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Color name
HEX #9BF5A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BF5A2 it is the complementary color #640A5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BF5A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BF5A2 shade: #A0F59D, #B1FFB0, #C2FFC3, #D3FFD6 and #E4FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BF5A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BF5A2 shade: #9BF5A2, #8AE38F, #79D17C, #68BF69 and #57AD56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BF5A2 shade: #99F5A0, #ABF599, #C3F599, #DCF599 and #F5F599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BF5A2 shade: #99F5A0, #99F5B9, #99F5D2, #99F5EA and #99E7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BF5A2 shade matches the following richer shades: #99F5A0 and #90FE98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BF5A2 shade: #99F5A0, #A2ECA8, #ABE3AF, #B4DAB7 and #BDD1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BF5A2 shade: #C4F599, #ABF599, #99F59F, #99F5B8 and #99F5D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BF5A2 shade: #4EED5A, #73F17D, #99F5A0, #BEF9C3 and #E4FCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BF5A2 shade: #9BF5A2, #99DCF5 and #F599B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BF5A2 shade: #9BF5A2, #9F99F5 and #F59F99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BF5A2 shade: #9BF5A2, #99DCF5, #F599EF and #F5B199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BF5A2 shade: #9BF5A2, #99C1F5, #F599EF and #F5CD99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 34 / 4

HEX #9BF5A2

RGB 155 245 162

HSL 124.67, 0.82%, 0.78%

LAB 89.34, -43.3, 31.7

 

Complementary color

CMYK 0 / 90 / 7 / 61

HEX #640A5D

RGB 100 10 93

HSL 304.67, 0.82%, 0.22%

LAB 22.71, 46.06, -25.51

 

CMYK 35 / 0 / 36 / 4

HEX #A0F59D

RGB 160 245 157

HSL 117.95, 0.81%, 0.79%

LAB 89.49, -42.56, 34.46

 

CMYK 31 / 0 / 31 / 0

HEX #B1FFB0

RGB 177 255 176

HSL 119.24, 1%, 0.85%

LAB 93.45, -38.78, 30.37

 

CMYK 24 / 0 / 24 / 0

HEX #C2FFC3

RGB 194 255 195

HSL 120.98, 1%, 0.88%

LAB 94.71, -30.31, 22.62

 

CMYK 17 / 0 / 16 / 0

HEX #D3FFD6

RGB 211 255 214

HSL 124.09, 1%, 0.91%

LAB 96.09, -21.6, 15

 

CMYK 11 / 0 / 9 / 0

HEX #E4FFE9

RGB 228 255 233

HSL 131.11, 1%, 0.95%

LAB 97.59, -12.73, 7.55

 

CMYK 37 / 0 / 34 / 4

HEX #9BF5A2

RGB 155 245 162

HSL 124.67, 0.82%, 0.78%

LAB 89.34, -43.3, 31.7

 

CMYK 39 / 0 / 37 / 11

HEX #8AE38F

RGB 138 227 143

HSL 123.37, 0.61%, 0.72%

LAB 83.09, -43.53, 32.86

 

CMYK 42 / 0 / 41 / 18

HEX #79D17C

RGB 121 209 124

HSL 122.05, 0.49%, 0.65%

LAB 76.75, -43.74, 34.07

 

CMYK 46 / 0 / 45 / 25

HEX #68BF69

RGB 104 191 105

HSL 120.69, 0.4%, 0.58%

LAB 70.33, -43.89, 35.34

 

CMYK 50 / 0 / 50 / 32

HEX #57AD56

RGB 87 173 86

HSL 119.31, 0.35%, 0.51%

LAB 63.82, -43.95, 36.66

 

CMYK 38 / 0 / 35 / 4

HEX #99F5A0

RGB 153 245 160

HSL 124.57, 0.82%, 0.78%

LAB 89.21, -44.21, 32.52

 

CMYK 30 / 0 / 38 / 4

HEX #ABF599

RGB 171 245 153

HSL 108.26, 0.82%, 0.78%

LAB 89.98, -39.66, 37.2

 

