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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BFBEC it is the complementary color #640413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BFBEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BFBEC shade: #A0FBE7, #B1FFFA, #C2FFFF, #D3FFFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BFBEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BFBEC shade: #9BFBEC, #8AE9D9, #79D7C6, #68C5B3 and #57B3A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BFBEC shade: #9DFBEC, #9DFBD3, #9DFBBA, #9DFBA0 and #B3FB9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BFBEC shade: #9DFBEC, #9DF0FB, #9DD7FB, #9DBEFB and #9DA4FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BFBEC shade matches the following richer shades: #9DFBEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BFBEC shade: #9DFBEC, #A5F3E7, #AEEAE1, #B6E2DB and #BEDAD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BFBEC shade: #9DFBB9, #9DFBD2, #9DFBEB, #9DF2FB and #9DD9FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BFBEC shade: #4EF8DD, #75F9E5, #9DFBEC, #C5FDF4 and #ECFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BFBEC shade: #9BFBEC, #A09DFB and #FBC69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BFBEC shade: #9BFBEC, #EB9DFB and #FBEB9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BFBEC shade: #9BFBEC, #A09DFB, #FB9DAD and #F8FB9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BFBEC shade: #9BFBEC, #BC9DFB, #FB9DAD and #DCFB9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 6 / 2

HEX #9BFBEC

RGB 155 251 236

HSL 170.63, 0.92%, 0.8%

LAB 92.58, -31.72, -1.77

 

Complementary color

CMYK 0 / 96 / 81 / 61

HEX #640413

RGB 100 4 19

HSL 350.63, 0.92%, 0.2%

LAB 19.4, 39.81, 20.88

 

CMYK 36 / 0 / 8 / 2

HEX #A0FBE7

RGB 160 251 231

HSL 166.81, 0.92%, 0.81%

LAB 92.68, -31.53, 0.99

 

CMYK 31 / 0 / 2 / 0

HEX #B1FFFA

RGB 177 255 250

HSL 176.15, 1%, 0.85%

LAB 95.06, -24.74, -5.24

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 38 / 0 / 6 / 2

HEX #9BFBEC

RGB 155 251 236

HSL 170.63, 0.92%, 0.8%

LAB 92.58, -31.72, -1.77

 

CMYK 41 / 0 / 7 / 9

HEX #8AE9D9

RGB 138 233 217

HSL 169.89, 0.68%, 0.73%

LAB 86.35, -31.85, -1.07

 

CMYK 44 / 0 / 8 / 16

HEX #79D7C6

RGB 121 215 198

HSL 169.15, 0.54%, 0.66%

LAB 80.03, -31.96, -0.32

 

CMYK 47 / 0 / 9 / 23

HEX #68C5B3

RGB 104 197 179

HSL 168.39, 0.44%, 0.59%

LAB 73.63, -32.06, 0.47

 

CMYK 51 / 0 / 11 / 30

HEX #57B3A0

RGB 87 179 160

HSL 167.61, 0.38%, 0.52%

LAB 67.13, -32.11, 1.33

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEC

RGB 157 251 236

HSL 170.43, 0.92%, 0.8%

LAB 92.67, -31.21, -1.63

 

CMYK 37 / 0 / 16 / 2

HEX #9DFBD3

RGB 157 251 211

HSL 154.47, 0.92%, 0.8%

LAB 92.07, -36.53, 10.44

 

CMYK 37 / 0 / 26 / 2

HEX #9DFBBA

RGB 157 251 186

HSL 138.51, 0.92%, 0.8%

LAB 91.55, -41.29, 22.55

 

CMYK 37 / 0 / 36 / 2

HEX #9DFBA0

RGB 157 251 160

HSL 121.91, 0.92%, 0.8%

LAB 91.1, -45.62, 35.06

 

CMYK 29 / 0 / 37 / 2

HEX #B3FB9D

RGB 179 251 157

HSL 105.96, 0.92%, 0.8%

LAB 92.14, -39.17, 38.11

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEC

RGB 157 251 236

HSL 170.43, 0.92%, 0.8%

LAB 92.67, -31.21, -1.63

 

CMYK 37 / 4 / 0 / 2

HEX #9DF0FB

RGB 157 240 251

HSL 187.02, 0.92%, 0.8%

LAB 90.07, -22.45, -13.28

 

CMYK 37 / 14 / 0 / 2

HEX #9DD7FB

RGB 157 215 251

HSL 202.98, 0.92%, 0.8%

LAB 83.3, -9.82, -23.48

 

CMYK 37 / 24 / 0 / 2

HEX #9DBEFB

RGB 157 190 251

HSL 218.94, 0.92%, 0.8%

LAB 76.65, 3.53, -33.67

 

CMYK 37 / 35 / 0 / 2

HEX #9DA4FB

RGB 157 164 251

HSL 235.53, 0.92%, 0.8%

LAB 69.95, 18.03, -44.09

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEC

RGB 157 251 236

HSL 170.43, 0.92%, 0.8%

LAB 92.67, -31.21, -1.63

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEC

RGB 157 251 236

HSL 170.43, 0.92%, 0.8%

LAB 92.67, -31.21, -1.63

 

CMYK 32 / 0 / 5 / 5

HEX #A5F3E7

RGB 165 243 231

HSL 170.77, 0.76%, 0.8%

LAB 90.72, -26.39, -1.85

 

