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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C28BC it is the complementary color #63D743. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C28BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C28BC shade: #A128B7, #B23ACA, #C34CDD, #D45EF0 and #E570FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C28BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C28BC shade: #9C28BC, #8B16A9, #7A0496, #690083 and #580070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C28BC shade: #9D28BD, #BD28B5, #BD288D, #BD2865 and #BD283D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C28BC shade: #9D28BD, #7528BD, #4D28BD and #2828BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C28BC shade matches the following richer shades: #9D28BD, #A816D0 and #B203E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C28BC shade: #9D28BD, #933BAB, #884D98, #7D6086 and #737273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C28BC shade: #4D28BD, #7528BD, #9D28BD, #BD28B6 and #BD288E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C28BC shade: #651A79, #81219B, #9D28BD, #B43AD5 and #C15CDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C28BC shade: #9C28BC, #BD282B and #28BD61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C28BC shade: #9C28BC, #BD9D28 and #28BD9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C28BC shade: #9C28BC, #BD282B, #48BD28 and #28BDBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C28BC shade: #9C28BC, #BD5228, #48BD28 and #2893BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 79 / 0 / 26

HEX #9C28BC

RGB 156 40 188

HSL 287.03, 0.65%, 0.45%

LAB 41.56, 65.93, -53.71

 

Complementary color

CMYK 54 / 0 / 69 / 16

HEX #63D743

RGB 99 215 67

HSL 107.03, 0.65%, 0.55%

LAB 77.08, -59.03, 60.32

 

CMYK 12 / 78 / 0 / 28

HEX #A128B7

RGB 161 40 183

HSL 290.77, 0.64%, 0.44%

LAB 42.02, 65.96, -49.98

 

CMYK 12 / 71 / 0 / 21

HEX #B23ACA

RGB 178 58 202

HSL 290, 0.58%, 0.51%

LAB 47.95, 66.79, -51.4

 

CMYK 12 / 66 / 0 / 13

HEX #C34CDD

RGB 195 76 221

HSL 289.24, 0.68%, 0.58%

LAB 54.02, 67, -52.42

 

CMYK 12 / 61 / 0 / 6

HEX #D45EF0

RGB 212 94 240

HSL 288.49, 0.83%, 0.65%

LAB 60.15, 66.81, -53.16

 

CMYK 10 / 56 / 0 / 0

HEX #E570FF

RGB 229 112 255

HSL 289.09, 1%, 0.72%

LAB 66.11, 65.64, -51.86

 

CMYK 17 / 79 / 0 / 26

HEX #9C28BC

RGB 156 40 188

HSL 287.03, 0.65%, 0.45%

LAB 41.56, 65.93, -53.71

 

CMYK 18 / 87 / 0 / 34

HEX #8B16A9

RGB 139 22 169

HSL 287.76, 0.77%, 0.37%

LAB 35.84, 64.17, -51.8

 

CMYK 19 / 97 / 0 / 41

HEX #7A0496

RGB 122 4 150

HSL 288.49, 0.95%, 0.3%

LAB 30.46, 61.08, -49.13

 

CMYK 20 / 100 / 0 / 49

HEX #690083

RGB 105 0 131

HSL 288.09, 1%, 0.26%

LAB 25.69, 55.74, -45.21

 

CMYK 21 / 100 / 0 / 56

HEX #580070

RGB 88 0 112

HSL 287.14, 1%, 0.22%

LAB 21, 49.6, -40.84

 

CMYK 17 / 79 / 0 / 26

HEX #9D28BD

RGB 157 40 189

HSL 287.11, 0.65%, 0.45%

LAB 41.78, 66.3, -53.92

 

CMYK 0 / 79 / 4 / 26

HEX #BD28B5

RGB 189 40 181

HSL 303.22, 0.65%, 0.45%

LAB 46.54, 71.18, -41.32

 

