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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C0C7B it is the complementary color #63F384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C0C7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C0C7B shade: #A10C76, #B21E89, #C3309C, #D442AF and #E554C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C0C7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C0C7B shade: #9C0C7B, #8B0068, #7A0055, #690042 and #58002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C0C7B shade: #9D0C7B, #9D0C54, #9D0C2D and #9D0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C0C7B shade: #9D0C7B, #970C9D, #700C9D, #490C9D and #220C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C0C7B shade matches the following richer shades: #9D0C7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C0C7B shade: #9D0C7B, #8F1974, #81276D, #743565 and #66425E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C0C7B shade: #6F0C9D, #950C9D, #9D0C7D, #9D0C57 and #9D0C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C0C7B shade: #50063F, #76095D, #9D0C7B, #C30F9A and #E912B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C0C7B shade: #9C0C7B, #9D480C and #0C9D82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C0C7B shade: #9C0C7B, #7D9D0C and #0C7D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C0C7B shade: #9C0C7B, #9D480C, #0C9D2B and #0C609D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C0C7B shade: #9C0C7B, #9D740C, #0C9D2B and #0C359D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 21 / 39

HEX #9C0C7B

RGB 156 12 123

HSL 313.75, 0.86%, 0.33%

LAB 35.52, 61.93, -23.93

 

Complementary color

CMYK 59 / 0 / 46 / 5

HEX #63F384

RGB 99 243 132

HSL 133.75, 0.86%, 0.67%

LAB 86.22, -61.69, 42.09

 

CMYK 0 / 93 / 27 / 37

HEX #A10C76

RGB 161 12 118

HSL 317.32, 0.86%, 0.34%

LAB 36.27, 62.37, -19.55

 

CMYK 0 / 83 / 23 / 30

HEX #B21E89

RGB 178 30 137

HSL 316.62, 0.71%, 0.41%

LAB 41.53, 65.12, -22.93

 

CMYK 0 / 75 / 20 / 24

HEX #C3309C

RGB 195 48 156

HSL 315.92, 0.6%, 0.48%

LAB 47.13, 66.67, -25.51

 

CMYK 0 / 69 / 17 / 17

HEX #D442AF

RGB 212 66 175

HSL 315.21, 0.63%, 0.55%

LAB 52.94, 67.4, -27.5

 

CMYK 0 / 63 / 15 / 10

HEX #E554C2

RGB 229 84 194

HSL 314.48, 0.74%, 0.61%

LAB 58.88, 67.59, -29.06

 

CMYK 0 / 92 / 21 / 39

HEX #9C0C7B

RGB 156 12 123

HSL 313.75, 0.86%, 0.33%

LAB 35.52, 61.93, -23.93

 

CMYK 0 / 100 / 25 / 45

HEX #8B0068

RGB 139 0 104

HSL 315.11, 1%, 0.27%

LAB 30.61, 57.66, -19.75

 

CMYK 0 / 100 / 30 / 52

HEX #7A0055

RGB 122 0 85

HSL 318.2, 1%, 0.24%

LAB 26.14, 51.75, -14.5

 

CMYK 0 / 100 / 37 / 59

HEX #690042

RGB 105 0 66

HSL 322.29, 1%, 0.21%

LAB 21.57, 45.73, -8.94

 

CMYK 0 / 100 / 47 / 65

HEX #58002F

RGB 88 0 47

HSL 327.95, 1%, 0.17%

LAB 16.89, 39.61, -2.95

 

CMYK 0 / 92 / 22 / 38

HEX #9D0C7B

RGB 157 12 123

HSL 314.07, 0.86%, 0.33%

LAB 35.72, 62.14, -23.61

 

CMYK 0 / 92 / 46 / 38

HEX #9D0C54

RGB 157 12 84

HSL 330.21, 0.86%, 0.33%

LAB 34.13, 57.89, -1.08

 

CMYK 0 / 92 / 71 / 38

HEX #9D0C2D

RGB 157 12 45

HSL 346.34, 0.86%, 0.33%

LAB 33.18, 55.24, 23.14

 

CMYK 0 / 92 / 92 / 38

HEX #9D0C0C

RGB 157 12 12

HSL 0, 0.86%, 0.33%

LAB 32.83, 54.24, 41.69

 

CMYK 0 / 92 / 22 / 38

HEX #9D0C7B

RGB 157 12 123

HSL 314.07, 0.86%, 0.33%

LAB 35.72, 62.14, -23.61

 

CMYK 4 / 92 / 0 / 38

HEX #970C9D

RGB 151 12 157

HSL 297.52, 0.86%, 0.33%

LAB 36.51, 65.91, -43.38

 

CMYK 29 / 92 / 0 / 38

HEX #700C9D

RGB 112 12 157

HSL 281.38, 0.86%, 0.33%

LAB 29.77, 59.67, -54.62

 

CMYK 54 / 92 / 0 / 38

HEX #490C9D

RGB 73 12 157

HSL 265.24, 0.86%, 0.33%

LAB 24.04, 55, -64.23

 

CMYK 78 / 92 / 0 / 38

HEX #220C9D

RGB 34 12 157

HSL 249.1, 0.86%, 0.33%

LAB 20.19, 52.34, -70.74

 

CMYK 0 / 92 / 22 / 38

HEX #9D0C7B

RGB 157 12 123

HSL 314.07, 0.86%, 0.33%

LAB 35.72, 62.14, -23.61

 

CMYK 0 / 92 / 22 / 38

HEX #9D0C7B

RGB 157 12 123

HSL 314.07, 0.86%, 0.33%

LAB 35.72, 62.14, -23.61

 