CMYK 26 / 0 / 4 / 8

HEX #AEEAE1

RGB 174 234 225

HSL 171, 0.59%, 0.8%

LAB 88.58, -20.75, -1.79

 

CMYK 19 / 0 / 3 / 11

HEX #B6E2DB

RGB 182 226 219

HSL 170.45, 0.43%, 0.8%

LAB 86.73, -15.61, -1.3

 

CMYK 13 / 0 / 2 / 15

HEX #BEDAD6

RGB 190 218 214

HSL 171.43, 0.27%, 0.8%

LAB 84.97, -10.03, -1.17

 

CMYK 37 / 0 / 26 / 2

HEX #9DFBB9

RGB 157 251 185

HSL 137.87, 0.92%, 0.8%

LAB 91.53, -41.47, 23.03

 

CMYK 37 / 0 / 16 / 2

HEX #9DFBD2

RGB 157 251 210

HSL 153.83, 0.92%, 0.8%

LAB 92.05, -36.73, 10.92

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEB

RGB 157 251 235

HSL 169.79, 0.92%, 0.8%

LAB 92.65, -31.44, -1.15

 

CMYK 37 / 4 / 0 / 2

HEX #9DF2FB

RGB 157 242 251

HSL 185.74, 0.92%, 0.8%

LAB 90.61, -23.43, -12.47

 

CMYK 37 / 14 / 0 / 2

HEX #9DD9FB

RGB 157 217 251

HSL 201.7, 0.92%, 0.8%

LAB 83.84, -10.85, -22.67

 

CMYK 69 / 0 / 11 / 3

HEX #4EF8DD

RGB 78 248 221

HSL 170.47, 0.92%, 0.64%

LAB 88.91, -49.22, 0.36

 

CMYK 53 / 0 / 8 / 2

HEX #75F9E5

RGB 117 249 229

HSL 170.91, 0.92%, 0.72%

LAB 90.41, -41.11, -1.49

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEC

RGB 157 251 236

HSL 170.43, 0.92%, 0.8%

LAB 92.67, -31.21, -1.63

 

CMYK 22 / 0 / 4 / 1

HEX #C5FDF4

RGB 197 253 244

HSL 170.36, 0.93%, 0.88%

LAB 95.44, -19.35, -1.48

 

CMYK 7 / 0 / 1 / 0

HEX #ECFEFB

RGB 236 254 251

HSL 170, 0.9%, 0.96%

LAB 98.31, -6.4, -0.59

 

CMYK 38 / 0 / 6 / 2

HEX #9BFBEC

RGB 155 251 236

HSL 170.63, 0.92%, 0.8%

LAB 92.58, -31.72, -1.77

 

CMYK 36 / 37 / 0 / 2

HEX #A09DFB

RGB 160 157 251

HSL 241.91, 0.92%, 0.8%

LAB 68.43, 22.79, -46.48

 

CMYK 0 / 21 / 37 / 2

HEX #FBC69D

RGB 251 198 157

HSL 26.17, 0.92%, 0.8%

LAB 83.62, 13.52, 27.75

 

CMYK 38 / 0 / 6 / 2

HEX #9BFBEC

RGB 155 251 236

HSL 170.63, 0.92%, 0.8%

LAB 92.58, -31.72, -1.77

 

CMYK 6 / 37 / 0 / 2

HEX #EB9DFB

RGB 235 157 251

HSL 289.79, 0.92%, 0.8%

LAB 75.29, 44.14, -35.25

 

CMYK 0 / 6 / 37 / 2

HEX #FBEB9D

RGB 251 235 157

HSL 49.79, 0.92%, 0.8%

LAB 92.73, -5.46, 39.82

 

CMYK 38 / 0 / 6 / 2

HEX #9BFBEC

RGB 155 251 236

HSL 170.63, 0.92%, 0.8%

LAB 92.58, -31.72, -1.77

 

CMYK 36 / 37 / 0 / 2

HEX #A09DFB

RGB 160 157 251

HSL 241.91, 0.92%, 0.8%

LAB 68.43, 22.79, -46.48

 

CMYK 0 / 37 / 31 / 2

HEX #FB9DAD

RGB 251 157 173

HSL 349.79, 0.92%, 0.8%

LAB 74.6, 36.94, 6.57

 

CMYK 1 / 0 / 37 / 2

HEX #F8FB9D

RGB 248 251 157

HSL 61.91, 0.92%, 0.8%

LAB 96.57, -14.52, 44.71

 

CMYK 38 / 0 / 6 / 2

HEX #9BFBEC

RGB 155 251 236

HSL 170.63, 0.92%, 0.8%

LAB 92.58, -31.72, -1.77

 

CMYK 25 / 37 / 0 / 2

HEX #BC9DFB

RGB 188 157 251

HSL 259.79, 0.92%, 0.8%

LAB 70.71, 30.43, -42.73

 

CMYK 0 / 37 / 31 / 2

HEX #FB9DAD

RGB 251 157 173

HSL 349.79, 0.92%, 0.8%

LAB 74.6, 36.94, 6.57

 

CMYK 12 / 0 / 37 / 2

HEX #DCFB9D

RGB 220 251 157

HSL 79.79, 0.92%, 0.8%

LAB 94.59, -24.92, 41.77

 

Description

Color code: HEX #9BFBEC | qconv.com Color code: HEX #9BFBEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 251 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 251 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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