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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE984 it is the complementary color #64167B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE984. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE984 shade: #A0E97F, #B1FB92, #C2FFA5, #D3FFB8 and #E4FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE984. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE984 shade: #9BE984, #8AD771, #79C55E, #68B34B and #57A138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE984 shade: #9CEA86, #B7EA86, #D2EA86, #EAE686 and #EACB86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE984 shade: #9CEA86, #86EA8A, #86EAA5, #86EAC0 and #86EADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE984 shade matches the following richer shades: #9CEA86 and #96F57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE984 shade: #9CEA86, #A3DE91, #A9D29D, #AFC7A8 and #B6BBB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE984 shade: #D2EA86, #B8EA86, #9DEA86, #86EA89 and #86EAA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE984 shade: #63DD3F, #80E363, #9CEA86, #B9F0A9 and #D5F6CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE984 shade: #9BE984, #86EAE6 and #EA86C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE984 shade: #9BE984, #869DEA and #EA869D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE984 shade: #9BE984, #86EAE6, #D286EA and #EA8689

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE984 shade: #9BE984, #86CFEA, #D286EA and #EAA086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 43 / 9

HEX #9BE984

RGB 155 233 132

HSL 106.34, 0.7%, 0.72%

LAB 85.46, -42.44, 41.58

 

Complementary color

CMYK 19 / 82 / 0 / 52

HEX #64167B

RGB 100 22 123

HSL 286.34, 0.7%, 0.28%

LAB 25.9, 48.27, -39.85

 

CMYK 31 / 0 / 45 / 9

HEX #A0E97F

RGB 160 233 127

HSL 101.32, 0.71%, 0.71%

LAB 85.65, -41.44, 44.3

 

CMYK 29 / 0 / 42 / 2

HEX #B1FB92

RGB 177 251 146

HSL 102.29, 0.93%, 0.78%

LAB 91.87, -41.31, 43.14

 

CMYK 24 / 0 / 35 / 0

HEX #C2FFA5

RGB 194 255 165

HSL 100.67, 1%, 0.82%

LAB 94.19, -34.88, 37

 

CMYK 17 / 0 / 28 / 0

HEX #D3FFB8

RGB 211 255 184

HSL 97.18, 1%, 0.86%

LAB 95.51, -26.38, 29.45

 

CMYK 11 / 0 / 20 / 0

HEX #E4FFCB

RGB 228 255 203

HSL 91.15, 1%, 0.9%

LAB 96.95, -17.68, 21.98

 

CMYK 33 / 0 / 43 / 9

HEX #9BE984

RGB 155 233 132

HSL 106.34, 0.7%, 0.72%

LAB 85.46, -42.44, 41.58

 

CMYK 36 / 0 / 47 / 16

HEX #8AD771

RGB 138 215 113

HSL 105.29, 0.56%, 0.64%

LAB 79.15, -42.57, 42.77

 

CMYK 39 / 0 / 52 / 23

HEX #79C55E

RGB 121 197 94

HSL 104.27, 0.47%, 0.57%

LAB 72.76, -42.66, 43.96

 

CMYK 42 / 0 / 58 / 30

HEX #68B34B

RGB 104 179 75

HSL 103.27, 0.41%, 0.5%

LAB 66.28, -42.65, 45.11

 

CMYK 46 / 0 / 65 / 37

HEX #57A138

RGB 87 161 56

HSL 102.29, 0.48%, 0.43%

LAB 59.71, -42.49, 46.1

 

CMYK 33 / 0 / 43 / 8

HEX #9CEA86

RGB 156 234 134

HSL 106.8, 0.7%, 0.72%

LAB 85.82, -42.29, 41.07

 

CMYK 22 / 0 / 43 / 8

HEX #B7EA86

RGB 183 234 134

HSL 90.6, 0.7%, 0.72%

LAB 87.31, -33.09, 43.26

 

