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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BFD10 it is the complementary color #6402EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BFD10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BFD10 shade: #A0FD0B, #B1FF1E, #C2FF31, #D3FF44 and #E4FF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BFD10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BFD10 shade: #9BFD10, #8AEB00, #79D900, #68C700 and #57B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BFD10 shade: #9BFD12, #DBFD12, #FDDF12, #FDA012 and #FD6012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BFD10 shade: #9BFD12, #5CFD12, #1DFD12, #12FD46 and #12FD85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BFD10 shade matches the following richer shades: #9BFD12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BFD10 shade: #9BFD12, #98E925, #95D638, #91C24C and #8EAF5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BFD10 shade: #FDDD12, #DDFD12, #9FFD12, #60FD12 and #21FD12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BFD10 shade: #6EBA02, #86E302, #9BFD12, #ADFD3B and #BEFD63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BFD10 shade: #9BFD10, #12FD9F and #FD12FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BFD10 shade: #9BFD10, #129FFD and #FD129F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BFD10 shade: #9BFD10, #12FD9F, #7012FD and #FD1270

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BFD10 shade: #9BFD10, #12FDE5, #7012FD and #FD1229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 94 / 1

HEX #9BFD10

RGB 155 253 16

HSL 84.81, 0.98%, 0.53%

LAB 90.44, -58.59, 85.46

 

Complementary color

CMYK 58 / 99 / 0 / 6

HEX #6402EF

RGB 100 2 239

HSL 264.81, 0.98%, 0.47%

LAB 35.95, 77.64, -92.6

 

CMYK 37 / 0 / 96 / 1

HEX #A0FD0B

RGB 160 253 11

HSL 83.06, 0.98%, 0.52%

LAB 90.66, -56.99, 86.17

 

CMYK 31 / 0 / 88 / 0

HEX #B1FF1E

RGB 177 255 30

HSL 80.8, 1%, 0.56%

LAB 92.11, -51.57, 85.45

 

CMYK 24 / 0 / 81 / 0

HEX #C2FF31

RGB 194 255 49

HSL 77.77, 1%, 0.6%

LAB 93.11, -44.82, 82.84

 

CMYK 17 / 0 / 73 / 0

HEX #D3FF44

RGB 211 255 68

HSL 74.12, 1%, 0.63%

LAB 94.22, -37.61, 78.92

 

CMYK 11 / 0 / 66 / 0

HEX #E4FF57

RGB 228 255 87

HSL 69.64, 1%, 0.67%

LAB 95.46, -30.01, 73.96

 

CMYK 39 / 0 / 94 / 1

HEX #9BFD10

RGB 155 253 16

HSL 84.81, 0.98%, 0.53%

LAB 90.44, -58.59, 85.46

 

CMYK 41 / 0 / 100 / 8

HEX #8AEB00

RGB 138 235 0

HSL 84.77, 1%, 0.46%

LAB 84.39, -57.43, 81.68

 

CMYK 44 / 0 / 100 / 15

HEX #79D900

RGB 121 217 0

HSL 86.54, 1%, 0.43%

LAB 78.28, -56.04, 76.61

 

CMYK 48 / 0 / 100 / 22

HEX #68C700

RGB 104 199 0

HSL 88.64, 1%, 0.39%

LAB 72.09, -54.56, 71.47

 

CMYK 52 / 0 / 100 / 29

HEX #57B500

RGB 87 181 0

HSL 91.16, 1%, 0.35%

LAB 65.81, -52.98, 66.26

 

CMYK 39 / 0 / 93 / 1

HEX #9BFD12

RGB 155 253 18

HSL 85.02, 0.98%, 0.53%

LAB 90.44, -58.56, 85.25

 

CMYK 13 / 0 / 93 / 1

HEX #DBFD12

RGB 219 253 18

HSL 68.68, 0.98%, 0.53%

LAB 94.04, -35.03, 89.62

 

CMYK 0 / 12 / 93 / 1

HEX #FDDF12

RGB 253 223 18

HSL 52.34, 0.98%, 0.53%

LAB 88.78, -6.64, 86.76

 

CMYK 0 / 37 / 93 / 1

HEX #FDA012

RGB 253 160 18

HSL 36.26, 0.98%, 0.53%

LAB 73.59, 25.87, 75.66

 

CMYK 0 / 62 / 93 / 1

HEX #FD6012

RGB 253 96 18

HSL 19.91, 0.98%, 0.53%

LAB 61.04, 57.06, 67.1

 

CMYK 39 / 0 / 93 / 1

HEX #9BFD12

RGB 155 253 18

HSL 85.02, 0.98%, 0.53%

LAB 90.44, -58.56, 85.25

 

CMYK 64 / 0 / 93 / 1

HEX #5CFD12

RGB 92 253 18

HSL 101.11, 0.98%, 0.53%

LAB 88.24, -75.73, 82.55

 

CMYK 89 / 0 / 93 / 1

HEX #1DFD12

RGB 29 253 18

HSL 117.19, 0.98%, 0.53%

LAB 87.27, -84.23, 81.35

 

CMYK 93 / 0 / 72 / 1

HEX #12FD46

RGB 18 253 70

HSL 133.28, 0.98%, 0.53%

LAB 87.4, -82.32, 69.45

 

CMYK 93 / 0 / 47 / 1

HEX #12FD85

RGB 18 253 133

HSL 149.36, 0.98%, 0.53%

LAB 88, -74.82, 43.61

 

CMYK 39 / 0 / 93 / 1

HEX #9BFD12

RGB 155 253 18

HSL 85.02, 0.98%, 0.53%

LAB 90.44, -58.56, 85.25

 