CMYK 20 / 0 / 38 / 4

HEX #C3F599

RGB 195 245 153

HSL 92.61, 0.82%, 0.78%

LAB 91.33, -31.55, 39.21

 

CMYK 10 / 0 / 38 / 4

HEX #DCF599

RGB 220 245 153

HSL 76.3, 0.82%, 0.78%

LAB 92.94, -22.54, 41.61

 

CMYK 0 / 0 / 38 / 4

HEX #F5F599

RGB 245 245 153

HSL 60, 0.82%, 0.78%

LAB 94.75, -13.15, 44.29

 

CMYK 38 / 0 / 35 / 4

HEX #99F5A0

RGB 153 245 160

HSL 124.57, 0.82%, 0.78%

LAB 89.21, -44.21, 32.52

 

CMYK 38 / 0 / 24 / 4

HEX #99F5B9

RGB 153 245 185

HSL 140.87, 0.82%, 0.78%

LAB 89.66, -39.94, 20.42

 

CMYK 38 / 0 / 14 / 4

HEX #99F5D2

RGB 153 245 210

HSL 157.17, 0.82%, 0.78%

LAB 90.2, -35.06, 8.25

 

CMYK 38 / 0 / 4 / 4

HEX #99F5EA

RGB 153 245 234

HSL 172.83, 0.82%, 0.78%

LAB 90.79, -29.85, -3.37

 

CMYK 38 / 6 / 0 / 4

HEX #99E7F5

RGB 153 231 245

HSL 189.13, 0.82%, 0.78%

LAB 87.25, -20.47, -14.38

 

CMYK 38 / 0 / 35 / 4

HEX #99F5A0

RGB 153 245 160

HSL 124.57, 0.82%, 0.78%

LAB 89.21, -44.21, 32.52

 

CMYK 43 / 0 / 40 / 0

HEX #90FE98

RGB 144 254 152

HSL 124.36, 0.98%, 0.78%

LAB 91.27, -51.84, 39.13

 

CMYK 38 / 0 / 35 / 4

HEX #99F5A0

RGB 153 245 160

HSL 124.57, 0.82%, 0.78%

LAB 89.21, -44.21, 32.52

 

CMYK 31 / 0 / 29 / 7

HEX #A2ECA8

RGB 162 236 168

HSL 124.86, 0.66%, 0.78%

LAB 87.24, -36.16, 25.88

 

CMYK 25 / 0 / 23 / 11

HEX #ABE3AF

RGB 171 227 175

HSL 124.29, 0.5%, 0.78%

LAB 85.35, -27.9, 19.73

 

CMYK 17 / 0 / 16 / 15

HEX #B4DAB7

RGB 180 218 183

HSL 124.74, 0.34%, 0.78%

LAB 83.58, -19.14, 13.14

 

CMYK 10 / 0 / 9 / 18

HEX #BDD1BF

RGB 189 209 191

HSL 126, 0.18%, 0.78%

LAB 81.94, -10.1, 6.63

 

CMYK 20 / 0 / 38 / 4

HEX #C4F599

RGB 196 245 153

HSL 91.96, 0.82%, 0.78%

LAB 91.39, -31.2, 39.3

 

CMYK 30 / 0 / 38 / 4

HEX #ABF599

RGB 171 245 153

HSL 108.26, 0.82%, 0.78%

LAB 89.98, -39.66, 37.2

 

CMYK 38 / 0 / 35 / 4

HEX #99F59F

RGB 153 245 159

HSL 123.91, 0.82%, 0.78%

LAB 89.2, -44.37, 33

 

CMYK 38 / 0 / 25 / 4

HEX #99F5B8

RGB 153 245 184

HSL 140.22, 0.82%, 0.78%

LAB 89.64, -40.12, 20.9

 

CMYK 38 / 0 / 15 / 4

HEX #99F5D0

RGB 153 245 208

HSL 155.87, 0.82%, 0.78%

LAB 90.15, -35.47, 9.22

 

