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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C2190 it is the complementary color #63DE6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C2190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C2190 shade: #A1218B, #B2339E, #C345B1, #D457C4 and #E569D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C2190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C2190 shade: #9C2190, #8B0F7D, #7A006A, #690057 and #580044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C2190 shade: #9C2190, #9C216F, #9C214E, #9C212C and #9C2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C2190 shade: #9C2190, #87219C, #65219C, #44219C and #23219C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C2190 shade matches the following richer shades: #9C2190, #AB129C and #BA02A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C2190 shade: #9C2190, #8C3083, #7D4077, #6E4F6B and #5F5E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C2190 shade: #64219C, #85219C, #9C2191, #9C2171 and #9C2150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C2190 shade: #581351, #7A1A70, #9C2190, #BE28AF and #D53AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C2190 shade: #9C2190, #9C4421 and #219C75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C2190 shade: #9C2190, #919C21 and #21919C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C2190 shade: #9C2190, #9C4421, #219C2B and #21799C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C2190 shade: #9C2190, #9C6921, #219C2B and #21549C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

Complementary color

CMYK 55 / 0 / 50 / 13

HEX #63DE6F

RGB 99 222 111

HSL 125.85, 0.65%, 0.63%

LAB 79.64, -56.82, 43.98

 

CMYK 0 / 80 / 14 / 37

HEX #A1218B

RGB 161 33 139

HSL 310.31, 0.66%, 0.38%

LAB 38.78, 60.81, -28.69

 

CMYK 0 / 71 / 11 / 30

HEX #B2339E

RGB 178 51 158

HSL 309.45, 0.55%, 0.45%

LAB 44.66, 61.91, -30.77

 

CMYK 0 / 65 / 9 / 24

HEX #C345B1

RGB 195 69 177

HSL 308.57, 0.51%, 0.52%

LAB 50.73, 62.28, -32.32

 

CMYK 0 / 59 / 8 / 17

HEX #D457C4

RGB 212 87 196

HSL 307.68, 0.59%, 0.59%

LAB 56.88, 62.19, -33.51

 

CMYK 0 / 54 / 6 / 10

HEX #E569D7

RGB 229 105 215

HSL 306.77, 0.7%, 0.65%

LAB 63.07, 61.82, -34.45

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 89 / 10 / 45

HEX #8B0F7D

RGB 139 15 125

HSL 306.77, 0.81%, 0.3%

LAB 32.51, 58.21, -30.15

 

CMYK 0 / 100 / 13 / 52

HEX #7A006A

RGB 122 0 106

HSL 307.87, 1%, 0.24%

LAB 27.24, 54.52, -26.58

 

CMYK 0 / 100 / 17 / 59

HEX #690057

RGB 105 0 87

HSL 310.29, 1%, 0.21%

LAB 22.62, 48.41, -21.59

 

CMYK 0 / 100 / 23 / 65

HEX #580044

RGB 88 0 68

HSL 313.64, 1%, 0.17%

LAB 17.88, 42.15, -16.32

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 79 / 29 / 39

HEX #9C216F

RGB 156 33 111

HSL 321.95, 0.65%, 0.37%

LAB 36.56, 55.83, -14.77

 

CMYK 0 / 79 / 50 / 39

HEX #9C214E

RGB 156 33 78

HSL 338.05, 0.65%, 0.37%

LAB 35.41, 52.33, 4.65

 

CMYK 0 / 79 / 72 / 39

HEX #9C212C

RGB 156 33 44

HSL 354.63, 0.65%, 0.37%

LAB 34.68, 50.01, 25.54

 

CMYK 0 / 79 / 79 / 39

HEX #9C2121

RGB 156 33 33

HSL 0, 0.65%, 0.37%

LAB 34.53, 49.54, 32.09

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 13 / 79 / 0 / 39

HEX #87219C

RGB 135 33 156

HSL 289.76, 0.65%, 0.37%

LAB 35.28, 58.1, -44.9

 

CMYK 35 / 79 / 0 / 39

HEX #65219C

RGB 101 33 156

HSL 273.17, 0.65%, 0.37%

LAB 30.05, 51.74, -53.63

 

CMYK 56 / 79 / 0 / 39

HEX #44219C

RGB 68 33 156

HSL 257.07, 0.65%, 0.37%

LAB 25.91, 46.63, -60.56

 

CMYK 78 / 79 / 0 / 39

HEX #23219C

RGB 35 33 156

HSL 240.98, 0.65%, 0.37%

LAB 23.15, 43.16, -65.21

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 89 / 9 / 33

HEX #AB129C

RGB 171 18 156

HSL 305.88, 0.81%, 0.37%

LAB 40.4, 68.55, -36.37

 

