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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C3C6C it is the complementary color #63C393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C3C6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C3C6C shade: #A13C67, #B24E7A, #C3608D, #D472A0 and #E584B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C3C6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C3C6C shade: #9C3C6C, #8B2A59, #7A1846, #690633 and #580020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C3C6C shade: #9A3C6B, #9A3C52 and #9A3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C3C6C shade: #9A3C6B, #9A3C85, #973C9A, #7D3C9A and #643C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C3C6C shade matches the following richer shades: #9A3C6B, #AC2B6B, #BD196B and #CE086B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C3C6C shade: #9A3C6B, #894D6B, #785F6B, #66706B and #55816B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C3C6C shade: #973C9A, #9A3C84, #9A3C6B, #9A3C52 and #9A3F3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C3C6C shade: #5F2542, #7D3056, #9A3C6B, #B84880 and #C36594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C3C6C shade: #9C3C6C, #9A7E3C and #3C919A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C3C6C shade: #9C3C6C, #6B9A3C and #3C6B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C3C6C shade: #9C3C6C, #9A7E3C, #3C9A6B and #3C589A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C3C6C shade: #9C3C6C, #9A9A3C, #3C9A6B and #3C3C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 31 / 39

HEX #9C3C6C

RGB 156 60 108

HSL 330, 0.44%, 0.42%

LAB 40.22, 44.99, -7.35

 

Complementary color

CMYK 49 / 0 / 25 / 24

HEX #63C393

RGB 99 195 147

HSL 150, 0.44%, 0.58%

LAB 72.09, -39.53, 15.55

 

CMYK 0 / 63 / 36 / 37

HEX #A13C67

RGB 161 60 103

HSL 334.46, 0.46%, 0.43%

LAB 40.88, 45.97, -3.16

 

CMYK 0 / 56 / 31 / 30

HEX #B24E7A

RGB 178 78 122

HSL 333.6, 0.39%, 0.5%

LAB 47.39, 45.4, -4.9

 

CMYK 0 / 51 / 28 / 24

HEX #C3608D

RGB 195 96 141

HSL 332.73, 0.45%, 0.57%

LAB 53.91, 44.66, -6.29

 

CMYK 0 / 46 / 25 / 17

HEX #D472A0

RGB 212 114 160

HSL 331.84, 0.53%, 0.64%

LAB 60.4, 43.86, -7.45

 

CMYK 0 / 42 / 22 / 10

HEX #E584B3

RGB 229 132 179

HSL 330.93, 0.65%, 0.71%

LAB 66.84, 43.05, -8.45

 

CMYK 0 / 62 / 31 / 39

HEX #9C3C6C

RGB 156 60 108

HSL 330, 0.44%, 0.42%

LAB 40.22, 44.99, -7.35

 

CMYK 0 / 70 / 36 / 45

HEX #8B2A59

RGB 139 42 89

HSL 330.93, 0.54%, 0.35%

LAB 33.7, 45.21, -5.35

 

CMYK 0 / 80 / 43 / 52

HEX #7A1846

RGB 122 24 70

HSL 331.84, 0.67%, 0.29%

LAB 27.39, 44.68, -2.57

 

CMYK 0 / 94 / 51 / 59

HEX #690633

RGB 105 6 51

HSL 332.73, 0.89%, 0.22%

LAB 21.48, 42.8, 1.39

 

CMYK 0 / 100 / 64 / 65

HEX #580020

RGB 88 0 32

HSL 338.18, 1%, 0.17%

LAB 16.4, 38.3, 7.27

 

CMYK 0 / 61 / 31 / 40

HEX #9A3C6B

RGB 154 60 107

HSL 330, 0.44%, 0.42%

LAB 39.85, 44.22, -7.31

 

CMYK 0 / 61 / 47 / 40

HEX #9A3C52

RGB 154 60 82

HSL 345.96, 0.44%, 0.42%

LAB 39.09, 41.27, 7.28

 

