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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C335A it is the complementary color #63CCA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C335A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C335A shade: #A13355, #B24568, #C3577B, #D4698E and #E57BA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C335A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C335A shade: #9C335A, #8B2147, #7A0F34, #690021 and #58000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C335A shade: #9E335B, #9E333E and #9E3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C335A shade: #9E335B, #9E3378, #9E3394, #8B339E and #6E339E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C335A shade matches the following richer shades: #9E335B, #AF2256, #C01152 and #D1004E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C335A shade: #9E335B, #8D445F, #7C5564, #6B6668 and #5A776C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C335A shade: #9E3395, #9E3379, #9E335C, #9E3340 and #9E4333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C335A shade: #601F37, #7F2949, #9E335B, #BD3D6D and #C95A83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C335A shade: #9C335A, #9E8A33 and #33879E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C335A shade: #9C335A, #5C9E33 and #335C9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C335A shade: #9C335A, #9E8A33, #339E75 and #33479E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C335A shade: #9C335A, #919E33, #339E75 and #40339E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 42 / 39

HEX #9C335A

RGB 156 51 90

HSL 337.71, 0.51%, 0.41%

LAB 38.15, 46.85, 0.92

 

Complementary color

CMYK 51 / 0 / 19 / 20

HEX #63CCA5

RGB 99 204 165

HSL 157.71, 0.51%, 0.59%

LAB 75.17, -39.7, 10.23

 

CMYK 0 / 68 / 47 / 37

HEX #A13355

RGB 161 51 85

HSL 341.45, 0.52%, 0.42%

LAB 38.9, 47.93, 5.28

 

CMYK 0 / 61 / 42 / 30

HEX #B24568

RGB 178 69 104

HSL 340.73, 0.44%, 0.48%

LAB 45.25, 47.51, 2.94

 

CMYK 0 / 55 / 37 / 24

HEX #C3577B

RGB 195 87 123

HSL 340, 0.47%, 0.55%

LAB 51.67, 46.83, 1.08

 

CMYK 0 / 50 / 33 / 17

HEX #D4698E

RGB 212 105 142

HSL 339.25, 0.55%, 0.62%

LAB 58.09, 46.02, -0.45

 

CMYK 0 / 46 / 30 / 10

HEX #E57BA1

RGB 229 123 161

HSL 338.49, 0.67%, 0.69%

LAB 64.48, 45.17, -1.74

 

CMYK 0 / 67 / 42 / 39

HEX #9C335A

RGB 156 51 90

HSL 337.71, 0.51%, 0.41%

LAB 38.15, 46.85, 0.92

 

CMYK 0 / 76 / 49 / 45

HEX #8B2147

RGB 139 33 71

HSL 338.49, 0.62%, 0.34%

LAB 31.88, 46.73, 3.71

 

CMYK 0 / 88 / 57 / 52

HEX #7A0F34

RGB 122 15 52

HSL 339.25, 0.78%, 0.27%

LAB 25.94, 45.55, 7.55

 

CMYK 0 / 100 / 69 / 59

HEX #690021

RGB 105 0 33

HSL 341.14, 1%, 0.21%

LAB 20.49, 42.9, 12.75

 

CMYK 0 / 100 / 84 / 65

HEX #58000E

RGB 88 0 14

HSL 350.45, 1%, 0.17%

LAB 16.04, 37.32, 18.98

 

CMYK 0 / 68 / 42 / 38

HEX #9E335B

RGB 158 51 91

HSL 337.57, 0.51%, 0.41%

LAB 38.54, 47.59, 0.89

 

CMYK 0 / 68 / 61 / 38

HEX #9E333E

RGB 158 51 62

HSL 353.83, 0.51%, 0.41%

LAB 37.81, 45, 18.26

 

CMYK 0 / 68 / 68 / 38

HEX #9E3333

RGB 158 51 51

HSL 0, 0.51%, 0.41%

LAB 37.62, 44.28, 24.86

 

CMYK 0 / 68 / 42 / 38

HEX #9E335B

RGB 158 51 91

HSL 337.57, 0.51%, 0.41%

LAB 38.54, 47.59, 0.89

 

CMYK 0 / 68 / 24 / 38

HEX #9E3378

RGB 158 51 120

HSL 321.31, 0.51%, 0.41%

LAB 39.57, 51.16, -15.77

 

CMYK 0 / 68 / 6 / 38

HEX #9E3394

RGB 158 51 148

HSL 305.61, 0.51%, 0.41%

LAB 40.86, 55.41, -30.95

 

CMYK 12 / 68 / 0 / 38

HEX #8B339E

RGB 139 51 158

HSL 289.35, 0.51%, 0.41%

LAB 38.42, 52.58, -41.05

 

CMYK 30 / 68 / 0 / 38

HEX #6E339E

RGB 110 51 158

HSL 273.08, 0.51%, 0.41%

LAB 34.3, 45.91, -47.89

 

CMYK 0 / 68 / 42 / 38

HEX #9E335B

RGB 158 51 91

HSL 337.57, 0.51%, 0.41%

LAB 38.54, 47.59, 0.89

 

CMYK 0 / 81 / 51 / 31

HEX #AF2256

RGB 175 34 86

HSL 337.87, 0.67%, 0.41%

LAB 39.46, 57.99, 5.8

 

CMYK 0 / 91 / 57 / 25

HEX #C01152

RGB 192 17 82

HSL 337.71, 0.84%, 0.41%

LAB 41.56, 65.55, 11.78

 

CMYK 0 / 100 / 63 / 18

HEX #D1004E

RGB 209 0 78

HSL 337.61, 1%, 0.41%

LAB 44.38, 71.1, 18.73

 