CMYK 0 / 99 / 10 / 27

HEX #BA02A8

RGB 186 2 168

HSL 305.87, 0.98%, 0.37%

LAB 43.23, 74.77, -38.91

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 66 / 6 / 45

HEX #8C3083

RGB 140 48 131

HSL 305.87, 0.49%, 0.37%

LAB 36.61, 49.14, -27.42

 

CMYK 0 / 49 / 5 / 51

HEX #7D4077

RGB 125 64 119

HSL 305.9, 0.32%, 0.37%

LAB 36.67, 34.64, -20.05

 

CMYK 0 / 28 / 3 / 57

HEX #6E4F6B

RGB 110 79 107

HSL 305.81, 0.16%, 0.37%

LAB 37.79, 18.16, -11.03

 

CMYK 0 / 1 / 0 / 63

HEX #5F5E5F

RGB 95 94 95

HSL 300, 0.01%, 0.37%

LAB 40.02, 0.61, -0.44

 

CMYK 36 / 79 / 0 / 39

HEX #64219C

RGB 100 33 156

HSL 272.68, 0.65%, 0.37%

LAB 29.9, 51.57, -53.86

 

CMYK 15 / 79 / 0 / 39

HEX #85219C

RGB 133 33 156

HSL 288.78, 0.65%, 0.37%

LAB 34.95, 57.7, -45.45

 

CMYK 0 / 79 / 7 / 39

HEX #9C2191

RGB 156 33 145

HSL 305.37, 0.65%, 0.37%

LAB 38.2, 60.6, -33.34

 

CMYK 0 / 79 / 28 / 39

HEX #9C2171

RGB 156 33 113

HSL 320.98, 0.65%, 0.37%

LAB 36.65, 56.08, -15.9

 

CMYK 0 / 79 / 49 / 39

HEX #9C2150

RGB 156 33 80

HSL 337.07, 0.65%, 0.37%

LAB 35.47, 52.51, 3.44

 

CMYK 0 / 78 / 8 / 65

HEX #581351

RGB 88 19 81

HSL 306.09, 0.64%, 0.21%

LAB 20.57, 38.55, -21.01

 

CMYK 0 / 79 / 8 / 52

HEX #7A1A70

RGB 122 26 112

HSL 306.25, 0.65%, 0.29%

LAB 29.53, 49.76, -26.82

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 79 / 8 / 25

HEX #BE28AF

RGB 190 40 175

HSL 306, 0.65%, 0.45%

LAB 46.39, 70.49, -38.01

 

CMYK 0 / 73 / 7 / 16

HEX #D53AC6

RGB 213 58 198

HSL 305.81, 0.65%, 0.53%

LAB 53.22, 73.64, -40.38

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 56 / 79 / 39

HEX #9C4421

RGB 156 68 33

HSL 17.07, 0.65%, 0.37%

LAB 40.1, 34.56, 37.86

 

CMYK 79 / 0 / 25 / 39

HEX #219C75

RGB 33 156 117

HSL 160.98, 0.65%, 0.37%

LAB 57.45, -42.09, 11.26

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 7 / 0 / 79 / 39

HEX #919C21

RGB 145 156 33

HSL 65.37, 0.65%, 0.37%

LAB 61.57, -19.04, 57.83

 

CMYK 79 / 7 / 0 / 39

HEX #21919C

RGB 33 145 156

HSL 185.37, 0.65%, 0.37%

LAB 55.05, -25.89, -14.52

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 56 / 79 / 39

HEX #9C4421

RGB 156 68 33

HSL 17.07, 0.65%, 0.37%

LAB 40.1, 34.56, 37.86

 

CMYK 79 / 0 / 72 / 39

HEX #219C2B

RGB 33 156 43

HSL 124.88, 0.65%, 0.37%

LAB 56.36, -54.61, 47.45

 

CMYK 79 / 22 / 0 / 39

HEX #21799C

RGB 33 121 156

HSL 197.07, 0.65%, 0.37%

LAB 47.49, -13.02, -26.09

 

CMYK 0 / 79 / 8 / 39

HEX #9C2190

RGB 156 33 144

HSL 305.85, 0.65%, 0.37%

LAB 38.14, 60.44, -32.81

 

CMYK 0 / 33 / 79 / 39

HEX #9C6921

RGB 156 105 33

HSL 35.12, 0.65%, 0.37%

LAB 48.61, 14.04, 46.21

 

CMYK 79 / 0 / 72 / 39

HEX #219C2B

RGB 33 156 43

HSL 124.88, 0.65%, 0.37%

LAB 56.36, -54.61, 47.45

 

CMYK 79 / 46 / 0 / 39

HEX #21549C

RGB 33 84 156

HSL 215.12, 0.65%, 0.37%

LAB 36.11, 9.84, -44.07

 

Description

Color code: HEX #9C2190 | qconv.com Color code: HEX #9C2190 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 33 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 33 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 8 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 8% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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