CMYK 0 / 61 / 61 / 40

HEX #9A3C3C

RGB 154 60 60

HSL 0, 0.44%, 0.42%

LAB 38.6, 39.33, 20.4

 

CMYK 0 / 61 / 31 / 40

HEX #9A3C6B

RGB 154 60 107

HSL 330, 0.44%, 0.42%

LAB 39.85, 44.22, -7.31

 

CMYK 0 / 61 / 14 / 40

HEX #9A3C85

RGB 154 60 133

HSL 313.4, 0.44%, 0.42%

LAB 40.89, 48.04, -21.81

 

CMYK 2 / 61 / 0 / 40

HEX #973C9A

RGB 151 60 154

HSL 298.09, 0.44%, 0.42%

LAB 41.44, 50.83, -33.72

 

CMYK 19 / 61 / 0 / 40

HEX #7D3C9A

RGB 125 60 154

HSL 281.49, 0.44%, 0.42%

LAB 37.71, 44.04, -39.89

 

CMYK 35 / 61 / 0 / 40

HEX #643C9A

RGB 100 60 154

HSL 265.53, 0.44%, 0.42%

LAB 34.55, 37.77, -45.12

 

CMYK 0 / 61 / 31 / 40

HEX #9A3C6B

RGB 154 60 107

HSL 330, 0.44%, 0.42%

LAB 39.85, 44.22, -7.31

 

CMYK 0 / 75 / 38 / 33

HEX #AC2B6B

RGB 172 43 107

HSL 330.23, 0.6%, 0.42%

LAB 40.51, 56.44, -6

 

CMYK 0 / 87 / 43 / 26

HEX #BD196B

RGB 189 25 107

HSL 330, 0.77%, 0.42%

LAB 42.12, 65.47, -3.26

 

CMYK 0 / 96 / 48 / 19

HEX #CE086B

RGB 206 8 107

HSL 330, 0.93%, 0.42%

LAB 44.74, 71.65, 0.99

 

CMYK 0 / 61 / 31 / 40

HEX #9A3C6B

RGB 154 60 107

HSL 330, 0.44%, 0.42%

LAB 39.85, 44.22, -7.31

 

CMYK 0 / 44 / 22 / 46

HEX #894D6B

RGB 137 77 107

HSL 330, 0.28%, 0.42%

LAB 40.72, 29.44, -6.29

 

CMYK 0 / 21 / 11 / 53

HEX #785F6B

RGB 120 95 107

HSL 331.2, 0.12%, 0.42%

LAB 43.12, 12.28, -2.95

 

CMYK 9 / 0 / 4 / 56

HEX #66706B

RGB 102 112 107

HSL 150, 0.05%, 0.42%

LAB 46.28, -4.84, 1.48

 

CMYK 34 / 0 / 17 / 49

HEX #55816B

RGB 85 129 107

HSL 150, 0.21%, 0.42%

LAB 50.33, -20.27, 7.16

 

CMYK 2 / 61 / 0 / 40

HEX #973C9A

RGB 151 60 154

HSL 298.09, 0.44%, 0.42%

LAB 41.44, 50.83, -33.72

 

CMYK 0 / 61 / 14 / 40

HEX #9A3C84

RGB 154 60 132

HSL 314.04, 0.44%, 0.42%

LAB 40.84, 47.88, -21.27

 

CMYK 0 / 61 / 31 / 40

HEX #9A3C6B

RGB 154 60 107

HSL 330, 0.44%, 0.42%

LAB 39.85, 44.22, -7.31

 

CMYK 0 / 61 / 47 / 40

HEX #9A3C52

RGB 154 60 82

HSL 345.96, 0.44%, 0.42%

LAB 39.09, 41.27, 7.28

 

CMYK 0 / 59 / 61 / 40

HEX #9A3F3C

RGB 154 63 60

HSL 1.91, 0.44%, 0.42%

LAB 39.16, 37.86, 21.12

 

