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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C177D it is the complementary color #63E882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C177D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C177D shade: #A11778, #B2298B, #C33B9E, #D44DB1 and #E55FC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C177D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C177D shade: #9C177D, #8B056A, #7A0057, #690044 and #580031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C177D shade: #9B177D, #9B1759, #9B1735 and #9B1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C177D shade: #9B177D, #96179B, #73179B, #4F179B and #2C179B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C177D shade matches the following richer shades: #9B177D and #AA0984

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C177D shade: #9B177D, #8D2675, #7E346D, #704365 and #62515E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C177D shade: #71179B, #95179B, #9B177F, #9B175B and #9B1738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C177D shade: #540C43, #771260, #9B177D, #BF1D99 and #DF26B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C177D shade: #9C177D, #9B4E17 and #179B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C177D shade: #9C177D, #7F9B17 and #177F9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C177D shade: #9C177D, #9B4E17, #179B34 and #17649B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C177D shade: #9C177D, #9B7617, #179B34 and #173D9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 20 / 39

HEX #9C177D

RGB 156 23 125

HSL 313.98, 0.74%, 0.35%

LAB 36.29, 60.22, -23.98

 

Complementary color

CMYK 57 / 0 / 44 / 9

HEX #63E882

RGB 99 232 130

HSL 133.98, 0.74%, 0.65%

LAB 82.9, -57.86, 38.84

 

CMYK 0 / 86 / 25 / 37

HEX #A11778

RGB 161 23 120

HSL 317.83, 0.75%, 0.36%

LAB 37.01, 60.7, -19.65

 

CMYK 0 / 77 / 22 / 30

HEX #B2298B

RGB 178 41 139

HSL 317.08, 0.63%, 0.43%

LAB 42.63, 62.47, -22.45

 

CMYK 0 / 70 / 19 / 24

HEX #C33B9E

RGB 195 59 158

HSL 316.32, 0.54%, 0.5%

LAB 48.51, 63.28, -24.56

 

CMYK 0 / 64 / 17 / 17

HEX #D44DB1

RGB 212 77 177

HSL 315.56, 0.61%, 0.57%

LAB 54.53, 63.49, -26.2

 

CMYK 0 / 59 / 14 / 10

HEX #E55FC4

RGB 229 95 196

HSL 314.78, 0.72%, 0.64%

LAB 60.63, 63.31, -27.49

 

CMYK 0 / 85 / 20 / 39

HEX #9C177D

RGB 156 23 125

HSL 313.98, 0.74%, 0.35%

LAB 36.29, 60.22, -23.98

 

CMYK 0 / 96 / 24 / 45

HEX #8B056A

RGB 139 5 106

HSL 314.78, 0.93%, 0.28%

LAB 30.97, 57.15, -20.48

 

CMYK 0 / 100 / 29 / 52

HEX #7A0057

RGB 122 0 87

HSL 317.21, 1%, 0.24%

LAB 26.23, 51.99, -15.69

 

CMYK 0 / 100 / 35 / 59

HEX #690044

RGB 105 0 68

HSL 321.14, 1%, 0.21%

LAB 21.66, 45.96, -10.19

 

CMYK 0 / 100 / 44 / 65

HEX #580031

RGB 88 0 49

HSL 326.59, 1%, 0.17%

LAB 16.97, 39.81, -4.27

 

CMYK 0 / 85 / 19 / 39

HEX #9B177D

RGB 155 23 125

HSL 313.64, 0.74%, 0.35%

LAB 36.1, 60, -24.29

 

CMYK 0 / 85 / 43 / 39

HEX #9B1759

RGB 155 23 89

HSL 330, 0.74%, 0.35%

LAB 34.61, 55.79, -3.67

 

CMYK 0 / 85 / 66 / 39

HEX #9B1735

RGB 155 23 53

HSL 346.36, 0.74%, 0.35%

LAB 33.64, 52.98, 18.46

 

CMYK 0 / 85 / 85 / 39

HEX #9B1717

RGB 155 23 23

HSL 0, 0.74%, 0.35%

LAB 33.23, 51.73, 36.41

 

CMYK 0 / 85 / 19 / 39

HEX #9B177D

RGB 155 23 125

HSL 313.64, 0.74%, 0.35%

LAB 36.1, 60, -24.29

 

CMYK 3 / 85 / 0 / 39

HEX #96179B

RGB 150 23 155

HSL 297.73, 0.74%, 0.35%

LAB 36.86, 63.47, -41.62

 

CMYK 26 / 85 / 0 / 39

HEX #73179B

RGB 115 23 155

HSL 281.82, 0.74%, 0.35%

LAB 30.94, 57.23, -51.48

 

CMYK 49 / 85 / 0 / 39

HEX #4F179B

RGB 79 23 155

HSL 265.45, 0.74%, 0.35%

LAB 25.69, 51.92, -60.27

 

CMYK 72 / 85 / 0 / 39

HEX #2C179B

RGB 44 23 155

HSL 249.55, 0.74%, 0.35%

LAB 22, 48.38, -66.49

 

CMYK 0 / 85 / 19 / 39

HEX #9B177D

RGB 155 23 125

HSL 313.64, 0.74%, 0.35%

LAB 36.1, 60, -24.29

 

CMYK 0 / 95 / 22 / 33

HEX #AA0984

RGB 170 9 132

HSL 314.16, 0.9%, 0.35%

LAB 38.56, 66.31, -24.59

 

CMYK 0 / 85 / 19 / 39

HEX #9B177D

RGB 155 23 125

HSL 313.64, 0.74%, 0.35%

LAB 36.1, 60, -24.29

 

