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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BF75F it is the complementary color #6408A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BF75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BF75F shade: #A0F75A, #B1FF6D, #C2FF80, #D3FF93 and #E4FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BF75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BF75F shade: #9BF75F, #8AE54C, #79D339, #68C126 and #57AF13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BF75F shade: #9BF75F, #C4F75F, #EDF75F, #F7D85F and #F7AF5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BF75F shade: #9BF75F, #72F75F, #5FF775, #5FF79E and #5FF7C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BF75F shade matches the following richer shades: #9BF75F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BF75F shade: #9BF75F, #9EE96D, #A1DB7A, #A4CE88 and #A6C096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BF75F shade: #ECF75F, #C4F75F, #9CF75F, #73F75F and #5FF773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BF75F shade: #6AF211, #82F538, #9BF75F, #B3F986 and #CCFBAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BF75F shade: #9BF75F, #5FF7D8 and #F75FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BF75F shade: #9BF75F, #5F9CF7 and #F75F9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BF75F shade: #9BF75F, #5FF7D8, #BA5FF7 and #F75F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BF75F shade: #9BF75F, #5FE7F7, #BA5FF7 and #F76E5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

Complementary color

CMYK 38 / 95 / 0 / 37

HEX #6408A0

RGB 100 8 160

HSL 276.32, 0.9%, 0.33%

LAB 27.9, 59.4, -59.58

 

CMYK 35 / 0 / 64 / 3

HEX #A0F75A

RGB 160 247 90

HSL 93.25, 0.91%, 0.66%

LAB 89.27, -51.18, 65.06

 

CMYK 31 / 0 / 57 / 0

HEX #B1FF6D

RGB 177 255 109

HSL 92.05, 1%, 0.71%

LAB 92.56, -47.15, 61.06

 

CMYK 24 / 0 / 50 / 0

HEX #C2FF80

RGB 194 255 128

HSL 88.82, 1%, 0.75%

LAB 93.69, -39.38, 54.13

 

CMYK 17 / 0 / 42 / 0

HEX #D3FF93

RGB 211 255 147

HSL 84.44, 1%, 0.79%

LAB 94.94, -31.24, 46.96

 

CMYK 11 / 0 / 35 / 0

HEX #E4FFA6

RGB 228 255 166

HSL 78.2, 1%, 0.83%

LAB 96.31, -22.82, 39.69

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 40 / 0 / 67 / 10

HEX #8AE54C

RGB 138 229 76

HSL 95.69, 0.75%, 0.6%

LAB 82.89, -52.18, 63.45

 

CMYK 43 / 0 / 73 / 17

HEX #79D339

RGB 121 211 57

HSL 95.06, 0.64%, 0.53%

LAB 76.65, -51.81, 63.79

 

CMYK 46 / 0 / 80 / 24

HEX #68C126

RGB 104 193 38

HSL 94.45, 0.67%, 0.45%

LAB 70.33, -51.21, 63.48

 

CMYK 50 / 0 / 89 / 31

HEX #57AF13

RGB 87 175 19

HSL 93.85, 0.8%, 0.38%

LAB 63.94, -50.31, 62.1

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 21 / 0 / 62 / 3

HEX #C4F75F

RGB 196 247 95

HSL 80.13, 0.9%, 0.67%

LAB 91.27, -38.06, 65.79

 

CMYK 4 / 0 / 62 / 3

HEX #EDF75F

RGB 237 247 95

HSL 63.95, 0.9%, 0.67%

LAB 94.03, -22.21, 69.58

 

CMYK 0 / 13 / 62 / 3

HEX #F7D85F

RGB 247 216 95

HSL 47.76, 0.9%, 0.67%

LAB 86.86, -2.87, 62.05

 

CMYK 0 / 29 / 62 / 3

HEX #F7AF5F

RGB 247 175 95

HSL 31.58, 0.9%, 0.67%

LAB 76.84, 18.39, 50.74

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 54 / 0 / 62 / 3

HEX #72F75F

RGB 114 247 95

HSL 112.5, 0.9%, 0.67%

LAB 87.45, -64.26, 60.49

 

CMYK 62 / 0 / 53 / 3

HEX #5FF775

RGB 95 247 117

HSL 128.68, 0.9%, 0.67%

LAB 87.11, -66.08, 50.27

 

CMYK 62 / 0 / 36 / 3

HEX #5FF79E

RGB 95 247 158

HSL 144.87, 0.9%, 0.67%

LAB 87.69, -59.71, 31.13

 

CMYK 62 / 0 / 19 / 3

HEX #5FF7C7

RGB 95 247 199

HSL 161.05, 0.9%, 0.67%

LAB 88.48, -51.4, 11.23

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 32 / 0 / 53 / 9

HEX #9EE96D

RGB 158 233 109

HSL 96.29, 0.74%, 0.67%

LAB 85.33, -44.19, 52.38

 