CMYK 0 / 61 / 31 / 63

HEX #5F2542

RGB 95 37 66

HSL 330, 0.44%, 0.26%

LAB 24.16, 29.94, -5.22

 

CMYK 0 / 62 / 31 / 51

HEX #7D3056

RGB 125 48 86

HSL 330.39, 0.45%, 0.34%

LAB 32.14, 37.6, -6

 

CMYK 0 / 61 / 31 / 40

HEX #9A3C6B

RGB 154 60 107

HSL 330, 0.44%, 0.42%

LAB 39.85, 44.22, -7.31

 

CMYK 0 / 61 / 30 / 28

HEX #B84880

RGB 184 72 128

HSL 330, 0.44%, 0.5%

LAB 47.47, 50.9, -8.3

 

CMYK 0 / 48 / 24 / 24

HEX #C36594

RGB 195 101 148

HSL 330, 0.44%, 0.58%

LAB 55.12, 43.1, -8.6

 

CMYK 0 / 62 / 31 / 39

HEX #9C3C6C

RGB 156 60 108

HSL 330, 0.44%, 0.42%

LAB 40.22, 44.99, -7.35

 

CMYK 0 / 18 / 61 / 40

HEX #9A7E3C

RGB 154 126 60

HSL 42.13, 0.44%, 0.42%

LAB 54.15, 2.76, 39.31

 

CMYK 61 / 6 / 0 / 40

HEX #3C919A

RGB 60 145 154

HSL 185.74, 0.44%, 0.42%

LAB 55.63, -22.56, -12.42

 

CMYK 0 / 62 / 31 / 39

HEX #9C3C6C

RGB 156 60 108

HSL 330, 0.44%, 0.42%

LAB 40.22, 44.99, -7.35

 

CMYK 31 / 0 / 61 / 40

HEX #6B9A3C

RGB 107 154 60

HSL 90, 0.44%, 0.42%

LAB 58.57, -31.99, 43.32

 

CMYK 61 / 31 / 0 / 40

HEX #3C6B9A

RGB 60 107 154

HSL 210, 0.44%, 0.42%

LAB 43.96, -1.13, -30.36

 

CMYK 0 / 62 / 31 / 39

HEX #9C3C6C

RGB 156 60 108

HSL 330, 0.44%, 0.42%

LAB 40.22, 44.99, -7.35

 

CMYK 0 / 18 / 61 / 40

HEX #9A7E3C

RGB 154 126 60

HSL 42.13, 0.44%, 0.42%

LAB 54.15, 2.76, 39.31

 

CMYK 61 / 0 / 31 / 40

HEX #3C9A6B

RGB 60 154 107

HSL 150, 0.44%, 0.42%

LAB 57.21, -39.04, 16.62

 

CMYK 61 / 43 / 0 / 40

HEX #3C589A

RGB 60 88 154

HSL 222.13, 0.44%, 0.42%

LAB 38.33, 10.85, -39.25

 

CMYK 0 / 62 / 31 / 39

HEX #9C3C6C

RGB 156 60 108

HSL 330, 0.44%, 0.42%

LAB 40.22, 44.99, -7.35

 

CMYK 0 / 0 / 61 / 40

HEX #9A9A3C

RGB 154 154 60

HSL 60, 0.44%, 0.42%

LAB 61.92, -12.54, 47.97

 

CMYK 61 / 0 / 31 / 40

HEX #3C9A6B

RGB 60 154 107

HSL 150, 0.44%, 0.42%

LAB 57.21, -39.04, 16.62

 

CMYK 61 / 61 / 0 / 40

HEX #3C3C9A

RGB 60 60 154

HSL 240, 0.44%, 0.42%

LAB 30.7, 29.2, -51.53

 

Description

Color code: HEX #9C3C6C | qconv.com Color code: HEX #9C3C6C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 60 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 60 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 31 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 31% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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