CMYK 0 / 73 / 17 / 45

HEX #8D2675

RGB 141 38 117

HSL 313.98, 0.58%, 0.35%

LAB 34.67, 51.14, -21.7

 

CMYK 0 / 59 / 13 / 51

HEX #7E346D

RGB 126 52 109

HSL 313.78, 0.42%, 0.35%

LAB 33.97, 39.49, -17.92

 

CMYK 0 / 40 / 10 / 56

HEX #704365

RGB 112 67 101

HSL 314.67, 0.25%, 0.35%

LAB 34.8, 24.98, -11.78

 

CMYK 0 / 17 / 4 / 62

HEX #62515E

RGB 98 81 94

HSL 314.12, 0.09%, 0.35%

LAB 36.54, 9.59, -4.92

 

CMYK 27 / 85 / 0 / 39

HEX #71179B

RGB 113 23 155

HSL 280.91, 0.74%, 0.35%

LAB 30.62, 56.9, -52.01

 

CMYK 4 / 85 / 0 / 39

HEX #95179B

RGB 149 23 155

HSL 297.27, 0.74%, 0.35%

LAB 36.69, 63.29, -41.91

 

CMYK 0 / 85 / 18 / 39

HEX #9B177F

RGB 155 23 127

HSL 312.73, 0.74%, 0.35%

LAB 36.2, 60.27, -25.38

 

CMYK 0 / 85 / 41 / 39

HEX #9B175B

RGB 155 23 91

HSL 329.09, 0.74%, 0.35%

LAB 34.67, 55.99, -4.86

 

CMYK 0 / 85 / 64 / 39

HEX #9B1738

RGB 155 23 56

HSL 345, 0.74%, 0.35%

LAB 33.7, 53.16, 16.58

 

CMYK 0 / 86 / 20 / 67

HEX #540C43

RGB 84 12 67

HSL 314.17, 0.75%, 0.19%

LAB 18.16, 37.6, -15.26

 

CMYK 0 / 85 / 19 / 53

HEX #771260

RGB 119 18 96

HSL 313.66, 0.74%, 0.27%

LAB 27.29, 48.92, -20.02

 

CMYK 0 / 85 / 19 / 39

HEX #9B177D

RGB 155 23 125

HSL 313.64, 0.74%, 0.35%

LAB 36.1, 60, -24.29

 

CMYK 0 / 85 / 20 / 25

HEX #BF1D99

RGB 191 29 153

HSL 314.07, 0.74%, 0.43%

LAB 44.6, 70.21, -27.7

 

CMYK 0 / 83 / 19 / 13

HEX #DF26B4

RGB 223 38 180

HSL 313.95, 0.74%, 0.51%

LAB 52.25, 78.5, -31.34

 

CMYK 0 / 85 / 20 / 39

HEX #9C177D

RGB 156 23 125

HSL 313.98, 0.74%, 0.35%

LAB 36.29, 60.22, -23.98

 

CMYK 0 / 50 / 85 / 39

HEX #9B4E17

RGB 155 78 23

HSL 25, 0.74%, 0.35%

LAB 41.97, 28.48, 44.22

 

CMYK 85 / 0 / 15 / 39

HEX #179B83

RGB 23 155 131

HSL 169.09, 0.74%, 0.35%

LAB 57.33, -39.02, 3.16

 

CMYK 0 / 85 / 20 / 39

HEX #9C177D

RGB 156 23 125

HSL 313.98, 0.74%, 0.35%

LAB 36.29, 60.22, -23.98

 

CMYK 18 / 0 / 85 / 39

HEX #7F9B17

RGB 127 155 23

HSL 72.73, 0.74%, 0.35%

LAB 59.9, -26.69, 58.63

 

CMYK 85 / 18 / 0 / 39

HEX #177F9B

RGB 23 127 155

HSL 192.73, 0.74%, 0.35%

LAB 49.16, -17.71, -22.94

 

CMYK 0 / 85 / 20 / 39

HEX #9C177D

RGB 156 23 125

HSL 313.98, 0.74%, 0.35%

LAB 36.29, 60.22, -23.98

 

CMYK 0 / 50 / 85 / 39

HEX #9B4E17

RGB 155 78 23

HSL 25, 0.74%, 0.35%

LAB 41.97, 28.48, 44.22

 

CMYK 85 / 0 / 66 / 39

HEX #179B34

RGB 23 155 52

HSL 133.18, 0.74%, 0.35%

LAB 55.96, -54.59, 43.24

 

CMYK 85 / 35 / 0 / 39

HEX #17649B

RGB 23 100 155

HSL 205, 0.74%, 0.35%

LAB 40.68, -1.91, -36.21

 

CMYK 0 / 85 / 20 / 39

HEX #9C177D

RGB 156 23 125

HSL 313.98, 0.74%, 0.35%

LAB 36.29, 60.22, -23.98

 

CMYK 0 / 24 / 85 / 39

HEX #9B7617

RGB 155 118 23

HSL 43.18, 0.74%, 0.35%

LAB 51.82, 5.8, 52.71

 

CMYK 85 / 0 / 66 / 39

HEX #179B34

RGB 23 155 52

HSL 133.18, 0.74%, 0.35%

LAB 55.96, -54.59, 43.24

 

CMYK 85 / 61 / 0 / 39

HEX #173D9B

RGB 23 61 155

HSL 222.73, 0.74%, 0.35%

LAB 29.12, 24.06, -54.8

 

Description

Color code: HEX #9C177D | qconv.com Color code: HEX #9C177D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 23 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 23 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 20 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 20% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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