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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE235 it is the complementary color #641DCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE235 shade: #A0E230, #B1F443, #C2FF56, #D3FF69 and #E4FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE235 shade: #9BE235, #8AD022, #79BE0F, #68AC00 and #579A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE235 shade: #9CE236, #CAE236, #E2CC36, #E29E36 and #E26F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE235 shade: #9CE236, #6DE236, #3FE236, #36E25C and #36E28A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE235 shade matches the following richer shades: #9CE236 and #9FF524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE235 shade: #9CE236, #98D049, #95BD5B, #92AB6E and #8E9880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE235 shade: #E2CB36, #CBE236, #9DE236, #70E236 and #42E236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE235 shade: #70AD19, #88D11E, #9CE236, #AEE75A and #BFED7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE235 shade: #9BE235, #36E29D and #E236E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE235 shade: #9BE235, #369DE2 and #E2369D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE235 shade: #9BE235, #36E29D, #7B36E2 and #E2367B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE235 shade: #9BE235, #36E2D1, #7B36E2 and #E23647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 77 / 11

HEX #9BE235

RGB 155 226 53

HSL 84.62, 0.75%, 0.55%

LAB 82.71, -46.59, 71.5

 

Complementary color

CMYK 50 / 86 / 0 / 21

HEX #641DCA

RGB 100 29 202

HSL 264.62, 0.75%, 0.45%

LAB 33.67, 64, -75.1

 

CMYK 29 / 0 / 79 / 11

HEX #A0E230

RGB 160 226 48

HSL 82.25, 0.75%, 0.54%

LAB 82.96, -45.01, 73.27

 

CMYK 27 / 0 / 73 / 4

HEX #B1F443

RGB 177 244 67

HSL 82.71, 0.89%, 0.61%

LAB 89.14, -45.56, 73.64

 

CMYK 24 / 0 / 66 / 0

HEX #C2FF56

RGB 194 255 86

HSL 81.66, 1%, 0.67%

LAB 93.3, -42.96, 71.44

 

CMYK 17 / 0 / 59 / 0

HEX #D3FF69

RGB 211 255 105

HSL 77.6, 1%, 0.71%

LAB 94.48, -35.29, 65.45

 

CMYK 11 / 0 / 51 / 0

HEX #E4FF7C

RGB 228 255 124

HSL 72.37, 1%, 0.74%

LAB 95.78, -27.28, 58.95

 

CMYK 31 / 0 / 77 / 11

HEX #9BE235

RGB 155 226 53

HSL 84.62, 0.75%, 0.55%

LAB 82.71, -46.59, 71.5

 

CMYK 34 / 0 / 84 / 18

HEX #8AD022

RGB 138 208 34

HSL 84.14, 0.72%, 0.47%

LAB 76.45, -45.94, 70.61

 

CMYK 36 / 0 / 92 / 25

HEX #79BE0F

RGB 121 190 15

HSL 83.66, 0.85%, 0.4%

LAB 70.12, -45.06, 68.52

 

CMYK 40 / 0 / 100 / 33

HEX #68AC00

RGB 104 172 0

HSL 83.72, 1%, 0.34%

LAB 63.71, -43.92, 64.94

 

CMYK 44 / 0 / 100 / 40

HEX #579A00

RGB 87 154 0

HSL 86.1, 1%, 0.3%

LAB 57.21, -42.47, 59.54

 

CMYK 31 / 0 / 76 / 11

HEX #9CE236

RGB 156 226 54

HSL 84.42, 0.75%, 0.55%

LAB 82.77, -46.18, 71.27

 

CMYK 11 / 0 / 76 / 11

HEX #CAE236

RGB 202 226 54

HSL 68.37, 0.75%, 0.55%

LAB 85.61, -28.47, 74.95

 

CMYK 0 / 10 / 76 / 11

HEX #E2CC36

RGB 226 204 54

HSL 52.33, 0.75%, 0.55%

LAB 81.63, -7.68, 71.99

 

CMYK 0 / 30 / 76 / 11

HEX #E29E36

RGB 226 158 54

HSL 36.28, 0.75%, 0.55%

LAB 70.1, 16.43, 61.16

 

CMYK 0 / 51 / 76 / 11

HEX #E26F36

RGB 226 111 54

HSL 19.88, 0.75%, 0.55%

LAB 59.71, 41.08, 50.92

 

CMYK 31 / 0 / 76 / 11

HEX #9CE236

RGB 156 226 54

HSL 84.42, 0.75%, 0.55%

LAB 82.77, -46.18, 71.27

 

CMYK 52 / 0 / 76 / 11

HEX #6DE236

RGB 109 226 54

HSL 100.81, 0.75%, 0.55%

LAB 80.69, -61.24, 68.56

 

CMYK 72 / 0 / 76 / 11

HEX #3FE236

RGB 63 226 54

HSL 116.86, 0.75%, 0.55%

LAB 79.45, -71.33, 66.94

 

CMYK 76 / 0 / 59 / 11

HEX #36E25C

RGB 54 226 92

HSL 133.26, 0.75%, 0.55%

LAB 79.59, -69.13, 52.44

 

CMYK 76 / 0 / 39 / 11

HEX #36E28A

RGB 54 226 138

HSL 149.3, 0.75%, 0.55%

LAB 80.19, -62.09, 31.1

 

CMYK 31 / 0 / 76 / 11

HEX #9CE236

RGB 156 226 54

HSL 84.42, 0.75%, 0.55%

LAB 82.77, -46.18, 71.27

 

CMYK 35 / 0 / 85 / 4

HEX #9FF524

RGB 159 245 36

HSL 84.69, 0.91%, 0.55%

LAB 88.35, -53.66, 80.86

 

