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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE563 it is the complementary color #641A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE563 shade: #A0E55E, #B1F771, #C2FF84, #D3FF97 and #E4FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE563 shade: #9BE563, #8AD350, #79C13D, #68AF2A and #579D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE563 shade: #9AE462, #BDE462, #E0E462, #E4C562 and #E4A262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE563 shade: #9AE462, #77E462, #62E470, #62E493 and #62E4B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE563 shade matches the following richer shades: #9AE462 and #98F353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE563 shade: #9AE462, #9CD671, #9EC780, #A0B88F and #A2A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE563 shade: #E0E462, #BDE462, #9BE462, #78E462 and #62E46F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE563 shade: #6ED123, #84DE3F, #9AE462, #B1EA85 and #C7F0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE563 shade: #9BE563, #62E4C6 and #E462CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE563 shade: #9BE563, #629BE4 and #E4629B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE563 shade: #9BE563, #62E4C6, #AC62E4 and #E46280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE563 shade: #9BE563, #62DCE4, #AC62E4 and #E46B62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 57 / 10

HEX #9BE563

RGB 155 229 99

HSL 94.15, 0.71%, 0.64%

LAB 83.92, -44.51, 55.21

 

Complementary color

CMYK 36 / 83 / 0 / 39

HEX #641A9C

RGB 100 26 156

HSL 274.15, 0.71%, 0.36%

LAB 29.03, 54.12, -55.3

 

CMYK 30 / 0 / 59 / 10

HEX #A0E55E

RGB 160 229 94

HSL 90.67, 0.72%, 0.63%

LAB 84.13, -43.25, 57.72

 

CMYK 28 / 0 / 54 / 3

HEX #B1F771

RGB 177 247 113

HSL 91.34, 0.89%, 0.71%

LAB 90.35, -43.34, 56.74

 

CMYK 24 / 0 / 48 / 0

HEX #C2FF84

RGB 194 255 132

HSL 89.76, 1%, 0.76%

LAB 93.73, -38.96, 52.33

 

CMYK 17 / 0 / 41 / 0

HEX #D3FF97

RGB 211 255 151

HSL 85.38, 1%, 0.8%

LAB 94.99, -30.77, 45.1

 

CMYK 11 / 0 / 33 / 0

HEX #E4FFAA

RGB 228 255 170

HSL 79.06, 1%, 0.83%

LAB 96.38, -22.32, 37.8

 

CMYK 32 / 0 / 57 / 10

HEX #9BE563

RGB 155 229 99

HSL 94.15, 0.71%, 0.64%

LAB 83.92, -44.51, 55.21

 

CMYK 35 / 0 / 62 / 17

HEX #8AD350

RGB 138 211 80

HSL 93.44, 0.6%, 0.57%

LAB 77.62, -44.4, 56.14

 

CMYK 37 / 0 / 68 / 24

HEX #79C13D

RGB 121 193 61

HSL 92.73, 0.52%, 0.5%

LAB 71.24, -44.16, 56.82

 

CMYK 41 / 0 / 76 / 31

HEX #68AF2A

RGB 104 175 42

HSL 92.03, 0.61%, 0.43%

LAB 64.78, -43.74, 57.01

 

CMYK 45 / 0 / 85 / 38

HEX #579D17

RGB 87 157 23

HSL 91.34, 0.74%, 0.35%

LAB 58.23, -43.06, 56.28

 

CMYK 32 / 0 / 57 / 11

HEX #9AE462

RGB 154 228 98

HSL 94.15, 0.71%, 0.64%

LAB 83.57, -44.52, 55.24

 

CMYK 17 / 0 / 57 / 11

HEX #BDE462

RGB 189 228 98

HSL 78, 0.71%, 0.64%

LAB 85.6, -31.8, 58.1

 

CMYK 2 / 0 / 57 / 11

HEX #E0E462

RGB 224 228 98

HSL 61.85, 0.71%, 0.64%

LAB 88.07, -18.04, 61.55

 

CMYK 0 / 14 / 57 / 11

HEX #E4C562

RGB 228 197 98

HSL 45.69, 0.71%, 0.64%

LAB 80.35, -0.77, 52.89

 

CMYK 0 / 29 / 57 / 11

HEX #E4A262

RGB 228 162 98

HSL 29.54, 0.71%, 0.64%

LAB 71.7, 17.7, 42.65

 

CMYK 32 / 0 / 57 / 11

HEX #9AE462

RGB 154 228 98

HSL 94.15, 0.71%, 0.64%

LAB 83.57, -44.52, 55.24

 

CMYK 48 / 0 / 57 / 11

HEX #77E462

RGB 119 228 98

HSL 110.31, 0.71%, 0.64%

LAB 82, -55.49, 53.02

 

CMYK 57 / 0 / 51 / 11

HEX #62E470

RGB 98 228 112

HSL 126.46, 0.71%, 0.64%

LAB 81.43, -59.19, 45.7

 

CMYK 57 / 0 / 36 / 11

HEX #62E493

RGB 98 228 147

HSL 142.62, 0.71%, 0.64%

LAB 81.94, -53.67, 29.03

 

CMYK 57 / 0 / 20 / 11

HEX #62E4B6

RGB 98 228 182

HSL 158.77, 0.71%, 0.64%

LAB 82.63, -46.63, 11.79

 

CMYK 32 / 0 / 57 / 11

HEX #9AE462

RGB 154 228 98

HSL 94.15, 0.71%, 0.64%

LAB 83.57, -44.52, 55.24

 

CMYK 37 / 0 / 66 / 5

HEX #98F353

RGB 152 243 83

HSL 94.13, 0.87%, 0.64%

LAB 87.68, -52.74, 66

 