CMYK 39 / 0 / 93 / 1

HEX #9BFD12

RGB 155 253 18

HSL 85.02, 0.98%, 0.53%

LAB 90.44, -58.56, 85.25

 

CMYK 35 / 0 / 84 / 9

HEX #98E925

RGB 152 233 37

HSL 84.8, 0.82%, 0.53%

LAB 84.53, -51.2, 77.23

 

CMYK 30 / 0 / 74 / 16

HEX #95D638

RGB 149 214 56

HSL 84.68, 0.66%, 0.53%

LAB 78.91, -43.49, 66.81

 

CMYK 25 / 0 / 61 / 24

HEX #91C24C

RGB 145 194 76

HSL 84.92, 0.49%, 0.53%

LAB 72.97, -34.69, 52.83

 

CMYK 19 / 0 / 46 / 31

HEX #8EAF5F

RGB 142 175 95

HSL 84.75, 0.33%, 0.53%

LAB 67.45, -24.86, 37.24

 

CMYK 0 / 13 / 93 / 1

HEX #FDDD12

RGB 253 221 18

HSL 51.83, 0.98%, 0.53%

LAB 88.28, -5.64, 86.39

 

CMYK 13 / 0 / 93 / 1

HEX #DDFD12

RGB 221 253 18

HSL 68.17, 0.98%, 0.53%

LAB 94.17, -34.23, 89.78

 

CMYK 37 / 0 / 93 / 1

HEX #9FFD12

RGB 159 253 18

HSL 84, 0.98%, 0.53%

LAB 90.63, -57.23, 85.48

 

CMYK 62 / 0 / 93 / 1

HEX #60FD12

RGB 96 253 18

HSL 100.09, 0.98%, 0.53%

LAB 88.34, -74.88, 82.68

 

CMYK 87 / 0 / 93 / 1

HEX #21FD12

RGB 33 253 18

HSL 116.17, 0.98%, 0.53%

LAB 87.3, -83.95, 81.39

 

CMYK 41 / 0 / 99 / 27

HEX #6EBA02

RGB 110 186 2

HSL 84.78, 0.98%, 0.37%

LAB 68.34, -47.51, 68.42

 

CMYK 41 / 0 / 99 / 11

HEX #86E302

RGB 134 227 2

HSL 84.8, 0.98%, 0.45%

LAB 81.84, -55.64, 79.45

 

CMYK 39 / 0 / 93 / 1

HEX #9BFD12

RGB 155 253 18

HSL 85.02, 0.98%, 0.53%

LAB 90.44, -58.56, 85.25

 

CMYK 32 / 0 / 77 / 1

HEX #ADFD3B

RGB 173 253 59

HSL 84.74, 0.98%, 0.61%

LAB 91.44, -51.17, 78.24

 

CMYK 25 / 0 / 61 / 1

HEX #BEFD63

RGB 190 253 99

HSL 84.55, 0.97%, 0.69%

LAB 92.62, -42.6, 65.52

 

CMYK 39 / 0 / 94 / 1

HEX #9BFD10

RGB 155 253 16

HSL 84.81, 0.98%, 0.53%

LAB 90.44, -58.59, 85.46

 

CMYK 93 / 0 / 37 / 1

HEX #12FD9F

RGB 18 253 159

HSL 156, 0.98%, 0.53%

LAB 88.39, -70.24, 31.37

 

CMYK 0 / 93 / 0 / 1

HEX #FD12FD

RGB 253 18 253

HSL 300, 0.98%, 0.53%

LAB 60.25, 96.52, -59.86

 

CMYK 39 / 0 / 94 / 1

HEX #9BFD10

RGB 155 253 16

HSL 84.81, 0.98%, 0.53%

LAB 90.44, -58.59, 85.46

 

CMYK 93 / 37 / 0 / 1

HEX #129FFD

RGB 18 159 253

HSL 204, 0.98%, 0.53%

LAB 63.36, -0.2, -55.96

 

CMYK 0 / 93 / 37 / 1

HEX #FD129F

RGB 253 18 159

HSL 324, 0.98%, 0.53%

LAB 55.91, 85.4, -12.93

 

CMYK 39 / 0 / 94 / 1

HEX #9BFD10

RGB 155 253 16

HSL 84.81, 0.98%, 0.53%

LAB 90.44, -58.59, 85.46

 

CMYK 93 / 0 / 37 / 1

HEX #12FD9F

RGB 18 253 159

HSL 156, 0.98%, 0.53%

LAB 88.39, -70.24, 31.37

 

CMYK 56 / 93 / 0 / 1

HEX #7012FD

RGB 112 18 253

HSL 264, 0.98%, 0.53%

LAB 39.53, 79.42, -94.53

 

CMYK 0 / 93 / 56 / 1

HEX #FD1270

RGB 253 18 112

HSL 336, 0.98%, 0.53%

LAB 54.54, 81.72, 13.15

 

CMYK 39 / 0 / 94 / 1

HEX #9BFD10

RGB 155 253 16

HSL 84.81, 0.98%, 0.53%

LAB 90.44, -58.59, 85.46

 

CMYK 93 / 0 / 9 / 1

HEX #12FDE5

RGB 18 253 229

HSL 173.87, 0.98%, 0.53%

LAB 89.88, -54.04, -2.47

 

CMYK 56 / 93 / 0 / 1

HEX #7012FD

RGB 112 18 253

HSL 264, 0.98%, 0.53%

LAB 39.53, 79.42, -94.53

 

CMYK 0 / 93 / 84 / 1

HEX #FD1229

RGB 253 18 41

HSL 354.13, 0.98%, 0.53%

LAB 53.47, 78.75, 52.87

 

Description

Color code: HEX #9BFD10 | qconv.com Color code: HEX #9BFD10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 253 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 253 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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