CMYK 10 / 0 / 43 / 8

HEX #D2EA86

RGB 210 234 134

HSL 74.4, 0.7%, 0.72%

LAB 89.05, -23.16, 45.82

 

CMYK 0 / 2 / 43 / 8

HEX #EAE686

RGB 234 230 134

HSL 57.6, 0.7%, 0.72%

LAB 89.77, -11.96, 47.1

 

CMYK 0 / 13 / 43 / 8

HEX #EACB86

RGB 234 203 134

HSL 41.4, 0.7%, 0.72%

LAB 82.87, 1.76, 38.38

 

CMYK 33 / 0 / 43 / 8

HEX #9CEA86

RGB 156 234 134

HSL 106.8, 0.7%, 0.72%

LAB 85.82, -42.29, 41.07

 

CMYK 43 / 0 / 41 / 8

HEX #86EA8A

RGB 134 234 138

HSL 122.4, 0.7%, 0.72%

LAB 84.87, -48.45, 37.66

 

CMYK 43 / 0 / 29 / 8

HEX #86EAA5

RGB 134 234 165

HSL 138.6, 0.7%, 0.72%

LAB 85.32, -44.02, 24.58

 

CMYK 43 / 0 / 18 / 8

HEX #86EAC0

RGB 134 234 192

HSL 154.8, 0.7%, 0.72%

LAB 85.87, -38.79, 11.33

 

CMYK 43 / 0 / 6 / 8

HEX #86EADB

RGB 134 234 219

HSL 171, 0.7%, 0.72%

LAB 86.52, -32.84, -1.89

 

CMYK 33 / 0 / 43 / 8

HEX #9CEA86

RGB 156 234 134

HSL 106.8, 0.7%, 0.72%

LAB 85.82, -42.29, 41.07

 

CMYK 39 / 0 / 50 / 4

HEX #96F57A

RGB 150 245 122

HSL 106.34, 0.86%, 0.72%

LAB 88.54, -50.39, 50.14

 

CMYK 33 / 0 / 43 / 8

HEX #9CEA86

RGB 156 234 134

HSL 106.8, 0.7%, 0.72%

LAB 85.82, -42.29, 41.07

 

CMYK 27 / 0 / 35 / 13

HEX #A3DE91

RGB 163 222 145

HSL 105.97, 0.54%, 0.72%

LAB 82.95, -33, 31.89

 

CMYK 20 / 0 / 25 / 18

HEX #A9D29D

RGB 169 210 157

HSL 106.42, 0.37%, 0.72%

LAB 80.16, -23.36, 21.96

 

CMYK 12 / 0 / 16 / 22

HEX #AFC7A8

RGB 175 199 168

HSL 106.45, 0.22%, 0.72%

LAB 77.75, -13.9, 12.82

 

CMYK 3 / 0 / 4 / 27

HEX #B6BBB4

RGB 182 187 180

HSL 102.86, 0.05%, 0.72%

LAB 75.31, -3.04, 2.93

 

CMYK 10 / 0 / 43 / 8

HEX #D2EA86

RGB 210 234 134

HSL 74.4, 0.7%, 0.72%

LAB 89.05, -23.16, 45.82

 

CMYK 21 / 0 / 43 / 8

HEX #B8EA86

RGB 184 234 134

HSL 90, 0.7%, 0.72%

LAB 87.37, -32.73, 43.35

 

CMYK 33 / 0 / 43 / 8

HEX #9DEA86

RGB 157 234 134

HSL 106.2, 0.7%, 0.72%

LAB 85.87, -41.96, 41.14

 

CMYK 43 / 0 / 41 / 8

HEX #86EA89

RGB 134 234 137

HSL 121.8, 0.7%, 0.72%

LAB 84.85, -48.6, 38.14

 

CMYK 43 / 0 / 30 / 8

HEX #86EAA4

RGB 134 234 164

HSL 138, 0.7%, 0.72%

LAB 85.3, -44.2, 25.07

 