CMYK 32 / 0 / 57 / 11

HEX #9AE462

RGB 154 228 98

HSL 94.15, 0.71%, 0.64%

LAB 83.57, -44.52, 55.24

 

CMYK 27 / 0 / 47 / 16

HEX #9CD671

RGB 156 214 113

HSL 94.46, 0.55%, 0.64%

LAB 79.81, -36.01, 43.79

 

CMYK 21 / 0 / 36 / 22

HEX #9EC780

RGB 158 199 128

HSL 94.65, 0.39%, 0.64%

LAB 75.87, -26.29, 31.23

 

CMYK 13 / 0 / 22 / 28

HEX #A0B88F

RGB 160 184 143

HSL 95.12, 0.22%, 0.64%

LAB 72.05, -15.79, 18.15

 

CMYK 4 / 0 / 7 / 34

HEX #A2A99D

RGB 162 169 157

HSL 95, 0.07%, 0.64%

LAB 68.38, -4.74, 5.33

 

CMYK 2 / 0 / 57 / 11

HEX #E0E462

RGB 224 228 98

HSL 61.85, 0.71%, 0.64%

LAB 88.07, -18.04, 61.55

 

CMYK 17 / 0 / 57 / 11

HEX #BDE462

RGB 189 228 98

HSL 78, 0.71%, 0.64%

LAB 85.6, -31.8, 58.1

 

CMYK 32 / 0 / 57 / 11

HEX #9BE462

RGB 155 228 98

HSL 93.69, 0.71%, 0.64%

LAB 83.62, -44.18, 55.31

 

CMYK 47 / 0 / 57 / 11

HEX #78E462

RGB 120 228 98

HSL 109.85, 0.71%, 0.64%

LAB 82.03, -55.21, 53.07

 

CMYK 57 / 0 / 51 / 11

HEX #62E46F

RGB 98 228 111

HSL 126, 0.71%, 0.64%

LAB 81.42, -59.32, 46.16

 

CMYK 47 / 0 / 83 / 18

HEX #6ED123

RGB 110 209 35

HSL 94.14, 0.71%, 0.48%

LAB 75.47, -55.63, 69.01

 

CMYK 41 / 0 / 72 / 13

HEX #84DE3F

RGB 132 222 63

HSL 93.96, 0.71%, 0.56%

LAB 80.46, -52.25, 65.67

 

CMYK 32 / 0 / 57 / 11

HEX #9AE462

RGB 154 228 98

HSL 94.15, 0.71%, 0.64%

LAB 83.57, -44.52, 55.24

 

CMYK 24 / 0 / 43 / 8

HEX #B1EA85

RGB 177 234 133

HSL 93.86, 0.71%, 0.72%

LAB 86.94, -35.33, 43.21

 

CMYK 17 / 0 / 30 / 6

HEX #C7F0A9

RGB 199 240 169

HSL 94.65, 0.7%, 0.8%

LAB 90.47, -25.59, 30.1

 

CMYK 32 / 0 / 57 / 10

HEX #9BE563

RGB 155 229 99

HSL 94.15, 0.71%, 0.64%

LAB 83.92, -44.51, 55.21

 

CMYK 57 / 0 / 13 / 11

HEX #62E4C6

RGB 98 228 198

HSL 166.15, 0.71%, 0.64%

LAB 83, -42.96, 3.89

 

CMYK 0 / 57 / 9 / 11

HEX #E462CF

RGB 228 98 207

HSL 309.69, 0.71%, 0.64%

LAB 61.42, 63.41, -32.51

 

CMYK 32 / 0 / 57 / 10

HEX #9BE563

RGB 155 229 99

HSL 94.15, 0.71%, 0.64%

LAB 83.92, -44.51, 55.21

 

CMYK 57 / 32 / 0 / 11

HEX #629BE4

RGB 98 155 228

HSL 213.69, 0.71%, 0.64%

LAB 63.04, 2.58, -42.58

 

CMYK 0 / 57 / 32 / 11

HEX #E4629B

RGB 228 98 155

HSL 333.69, 0.71%, 0.64%

LAB 59.52, 56.15, -5.62

 

CMYK 32 / 0 / 57 / 10

HEX #9BE563

RGB 155 229 99

HSL 94.15, 0.71%, 0.64%

LAB 83.92, -44.51, 55.21

 

CMYK 57 / 0 / 13 / 11

HEX #62E4C6

RGB 98 228 198

HSL 166.15, 0.71%, 0.64%

LAB 83, -42.96, 3.89

 

CMYK 25 / 57 / 0 / 11

HEX #AC62E4

RGB 172 98 228

HSL 274.15, 0.71%, 0.64%

LAB 55.18, 52.87, -54.68

 

CMYK 0 / 57 / 44 / 11

HEX #E46280

RGB 228 98 128

HSL 346.15, 0.71%, 0.64%

LAB 58.78, 53.18, 9.01

 

CMYK 32 / 0 / 57 / 10

HEX #9BE563

RGB 155 229 99

HSL 94.15, 0.71%, 0.64%

LAB 83.92, -44.51, 55.21

 

CMYK 57 / 4 / 0 / 11

HEX #62DCE4

RGB 98 220 228

HSL 183.69, 0.71%, 0.64%

LAB 81.5, -31.63, -14.23

 

CMYK 25 / 57 / 0 / 11

HEX #AC62E4

RGB 172 98 228

HSL 274.15, 0.71%, 0.64%

LAB 55.18, 52.87, -54.68

 

CMYK 0 / 53 / 57 / 11

HEX #E46B62

RGB 228 107 98

HSL 4.15, 0.71%, 0.64%

LAB 59.79, 46.31, 27.7

 

Description

Color code: HEX #9BE563 | qconv.com Color code: HEX #9BE563 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 229 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 229 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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