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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C3FA0 it is the complementary color #63C05F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C3FA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C3FA0 shade: #A13F9B, #B251AE, #C363C1, #D475D4 and #E587E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C3FA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C3FA0 shade: #9C3FA0, #8B2D8D, #7A1B7A, #690967 and #580054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C3FA0 shade: #9C40A0, #A0408A, #A04070, #A04056 and #A04040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C3FA0 shade: #9C40A0, #8240A0, #6840A0, #4E40A0 and #4040A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C3FA0 shade matches the following richer shades: #9C40A0, #AD2EB3, #BE1CC5 and #CE09D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C3FA0 shade: #9C40A0, #8C528E, #7B647C, #6A766A and #5A8958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C3FA0 shade: #6840A0, #8240A0, #9C40A0, #A0408C and #A04072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C3FA0 shade: #632865, #803483, #9C40A0, #B550B9 and #C26EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C3FA0 shade: #9C3FA0, #A04E40 and #40A075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C3FA0 shade: #9C3FA0, #A09C40 and #40A09C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C3FA0 shade: #9C3FA0, #A04E40, #45A040 and #4092A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C3FA0 shade: #9C3FA0, #A06B40, #45A040 and #4075A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 61 / 0 / 37

HEX #9C3FA0

RGB 156 63 160

HSL 297.53, 0.43%, 0.44%

LAB 43, 51.89, -34.81

 

Complementary color

CMYK 48 / 0 / 51 / 25

HEX #63C05F

RGB 99 192 95

HSL 117.53, 0.43%, 0.56%

LAB 70.3, -47.16, 40.26

 

CMYK 0 / 61 / 4 / 37

HEX #A13F9B

RGB 161 63 155

HSL 303.67, 0.44%, 0.44%

LAB 43.51, 52.32, -30.98

 

CMYK 0 / 54 / 2 / 30

HEX #B251AE

RGB 178 81 174

HSL 302.47, 0.39%, 0.51%

LAB 49.98, 51.97, -31.9

 

CMYK 0 / 49 / 1 / 24

HEX #C363C1

RGB 195 99 193

HSL 301.25, 0.44%, 0.58%

LAB 56.46, 51.4, -32.62

 

CMYK 0 / 45 / 0 / 17

HEX #D475D4

RGB 212 117 212

HSL 300, 0.52%, 0.65%

LAB 62.9, 50.73, -33.19

 

CMYK 1 / 42 / 0 / 9

HEX #E587E7

RGB 229 135 231

HSL 298.75, 0.67%, 0.72%

LAB 69.3, 50.02, -33.68

 

CMYK 2 / 61 / 0 / 37

HEX #9C3FA0

RGB 156 63 160

HSL 297.53, 0.43%, 0.44%

LAB 43, 51.89, -34.81

 

CMYK 1 / 68 / 0 / 45

HEX #8B2D8D

RGB 139 45 141

HSL 298.75, 0.52%, 0.36%

LAB 36.53, 51.88, -33.71

 

CMYK 0 / 78 / 0 / 52

HEX #7A1B7A

RGB 122 27 122

HSL 300, 0.64%, 0.29%

LAB 30.22, 51.12, -32.08

 

CMYK 0 / 91 / 2 / 59

HEX #690967

RGB 105 9 103

HSL 301.25, 0.84%, 0.22%

LAB 24.25, 48.97, -29.58

 

CMYK 0 / 100 / 5 / 65

HEX #580054

RGB 88 0 84

HSL 302.73, 1%, 0.17%

LAB 18.86, 44.57, -25.75

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 0 / 60 / 14 / 37

HEX #A0408A

RGB 160 64 138

HSL 313.75, 0.43%, 0.44%

LAB 42.73, 48.75, -21.94

 

CMYK 0 / 60 / 30 / 37

HEX #A04070

RGB 160 64 112

HSL 330, 0.43%, 0.44%

LAB 41.7, 44.93, -7.55

 

CMYK 0 / 60 / 46 / 37

HEX #A04056

RGB 160 64 86

HSL 346.25, 0.43%, 0.44%

LAB 40.92, 41.86, 7.49

 

CMYK 0 / 60 / 60 / 37

HEX #A04040

RGB 160 64 64

HSL 0, 0.43%, 0.44%

LAB 40.43, 39.9, 20.5

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 19 / 60 / 0 / 37

HEX #8240A0

RGB 130 64 160

HSL 281.25, 0.43%, 0.44%

LAB 39.5, 44.61, -40.6

 

CMYK 35 / 60 / 0 / 37

HEX #6840A0

RGB 104 64 160

HSL 265, 0.43%, 0.44%

LAB 36.27, 38.06, -45.96

 

CMYK 51 / 60 / 0 / 37

HEX #4E40A0

RGB 78 64 160

HSL 248.75, 0.43%, 0.44%

LAB 33.61, 32.15, -50.37

 

CMYK 60 / 60 / 0 / 37

HEX #4040A0

RGB 64 64 160

HSL 240, 0.43%, 0.44%

LAB 32.47, 29.41, -52.28

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB3

RGB 173 46 179

HSL 297.29, 0.59%, 0.44%

LAB 44.37, 65.82, -43.76

 

CMYK 4 / 86 / 0 / 23

HEX #BE1CC5

RGB 190 28 197

HSL 297.51, 0.75%, 0.44%

LAB 46.72, 76.49, -50.36

 

