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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C3C62 it is the complementary color #63C39D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C3C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C3C62 shade: #A13C5D, #B24E70, #C36083, #D47296 and #E584A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C3C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C3C62 shade: #9C3C62, #8B2A4F, #7A183C, #690629 and #580016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C3C62 shade: #9A3C61, #9A3C48 and #9A3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C3C62 shade: #9A3C61, #9A3C7B, #9A3C94, #873C9A and #6E3C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C3C62 shade matches the following richer shades: #9A3C61, #AC2B5E, #BD195A and #CE0856

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C3C62 shade: #9A3C61, #894D65, #785F69, #66706C and #558170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C3C62 shade: #9A3C94, #9A3C7B, #9A3C62, #9A3C49 and #9A493C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C3C62 shade: #5F253C, #7D304F, #9A3C61, #B84874 and #C3658B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C3C62 shade: #9C3C62, #9A873C and #3C879A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C3C62 shade: #9C3C62, #629A3C and #3C629A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C3C62 shade: #9C3C62, #9A873C, #3C9A75 and #3C4F9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C3C62 shade: #9C3C62, #919A3C, #3C9A75 and #453C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 37 / 39

HEX #9C3C62

RGB 156 60 98

HSL 336.25, 0.44%, 0.42%

LAB 39.88, 43.73, -1.6

 

Complementary color

CMYK 49 / 0 / 19 / 24

HEX #63C39D

RGB 99 195 157

HSL 156.25, 0.44%, 0.58%

LAB 72.31, -37.4, 10.47

 

CMYK 0 / 63 / 42 / 37

HEX #A13C5D

RGB 161 60 93

HSL 340.4, 0.46%, 0.43%

LAB 40.57, 44.82, 2.64

 

CMYK 0 / 56 / 37 / 30

HEX #B24E70

RGB 178 78 112

HSL 339.6, 0.39%, 0.5%

LAB 47.08, 44.16, 0.72

 

CMYK 0 / 51 / 33 / 24

HEX #C36083

RGB 195 96 131

HSL 338.79, 0.45%, 0.57%

LAB 53.61, 43.35, -0.84

 

CMYK 0 / 46 / 29 / 17

HEX #D47296

RGB 212 114 150

HSL 337.96, 0.53%, 0.64%

LAB 60.1, 42.49, -2.13

 

CMYK 0 / 42 / 26 / 10

HEX #E584A9

RGB 229 132 169

HSL 337.11, 0.65%, 0.71%

LAB 66.54, 41.64, -3.25

 

CMYK 0 / 62 / 37 / 39

HEX #9C3C62

RGB 156 60 98

HSL 336.25, 0.44%, 0.42%

LAB 39.88, 43.73, -1.6

 

CMYK 0 / 70 / 43 / 45

HEX #8B2A4F

RGB 139 42 79

HSL 337.11, 0.54%, 0.35%

LAB 33.37, 44.06, 0.64

 

CMYK 0 / 80 / 51 / 52

HEX #7A183C

RGB 122 24 60

HSL 337.96, 0.67%, 0.29%

LAB 27.07, 43.68, 3.7

 

CMYK 0 / 94 / 61 / 59

HEX #690629

RGB 105 6 41

HSL 338.79, 0.89%, 0.22%

LAB 21.18, 41.98, 8.02

 

CMYK 0 / 100 / 75 / 65

HEX #580016

RGB 88 0 22

HSL 345, 1%, 0.17%

LAB 16.17, 37.68, 14.27

 

CMYK 0 / 61 / 37 / 40

HEX #9A3C61

RGB 154 60 97

HSL 336.38, 0.44%, 0.42%

LAB 39.52, 42.95, -1.54

 

CMYK 0 / 61 / 53 / 40

HEX #9A3C48

RGB 154 60 72

HSL 352.34, 0.44%, 0.42%

LAB 38.85, 40.31, 13.23

 