CMYK 67 / 0 / 62 / 7

HEX #4EED5A

RGB 78 237 90

HSL 124.53, 0.82%, 0.62%

LAB 83.4, -69.16, 57.77

 

CMYK 52 / 0 / 48 / 5

HEX #73F17D

RGB 115 241 125

HSL 124.76, 0.82%, 0.7%

LAB 86.02, -58.24, 45.32

 

CMYK 38 / 0 / 35 / 4

HEX #99F5A0

RGB 153 245 160

HSL 124.57, 0.82%, 0.78%

LAB 89.21, -44.21, 32.52

 

CMYK 24 / 0 / 22 / 2

HEX #BEF9C3

RGB 190 249 195

HSL 125.08, 0.83%, 0.86%

LAB 92.86, -28.78, 20.01

 

CMYK 10 / 0 / 9 / 1

HEX #E4FCE6

RGB 228 252 230

HSL 125, 0.8%, 0.94%

LAB 96.75, -11.77, 7.88

 

CMYK 37 / 0 / 34 / 4

HEX #9BF5A2

RGB 155 245 162

HSL 124.67, 0.82%, 0.78%

LAB 89.34, -43.3, 31.7

 

CMYK 38 / 10 / 0 / 4

HEX #99DCF5

RGB 153 220 245

HSL 196.3, 0.82%, 0.78%

LAB 84.25, -14.93, -18.89

 

CMYK 0 / 38 / 25 / 4

HEX #F599B8

RGB 245 153 184

HSL 339.78, 0.82%, 0.78%

LAB 73.32, 38.36, -1.44

 

CMYK 37 / 0 / 34 / 4

HEX #9BF5A2

RGB 155 245 162

HSL 124.67, 0.82%, 0.78%

LAB 89.34, -43.3, 31.7

 

CMYK 35 / 38 / 0 / 4

HEX #9F99F5

RGB 159 153 245

HSL 243.91, 0.82%, 0.78%

LAB 67.09, 23.22, -45.31

 

CMYK 0 / 35 / 38 / 4

HEX #F59F99

RGB 245 159 153

HSL 3.91, 0.82%, 0.78%

LAB 73.87, 31.29, 16.44

 

CMYK 37 / 0 / 34 / 4

HEX #9BF5A2

RGB 155 245 162

HSL 124.67, 0.82%, 0.78%

LAB 89.34, -43.3, 31.7

 

CMYK 38 / 10 / 0 / 4

HEX #99DCF5

RGB 153 220 245

HSL 196.3, 0.82%, 0.78%

LAB 84.25, -14.93, -18.89

 

CMYK 0 / 38 / 2 / 4

HEX #F599EF

RGB 245 153 239

HSL 303.91, 0.82%, 0.78%

LAB 75.09, 47.03, -28.96

 

CMYK 0 / 28 / 38 / 4

HEX #F5B199

RGB 245 177 153

HSL 15.65, 0.82%, 0.78%

LAB 77.97, 21.8, 22.1

 

CMYK 37 / 0 / 34 / 4

HEX #9BF5A2

RGB 155 245 162

HSL 124.67, 0.82%, 0.78%

LAB 89.34, -43.3, 31.7

 

CMYK 38 / 21 / 0 / 4

HEX #99C1F5

RGB 153 193 245

HSL 213.91, 0.82%, 0.78%

LAB 76.98, -0.73, -29.96

 

CMYK 0 / 38 / 2 / 4

HEX #F599EF

RGB 245 153 239

HSL 303.91, 0.82%, 0.78%

LAB 75.09, 47.03, -28.96

 

CMYK 0 / 16 / 38 / 4

HEX #F5CD99

RGB 245 205 153

HSL 33.91, 0.82%, 0.78%

LAB 84.68, 7.1, 31.16

 

Description

Color code: HEX #9BF5A2 | qconv.com Color code: HEX #9BF5A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 245 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 245 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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