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Color name
HEX #9C109F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C109F it is the complementary color #63EF60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C109F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C109F shade: #A1109A, #B222AD, #C334C0, #D446D3 and #E558E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C109F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C109F shade: #9C109F, #8B008C, #7A0079, #690066 and #580053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C109F shade: #9B109E, #9E107A, #9E1054, #9E102E and #9E1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C109F shade: #9B109E, #74109E, #4E109E, #28109E and #10109E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C109F shade matches the following richer shades: #9B109E and #A802AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C109F shade: #9B109E, #8D1E90, #802C82, #723A74 and #654866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C109F shade: #4D109E, #73109E, #99109E, #9E107D and #9E1057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C109F shade: #510853, #760C78, #9B109E, #C013C3 and #E418E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C109F shade: #9C109F, #9E2710 and #109E60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C109F shade: #9C109F, #9E9910 and #109E99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C109F shade: #9C109F, #9E2710, #149E10 and #10869E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C109F shade: #9C109F, #9E5210, #149E10 and #105B9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 90 / 0 / 38

HEX #9C109F

RGB 156 16 159

HSL 298.74, 0.82%, 0.34%

LAB 37.74, 66.53, -42.58

 

Complementary color

CMYK 59 / 0 / 60 / 6

HEX #63EF60

RGB 99 239 96

HSL 118.74, 0.82%, 0.66%

LAB 84.6, -64.89, 56.72

 

CMYK 0 / 90 / 4 / 37

HEX #A1109A

RGB 161 16 154

HSL 302.9, 0.82%, 0.35%

LAB 38.34, 66.67, -38.53

 

CMYK 0 / 81 / 3 / 30

HEX #B222AD

RGB 178 34 173

HSL 302.08, 0.68%, 0.42%

LAB 43.69, 69.25, -41.24

 

CMYK 0 / 73 / 2 / 24

HEX #C334C0

RGB 195 52 192

HSL 301.26, 0.58%, 0.48%

LAB 49.33, 70.7, -43.25

 

CMYK 0 / 67 / 0 / 17

HEX #D446D3

RGB 212 70 211

HSL 300.42, 0.62%, 0.55%

LAB 55.16, 71.39, -44.78

 

CMYK 0 / 62 / 0 / 10

HEX #E558E6

RGB 229 88 230

HSL 299.58, 0.74%, 0.62%

LAB 61.09, 71.57, -45.96

 

CMYK 2 / 90 / 0 / 38

HEX #9C109F

RGB 156 16 159

HSL 298.74, 0.82%, 0.34%

LAB 37.74, 66.53, -42.58

 

CMYK 1 / 100 / 0 / 45

HEX #8B008C

RGB 139 0 140

HSL 299.57, 1%, 0.27%

LAB 32.66, 62.72, -39.26

 

CMYK 0 / 100 / 1 / 52

HEX #7A0079

RGB 122 0 121

HSL 300.49, 1%, 0.24%

LAB 28.16, 56.78, -34.73

 

CMYK 0 / 100 / 3 / 59

HEX #690066

RGB 105 0 102

HSL 301.71, 1%, 0.21%

LAB 23.55, 50.69, -30.05

 

CMYK 0 / 100 / 6 / 65

HEX #580053

RGB 88 0 83

HSL 303.41, 1%, 0.17%

LAB 18.8, 44.41, -25.18

 

CMYK 2 / 90 / 0 / 38

HEX #9B109E

RGB 155 16 158

HSL 298.73, 0.82%, 0.34%

LAB 37.5, 66.19, -42.37

 

CMYK 0 / 90 / 23 / 38

HEX #9E107A

RGB 158 16 122

HSL 315.21, 0.82%, 0.34%

LAB 36.07, 61.62, -22.42

 

CMYK 0 / 90 / 47 / 38

HEX #9E1054

RGB 158 16 84

HSL 331.27, 0.82%, 0.34%

LAB 34.56, 57.49, -0.43

 

CMYK 0 / 90 / 71 / 38

HEX #9E102E

RGB 158 16 46

HSL 347.32, 0.82%, 0.34%

LAB 33.64, 54.9, 23.12

 

CMYK 0 / 90 / 90 / 38

HEX #9E1010

RGB 158 16 16

HSL 0, 0.82%, 0.34%

LAB 33.3, 53.92, 40.32

 

CMYK 2 / 90 / 0 / 38

HEX #9B109E

RGB 155 16 158

HSL 298.73, 0.82%, 0.34%

LAB 37.5, 66.19, -42.37

 

CMYK 27 / 90 / 0 / 38

HEX #74109E

RGB 116 16 158

HSL 282.25, 0.82%, 0.34%

LAB 30.76, 59.68, -53.57

 

CMYK 51 / 90 / 0 / 38

HEX #4E109E

RGB 78 16 158

HSL 266.2, 0.82%, 0.34%

LAB 25.13, 54.73, -63.02

 

CMYK 75 / 90 / 0 / 38

HEX #28109E

RGB 40 16 158

HSL 250.14, 0.82%, 0.34%

LAB 21.17, 51.65, -69.71

 

CMYK 90 / 90 / 0 / 38

HEX #10109E

RGB 16 16 158

HSL 240, 0.82%, 0.34%

LAB 19.84, 50.72, -71.96

 

CMYK 2 / 90 / 0 / 38

HEX #9B109E

RGB 155 16 158

HSL 298.73, 0.82%, 0.34%

LAB 37.5, 66.19, -42.37

 

CMYK 2 / 99 / 0 / 33

HEX #A802AC

RGB 168 2 172

HSL 298.59, 0.98%, 0.34%

LAB 40.16, 72.27, -46.38

 