CMYK 0 / 61 / 61 / 40

HEX #9A3C3C

RGB 154 60 60

HSL 0, 0.44%, 0.42%

LAB 38.6, 39.33, 20.4

 

CMYK 0 / 61 / 37 / 40

HEX #9A3C61

RGB 154 60 97

HSL 336.38, 0.44%, 0.42%

LAB 39.52, 42.95, -1.54

 

CMYK 0 / 61 / 20 / 40

HEX #9A3C7B

RGB 154 60 123

HSL 319.79, 0.44%, 0.42%

LAB 40.46, 46.49, -16.32

 

CMYK 0 / 61 / 4 / 40

HEX #9A3C94

RGB 154 60 148

HSL 303.83, 0.44%, 0.42%

LAB 41.59, 50.56, -29.84

 

CMYK 12 / 61 / 0 / 40

HEX #873C9A

RGB 135 60 154

HSL 287.87, 0.44%, 0.42%

LAB 39.1, 46.64, -37.59

 

CMYK 29 / 61 / 0 / 40

HEX #6E3C9A

RGB 110 60 154

HSL 271.91, 0.44%, 0.42%

LAB 35.75, 40.23, -43.12

 

CMYK 0 / 61 / 37 / 40

HEX #9A3C61

RGB 154 60 97

HSL 336.38, 0.44%, 0.42%

LAB 39.52, 42.95, -1.54

 

CMYK 0 / 75 / 45 / 33

HEX #AC2B5E

RGB 172 43 94

HSL 336.28, 0.6%, 0.42%

LAB 40.09, 55.11, 1.56

 

CMYK 0 / 87 / 52 / 26

HEX #BD195A

RGB 189 25 90

HSL 336.22, 0.77%, 0.42%

LAB 41.61, 64.05, 6.71

 

CMYK 0 / 96 / 58 / 19

HEX #CE0856

RGB 206 8 86

HSL 336.36, 0.93%, 0.42%

LAB 44.19, 70.15, 13.34

 

CMYK 0 / 61 / 37 / 40

HEX #9A3C61

RGB 154 60 97

HSL 336.38, 0.44%, 0.42%

LAB 39.52, 42.95, -1.54

 

CMYK 0 / 44 / 26 / 46

HEX #894D65

RGB 137 77 101

HSL 336, 0.28%, 0.42%

LAB 40.52, 28.5, -2.87

 

CMYK 0 / 21 / 13 / 53

HEX #785F69

RGB 120 95 105

HSL 336, 0.12%, 0.42%

LAB 43.06, 11.91, -1.82

 

CMYK 9 / 0 / 4 / 56

HEX #66706C

RGB 102 112 108

HSL 156, 0.05%, 0.42%

LAB 46.31, -4.62, 0.92

 

CMYK 34 / 0 / 13 / 49

HEX #558170

RGB 85 129 112

HSL 156.82, 0.21%, 0.42%

LAB 50.45, -19.15, 4.42

 

CMYK 0 / 61 / 4 / 40

HEX #9A3C94

RGB 154 60 148

HSL 303.83, 0.44%, 0.42%

LAB 41.59, 50.56, -29.84

 

CMYK 0 / 61 / 20 / 40

HEX #9A3C7B

RGB 154 60 123

HSL 319.79, 0.44%, 0.42%

LAB 40.46, 46.49, -16.32

 

CMYK 0 / 61 / 36 / 40

HEX #9A3C62

RGB 154 60 98

HSL 335.74, 0.44%, 0.42%

LAB 39.55, 43.07, -2.12

 

CMYK 0 / 61 / 53 / 40

HEX #9A3C49

RGB 154 60 73

HSL 351.7, 0.44%, 0.42%

LAB 38.87, 40.41, 12.63

 

CMYK 0 / 53 / 61 / 40

HEX #9A493C

RGB 154 73 60

HSL 8.3, 0.44%, 0.42%

LAB 41.15, 32.71, 23.67

 