CMYK 31 / 0 / 76 / 11

HEX #9CE236

RGB 156 226 54

HSL 84.42, 0.75%, 0.55%

LAB 82.77, -46.18, 71.27

 

CMYK 27 / 0 / 65 / 18

HEX #98D049

RGB 152 208 73

HSL 84.89, 0.59%, 0.55%

LAB 77.44, -38.65, 59.07

 

CMYK 21 / 0 / 52 / 26

HEX #95BD5B

RGB 149 189 91

HSL 84.49, 0.43%, 0.55%

LAB 71.92, -29.4, 44.77

 

CMYK 15 / 0 / 36 / 33

HEX #92AB6E

RGB 146 171 110

HSL 84.59, 0.27%, 0.55%

LAB 66.8, -19.38, 28.63

 

CMYK 7 / 0 / 16 / 40

HEX #8E9880

RGB 142 152 128

HSL 85, 0.1%, 0.55%

LAB 61.45, -8.11, 11.43

 

CMYK 0 / 10 / 76 / 11

HEX #E2CB36

RGB 226 203 54

HSL 51.98, 0.75%, 0.55%

LAB 81.37, -7.17, 71.75

 

CMYK 10 / 0 / 76 / 11

HEX #CBE236

RGB 203 226 54

HSL 68.02, 0.75%, 0.55%

LAB 85.68, -28.07, 75.04

 

CMYK 31 / 0 / 76 / 11

HEX #9DE236

RGB 157 226 54

HSL 84.07, 0.75%, 0.55%

LAB 82.82, -45.82, 71.34

 

CMYK 50 / 0 / 76 / 11

HEX #70E236

RGB 112 226 54

HSL 99.77, 0.75%, 0.55%

LAB 80.8, -60.41, 68.7

 

CMYK 71 / 0 / 76 / 11

HEX #42E236

RGB 66 226 54

HSL 115.81, 0.75%, 0.55%

LAB 79.51, -70.84, 67.01

 

CMYK 35 / 0 / 86 / 32

HEX #70AD19

RGB 112 173 25

HSL 84.73, 0.75%, 0.39%

LAB 64.49, -40.85, 61.75

 

CMYK 35 / 0 / 86 / 18

HEX #88D11E

RGB 136 209 30

HSL 84.47, 0.75%, 0.47%

LAB 76.64, -47.2, 71.61

 

CMYK 31 / 0 / 76 / 11

HEX #9CE236

RGB 156 226 54

HSL 84.42, 0.75%, 0.55%

LAB 82.77, -46.18, 71.27

 

CMYK 25 / 0 / 61 / 9

HEX #AEE75A

RGB 174 231 90

HSL 84.26, 0.75%, 0.63%

LAB 85.45, -39.44, 61.11

 

CMYK 19 / 0 / 47 / 7

HEX #BFED7E

RGB 191 237 126

HSL 84.86, 0.76%, 0.71%

LAB 88.52, -32.51, 48.73

 

CMYK 31 / 0 / 77 / 11

HEX #9BE235

RGB 155 226 53

HSL 84.62, 0.75%, 0.55%

LAB 82.71, -46.59, 71.5

 

CMYK 76 / 0 / 31 / 11

HEX #36E29D

RGB 54 226 157

HSL 155.93, 0.75%, 0.55%

LAB 80.52, -58.33, 21.78

 

CMYK 0 / 76 / 0 / 11

HEX #E236E2

RGB 226 54 226

HSL 300, 0.75%, 0.55%

LAB 56.39, 81.72, -51.19

 

CMYK 31 / 0 / 77 / 11

HEX #9BE235

RGB 155 226 53

HSL 84.62, 0.75%, 0.55%

LAB 82.71, -46.59, 71.5

 

CMYK 76 / 31 / 0 / 11

HEX #369DE2

RGB 54 157 226

HSL 204.07, 0.75%, 0.55%

LAB 61.99, -6.24, -43.24

 

CMYK 0 / 76 / 31 / 11

HEX #E2369D

RGB 226 54 157

HSL 324.07, 0.75%, 0.55%

LAB 53.21, 72.48, -16.29

 

CMYK 31 / 0 / 77 / 11

HEX #9BE235

RGB 155 226 53

HSL 84.62, 0.75%, 0.55%

LAB 82.71, -46.59, 71.5

 

CMYK 76 / 0 / 31 / 11

HEX #36E29D

RGB 54 226 157

HSL 155.93, 0.75%, 0.55%

LAB 80.52, -58.33, 21.78

 

CMYK 46 / 76 / 0 / 11

HEX #7B36E2

RGB 123 54 226

HSL 264.07, 0.75%, 0.55%

LAB 41.75, 63.62, -75.56

 

CMYK 0 / 76 / 46 / 11

HEX #E2367B

RGB 226 54 123

HSL 335.93, 0.75%, 0.55%

LAB 52.1, 69.07, 2.36

 

CMYK 31 / 0 / 77 / 11

HEX #9BE235

RGB 155 226 53

HSL 84.62, 0.75%, 0.55%

LAB 82.71, -46.59, 71.5

 

CMYK 76 / 0 / 8 / 11

HEX #36E2D1

RGB 54 226 209

HSL 174.07, 0.75%, 0.55%

LAB 81.72, -45.8, -3.92

 

CMYK 46 / 76 / 0 / 11

HEX #7B36E2

RGB 123 54 226

HSL 264.07, 0.75%, 0.55%

LAB 41.75, 63.62, -75.56

 

CMYK 0 / 76 / 69 / 11

HEX #E23647

RGB 226 54 71

HSL 354.07, 0.75%, 0.55%

LAB 50.99, 65.55, 32.1

 

Description

Color code: HEX #9BE235 | qconv.com Color code: HEX #9BE235 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 226 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 226 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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