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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE71A it is the complementary color #6418E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE71A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE71A shade: #A0E715, #B1F928, #C2FF3B, #D3FF4E and #E4FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE71A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE71A shade: #9BE71A, #8AD507, #79C300, #68B100 and #579F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE71A shade: #9AE718, #D2E718, #E7C418, #E78C18 and #E75518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE71A shade: #9AE718, #63E718, #2BE718, #18E73D and #18E775

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE71A shade matches the following richer shades: #9AE718 and #A0FB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE71A shade: #9AE718, #95D22D, #90BE41, #8AA956 and #85946B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE71A shade: #E7C418, #D2E718, #9BE718, #64E718 and #2DE718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE71A shade: #689C10, #81C114, #9AE718, #ABEB3E and #BBEF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE71A shade: #9BE71A, #18E78D and #E018E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE71A shade: #9BE71A, #189BE7 and #E7189B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE71A shade: #9BE71A, #18E78D, #6418E7 and #E71872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE71A shade: #9BE71A, #18E7CB, #6418E7 and #E71834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 89 / 9

HEX #9BE71A

RGB 155 231 26

HSL 82.24, 0.81%, 0.5%

LAB 84.07, -49.64, 78.99

 

Complementary color

CMYK 56 / 90 / 0 / 10

HEX #6418E5

RGB 100 24 229

HSL 262.24, 0.81%, 0.5%

LAB 36.02, 71.79, -86.8

 

CMYK 31 / 0 / 91 / 9

HEX #A0E715

RGB 160 231 21

HSL 80.29, 0.83%, 0.49%

LAB 84.32, -47.95, 80.05

 

CMYK 29 / 0 / 84 / 2

HEX #B1F928

RGB 177 249 40

HSL 80.67, 0.95%, 0.57%

LAB 90.44, -48.82, 82.19

 

CMYK 24 / 0 / 77 / 0

HEX #C2FF3B

RGB 194 255 59

HSL 78.67, 1%, 0.62%

LAB 93.15, -44.43, 80.24

 

CMYK 17 / 0 / 69 / 0

HEX #D3FF4E

RGB 211 255 78

HSL 74.92, 1%, 0.65%

LAB 94.28, -37.09, 75.66

 

CMYK 11 / 0 / 62 / 0

HEX #E4FF61

RGB 228 255 97

HSL 70.25, 1%, 0.69%

LAB 95.53, -29.38, 70.18

 

CMYK 33 / 0 / 89 / 9

HEX #9BE71A

RGB 155 231 26

HSL 82.24, 0.81%, 0.5%

LAB 84.07, -49.64, 78.99

 

CMYK 35 / 0 / 97 / 16

HEX #8AD507

RGB 138 213 7

HSL 81.84, 0.94%, 0.43%

LAB 77.88, -48.63, 75.97

 

CMYK 38 / 0 / 100 / 24

HEX #79C300

RGB 121 195 0

HSL 82.77, 1%, 0.38%

LAB 71.62, -47.37, 71.43

 

CMYK 41 / 0 / 100 / 31

HEX #68B100

RGB 104 177 0

HSL 84.75, 1%, 0.35%

LAB 65.27, -45.97, 66.15

 

CMYK 45 / 0 / 100 / 38

HEX #579F00

RGB 87 159 0

HSL 87.17, 1%, 0.31%

LAB 58.81, -44.5, 60.79

 

CMYK 33 / 0 / 90 / 9

HEX #9AE718

RGB 154 231 24

HSL 82.32, 0.81%, 0.5%

LAB 84.01, -50.04, 79.24

 

CMYK 9 / 0 / 90 / 9

HEX #D2E718

RGB 210 231 24

HSL 66.09, 0.81%, 0.5%

LAB 87.45, -28.43, 83.44

 

CMYK 0 / 15 / 90 / 9

HEX #E7C418

RGB 231 196 24

HSL 49.86, 0.81%, 0.5%

LAB 79.92, -2.26, 78.28

 

CMYK 0 / 39 / 90 / 9

HEX #E78C18

RGB 231 140 24

HSL 33.62, 0.81%, 0.5%

LAB 66.38, 27.27, 67.93

 

CMYK 0 / 63 / 90 / 9

HEX #E75518

RGB 231 85 24

HSL 17.68, 0.81%, 0.5%

LAB 55.64, 54.22, 59.96

 

CMYK 33 / 0 / 90 / 9

HEX #9AE718

RGB 154 231 24

HSL 82.32, 0.81%, 0.5%

LAB 84.01, -50.04, 79.24

 

CMYK 57 / 0 / 90 / 9

HEX #63E718

RGB 99 231 24

HSL 98.26, 0.81%, 0.5%

LAB 81.77, -66.87, 76.46

 

CMYK 81 / 0 / 90 / 9

HEX #2BE718

RGB 43 231 24

HSL 114.49, 0.81%, 0.5%

LAB 80.59, -76.9, 74.99

 

CMYK 90 / 0 / 74 / 9

HEX #18E73D

RGB 24 231 61

HSL 130.72, 0.81%, 0.5%

LAB 80.56, -76.56, 65.59

 

CMYK 90 / 0 / 49 / 9

HEX #18E775

RGB 24 231 117

HSL 146.96, 0.81%, 0.5%

LAB 81.09, -70.06, 42.6

 

CMYK 33 / 0 / 90 / 9

HEX #9AE718

RGB 154 231 24

HSL 82.32, 0.81%, 0.5%

LAB 84.01, -50.04, 79.24

 

CMYK 36 / 0 / 98 / 2

HEX #A0FB04

RGB 160 251 4

HSL 82.11, 0.97%, 0.5%

LAB 90.08, -56.28, 86.23

 