CMYK 2 / 90 / 0 / 38

HEX #9B109E

RGB 155 16 158

HSL 298.73, 0.82%, 0.34%

LAB 37.5, 66.19, -42.37

 

CMYK 2 / 79 / 0 / 44

HEX #8D1E90

RGB 141 30 144

HSL 298.42, 0.66%, 0.34%

LAB 35.21, 58.08, -37.63

 

CMYK 2 / 66 / 0 / 49

HEX #802C82

RGB 128 44 130

HSL 298.6, 0.49%, 0.34%

LAB 33.99, 47.53, -31.06

 

CMYK 2 / 50 / 0 / 55

HEX #723A74

RGB 114 58 116

HSL 297.93, 0.33%, 0.34%

LAB 33.7, 33.83, -22.91

 

CMYK 1 / 29 / 0 / 60

HEX #654866

RGB 101 72 102

HSL 298, 0.17%, 0.34%

LAB 34.72, 18.06, -12.65

 

CMYK 51 / 90 / 0 / 38

HEX #4D109E

RGB 77 16 158

HSL 265.77, 0.82%, 0.34%

LAB 25, 54.62, -63.24

 

CMYK 27 / 90 / 0 / 38

HEX #73109E

RGB 115 16 158

HSL 281.83, 0.82%, 0.34%

LAB 30.6, 59.53, -53.85

 

CMYK 3 / 90 / 0 / 38

HEX #99109E

RGB 153 16 158

HSL 297.89, 0.82%, 0.34%

LAB 37.14, 65.83, -42.97

 

CMYK 0 / 90 / 21 / 38

HEX #9E107D

RGB 158 16 125

HSL 313.94, 0.82%, 0.34%

LAB 36.21, 62, -24.07

 

CMYK 0 / 90 / 45 / 38

HEX #9E1057

RGB 158 16 87

HSL 330, 0.82%, 0.34%

LAB 34.66, 57.77, -2.23

 

CMYK 2 / 90 / 0 / 67

HEX #510853

RGB 81 8 83

HSL 298.4, 0.82%, 0.18%

LAB 18.13, 40.74, -26.32

 

CMYK 2 / 90 / 0 / 53

HEX #760C78

RGB 118 12 120

HSL 298.89, 0.82%, 0.26%

LAB 28.04, 53.8, -34.34

 

CMYK 2 / 90 / 0 / 38

HEX #9B109E

RGB 155 16 158

HSL 298.73, 0.82%, 0.34%

LAB 37.5, 66.19, -42.37

 

CMYK 2 / 90 / 0 / 24

HEX #C013C3

RGB 192 19 195

HSL 298.98, 0.82%, 0.42%

LAB 46.46, 77.96, -49.6

 

CMYK 2 / 90 / 0 / 9

HEX #E418E8

RGB 228 24 232

HSL 298.85, 0.82%, 0.5%

LAB 55.04, 88.84, -56.7

 

CMYK 2 / 90 / 0 / 38

HEX #9C109F

RGB 156 16 159

HSL 298.74, 0.82%, 0.34%

LAB 37.74, 66.53, -42.58

 

CMYK 0 / 75 / 90 / 38

HEX #9E2710

RGB 158 39 16

HSL 9.72, 0.82%, 0.34%

LAB 35.51, 47.68, 42.03

 

CMYK 90 / 0 / 39 / 38

HEX #109E60

RGB 16 158 96

HSL 153.8, 0.82%, 0.34%

LAB 57.47, -49.2, 22.92

 

CMYK 2 / 90 / 0 / 38

HEX #9C109F

RGB 156 16 159

HSL 298.74, 0.82%, 0.34%

LAB 37.74, 66.53, -42.58

 

CMYK 0 / 3 / 90 / 38

HEX #9E9910

RGB 158 153 16

HSL 57.89, 0.82%, 0.34%

LAB 61.73, -12.21, 62.64

 

CMYK 90 / 0 / 3 / 38

HEX #109E99

RGB 16 158 153

HSL 177.89, 0.82%, 0.34%

LAB 58.85, -34.48, -7.12

 

CMYK 2 / 90 / 0 / 38

HEX #9C109F

RGB 156 16 159

HSL 298.74, 0.82%, 0.34%

LAB 37.74, 66.53, -42.58

 

CMYK 0 / 75 / 90 / 38

HEX #9E2710

RGB 158 39 16

HSL 9.72, 0.82%, 0.34%

LAB 35.51, 47.68, 42.03

 

CMYK 87 / 0 / 90 / 38

HEX #149E10

RGB 20 158 16

HSL 118.31, 0.82%, 0.34%

LAB 56.72, -58.46, 55.82

 

CMYK 90 / 15 / 0 / 38

HEX #10869E

RGB 16 134 158

HSL 190.14, 0.82%, 0.34%

LAB 51.42, -20.92, -21.23

 

CMYK 2 / 90 / 0 / 38

HEX #9C109F

RGB 156 16 159

HSL 298.74, 0.82%, 0.34%

LAB 37.74, 66.53, -42.58

 

CMYK 0 / 48 / 90 / 38

HEX #9E5210

RGB 158 82 16

HSL 27.89, 0.82%, 0.34%

LAB 43.27, 27.39, 48.07

 

CMYK 87 / 0 / 90 / 38

HEX #149E10

RGB 20 158 16

HSL 118.31, 0.82%, 0.34%

LAB 56.72, -58.46, 55.82

 

CMYK 90 / 42 / 0 / 38

HEX #105B9E

RGB 16 91 158

HSL 208.31, 0.82%, 0.34%

LAB 37.95, 4.48, -42.34

 

Description

Color code: HEX #9C109F | qconv.com Color code: HEX #9C109F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 16 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 16 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 90 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 90% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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