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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C0F85 it is the complementary color #63F07A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C0F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C0F85 shade: #A10F80, #B22193, #C333A6, #D445B9 and #E557CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C0F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C0F85 shade: #9C0F85, #8B0072, #7A005F, #69004C and #580039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C0F85 shade: #9E1087, #9E1060, #9E103A, #9E1014 and #9E1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C0F85 shade: #9E1087, #8F109E, #68109E, #42109E and #1C109E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C0F85 shade matches the following richer shades: #9E1087 and #AC0290

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C0F85 shade: #9E1087, #901E7D, #822C74, #743A6A and #664861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C0F85 shade: #67109E, #8D109E, #9E1088, #9E1063 and #9E103D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C0F85 shade: #530847, #780C67, #9E1087, #C313A7 and #E818C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C0F85 shade: #9C0F85, #9E4110 and #109E7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C0F85 shade: #9C0F85, #889E10 and #10889E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C0F85 shade: #9C0F85, #9E4110, #109E25 and #106C9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C0F85 shade: #9C0F85, #9E6C10, #109E25 and #10419E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 15 / 39

HEX #9C0F85

RGB 156 15 133

HSL 309.79, 0.82%, 0.34%

LAB 36.18, 62.82, -29.13

 

Complementary color

CMYK 59 / 0 / 49 / 6

HEX #63F07A

RGB 99 240 122

HSL 129.79, 0.82%, 0.66%

LAB 85.19, -62.03, 45.6

 

CMYK 0 / 91 / 20 / 37

HEX #A10F80

RGB 161 15 128

HSL 313.56, 0.83%, 0.35%

LAB 36.89, 63.18, -24.85

 

CMYK 0 / 81 / 17 / 30

HEX #B22193

RGB 178 33 147

HSL 312.83, 0.69%, 0.41%

LAB 42.25, 65.72, -27.92

 

CMYK 0 / 74 / 15 / 24

HEX #C333A6

RGB 195 51 166

HSL 312.08, 0.59%, 0.48%

LAB 47.91, 67.11, -30.24

 

CMYK 0 / 67 / 13 / 17

HEX #D445B9

RGB 212 69 185

HSL 311.33, 0.62%, 0.55%

LAB 53.77, 67.74, -32.03

 

CMYK 0 / 62 / 11 / 10

HEX #E557CC

RGB 229 87 204

HSL 310.56, 0.73%, 0.62%

LAB 59.74, 67.86, -33.42

 

CMYK 0 / 90 / 15 / 39

HEX #9C0F85

RGB 156 15 133

HSL 309.79, 0.82%, 0.34%

LAB 36.18, 62.82, -29.13

 

CMYK 0 / 100 / 18 / 45

HEX #8B0072

RGB 139 0 114

HSL 310.79, 1%, 0.27%

LAB 31.12, 58.94, -25.36

 

CMYK 0 / 100 / 22 / 52

HEX #7A005F

RGB 122 0 95

HSL 313.28, 1%, 0.24%

LAB 26.63, 53.01, -20.35

 

CMYK 0 / 100 / 28 / 59

HEX #69004C

RGB 105 0 76

HSL 316.57, 1%, 0.21%

LAB 22.03, 46.93, -15.08

 

CMYK 0 / 100 / 35 / 65

HEX #580039

RGB 88 0 57

HSL 321.14, 1%, 0.17%

LAB 17.32, 40.72, -9.46

 

CMYK 0 / 90 / 15 / 38

HEX #9E1087

RGB 158 16 135

HSL 309.72, 0.82%, 0.34%

LAB 36.72, 63.34, -29.49

 

CMYK 0 / 90 / 39 / 38

HEX #9E1060

RGB 158 16 96

HSL 326.2, 0.82%, 0.34%

LAB 34.97, 58.64, -7.58

 

CMYK 0 / 90 / 63 / 38

HEX #9E103A

RGB 158 16 58

HSL 342.25, 0.82%, 0.34%

LAB 33.87, 55.55, 15.61

 

CMYK 0 / 90 / 87 / 38

HEX #9E1014

RGB 158 16 20

HSL 358.31, 0.82%, 0.34%

LAB 33.33, 54, 38.35

 

CMYK 0 / 90 / 90 / 38

HEX #9E1010

RGB 158 16 16

HSL 0, 0.82%, 0.34%

LAB 33.3, 53.92, 40.32

 

CMYK 0 / 90 / 15 / 38

HEX #9E1087

RGB 158 16 135

HSL 309.72, 0.82%, 0.34%

LAB 36.72, 63.34, -29.49

 

CMYK 9 / 90 / 0 / 38

HEX #8F109E

RGB 143 16 158

HSL 293.66, 0.82%, 0.34%

LAB 35.36, 64.07, -45.92

 

CMYK 34 / 90 / 0 / 38

HEX #68109E

RGB 104 16 158

HSL 277.18, 0.82%, 0.34%

LAB 28.86, 57.94, -56.77

 

CMYK 58 / 90 / 0 / 38

HEX #42109E

RGB 66 16 158

HSL 261.13, 0.82%, 0.34%

LAB 23.66, 53.54, -65.5

 

CMYK 82 / 90 / 0 / 38

HEX #1C109E

RGB 28 16 158

HSL 245.07, 0.82%, 0.34%

LAB 20.39, 51.1, -71.04

 

CMYK 0 / 90 / 15 / 38

HEX #9E1087

RGB 158 16 135

HSL 309.72, 0.82%, 0.34%

LAB 36.72, 63.34, -29.49

 

CMYK 0 / 99 / 16 / 33

HEX #AC0290

RGB 172 2 144

HSL 309.88, 0.98%, 0.34%

LAB 39.29, 69, -30.81

 