CMYK 26 / 0 / 44 / 14

HEX #A1DB7A

RGB 161 219 122

HSL 95.88, 0.57%, 0.67%

LAB 81.64, -35.44, 41.73

 

CMYK 20 / 0 / 34 / 19

HEX #A4CE88

RGB 164 206 136

HSL 96, 0.42%, 0.67%

LAB 78.35, -26.38, 30.44

 

CMYK 14 / 0 / 22 / 25

HEX #A6C096

RGB 166 192 150

HSL 97.14, 0.25%, 0.67%

LAB 74.83, -16.56, 18.3

 

CMYK 4 / 0 / 62 / 3

HEX #ECF75F

RGB 236 247 95

HSL 64.34, 0.9%, 0.67%

LAB 93.96, -22.61, 69.48

 

CMYK 21 / 0 / 62 / 3

HEX #C4F75F

RGB 196 247 95

HSL 80.13, 0.9%, 0.67%

LAB 91.27, -38.06, 65.79

 

CMYK 37 / 0 / 62 / 3

HEX #9CF75F

RGB 156 247 95

HSL 95.92, 0.9%, 0.67%

LAB 89.12, -52.08, 62.81

 

CMYK 53 / 0 / 62 / 3

HEX #73F75F

RGB 115 247 95

HSL 112.11, 0.9%, 0.67%

LAB 87.48, -64.01, 60.53

 

CMYK 62 / 0 / 53 / 3

HEX #5FF773

RGB 95 247 115

HSL 127.89, 0.9%, 0.67%

LAB 87.09, -66.34, 51.16

 

CMYK 56 / 0 / 93 / 5

HEX #6AF211

RGB 106 242 17

HSL 96.27, 0.9%, 0.51%

LAB 85.31, -68.98, 80.42

 

CMYK 47 / 0 / 77 / 4

HEX #82F538

RGB 130 245 56

HSL 96.51, 0.9%, 0.59%

LAB 87.16, -62.1, 74.4

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 28 / 0 / 46 / 2

HEX #B3F986

RGB 179 249 134

HSL 96.52, 0.91%, 0.75%

LAB 91.26, -41.25, 48.16

 

CMYK 19 / 0 / 31 / 2

HEX #CCFBAE

RGB 204 251 174

HSL 96.62, 0.91%, 0.83%

LAB 93.83, -28.35, 32.15

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 62 / 0 / 13 / 3

HEX #5FF7D8

RGB 95 247 216

HSL 167.76, 0.9%, 0.67%

LAB 88.88, -47.44, 2.97

 

CMYK 0 / 62 / 13 / 3

HEX #F75FD8

RGB 247 95 216

HSL 312.24, 0.9%, 0.67%

LAB 64.09, 71.03, -33.22

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 62 / 37 / 0 / 3

HEX #5F9CF7

RGB 95 156 247

HSL 215.92, 0.9%, 0.67%

LAB 64.1, 7.56, -51.38

 

CMYK 0 / 62 / 37 / 3

HEX #F75F9C

RGB 247 95 156

HSL 335.92, 0.9%, 0.67%

LAB 61.96, 63.37, -2.27

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 62 / 0 / 13 / 3

HEX #5FF7D8

RGB 95 247 216

HSL 167.76, 0.9%, 0.67%

LAB 88.88, -47.44, 2.97

 

CMYK 25 / 62 / 0 / 3

HEX #BA5FF7

RGB 186 95 247

HSL 275.92, 0.9%, 0.67%

LAB 57.4, 61.79, -61.64

 

CMYK 0 / 62 / 49 / 3

HEX #F75F7D

RGB 247 95 125

HSL 348.16, 0.9%, 0.67%

LAB 61.17, 60.38, 14.54

 

CMYK 37 / 0 / 62 / 3

HEX #9BF75F

RGB 155 247 95

HSL 96.32, 0.9%, 0.67%

LAB 89.07, -52.4, 62.75

 

CMYK 62 / 6 / 0 / 3

HEX #5FE7F7

RGB 95 231 247

HSL 186.32, 0.9%, 0.67%

LAB 85.15, -32.14, -18.81

 

CMYK 25 / 62 / 0 / 3

HEX #BA5FF7

RGB 186 95 247

HSL 275.92, 0.9%, 0.67%

LAB 57.4, 61.79, -61.64

 

CMYK 0 / 55 / 62 / 3

HEX #F76E5F

RGB 247 110 95

HSL 5.92, 0.9%, 0.67%

LAB 63.14, 51.45, 34.24

 

Description

Color code: HEX #9BF75F | qconv.com Color code: HEX #9BF75F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 247 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 247 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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