CMYK 4 / 96 / 0 / 16

HEX #CE09D7

RGB 206 9 215

HSL 297.38, 0.92%, 0.44%

LAB 49.77, 84.28, -55.71

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 1 / 42 / 0 / 44

HEX #8C528E

RGB 140 82 142

HSL 298, 0.27%, 0.44%

LAB 43.6, 33.99, -23.24

 

CMYK 1 / 19 / 0 / 51

HEX #7B647C

RGB 123 100 124

HSL 297.5, 0.11%, 0.44%

LAB 45.33, 13.79, -9.92

 

CMYK 10 / 0 / 10 / 54

HEX #6A766A

RGB 106 118 106

HSL 120, 0.05%, 0.44%

LAB 48.34, -6.97, 5.09

 

CMYK 34 / 0 / 36 / 46

HEX #5A8958

RGB 90 137 88

HSL 117.55, 0.22%, 0.44%

LAB 52.7, -26.36, 21.36

 

CMYK 35 / 60 / 0 / 37

HEX #6840A0

RGB 104 64 160

HSL 265, 0.43%, 0.44%

LAB 36.27, 38.06, -45.96

 

CMYK 19 / 60 / 0 / 37

HEX #8240A0

RGB 130 64 160

HSL 281.25, 0.43%, 0.44%

LAB 39.5, 44.61, -40.6

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 0 / 60 / 13 / 37

HEX #A0408C

RGB 160 64 140

HSL 312.5, 0.43%, 0.44%

LAB 42.81, 49.07, -23.02

 

CMYK 0 / 60 / 29 / 37

HEX #A04072

RGB 160 64 114

HSL 328.75, 0.43%, 0.44%

LAB 41.78, 45.2, -8.68

 

CMYK 2 / 60 / 0 / 60

HEX #632865

RGB 99 40 101

HSL 298.03, 0.43%, 0.28%

LAB 27.05, 35.87, -23.92

 

CMYK 2 / 60 / 0 / 49

HEX #803483

RGB 128 52 131

HSL 297.72, 0.43%, 0.36%

LAB 35.37, 44.06, -29.5

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 2 / 57 / 0 / 27

HEX #B550B9

RGB 181 80 185

HSL 297.71, 0.43%, 0.52%

LAB 50.76, 55.23, -37.07

 

CMYK 2 / 44 / 0 / 23

HEX #C26EC5

RGB 194 110 197

HSL 297.93, 0.43%, 0.6%

LAB 58.65, 46.25, -31.5

 

CMYK 2 / 61 / 0 / 37

HEX #9C3FA0

RGB 156 63 160

HSL 297.53, 0.43%, 0.44%

LAB 43, 51.89, -34.81

 

CMYK 0 / 51 / 60 / 37

HEX #A04E40

RGB 160 78 64

HSL 8.75, 0.43%, 0.44%

LAB 43.2, 32.74, 24.07

 

CMYK 60 / 0 / 27 / 37

HEX #40A075

RGB 64 160 117

HSL 153.13, 0.43%, 0.44%

LAB 59.45, -38.63, 14.17

 

CMYK 2 / 61 / 0 / 37

HEX #9C3FA0

RGB 156 63 160

HSL 297.53, 0.43%, 0.44%

LAB 43, 51.89, -34.81

 

CMYK 0 / 2 / 60 / 37

HEX #A09C40

RGB 160 156 64

HSL 57.5, 0.43%, 0.44%

LAB 63.03, -10.7, 47.5

 

CMYK 60 / 0 / 2 / 37

HEX #40A09C

RGB 64 160 156

HSL 177.5, 0.43%, 0.44%

LAB 60.46, -28.79, -6.33

 

CMYK 2 / 61 / 0 / 37

HEX #9C3FA0

RGB 156 63 160

HSL 297.53, 0.43%, 0.44%

LAB 43, 51.89, -34.81

 

CMYK 0 / 51 / 60 / 37

HEX #A04E40

RGB 160 78 64

HSL 8.75, 0.43%, 0.44%

LAB 43.2, 32.74, 24.07

 

CMYK 57 / 0 / 60 / 37

HEX #45A040

RGB 69 160 64

HSL 116.88, 0.43%, 0.44%

LAB 58.77, -46.48, 41.22

 

CMYK 60 / 9 / 0 / 37

HEX #4092A0

RGB 64 146 160

HSL 188.75, 0.43%, 0.44%

LAB 56.27, -20.52, -14.88

 

CMYK 2 / 61 / 0 / 37

HEX #9C3FA0

RGB 156 63 160

HSL 297.53, 0.43%, 0.44%

LAB 43, 51.89, -34.81

 

CMYK 0 / 33 / 60 / 37

HEX #A06B40

RGB 160 107 64

HSL 26.88, 0.43%, 0.44%

LAB 49.93, 16.55, 32.41

 

CMYK 57 / 0 / 60 / 37

HEX #45A040

RGB 69 160 64

HSL 116.88, 0.43%, 0.44%

LAB 58.77, -46.48, 41.22

 

CMYK 60 / 27 / 0 / 37

HEX #4075A0

RGB 64 117 160

HSL 206.88, 0.43%, 0.44%

LAB 47.43, -4.29, -28.46

 

Description

Color code: HEX #9C3FA0 | qconv.com Color code: HEX #9C3FA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 63 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 63 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 61 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 61% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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