CMYK 0 / 68 / 42 / 38

HEX #9E335B

RGB 158 51 91

HSL 337.57, 0.51%, 0.41%

LAB 38.54, 47.59, 0.89

 

CMYK 0 / 52 / 33 / 45

HEX #8D445F

RGB 141 68 95

HSL 337.81, 0.35%, 0.41%

LAB 38.94, 34.1, -1.38

 

CMYK 0 / 31 / 19 / 51

HEX #7C5564

RGB 124 85 100

HSL 336.92, 0.19%, 0.41%

LAB 40.74, 18.62, -2.11

 

CMYK 0 / 5 / 3 / 58

HEX #6B6668

RGB 107 102 104

HSL 336, 0.02%, 0.41%

LAB 43.69, 2.36, -0.43

 

CMYK 24 / 0 / 9 / 53

HEX #5A776C

RGB 90 119 108

HSL 157.24, 0.14%, 0.41%

LAB 47.56, -12.96, 2.64

 

CMYK 0 / 68 / 6 / 38

HEX #9E3395

RGB 158 51 149

HSL 305.05, 0.51%, 0.41%

LAB 40.91, 55.58, -31.48

 

CMYK 0 / 68 / 23 / 38

HEX #9E3379

RGB 158 51 121

HSL 320.75, 0.51%, 0.41%

LAB 39.61, 51.29, -16.33

 

CMYK 0 / 68 / 42 / 38

HEX #9E335C

RGB 158 51 92

HSL 337.01, 0.51%, 0.41%

LAB 38.57, 47.7, 0.3

 

CMYK 0 / 68 / 59 / 38

HEX #9E3340

RGB 158 51 64

HSL 352.71, 0.51%, 0.41%

LAB 37.85, 45.15, 17.05

 

CMYK 0 / 58 / 68 / 38

HEX #9E4333

RGB 158 67 51

HSL 8.97, 0.51%, 0.41%

LAB 40.45, 36.77, 28.3

 

CMYK 0 / 68 / 43 / 62

HEX #601F37

RGB 96 31 55

HSL 337.85, 0.51%, 0.25%

LAB 22.8, 31.88, 0.3

 

CMYK 0 / 68 / 43 / 50

HEX #7F2949

RGB 127 41 73

HSL 337.67, 0.51%, 0.33%

LAB 30.83, 39.94, 0.59

 

CMYK 0 / 68 / 42 / 38

HEX #9E335B

RGB 158 51 91

HSL 337.57, 0.51%, 0.41%

LAB 38.54, 47.59, 0.89

 

CMYK 0 / 68 / 42 / 26

HEX #BD3D6D

RGB 189 61 109

HSL 337.5, 0.51%, 0.49%

LAB 45.99, 54.93, 1.17

 

CMYK 0 / 55 / 35 / 21

HEX #C95A83

RGB 201 90 131

HSL 337.84, 0.51%, 0.57%

LAB 53.35, 48.33, -1.11

 

CMYK 0 / 67 / 42 / 39

HEX #9C335A

RGB 156 51 90

HSL 337.71, 0.51%, 0.41%

LAB 38.15, 46.85, 0.92

 

CMYK 0 / 13 / 68 / 38

HEX #9E8A33

RGB 158 138 51

HSL 48.79, 0.51%, 0.41%

LAB 57.74, -2.74, 47.64

 

CMYK 68 / 15 / 0 / 38

HEX #33879E

RGB 51 135 158

HSL 192.9, 0.51%, 0.41%

LAB 52.4, -17.59, -19.66

 

CMYK 0 / 67 / 42 / 39

HEX #9C335A

RGB 156 51 90

HSL 337.71, 0.51%, 0.41%

LAB 38.15, 46.85, 0.92

 

CMYK 42 / 0 / 68 / 38

HEX #5C9E33

RGB 92 158 51

HSL 97.01, 0.51%, 0.41%

LAB 58.94, -40.02, 47.49

 

CMYK 68 / 42 / 0 / 38

HEX #335C9E

RGB 51 92 158

HSL 217.01, 0.51%, 0.41%

LAB 39.29, 8.01, -40.15

 

CMYK 0 / 67 / 42 / 39

HEX #9C335A

RGB 156 51 90

HSL 337.71, 0.51%, 0.41%

LAB 38.15, 46.85, 0.92

 

CMYK 0 / 13 / 68 / 38

HEX #9E8A33

RGB 158 138 51

HSL 48.79, 0.51%, 0.41%

LAB 57.74, -2.74, 47.64

 

CMYK 68 / 0 / 26 / 38

HEX #339E75

RGB 51 158 117

HSL 157.01, 0.51%, 0.41%

LAB 58.45, -40.3, 12.73

 

CMYK 68 / 55 / 0 / 38

HEX #33479E

RGB 51 71 158

HSL 228.79, 0.51%, 0.41%

LAB 33.31, 21.86, -49.76

 

CMYK 0 / 67 / 42 / 39

HEX #9C335A

RGB 156 51 90

HSL 337.71, 0.51%, 0.41%

LAB 38.15, 46.85, 0.92

 

CMYK 8 / 0 / 68 / 38

HEX #919E33

RGB 145 158 51

HSL 67.29, 0.51%, 0.41%

LAB 62.26, -19.13, 51.99

 

CMYK 68 / 0 / 26 / 38

HEX #339E75

RGB 51 158 117

HSL 157.01, 0.51%, 0.41%

LAB 58.45, -40.3, 12.73

 

CMYK 59 / 68 / 0 / 38

HEX #40339E

RGB 64 51 158

HSL 247.29, 0.51%, 0.41%

LAB 29.23, 36.86, -56.36

 

Description

Color code: HEX #9C335A | qconv.com Color code: HEX #9C335A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 51 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 51 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 42 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 42% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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