 39.76, 38.42, 19.5

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 59 / 35 / 39

HEX #9C4065

RGB 156 64 101

HSL 335.87, 0.42%, 0.43%

LAB 40.69, 42.19, -2.28

 

CMYK 0 / 59 / 19 / 39

HEX #9C407E

RGB 156 64 126

HSL 319.57, 0.42%, 0.43%

LAB 41.6, 45.67, -16.4

 

CMYK 0 / 59 / 3 / 39

HEX #9C4097

RGB 156 64 151

HSL 303.26, 0.42%, 0.43%

LAB 42.72, 49.8, -29.86

 

CMYK 13 / 59 / 0 / 39

HEX #87409C

RGB 135 64 156

HSL 286.3, 0.42%, 0.43%

LAB 39.95, 45.06, -37.45

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 73 / 63 / 32

HEX #AD2E40

RGB 173 46 64

HSL 351.5, 0.58%, 0.43%

LAB 39.93, 51.97, 20.3

 

CMYK 0 / 85 / 73 / 25

HEX #BF1C33

RGB 191 28 51

HSL 351.53, 0.74%, 0.43%

LAB 41.45, 61.68, 30.99

 

CMYK 0 / 95 / 82 / 18

HEX #D10A26

RGB 209 10 38

HSL 351.56, 0.91%, 0.43%

LAB 44.11, 68.6, 42.5

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 41 / 36 / 46

HEX #8A5159

RGB 138 81 89

HSL 351.58, 0.26%, 0.43%

LAB 41.23, 24.87, 5.62

 

CMYK 0 / 18 / 15 / 53

HEX #786366

RGB 120 99 102

HSL 351.43, 0.1%, 0.43%

LAB 44.05, 8.96, 1.46

 

CMYK 13 / 0 / 2 / 54

HEX #667573

RGB 102 117 115

HSL 172, 0.07%, 0.43%

LAB 47.99, -6, -0.79

 

CMYK 37 / 0 / 5 / 47

HEX #558780

RGB 85 135 128

HSL 171.6, 0.23%, 0.43%

LAB 52.75, -18.5, -1.57

 

CMYK 0 / 59 / 19 / 39

HEX #9C407F

RGB 156 64 127

HSL 318.91, 0.42%, 0.43%

LAB 41.64, 45.82, -16.95

 

CMYK 0 / 59 / 35 / 39

HEX #9C4066

RGB 156 64 102

HSL 335.22, 0.42%, 0.43%

LAB 40.73, 42.32, -2.86

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 53 / 59 / 39

HEX #9C4A40

RGB 156 74 64

HSL 6.52, 0.42%, 0.43%

LAB 41.74, 33.28, 22.08

 

CMYK 0 / 37 / 59 / 39

HEX #9C6340

RGB 156 99 64

HSL 22.83, 0.42%, 0.43%

LAB 47.45, 19.38, 29.26

 

CMYK 0 / 59 / 51 / 62

HEX #612830

RGB 97 40 48

HSL 351.58, 0.42%, 0.27%

LAB 24.55, 26.72, 7.61

 

CMYK 0 / 59 / 51 / 51

HEX #7E343E

RGB 126 52 62

HSL 351.89, 0.42%, 0.35%

LAB 32.35, 33.05, 9.92

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 0 / 57 / 49 / 28

HEX #B74E5D

RGB 183 78 93

HSL 351.43, 0.42%, 0.51%

LAB 47.37, 43.87, 12.78

 

CMYK 0 / 45 / 38 / 24

HEX #C36B78

RGB 195 107 120

HSL 351.14, 0.42%, 0.59%

LAB 55.56, 36.31, 8.45

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 3 / 0 / 59 / 39

HEX #979C40

RGB 151 156 64

HSL 63.26, 0.42%, 0.43%

LAB 62.28, -14.59, 46.46

 

CMYK 59 / 27 / 0 / 39

HEX #40729C

RGB 64 114 156

HSL 207.39, 0.42%, 0.43%

LAB 46.34, -3.84, -27.8

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 51 / 0 / 59 / 39

HEX #4D9C40

RGB 77 156 64

HSL 111.52, 0.42%, 0.43%

LAB 57.77, -42.64, 40.14

 

CMYK 59 / 51 / 0 / 39

HEX #404D9C

RGB 64 77 156

HSL 231.52, 0.42%, 0.43%

LAB 35.59, 19.56, -44.82

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 3 / 0 / 59 / 39

HEX #979C40

RGB 151 156 64

HSL 63.26, 0.42%, 0.43%

LAB 62.28, -14.59, 46.46

 

CMYK 59 / 0 / 9 / 39

HEX #409C8E

RGB 64 156 142

HSL 170.87, 0.42%, 0.43%

LAB 58.81, -30.68, -0.83

 

CMYK 56 / 59 / 0 / 39

HEX #44409C

RGB 68 64 156

HSL 242.61, 0.42%, 0.43%

LAB 32.47, 28.82, -49.85

 

CMYK 0 / 59 / 51 / 39

HEX #9C404D

RGB 156 64 77

HSL 351.52, 0.42%, 0.43%

LAB 40.03, 39.55, 11.78

 

CMYK 21 / 0 / 59 / 39

HEX #7B9C40

RGB 123 156 64

HSL 81.52, 0.42%, 0.43%

LAB 60.21, -26.31, 43.58

 

CMYK 59 / 0 / 9 / 39

HEX #409C8E

RGB 64 156 142

HSL 170.87, 0.42%, 0.43%

LAB 58.81, -30.68, -0.83

 

CMYK 38 / 59 / 0 / 39

HEX #60409C

RGB 96 64 156

HSL 260.87, 0.42%, 0.43%

LAB 35.11, 35.03, -45.45

 

Description

Color code: HEX #9C404D | qconv.com Color code: HEX #9C404D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 64 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 64 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 51 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 51% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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