CMYK 55 / 0 / 71 / 13

HEX #63DD3F

RGB 99 221 63

HSL 106.33, 0.7%, 0.56%

LAB 78.88, -61.51, 63.65

 

CMYK 44 / 0 / 56 / 11

HEX #80E363

RGB 128 227 99

HSL 106.41, 0.7%, 0.64%

LAB 82.07, -52.37, 52.75

 

CMYK 33 / 0 / 43 / 8

HEX #9CEA86

RGB 156 234 134

HSL 106.8, 0.7%, 0.72%

LAB 85.82, -42.29, 41.07

 

CMYK 23 / 0 / 30 / 6

HEX #B9F0A9

RGB 185 240 169

HSL 106.48, 0.7%, 0.8%

LAB 89.63, -30.39, 28.81

 

CMYK 13 / 0 / 17 / 4

HEX #D5F6CC

RGB 213 246 204

HSL 107.14, 0.7%, 0.88%

LAB 93.63, -18.25, 16.68

 

CMYK 33 / 0 / 43 / 9

HEX #9BE984

RGB 155 233 132

HSL 106.34, 0.7%, 0.72%

LAB 85.46, -42.44, 41.58

 

CMYK 43 / 0 / 2 / 8

HEX #86EAE6

RGB 134 234 230

HSL 177.6, 0.7%, 0.72%

LAB 86.81, -30.23, -7.24

 

CMYK 0 / 43 / 16 / 8

HEX #EA86C5

RGB 234 134 197

HSL 322.2, 0.7%, 0.72%

LAB 68.44, 46.36, -16.07

 

CMYK 33 / 0 / 43 / 9

HEX #9BE984

RGB 155 233 132

HSL 106.34, 0.7%, 0.72%

LAB 85.46, -42.44, 41.58

 

CMYK 43 / 33 / 0 / 8

HEX #869DEA

RGB 134 157 234

HSL 226.2, 0.7%, 0.72%

LAB 65.84, 11.45, -41.36

 

CMYK 0 / 43 / 33 / 8

HEX #EA869D

RGB 234 134 157

HSL 346.2, 0.7%, 0.72%

LAB 67.26, 40.79, 4.65

 

CMYK 33 / 0 / 43 / 9

HEX #9BE984

RGB 155 233 132

HSL 106.34, 0.7%, 0.72%

LAB 85.46, -42.44, 41.58

 

CMYK 43 / 0 / 2 / 8

HEX #86EAE6

RGB 134 234 230

HSL 177.6, 0.7%, 0.72%

LAB 86.81, -30.23, -7.24

 

CMYK 10 / 43 / 0 / 8

HEX #D286EA

RGB 210 134 234

HSL 285.6, 0.7%, 0.72%

LAB 67.05, 45.55, -39

 

CMYK 0 / 43 / 41 / 8

HEX #EA8689

RGB 234 134 137

HSL 358.2, 0.7%, 0.72%

LAB 66.79, 38.48, 15.24

 

CMYK 33 / 0 / 43 / 9

HEX #9BE984

RGB 155 233 132

HSL 106.34, 0.7%, 0.72%

LAB 85.46, -42.44, 41.58

 

CMYK 43 / 12 / 0 / 8

HEX #86CFEA

RGB 134 207 234

HSL 196.2, 0.7%, 0.72%

LAB 79.41, -15.85, -20.46

 

CMYK 10 / 43 / 0 / 8

HEX #D286EA

RGB 210 134 234

HSL 285.6, 0.7%, 0.72%

LAB 67.05, 45.55, -39

 

CMYK 0 / 32 / 43 / 8

HEX #EAA086

RGB 234 160 134

HSL 15.6, 0.7%, 0.72%

LAB 72.47, 24.47, 24.68

 

Description

Color code: HEX #9BE984 | qconv.com Color code: HEX #9BE984 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 233 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 233 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 43 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 43% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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