CMYK 0 / 61 / 37 / 63

HEX #5F253C

RGB 95 37 60

HSL 336.21, 0.44%, 0.26%

LAB 23.94, 29.07, -1.47

 

CMYK 0 / 62 / 37 / 51

HEX #7D304F

RGB 125 48 79

HSL 335.84, 0.45%, 0.34%

LAB 31.89, 36.67, -1.81

 

CMYK 0 / 61 / 37 / 40

HEX #9A3C61

RGB 154 60 97

HSL 336.38, 0.44%, 0.42%

LAB 39.52, 42.95, -1.54

 

CMYK 0 / 61 / 37 / 28

HEX #B84874

RGB 184 72 116

HSL 336.43, 0.44%, 0.5%

LAB 47.09, 49.44, -1.6

 

CMYK 0 / 48 / 29 / 24

HEX #C3658B

RGB 195 101 139

HSL 335.74, 0.44%, 0.58%

LAB 54.84, 41.84, -3.74

 

CMYK 0 / 62 / 37 / 39

HEX #9C3C62

RGB 156 60 98

HSL 336.25, 0.44%, 0.42%

LAB 39.88, 43.73, -1.6

 

CMYK 0 / 12 / 61 / 40

HEX #9A873C

RGB 154 135 60

HSL 47.87, 0.44%, 0.42%

LAB 56.61, -2.27, 42.1

 

CMYK 61 / 12 / 0 / 40

HEX #3C879A

RGB 60 135 154

HSL 192.13, 0.44%, 0.42%

LAB 52.53, -17.27, -17.11

 

CMYK 0 / 62 / 37 / 39

HEX #9C3C62

RGB 156 60 98

HSL 336.25, 0.44%, 0.42%

LAB 39.88, 43.73, -1.6

 

CMYK 36 / 0 / 61 / 40

HEX #629A3C

RGB 98 154 60

HSL 95.74, 0.44%, 0.42%

LAB 58.07, -35.31, 42.62

 

CMYK 61 / 36 / 0 / 40

HEX #3C629A

RGB 60 98 154

HSL 215.74, 0.44%, 0.42%

LAB 41.26, 4.46, -34.6

 

CMYK 0 / 62 / 37 / 39

HEX #9C3C62

RGB 156 60 98

HSL 336.25, 0.44%, 0.42%

LAB 39.88, 43.73, -1.6

 

CMYK 0 / 12 / 61 / 40

HEX #9A873C

RGB 154 135 60

HSL 47.87, 0.44%, 0.42%

LAB 56.61, -2.27, 42.1

 

CMYK 61 / 0 / 24 / 40

HEX #3C9A75

RGB 60 154 117

HSL 156.38, 0.44%, 0.42%

LAB 57.42, -36.82, 11.31

 

CMYK 61 / 49 / 0 / 40

HEX #3C4F9A

RGB 60 79 154

HSL 227.87, 0.44%, 0.42%

LAB 35.76, 16.74, -43.36

 

CMYK 0 / 62 / 37 / 39

HEX #9C3C62

RGB 156 60 98

HSL 336.25, 0.44%, 0.42%

LAB 39.88, 43.73, -1.6

 

CMYK 6 / 0 / 61 / 40

HEX #919A3C

RGB 145 154 60

HSL 65.74, 0.44%, 0.42%

LAB 61.18, -16.44, 46.95

 

CMYK 61 / 0 / 24 / 40

HEX #3C9A75

RGB 60 154 117

HSL 156.38, 0.44%, 0.42%

LAB 57.42, -36.82, 11.31

 

CMYK 55 / 61 / 0 / 40

HEX #453C9A

RGB 69 60 154

HSL 245.74, 0.44%, 0.42%

LAB 31.42, 30.89, -50.34

 

Description

Color code: HEX #9C3C62 | qconv.com Color code: HEX #9C3C62 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 60 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 60 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 37 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 37% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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