CMYK 0 / 90 / 15 / 38

HEX #9E1087

RGB 158 16 135

HSL 309.72, 0.82%, 0.34%

LAB 36.72, 63.34, -29.49

 

CMYK 0 / 79 / 13 / 44

HEX #901E7D

RGB 144 30 125

HSL 310, 0.66%, 0.34%

LAB 34.68, 55.71, -26.66

 

CMYK 0 / 66 / 11 / 49

HEX #822C74

RGB 130 44 116

HSL 309.77, 0.49%, 0.34%

LAB 33.58, 45.61, -22.91

 

CMYK 0 / 50 / 9 / 55

HEX #743A6A

RGB 116 58 106

HSL 310.34, 0.33%, 0.34%

LAB 33.52, 32.53, -16.85

 

CMYK 0 / 29 / 5 / 60

HEX #664861

RGB 102 72 97

HSL 310, 0.17%, 0.34%

LAB 34.65, 17.38, -9.6

 

CMYK 35 / 90 / 0 / 38

HEX #67109E

RGB 103 16 158

HSL 276.76, 0.82%, 0.34%

LAB 28.7, 57.81, -57.03

 

CMYK 11 / 90 / 0 / 38

HEX #8D109E

RGB 141 16 158

HSL 292.82, 0.82%, 0.34%

LAB 35.01, 63.73, -46.5

 

CMYK 0 / 90 / 14 / 38

HEX #9E1088

RGB 158 16 136

HSL 309.3, 0.82%, 0.34%

LAB 36.78, 63.48, -30.03

 

CMYK 0 / 90 / 37 / 38

HEX #9E1063

RGB 158 16 99

HSL 324.93, 0.82%, 0.34%

LAB 35.08, 58.95, -9.34

 

CMYK 0 / 90 / 61 / 38

HEX #9E103D

RGB 158 16 61

HSL 340.99, 0.82%, 0.34%

LAB 33.93, 55.74, 13.73

 

CMYK 0 / 90 / 14 / 67

HEX #530847

RGB 83 8 71

HSL 309.6, 0.82%, 0.18%

LAB 17.77, 39.14, -18.66

 

CMYK 0 / 90 / 14 / 53

HEX #780C67

RGB 120 12 103

HSL 309.44, 0.82%, 0.26%

LAB 27.39, 51.53, -24.41

 

CMYK 0 / 90 / 15 / 38

HEX #9E1087

RGB 158 16 135

HSL 309.72, 0.82%, 0.34%

LAB 36.72, 63.34, -29.49

 

CMYK 0 / 90 / 14 / 24

HEX #C313A7

RGB 195 19 167

HSL 309.55, 0.82%, 0.42%

LAB 45.44, 74.52, -34.71

 

CMYK 0 / 90 / 15 / 9

HEX #E818C6

RGB 232 24 198

HSL 309.81, 0.82%, 0.5%

LAB 53.91, 84.88, -39.08

 

CMYK 0 / 90 / 15 / 39

HEX #9C0F85

RGB 156 15 133

HSL 309.79, 0.82%, 0.34%

LAB 36.18, 62.82, -29.13

 

CMYK 0 / 59 / 90 / 38

HEX #9E4110

RGB 158 65 16

HSL 20.7, 0.82%, 0.34%

LAB 39.73, 36.36, 45.3

 

CMYK 90 / 0 / 23 / 38

HEX #109E7A

RGB 16 158 122

HSL 164.79, 0.82%, 0.34%

LAB 58.01, -43.19, 9.21

 

CMYK 0 / 90 / 15 / 39

HEX #9C0F85

RGB 156 15 133

HSL 309.79, 0.82%, 0.34%

LAB 36.18, 62.82, -29.13

 

CMYK 14 / 0 / 90 / 38

HEX #889E10

RGB 136 158 16

HSL 69.3, 0.82%, 0.34%

LAB 61.42, -24.51, 61.65

 

CMYK 90 / 14 / 0 / 38

HEX #10889E

RGB 16 136 158

HSL 189.3, 0.82%, 0.34%

LAB 52.05, -21.98, -20.26

 

CMYK 0 / 90 / 15 / 39

HEX #9C0F85

RGB 156 15 133

HSL 309.79, 0.82%, 0.34%

LAB 36.18, 62.82, -29.13

 

CMYK 0 / 59 / 90 / 38

HEX #9E4110

RGB 158 65 16

HSL 20.7, 0.82%, 0.34%

LAB 39.73, 36.36, 45.3

 

CMYK 90 / 0 / 77 / 38

HEX #109E25

RGB 16 158 37

HSL 128.87, 0.82%, 0.34%

LAB 56.78, -57.59, 50.04

 

CMYK 90 / 32 / 0 / 38

HEX #106C9E

RGB 16 108 158

HSL 201.13, 0.82%, 0.34%

LAB 43.22, -6.19, -33.98

 

CMYK 0 / 90 / 15 / 39

HEX #9C0F85

RGB 156 15 133

HSL 309.79, 0.82%, 0.34%

LAB 36.18, 62.82, -29.13

 

CMYK 0 / 32 / 90 / 38

HEX #9E6C10

RGB 158 108 16

HSL 38.87, 0.82%, 0.34%

LAB 49.53, 12.71, 52.99

 

CMYK 90 / 0 / 77 / 38

HEX #109E25

RGB 16 158 37

HSL 128.87, 0.82%, 0.34%

LAB 56.78, -57.59, 50.04

 

CMYK 90 / 59 / 0 / 38

HEX #10419E

RGB 16 65 158

HSL 219.3, 0.82%, 0.34%

LAB 30.3, 22.03, -54.7

 

Description

Color code: HEX #9C0F85 | qconv.com Color code: HEX #9C0F85 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 15 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 15 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 15 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 15% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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