CMYK 0 / 79 / 25 / 26

HEX #BD288D

RGB 189 40 141

HSL 319.33, 0.65%, 0.45%

LAB 44.6, 65.64, -20.46

 

CMYK 0 / 79 / 47 / 26

HEX #BD2865

RGB 189 40 101

HSL 335.44, 0.65%, 0.45%

LAB 43.18, 61.37, 2.04

 

CMYK 0 / 79 / 68 / 26

HEX #BD283D

RGB 189 40 61

HSL 351.54, 0.65%, 0.45%

LAB 42.27, 58.55, 25.77

 

CMYK 17 / 79 / 0 / 26

HEX #9D28BD

RGB 157 40 189

HSL 287.11, 0.65%, 0.45%

LAB 41.78, 66.3, -53.92

 

CMYK 38 / 79 / 0 / 26

HEX #7528BD

RGB 117 40 189

HSL 271.01, 0.65%, 0.45%

LAB 35.93, 59.4, -63.69

 

CMYK 59 / 79 / 0 / 26

HEX #4D28BD

RGB 77 40 189

HSL 254.9, 0.65%, 0.45%

LAB 31.28, 53.87, -71.51

 

CMYK 79 / 79 / 0 / 26

HEX #2828BD

RGB 40 40 189

HSL 240, 0.65%, 0.45%

LAB 28.49, 50.54, -76.2

 

CMYK 17 / 79 / 0 / 26

HEX #9D28BD

RGB 157 40 189

HSL 287.11, 0.65%, 0.45%

LAB 41.78, 66.3, -53.92

 

CMYK 19 / 89 / 0 / 18

HEX #A816D0

RGB 168 22 208

HSL 287.1, 0.81%, 0.45%

LAB 43.44, 75.78, -62.22

 

CMYK 21 / 99 / 0 / 11

HEX #B203E2

RGB 178 3 226

HSL 287.09, 0.97%, 0.45%

LAB 45.66, 82.48, -68.86

 

CMYK 17 / 79 / 0 / 26

HEX #9D28BD

RGB 157 40 189

HSL 287.11, 0.65%, 0.45%

LAB 41.78, 66.3, -53.92

 

CMYK 14 / 65 / 0 / 33

HEX #933BAB

RGB 147 59 171

HSL 287.14, 0.49%, 0.45%

LAB 41.64, 53.55, -43.61

 

CMYK 11 / 49 / 0 / 40

HEX #884D98

RGB 136 77 152

HSL 287.2, 0.33%, 0.45%

LAB 42.47, 37.59, -31.04

 

CMYK 7 / 28 / 0 / 47

HEX #7D6086

RGB 125 96 134

HSL 285.79, 0.17%, 0.45%

LAB 44.87, 19.04, -16.62

 

CMYK 0 / 1 / 0 / 55

HEX #737273

RGB 115 114 115

HSL 300, 0%, 0.45%

LAB 48.16, 0.59, -0.42

 

CMYK 59 / 79 / 0 / 26

HEX #4D28BD

RGB 77 40 189

HSL 254.9, 0.65%, 0.45%

LAB 31.28, 53.87, -71.51

 

CMYK 38 / 79 / 0 / 26

HEX #7528BD

RGB 117 40 189

HSL 271.01, 0.65%, 0.45%

LAB 35.93, 59.4, -63.69

 

CMYK 17 / 79 / 0 / 26

HEX #9D28BD

RGB 157 40 189

HSL 287.11, 0.65%, 0.45%

LAB 41.78, 66.3, -53.92

 

CMYK 0 / 79 / 4 / 26

HEX #BD28B6

RGB 189 40 182

HSL 302.82, 0.65%, 0.45%

LAB 46.6, 71.33, -41.82

 

CMYK 0 / 79 / 25 / 26

HEX #BD288E

RGB 189 40 142

HSL 318.93, 0.65%, 0.45%

LAB 44.65, 65.76, -21.01

 