CMYK 33 / 0 / 90 / 9

HEX #9AE718

RGB 154 231 24

HSL 82.32, 0.81%, 0.5%

LAB 84.01, -50.04, 79.24

 

CMYK 29 / 0 / 79 / 18

HEX #95D22D

RGB 149 210 45

HSL 82.18, 0.65%, 0.5%

LAB 77.68, -42.32, 69.06

 

CMYK 24 / 0 / 66 / 25

HEX #90BE41

RGB 144 190 65

HSL 82.08, 0.49%, 0.5%

LAB 71.65, -34.11, 56.03

 

CMYK 18 / 0 / 49 / 34

HEX #8AA956

RGB 138 169 86

HSL 82.41, 0.33%, 0.5%

LAB 65.32, -24.49, 39.1

 

CMYK 10 / 0 / 28 / 42

HEX #85946B

RGB 133 148 107

HSL 81.95, 0.16%, 0.5%

LAB 59.18, -12.87, 19.95

 

CMYK 0 / 15 / 90 / 9

HEX #E7C418

RGB 231 196 24

HSL 49.86, 0.81%, 0.5%

LAB 79.92, -2.26, 78.28

 

CMYK 9 / 0 / 90 / 9

HEX #D2E718

RGB 210 231 24

HSL 66.09, 0.81%, 0.5%

LAB 87.45, -28.43, 83.44

 

CMYK 33 / 0 / 90 / 9

HEX #9BE718

RGB 155 231 24

HSL 82.03, 0.81%, 0.5%

LAB 84.06, -49.69, 79.3

 

CMYK 57 / 0 / 90 / 9

HEX #64E718

RGB 100 231 24

HSL 97.97, 0.81%, 0.5%

LAB 81.8, -66.62, 76.5

 

CMYK 81 / 0 / 90 / 9

HEX #2DE718

RGB 45 231 24

HSL 113.91, 0.81%, 0.5%

LAB 80.61, -76.68, 75.02

 

CMYK 33 / 0 / 90 / 39

HEX #689C10

RGB 104 156 16

HSL 82.29, 0.81%, 0.34%

LAB 58.75, -36.72, 58.61

 

CMYK 33 / 0 / 90 / 24

HEX #81C114

RGB 129 193 20

HSL 82.2, 0.81%, 0.42%

LAB 71.46, -43.3, 69.01

 

CMYK 33 / 0 / 90 / 9

HEX #9AE718

RGB 154 231 24

HSL 82.32, 0.81%, 0.5%

LAB 84.01, -50.04, 79.24

 

CMYK 27 / 0 / 74 / 8

HEX #ABEB3E

RGB 171 235 62

HSL 82.2, 0.81%, 0.58%

LAB 86.22, -44.16, 72.33

 

CMYK 22 / 0 / 59 / 6

HEX #BBEF63

RGB 187 239 99

HSL 82.29, 0.81%, 0.66%

LAB 88.54, -37.49, 60.95

 

CMYK 33 / 0 / 89 / 9

HEX #9BE71A

RGB 155 231 26

HSL 82.24, 0.81%, 0.5%

LAB 84.07, -49.64, 78.99

 

CMYK 90 / 0 / 39 / 9

HEX #18E78D

RGB 24 231 141

HSL 153.91, 0.81%, 0.5%

LAB 81.44, -65.9, 31.18

 

CMYK 3 / 90 / 0 / 9

HEX #E018E7

RGB 224 24 231

HSL 297.97, 0.81%, 0.5%

LAB 54.31, 88.04, -57.34

 

CMYK 33 / 0 / 89 / 9

HEX #9BE71A

RGB 155 231 26

HSL 82.24, 0.81%, 0.5%

LAB 84.07, -49.64, 78.99

 

CMYK 90 / 33 / 0 / 9

HEX #189BE7

RGB 24 155 231

HSL 202.03, 0.81%, 0.5%

LAB 61.14, -5.76, -47.38

 

CMYK 0 / 90 / 33 / 9

HEX #E7189B

RGB 231 24 155

HSL 322.03, 0.81%, 0.5%

LAB 51.85, 79.73, -17.1

 

CMYK 33 / 0 / 89 / 9

HEX #9BE71A

RGB 155 231 26

HSL 82.24, 0.81%, 0.5%

LAB 84.07, -49.64, 78.99

 

CMYK 90 / 0 / 39 / 9

HEX #18E78D

RGB 24 231 141

HSL 153.91, 0.81%, 0.5%

LAB 81.44, -65.9, 31.18

 

CMYK 57 / 90 / 0 / 9

HEX #6418E7

RGB 100 24 231

HSL 262.03, 0.81%, 0.5%

LAB 36.24, 72.26, -87.59

 

CMYK 0 / 90 / 51 / 9

HEX #E71872

RGB 231 24 114

HSL 333.91, 0.81%, 0.5%

LAB 50.52, 76.11, 5.65

 

CMYK 33 / 0 / 89 / 9

HEX #9BE71A

RGB 155 231 26

HSL 82.24, 0.81%, 0.5%

LAB 84.07, -49.64, 78.99

 

CMYK 90 / 0 / 12 / 9

HEX #18E7CB

RGB 24 231 203

HSL 171.88, 0.81%, 0.5%

LAB 82.73, -51.71, 0.7

 

CMYK 57 / 90 / 0 / 9

HEX #6418E7

RGB 100 24 231

HSL 262.03, 0.81%, 0.5%

LAB 36.24, 72.26, -87.59

 

CMYK 0 / 90 / 77 / 9

HEX #E71834

RGB 231 24 52

HSL 351.88, 0.81%, 0.5%

LAB 49.36, 72.86, 41.48

 

Description

Color code: HEX #9BE71A | qconv.com Color code: HEX #9BE71A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 231 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 231 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 89 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 89% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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