CMYK 0 / 83 / 19 / 44

HEX #8F1974

RGB 143 25 116

HSL 313.73, 0.7%, 0.33%

LAB 33.55, 55.57, -22.77

 

CMYK 0 / 70 / 16 / 49

HEX #81276D

RGB 129 39 109

HSL 313.33, 0.54%, 0.33%

LAB 32.31, 46.31, -20.46

 

CMYK 0 / 54 / 13 / 55

HEX #743565

RGB 116 53 101

HSL 314.29, 0.37%, 0.33%

LAB 32.26, 34.36, -15.61

 

CMYK 0 / 35 / 8 / 60

HEX #66425E

RGB 102 66 94

HSL 313.33, 0.21%, 0.33%

LAB 32.98, 20.48, -10.21

 

CMYK 29 / 92 / 0 / 38

HEX #6F0C9D

RGB 111 12 157

HSL 280.97, 0.86%, 0.33%

LAB 29.61, 59.53, -54.89

 

CMYK 5 / 92 / 0 / 38

HEX #950C9D

RGB 149 12 157

HSL 296.69, 0.86%, 0.33%

LAB 36.15, 65.56, -43.98

 

CMYK 0 / 92 / 20 / 38

HEX #9D0C7D

RGB 157 12 125

HSL 313.24, 0.86%, 0.33%

LAB 35.81, 62.4, -24.71

 

CMYK 0 / 92 / 45 / 38

HEX #9D0C57

RGB 157 12 87

HSL 328.97, 0.86%, 0.33%

LAB 34.23, 58.16, -2.88

 

CMYK 0 / 92 / 69 / 38

HEX #9D0C30

RGB 157 12 48

HSL 345.1, 0.86%, 0.33%

LAB 33.23, 55.39, 21.27

 

CMYK 0 / 93 / 21 / 69

HEX #50063F

RGB 80 6 63

HSL 313.78, 0.86%, 0.17%

LAB 16.48, 37.77, -15.15

 

CMYK 0 / 92 / 21 / 54

HEX #76095D

RGB 118 9 93

HSL 313.76, 0.86%, 0.25%

LAB 26.27, 50.22, -19.67

 

CMYK 0 / 92 / 22 / 38

HEX #9D0C7B

RGB 157 12 123

HSL 314.07, 0.86%, 0.33%

LAB 35.72, 62.14, -23.61

 

CMYK 0 / 92 / 21 / 24

HEX #C30F9A

RGB 195 15 154

HSL 313.67, 0.86%, 0.41%

LAB 44.63, 73.37, -28.2

 

CMYK 0 / 92 / 21 / 9

HEX #E912B8

RGB 233 18 184

HSL 313.67, 0.86%, 0.49%

LAB 53.19, 84.04, -32.08

 

CMYK 0 / 92 / 21 / 39

HEX #9C0C7B

RGB 156 12 123

HSL 313.75, 0.86%, 0.33%

LAB 35.52, 61.93, -23.93

 

CMYK 0 / 54 / 92 / 38

HEX #9D480C

RGB 157 72 12

HSL 24.83, 0.86%, 0.33%

LAB 40.94, 32.28, 47.49

 

CMYK 92 / 0 / 17 / 38

HEX #0C9D82

RGB 12 157 130

HSL 168.83, 0.86%, 0.33%

LAB 57.85, -40.88, 4.46

 

CMYK 0 / 92 / 21 / 39

HEX #9C0C7B

RGB 156 12 123

HSL 313.75, 0.86%, 0.33%

LAB 35.52, 61.93, -23.93

 

CMYK 20 / 0 / 92 / 38

HEX #7D9D0C

RGB 125 157 12

HSL 73.24, 0.86%, 0.33%

LAB 60.34, -28.8, 61.14

 

CMYK 92 / 20 / 0 / 38

HEX #0C7D9D

RGB 12 125 157

HSL 193.24, 0.86%, 0.33%

LAB 48.49, -16.62, -25.16

 

CMYK 0 / 92 / 21 / 39

HEX #9C0C7B

RGB 156 12 123

HSL 313.75, 0.86%, 0.33%

LAB 35.52, 61.93, -23.93

 

CMYK 0 / 54 / 92 / 38

HEX #9D480C

RGB 157 72 12

HSL 24.83, 0.86%, 0.33%

LAB 40.94, 32.28, 47.49

 

CMYK 92 / 0 / 73 / 38

HEX #0C9D2B

RGB 12 157 43

HSL 132.83, 0.86%, 0.33%

LAB 56.45, -57.05, 47.47

 

CMYK 92 / 39 / 0 / 38

HEX #0C609D

RGB 12 96 157

HSL 205.24, 0.86%, 0.33%

LAB 39.37, 0.62, -39.48

 

CMYK 0 / 92 / 21 / 39

HEX #9C0C7B

RGB 156 12 123

HSL 313.75, 0.86%, 0.33%

LAB 35.52, 61.93, -23.93

 

CMYK 0 / 26 / 92 / 38

HEX #9D740C

RGB 157 116 12

HSL 43.03, 0.86%, 0.33%

LAB 51.48, 7.6, 55.39

 

CMYK 92 / 0 / 73 / 38

HEX #0C9D2B

RGB 12 157 43

HSL 132.83, 0.86%, 0.33%

LAB 56.45, -57.05, 47.47

 

CMYK 92 / 66 / 0 / 38

HEX #0C359D

RGB 12 53 157

HSL 223.03, 0.86%, 0.33%

LAB 26.9, 29.64, -59.66

 

Description

Color code: HEX #9C0C7B | qconv.com Color code: HEX #9C0C7B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 12 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 12 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 21 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 21% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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