CMYK 17 / 79 / 0 / 53

HEX #651A79

RGB 101 26 121

HSL 287.37, 0.65%, 0.29%

LAB 26.41, 46.68, -37.75

 

CMYK 17 / 79 / 0 / 39

HEX #81219B

RGB 129 33 155

HSL 287.21, 0.65%, 0.37%

LAB 34.23, 56.72, -46.03

 

CMYK 17 / 79 / 0 / 26

HEX #9D28BD

RGB 157 40 189

HSL 287.11, 0.65%, 0.45%

LAB 41.78, 66.3, -53.92

 

CMYK 15 / 73 / 0 / 16

HEX #B43AD5

RGB 180 58 213

HSL 287.23, 0.65%, 0.53%

LAB 48.93, 69.23, -56.14

 

CMYK 12 / 58 / 0 / 14

HEX #C15CDC

RGB 193 92 220

HSL 287.34, 0.65%, 0.61%

LAB 56.25, 59.3, -48.32

 

CMYK 17 / 79 / 0 / 26

HEX #9C28BC

RGB 156 40 188

HSL 287.03, 0.65%, 0.45%

LAB 41.56, 65.93, -53.71

 

CMYK 0 / 79 / 77 / 26

HEX #BD282B

RGB 189 40 43

HSL 358.79, 0.65%, 0.45%

LAB 42.02, 57.76, 36.25

 

CMYK 79 / 0 / 49 / 26

HEX #28BD61

RGB 40 189 97

HSL 142.95, 0.65%, 0.45%

LAB 67.81, -57.86, 35.82

 

CMYK 17 / 79 / 0 / 26

HEX #9C28BC

RGB 156 40 188

HSL 287.03, 0.65%, 0.45%

LAB 41.56, 65.93, -53.71

 

CMYK 0 / 17 / 79 / 26

HEX #BD9D28

RGB 189 157 40

HSL 47.11, 0.65%, 0.45%

LAB 65.82, 0.28, 60.87

 

CMYK 79 / 0 / 17 / 26

HEX #28BD9D

RGB 40 189 157

HSL 167.11, 0.65%, 0.45%

LAB 68.95, -45.15, 5.47

 

CMYK 17 / 79 / 0 / 26

HEX #9C28BC

RGB 156 40 188

HSL 287.03, 0.65%, 0.45%

LAB 41.56, 65.93, -53.71

 

CMYK 0 / 79 / 77 / 26

HEX #BD282B

RGB 189 40 43

HSL 358.79, 0.65%, 0.45%

LAB 42.02, 57.76, 36.25

 

CMYK 62 / 0 / 79 / 26

HEX #48BD28

RGB 72 189 40

HSL 107.11, 0.65%, 0.45%

LAB 67.97, -58.44, 60.28

 

CMYK 79 / 0 / 1 / 26

HEX #28BDBB

RGB 40 189 187

HSL 179.19, 0.65%, 0.45%

LAB 69.78, -36.87, -9.77

 

CMYK 17 / 79 / 0 / 26

HEX #9C28BC

RGB 156 40 188

HSL 287.03, 0.65%, 0.45%

LAB 41.56, 65.93, -53.71

 

CMYK 0 / 57 / 79 / 26

HEX #BD5228

RGB 189 82 40

HSL 16.91, 0.65%, 0.45%

LAB 48.27, 40.7, 44.3

 

CMYK 62 / 0 / 79 / 26

HEX #48BD28

RGB 72 189 40

HSL 107.11, 0.65%, 0.45%

LAB 67.97, -58.44, 60.28

 

CMYK 79 / 22 / 0 / 26

HEX #2893BD

RGB 40 147 189

HSL 196.91, 0.65%, 0.45%

LAB 57.07, -15.13, -30.24

 

Description

Color code: HEX #9C28BC | qconv.com Color code: HEX #9C28BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 40 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 40 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 79 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 79% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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